Counting Down to the Second Anniversary of Grief

I’ve been on a grief hiatus for a few months — no major upsurges of grief — but yesterday, for no apparent reason, I started crying, and I’ve been crying on and off ever since. I’ve been trying not to think of the upcoming two-year anniversary of my life mate/soul mate’s death, trying to look ahead to the future, trying to find something to be passionate about (or at least something to hang my life on). Despite the exhaustion of attempting to put a good face on the seemingly bleak future, I thought I’d been doing well.

And then came the tears.

It still surprises me that the body remembers even when the conscious mind doesn’t. I’d forgotten that yesterday was the two-year anniversary of the last time we talked, the last time we were together in our home, the last time we touched. But something deep inside, something beneath thought, remembered. And grieved.

Two years ago yesterday, the hospice nurse expressed concern for us. I hadn’t slept in I don’t how many days, and neither had he. Some people, as they near death, suffer from what is called terminal restlessness. In his case, the rapidly growing tumors, his impossibly fast heart rate, the morphine, and various other factors made it impossible for him to be still. He wanted/needed to be on his feet, moving, always moving. And since he was too weak to be left alone, I would pace with him.

That last morning at home, the nurse suggested that he go to the hospice care center for a five-day respite, and he and I agreed. He knew I needed sleep (though ironically, I got very little sleep those days) and I thought they would adjust his dosages to give him the most alertness and the least pain. But they never tried. They dosed him with tranquilizers to keep him in bed, and he never had another moment of consciousness.

Those days were exactly two years ago. And I remember them as clearly as if they were happening now. I watched him die. I was there at the end. As agonizing as that was, I know there are worse things. I might not have been there when he took his last breath. I might not have witnessed the very moment he left my life. I might not have been able to say good-bye. Unlike many bereft, I don’t have to deal with those regrets.

For a long time I regretted taking him to the hospice care center — I felt as if I’d deprived him of one more day at home, one more day of lucidity, but in the end, I suppose there was no other choice. He’d stopped being able to swallow, the morphine made him disoriented, and the tranquilizers they prescribed to stop the terminal restlessness made him delusional. I’m glad he doesn’t have to deal with his body any more, but oh, I so wish I could see him once more, or talk to him on the phone, or go back to his store where we spent so much time when we were young and new.

I hope death feels better from the other side than it does from this side, because the only thing that brings me peace is the belief that he is no longer suffering. It’s strange to think that the very moment his suffering ended, mine began. I never expected to grieve. He’d been sick for so very long that his death came as a relief, but when the truth hit me, it hit with the force of a cyclone. And two years later, I am still whirling from the pain.

All Books Are Not Created Equal

This anything-goes publishing world has been perplexing me for quite some time now, both as an author who is trying to find a place in the wild book frontier of throw-everything-out-there-and-see-what-sticks and as a reader who is trying to find sanity and good-editing and great story-telling among the millions of books being offered for sale.

People think that good books will rise to the top, that such books will automatically find a readership, but that is not always the case. Wonderful books are being overlooked, and dreadful books with no redeeming value are filling millions of Kindles. Shrugging off the conundrum as “survival of the fittest” doesn’t help matters, because in this case, it seems to be matter of devolution, of having to accept typos, poor grammar, ridiculous errors of fact, and an appallingly low standard of literacy. Compounding the problem is that many good writers, who have to watch their books stagnate, no longer see the point in writing, which lowers standards even more.

I used to think this was a matter of a breakdown in the filtering process. If authors have to submit their books to publishers, if they have to go through an editing and copyediting process, then books have a minimum of errors and at least a modicum of good storytelling. Or at least they used to. Even the major publishers are lowering their quality control. If their aim has always been to sell the lowest common denominator, and if those people don’t care about quality, then there is no point in adding to the expense by doing the work. Nowadays, when the fastest selling self-published authors are those with an ever growing stream of books, quantity and not quality are the key.

The real problem as I have come to see is not one of filtering, but of strata. There used to be definite strata when it came to readers. People stuck to their own genres, though even within a genre there were definite layers of quality. Some romance writers, such as Colleen McCullough, rose to iconic status. Others, such as Danielle Steele, were firmly entrenched in the lower middle. And still others churned out myriad books for lowest of the low, Harlequin and Silhouette and the other subscription publishers.

