Living on the Edge

Some of my happiest times during the past few years have been when I have been standing on the edge of places.

On the edge of a canyon:

Black Canyon of the Gunnison -- north rim

On the edge of a lighthouse:

Lighthouse

On the edge of a pier:

Ventura Pier

On the edge of the continent:

Atlantic Ocean

On the edge of a day:

Ocean Sunrise

I’m not sure why edges have such appeal for me. Perhaps it’s because when I am on an edge, I can see a long way, catching glimpses of possibilities far in advance of their appearance. Or perhaps it’s because edges create a boundary between two very different areas — land and sea; balcony and air, cliffs and gorges, night and day — and such differences mirror my own internal boundaries. Or perhaps it’s more symbolic, a precursor to the time when I will be standing on the edge of life, looking out onto . . . who knows what.

Some people “collect” lighthouses, going from one to another, taking pictures, maybe even getting stamps in a lighthouse passport. I considered making such a trek someday, but what I’d really like to do is visit edges of places.

Maybe that’s where I’ll finally find happiness: living on the edge.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

How Much of the Truth do We Owe to Others?

Today someone told me I was evil. It wasn’t a joke — the person meant it — and I had no response to that.

Being called an evil woman sounds much more romantic than what I am — someone who’s doing the best she can in a world gone awry. I admit my efforts sometimes fall flat, and once in a great while I make a given situation worse rather than better, especially when my loyalties are divided. As do we all. But that’s not being evil. That’s being human.

I don’t believe I’m evil, but the reason I couldn’t find a response to the accusation is that it made me wonder: If I am evil, would I know?

Think of all the wars begun in the name of God. Think of all the prejudice fomented by religious folk who adhered too closely to the dictates of the Old Testament. Think of all the pregnant teenagers thrown out into the snow by self-righteous parents. Think of all the people who have harmed others in the name of doing the “right” thing. Did any of these people believe they were evil? Of course not. I’m sure the devil wouldn’t even consider himself (or herself) evil. Like all villains, he/she is the hero of his/her own story. In his/her mind, he/she is the true force of the universe, while God is the evil one.

UntitledgThis person who believes I am evil based the assessment of me partly on lies I supposedly told, though I have no idea what those lies are. They can’t mean much in the big scheme of things, because I never lie for malicious purposes, though I do occasionally lie to protect me or someone else. And anyway, how much of the truth do we owe others? For example, if someone asks our weight, do we owe him/her the truth? If the person asking is a doctor or a health insurance company, of course, we owe them the truth, just as they owe us the truth about our medical condition, but otherwise divulging information about our weight is not a requirement. Offering a lie, perhaps giving a weight we are comfortable acknowledging, is usually more tactful and much easier than a direct refusal to answer.

We often lie without thinking about it, such as exaggerating our accomplishments a bit so that we come across both to ourselves and to others as being better than we are, but so often these lies are nothing more than hopes verbalized. Sometimes we downplay our accomplishments in the name of modesty. And sometimes we “fudge” the truth, not telling the truth, but not telling a direct lie, either, though the result is the same — a deception.

When it comes to friendship and other relationships, we do owe a certain amount of truth, especially the truth of who we are, but we don’t owe that truth to strangers or to those who don’t have our best interests at heart. In a perfect world, perhaps, we could tell everyone the truth, but in our particular world, divulging too much about ourselves is risky. And it’s especially risky when the person who is asking for our truth is not willing to give up any of his or her truth.

And then there are those who tell us the truth, or at least the truth as they see it, for only one reason, to cause pain.

Which brings me back to my evilness and the lies I supposedly told. I wish I could apologize for these unknown lies and whatever else led to this belief that I am evil, but it is impossible to talk to someone who will not listen. So I’m doing what I always do, dumping my worries and my wonderings onto this blog.

***

Pat Bertram is the author of the suspense novels Light BringerMore Deaths Than OneA Spark of Heavenly FireandDaughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Facets of Freedom

It seem fitting that I’ve begun working on my poor stalled novel at a time when we are celebrating freedom. This book was supposed to be my declaration of independence from the dictates of the publishing industry, a story so silly it had no chance of ever being published. Oddly, somewhere along the way, the book metamorphosed from a whimsical story into something deeply metaphysical with a heavy theme: freedom vs. safety. More specifically, the book explores how much freedom we are willing to give up for safety and how much safety we are willing to give up for freedom.

Robert McfireworksKee, author of Story, wrote: “The revelation of true character in contradiction to characterization (the sum of all observable qualities) is fundamental to all fine storytelling. What seems is not what is. People are not what they appear to be. A hidden nature waits concealed behind the facade of traits.”

If my hero doesn’t know what he truly wants until he gets it, it will add another dimension to this theme. He first chooses freedom because he believes he wants freedom more than anything. Next he chooses incarceration and safety because survival becomes the most important thing to him. Then he chooses the excitement and danger of freedom over the boredom of safety because he wants to feel alive, to participate in creation, if only to create himself. Finally he accepts responsibility, which is a different facet of freedom (without responsibility, freedom is merely self-indulgence), and it turns out this is what he wanted all along.

By giving Chip an inner character in contradiction to his outer one, he should become a richer character, which in turn will allow the story to explore all the facets of the theme rather than the simple one of freedom vs. safety.

At least that’s the plan.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Dealing with Myriad Characters

It’s amazing how much I have forgotten about my work in progress, the one that’s been paused for the better part of three years. (I’ve been writing it on again and off again for six years, actually. Life and death have so often broken me away from the work, that it’s progressing on an average of 8,000 words a year. At this rate, it will be finished in three more years.)

During the first third of the book, my poor hero was mostly alone as he dealt with the affects of a world gone berserk, which created many writing challenges. It’s much easier to write with two characters so they can play off each other, butt heads, have dialogues, or whatever