And never, except for perhaps the iconic writers, did anyone consider these books to be great writing. (Most could not even fall under the heading of good writing.) And never did the best writers have to compete or be compared to these writers. Yet that is what is happening today. With Amazon taking hold of the book business and running away with it, demarcations between utter trash and high quality books have completely disappeared. All books are thrown into the slush pile, all are ranked by the same classification system, all are treated equally.

But the truth is, all books are not created equal. Just because a book is uploaded to Amazon, just because it sells, it does not mean the book is worthwhile. A badly written book with no redeeming value is still trash, but few people seem to notice, and fewer seem to care.

***

See also:


The Top Ten Reasons We Need a Good Laugh by Lazarus Barnhill

I needed a good laugh today, and while this post by fellow Second Wind Author Lazarus Barnhill might not have given me the laugh I needed, at least he explained why I needed it. And he made me smile, so that’s a step in the right direction. I hope you enjoy Lazarus Barnhill’s article as much as I did.

The Top Ten Reasons We Need a Good Laugh by Lazarus Barnhill

A couple weeks ago I tried an experiment. For a solid week I turned off my computer at 11:30 and turned on the TV. I alternated daily between watching the monologue of Jay Leno and of David Letterman. My goal was to determine which of the two was the better comedian. I watched Leno Monday and Wednesday and Letterman Tuesday and Thursday. What did I decide? . . . Well, honestly, neither one of these guys is all that funny. On Friday I watched Leno’s monologue and then tuned in to Letterman’s famous “Top Ten” list. That made it official: you can combine the two and they still aren’t funny.

In my judgment (and I realize this is strictly my jaundiced opinion), these two guys are unfunny for different reasons. Leno constantly goes for the quick, easy, often dumb joke. His studio audience responds with regularly timed courtesy laughs, so much so I wonder how they’d respond if he said something really funny. Occasionally he does say something fairly clever, but his delivery is so popeyed and cute that it spoils the gag—like someone ruining a joke by laughing at his own punch line.

Letterman doesn’t really try to be funny so much as he coasts along trying to be hip. His entire presentation is a perpetual NYC insider joke: “I’m too fashionable to do anything but pretend to take this seriously; and if you’re hip, you’ll laugh at this pretense along with me.” The currency of Letterman’s humor is patronizing cuteness. His Top Ten list is an exercise in hipness, a big part of which is making certain nothing really funny ever gets listed.

So what? Well the reason I tried my little experiment was because I needed a good laugh. Ever been there? And what can be crueler than tuning into a TV comedian who gets millions of dollars a year because he’s supposed to be funny and not getting anything like a legit chuckle? I have this burning desire to express a thought to these two guys: you two are paid to make us laugh; we have no desire to listen to your pandering and coasting. Once upon a time, each of you knew how to be funny and you need to find that place again—and here are the top ten reasons we need a good laugh:

10. We need to remember we’re still alive. A good laugh is living proof of living. Among the prominent things dead folks don’t do is laugh.

9. We need to show God we can take a joke.

8. Laughter is free. And it’s free to laugh at people who are at different economic stations than we are. [True story: Year ago I went to an independent film at the ritziest theater in St. Louis. There I saw a well-to-do fellow come up to the kid running the concession stand and inform her that she had to hold his pager during the show so she could come get him if it went off. Funniest thing about it—the guy had utterly no idea why I was laughing.]

7. Laughter is a universal time machine, taking us individually back to our best or worst moments without cost, grief or regret.

6. A good laugh washes away our anxiety; that is, it yanks us out of what we regret (the past) and what we fear (the future) and brings us back to the present, if only for a moment. We see things more clearly after a good laugh, and make better decisions.

5. A good laugh is hard-wired into reality and truth. A spontaneous belly-laugh momentarily cuts through the sham and self-deceit of civilized living like a breath of cool, fresh air in a stuffy, moldy room.

4. A good laugh is spiritual, like a miracle: you never see it coming; it overwhelms you despite yourself; you can bask in it and be refreshed.

3. It’s a presidential election year. Presidential election cycles should be renamed: “the year of living seriously.” When did a political candidate say something funny that wasn’t a dig at somebody else?

2. We need to laugh down the walls between us. Being serious, earnest and worried about our differences hasn’t worked.

1. We all have at least ten things to cry about.

True story: On lucky April 13, 1988, my beloved red Nissan pickup was totaled in downtown Tulsa by a drunk driver who ran a red light and t-boned me. After making sure the other driver (and his drunken girl friend) were not seriously injured, I stood in the middle of the intersection looking at my crumpled vehicle. A tall, earnest fellow hustled out of the Dodge dealership on one corner of the intersection, informed me that he had called the police and said, “This may be a bad time to ask this, but are you in the market for a truck?” For a split second I was furious. And then I laughed, a nice big, curative laugh. I don’t need anymore car wrecks—but I could use a few more good laughs.

***

Lazarus Barnhill is the author of Lacey Took a Holiday and The Medicine People, available from Second Wind Publishing.

Steampunk Collaboration

I’m cheating tonight. I spent so much time writing a possible time travel scenario for the steampunk collaboration I’m involved in with seven other authors, that I didn’t have time to write a blog. So I’m posting the scenario. What do you think?

Possible time travel scenario:

A tourist is found dead in a time travel machine, clutching some sort of gizmo in his hand. Knowing that a death could kill business in what is supposed to be a safe traveling mode, the operators of the Time Travel Company decide to investigate.

They have some sort of recordings of where the traveler has been, one from each era he visited, (secret, of course, since if the tourists knew they were being recorded, it would put a damper on business) and the Time Travel Company sets employees to watching these tapes (crystals? discs? a sophisticated version of Babbage’s difference engine or analytical engine?). Since it’s real time, they all watch at the same time, otherwise it could take weeks for them to see what went on during the tourist’s trip. Perhaps news of the death leaked, and if they don’t discover the truth fast, they will be ruined, so time if of the essence. This is how we could get by the problem of doing five sets of eight chapters. After each set of chapters, the TTC operator and a trusted employee could discuss what they saw, see if there were any abnormalities, and when they don’t find anything out of whack, they continue watching the tapes.

Since our guy is by himself, posing as a tourist, chances are his reasons for traveling are personal. Considering that coal is such a polluter, perhaps his wife died of lung cancer, and if they weren’t wealthy, chances are they couldn’t get out of the city to clean air. Maybe he studies alchemy texts, finds a way to produce clean steam by means of cold fusion or atomic energy (supposedly the alchemists knew how to do this without producing radioactive side effects) or some other energy source, and he wants to go back to the past to find someone who will utilize the machine so that by the time his era comes around, there is no pollution. (There’s no point in his finding backers in his own time since his wife is already dead.) Another possibility is that he is looking for a way to blow a hole in time to change things, so that perhaps by the time he gets back to his era, things will have changed. He is killed before he can put his plans in motion. It would be up to you to decide why your character would want to kill him to maintain the status quo.

If he is lower class (or low middle class) his clothes would not be out of place in any period in the steam era. This would save him from traveling with an extensive wardrobe.

He and his agenda would be the unifying factor of all the POV characters. You tell the story from your character’s POV, but he is a major character in your substory. During each set of chapters, he grows more and more frantic, since he can’t find what he wants (someone to give his gizmo to, or perhaps a way to use it to blow a hole in time to change the future. We don’t see the end of his story, the TTC has to figure it out, because once he is dead, his story ends. We would not know in which era his story ended, because in the past, all time happens at the same time.

The benefits of this scenario are that the authors can decide what year/era they want their character to live in, can write their story without much regard to other authors’ stories (except to keep the tourist consistent), and the tourist would provide the unifying factor without having to spend weeks trying to figure out what all the chapters have in common. Another benefit is that the scenarios wouldn’t have to be based on history, but could be more personal as long as they were consistent with the time period you choose.

The drawbacks are that you might not be able to tell the story you want — you’d have to keep the story simple, focused on both your character’s agenda and the tourists, and somehow link them. You’d have to pick a past era, rather than a fanciful future era since a future era would do our traveler no good. And you’d have to pay attention to how the other authors develop the character of the tourist to keep him consistent.

If you don’t like this scenario, we can still do the one we talked about where all of our characters once were members of a think tank, and now someone is killing all the members. The remaining members (our characters) get together to figure out who the perpetrator is and why he wants them dead, and they discover that the assassin is one of them.

Either scenario would work for our purposes.

List of Loaths

I have a list of words and phrases I loath.

Giving 110% – – A physical impossibility, and even if it were possible, your energy and fluids and muscles fibers would be so debilitated that you might not be able to recover

24/7 — The only thing you can do 24/7 is breathe. This monstrous figuration is particularly loathsome when  used in conjunction with 110%. Giving 110% 24/7. Yeah, right.

Coed — This is a sexist term that was born in the nineteen thirties when women enrolled in previously all-male colleges, and it is a term that should have died there. Men were educated, women were coeducated. Not the same thing at all.

Intestinal fortitude — This term ties my guts in knots. Use plain old “fortitude” or have the guts to say “guts”. Even better, use the word “courage”.

Veggies — I should have put this at the top of my list. This one really grates. What is wrong with “vegetables”? Are we children, that we need cute words to entice us to eat foods that are good for us?

Today, I’m adding a couple of new phrases to my list of loaths. With election year politics fouling the air, this is a good time to mention them since you are probably as sick of hearing these hyperboles as I am. These phrases refer to POTUS, the president of the United States.

The most powerful man in the world. Uh, yeah. Don’t even know where to start with this one. There are men and women in the world who head debt-free conglomerates who could buy and sell the United States. These folks buy presidents with petty cash. They shell out billions of dollars to lobbyists to make sure their agendas are met. They buy zillions of tickets to $1000 plate dinners to make sure that their needs are known.

Our government is basically a committee. The president has advisors, has to answer to appropriations committees and other congressional groups who have the power to squelch his demands. He has to answer to his party, and most of all, during his first year, he has to pay attention to the polls. The only goal a president has his first term is to get re-elected to a second term. Doesn’t sound all that powerful to me.

Perhaps POTUS is the most powerful celebrity, perhaps he is the most powerful elected official, perhaps he is the most powerful public relations icon. But he is not the most powerful man in the world. Nor, as I have heard several times lately, is he the most powerful man in the solar system. I can’t even imagine the foolish minds that come up with this stuff.

The leader of the free world. Says who? Does anyone in France consider POTUS their leader? Does anyone in England? Or Germany? Or Canada? And what is the free world anyway?

Please, before you use such in inanities in your writing, pay attention to what you are saying. I just a picked up a book where, in the first chapter, POTUS was called the most powerful man in the country. In the second chapter, he was called the most powerful man in the world. In the third chapter, he was called the most powerful man in the solar system. I didn’t stick around for the fourth chapter, where I’m sure POTUS would have been called the most powerful man in the universe. I many not know much, but I do know this: POTUS is not now, nor ever will be, the most powerful man in the universe.

What is Life? What is Death? And What do Such Questions Have to do With Grief?

I always like when people think out loud here on my blog, when something I have said strikes an answering chord, and often when they’re not sure if they are making sense, they make the most sense to me. The only good thing about my grief is that I’ve met some wonderful people who are struggling with the same questions I am, and I’ve had some thought-provoking discussions about the meaning of life, death, grief, and whether any of it matters.

Leesa from Leesis Ponders believes that it does matter. She wrote on her blog:

I have spent my whole life asking if there is a god and if so what does it have to do with me.

And for me, life matters.

The search for self that blends into all matters.

The way we act towards others matters.

The way we raise our kids matters.

The way we treat the less empowered matters.

Leesa has been here with me through almost two years of grief, letting me know that my grief matters, that life matters.

In a previous post, Falling Into Grief, I wrote: Before people fall in love, they haven’t a clue of its true power, and then it washes over them in a life-changing moment. Before you fall into grief, you haven’t a clue of its true power, but it too washes over you in a life-changing moment, and all but drowns you. Even though I’ve experienced so much of what grief does to a person, I still can’t believe its power. The way grief reflects falling in love as in a very dark mirror, there has to be a hormonal component. I know stress releases hormones, as does shock. Adrenaline courses through your body, and there are changes in brain chemistry that produce hormones. Your immune system goes on hold.

Leesa responded: one thing you are absolutely spot on about is that we don’t know the power of falling in love nor the power of grief, nor indeed the power of love when ones baby is born until we actually experience it. The reality of life seems to be that our most intense experiences in life are about our deepest connection to each other. These experiences are life altering and this goes way beyond the DNA imperative.

For me personally then questions upon questions arise. Why is this intimate connection our deepest need, our greatest joy?  What is pain about? What is the sense of being alone about? How does our idea of separating off into couples and nuclear families contribute to our sense of loss when death occurs? Why are we so interdependent on each other, on the planet on everything else. And, what is death about? 

I know that many people feel they have their answers to that last question, some theologically, some via science but personally I don’t. Another bunch of folk seem to think we can’t answer such questions. I don’t agree. I think since many of us have dumped traditional theological answers or scientific reductionist responses as inadequate we’ve kind of given up questioning. I think we need to keep questioning because whilst we are subject to many biochemical reactions to life events there is a deeper reality.

Of course none of this helps a person smack bang in the middle of grief. It still has to be lived through. But I’m convinced that we need to keep asking. I hope this makes sense to what you’ve written…I’m not sure it makes exact sense to me. I guess I just feel that once we truly understand more our experience of these events will be perceived differently…perhaps the pain will be the same but perceived differently. I’m not sure really but I am sure we don’t know enough to interpret meaning yet.

Leesa’s question, “What is death about?” haunts me. She’s right — many people do think they know the answer, but there is no way to know for sure, which is why it’s called a “belief” and not a “surety.” I do think there is a deeper reality, I’m just not sure our conscious selves are a part of it. We are so much a product of our genetics, our hormones, our brains (anyone who has had to cope with an Alzheimer’s sufferer or a loved one who had cancer in their brains, and found a stranger in that familiar body, knows how much the brain controls who we are), that I’m not sure how much of “us” survives.

There is a theory that our bodies are like television channels, receptors for certain wavelengths, so that our “souls” actually reside outside our bodies, but what does that have to do with life in our bodies?.

My friends laugh at me (affectionately) when I ask what we’re supposed to do with eternity. We have no mouths to talk, no hands to write, no arms to hug, no eyes to read or watch movies, no legs to walk.

On the other hand, if human life is a spectrum as I postulated a few days ago, then perhaps the spectrum of a human life is the same sort of spectrum as light — beginning long before the visible part appears and ending long after the visible part disappears. Of course, the non-visible parts of the electromagnetic spectrum aren’t light but sound and radiation and other invisible waves, so whatever exists outside of the visible human spectrum might be something completely different from we can ever imagine.

When I get lost in the questioning, I hold tight to Leesa’s credo that such such questions matter, that life matters.

Falling into Grief

I wonder how much of grief is hormonal. I often think of the young women who have their lives mapped out, want to accomplish so much, are on the fast track to success and then . . . whap. They meet the love of their life, and all of a sudden, their lives, their plans, their dreams all change. Those sex/nesting/procreating hormones are so powerful, they can derail your life, make you see things in a different light, make you do things you would never do. Women who never wanted kids start dreaming of cradling sweet-smelling bundles, look for houses in neighborhoods with good schools, invest in SUVs. People call this maturity, but basically, it’s just hormones and preprogrammed DNA kicking in. After all, in terms of genetics and evolution, we are just DNA machines, and everything works together to make sure we do our duty.

Grief does the same thing. It makes us see things in a different light, makes us want things we’d never thought about, derails all our plans, makes us do and feel things we never thought possible. Changes us. People think grief is a choice, but it isn’t — it’s something that’s thrust on us. There is no way we can choose to feel things we never imagined possible. I thought grief was a quiet melancholy, a sweet nostalgia, a pervasive sadness. Grief, for me was none of those things. (Well, that’s not strictly true — it’s how I felt when my brother and my mother died, but did not at all resemble how I felt after my life mate/soul mate died.)

A friend of mine wrote me: I have done therapy for 40 years. I have worked with people who have lost kids, spouses, parents, dogs everyone and every kind of pet. I had NO clue what it was really like in spite of losing my best friends and parents. I think a therapist who counsels someone in grief should have gone through a loss like you and I have before she/he tries to help someone. God knows there are enough of us out here who REALLY know grief. NOW I am one of them. (I hope she doesn’t mind I passed this on, but it is too important to keep to myself.)

Before people fall in love, they haven’t a clue of its true power, and then it washes over them in a life-changing moment. Before you fall into grief, you haven’t a clue of its true power,  but it too washes over you in a life-changing moment, and all but drowns you. Even though I’ve experienced so much of what grief does to a person, I still can’t believe its power. The way grief reflects falling in love as in a very dark mirror, there has to be a hormonal component. I know stress releases hormones, as does shock. Adrenaline courses through your body, and there are changes in brain chemistry that produce hormones. Your immune system goes on hold.

Do our bodies know we are no longer mated and ratchet back the DNA machine? I do know there is some effect on the limbic system. The lizard brain, which has been slumbering peacefully beneath our consciousness, wakes up and screams, “What?? I could die?? Say it isn’t so!” That’s a bit fanciful, so many of us feel it deep inside, the hurt of an animal who suddenly realizes there is an end. (As if there isn’t enough to contend with when if comes to grief.)

I don’t suppose it really matters what causes the physiological changes of grief — hormones, stress, agony, lizard brains. The primary cause is what matters. Someone we were deeply connected to died, and we fell into grief.

Dealing With Grief After a Loved One’s Long-Term Illness

There are so many misconceptions about grief that still, after two years of being steeped in the culture of the bereft, I am surprised by people’s comments. I met a woman the other day who asked about my experiences with the death of my life mate/soul mate, and when I told her that he had been sick for many years, she said, “It must have been a lot easier for you than if he had died suddenly in a car accident or something.” Um . . . no.

All deaths bring trauma to the survivors, and you cannot compare relative severities. If someone dies suddenly, the survivors have to deal with unbelievable shock, with the dreadful chores of laying the dead to rest, with the after effects of the loss, with the despair of not having been able to say good-bye, with finding hurtful troves of personal belongings that the deceased would have gotten rid of if they had known they were dying, and probably dozens of other issues of which I am unaware.

If someone dies after a prolonged illness, you still have the shock. Even though you know the person is dying, you get used to it. Their dying becomes a fact of your life, and you just somehow assume that is the way it will always be — their dying, your struggling to live despite it. And when they die, it comes as an unbelievable shock. And, as with any death, the total goneness of the person adds to the confusion and shock. You expected to feel the same way when they were gone as you always did, because, after all, you’d been preparing yourself for years for that eventuality. But you don’t feel the same, you don’t feel any way you could ever have imagined. The onslaught of physical/emotional/spiritual trauma is the same as if he had died suddenly, because all death is sudden. He is alive and then a fraction of a second later, he is dead. There is no in between state. And there is no way to prepare yourself for his total goneness. Nor is there any way to prepare yourself for the reactions of your body and mind. These reactions come without your knowledge, your consent, or your inclination.

Afterward, of course, you have to deal with the chores of laying the dead to rest and with the effects of the loss. Sometimes you have to deal with the despair of not having been able to say good-bye — often doctors hold out hope, wrongly assuming they are doing you a service, when in fact the truth would have been more compassionate. At the very least, you’d have had a chance to say good-bye. This might not seem like much to those who have not suffered a grievous loss, but I did have a chance to say good-bye, and it brought me enormous comfort over the past couple of years. I cannot imagine the pain of not being able to say good-bye or saying one last “l love you” or hugging one more time. Those are moments that are stolen from so many bereft, moments that can never be captured.

Those whose loved ones take many years to die end up with all sorts of traumas and issues because of the long dying. You hate yourself for having taken his dying for granted. You are appalled at yourself for all the times you got angry at or irritated by his infirmities. You feel guilty that you held fast to your own life while his seeped away. You wish you could take back every impatient word, every bristling stance, every horrible thought. (I remember once wishing he’d just die and put us both out of our misery. It was a fleeting thought, and understandable, but still, I wish I’d been less human at that moment and more humane.) All of these traumas add to your grief, because each has to be acknowledged, understood, forgiven.

If your mate died after suffering a long time, you do have the scant comfort of knowing he is no longer in pain, but you also have to deal with the agonizing corollary that he shouldn’t have had to suffer at all.

Even if it were easier to deal with death after a prolonged illness rather than a sudden death, (or vice versa) the truth is still the same, and still unbearable. He is dead, and there’s not a damn thing you can do about it.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Saying “Yes” to Life, and to Steampunk

I’ve been invited to participate in another collaborative novel, similar to the Rubicon Ranch project, only instead of a thriller, this collaborative effort will be steampunk.

I don’t know anything about steampunk. Know even less about the Victorian era. And know less than less about steam-driven machinery. So, of course, I agreed to do the project.

I crave anything that is different from what I know — different tastes, different experiences, different challenges. Ever since the death of my life mate/soul mate, it seems a waste (or a stagnation) to do what he and I always did. He might be moldering in the grave (or rather in a funerary urn) but it’s a disservice to both of us if I molder, too.

John Berryman wrote:

A voice calls, “Write, write!”
I say, “For whom shall I write.”
And the voice replies,
“For the dead whom thou didst love.

This quatrain could just as easily exhort, “Live, live for the dead whom thou didst love.”

Sometimes it feels as if this is still our life — his and mine — only I am here and he is . . . wherever. Perhaps I’m here to live for both of us. Or maybe, now I’m here to live just for me.

When we met, I was at my most spontaneous. Something about his being in the world made it seem as if life were full of possibilities, and I grabbed hold of life with both hands and ran with it. Years later, as he got sicker, as life took its toll on our finances, and the possibilities shrank, our lives became staid and planned to take his infirmities into consideration. He told me once he regretted that the constraints of our life destroyed my spontaneity, and he was sorry to be the cause of it.

It’s not something I like to face, but the last years, and especially the last months of his life were terrible for both of us. And, something I like to face even less is that his death set me free. The best way to honor my mate’s life and his great gift of freedom is to take back the thing he thought he stole from me, so I’ve been practicing spontaneity. Which means, saying yes to challenges. Saying yes to life. Saying yes to steampunk

So why steampunk? Why not? I’m a writer. I can fake it. I’ve also got the internet with all its research capabilities to help me. And it’s something I would never have considered writing. All good reasons.

Wikipedia defines steampunk as “a sub-genre of science fiction, fantasy, alternate history, horror, and speculative fiction that came into prominence during the 1980s and early 1990s. Steampunk involves a setting where steam power is widely used — whether in an alternate history such as Victorian era Britain or “Wild West”-era United States, or in a post-apocalyptic time — that incorporates elements of either science fiction or fantasy.”

In “How Do I Write A Steampunk Story?” Dru Pagliassotti says, “Steampunk fiction consists of two elements — the steam, or gaslamp aesthetic, iconography specific to the genre — and the punk, a critical ideology or political stance that satirizes, challenges, or subverts societal trends.”

Kat Sheridan, a friend who took a steampunk writing class wrote me, “Remember, steampunk is all about breaking the rules and throwing conventions out the window!”

Should be fun. I’ll let you know how it goes.

The Shoulder Season of Grief

I had a rough time around the publication of my new book, Grief: The Great Yearning, due partly to the fact that the story of me and my life mate/soul mate has been told and is now contained between the covers of a book, and partly to the realization once and for all that he is never coming back. I already knew that of course, knew it from the moment he died, and I came to that same realization dozens of times afterward, but this time I reached rock bottom of acceptance, and it took. Surprisingly, the last couple of days have been good ones. My emotional state evened out, and I felt light. It wasn’t just that my grief took a hiatus, but also that my anger had dissipated. I’ve been angry for so long, since way before he died, that it became my default state. Because of that, I didn’t even realize I’ve been angry.

For many years, we sustained loss after loss — his health, our business, security — and finally, his life. So many reasons to be angry. I haven’t been furious or enraged, just a quiet anger that went soul deep. So, why did the anger leave me, even if only temporarily? I don’t know. Perhaps because the realization he is never coming back brought the knowledge that the past really is the past. Or perhaps this is simply the latest stage of my grief, a letting go. Or perhaps it’s because spring is almost here.

Whatever the reason, I no longer fear the third year of grief. I expect to experience grief upsurges, but for the most part, I think I’ll be entering the shoulder season of grief.

In the travel business, the time between the high season and the low season is called the shoulder season. I’m coming up on the two-year anniversary of his death. I will probably have some unbearably sad days as the date approaches, but after the anniversary, I could be entering a time of not-grief but not non-grief, either, a bit of a shoulder between the wildness of my early grief and the road to the rest of my life.

I still don’t know what I’m going to do with my life, but I feel a quickening of interest. If I let myself, I still panic at the thought of growing old alone, of being old alone, of dying (although the idea of being dead doesn’t bother me, dying does — it can be a terrible thing) but I still have many good years left. I actually might accomplish something. Or not. I’m not sure if I want to “do” or if I want simply to “be”. I do have a new philosophy, though — the platinum rule. If the golden rule is to treat others the way you would want them to treat you, then the platinum rule is to treat yourself the way you would want others to treat you. So, I intend to be kind to myself, to be patient with my deficiencies, to be proud of my accomplishments. And I intend to encourage myself to be bold and adventurous.

Sounds like a good beginning to my shoulder season of grief.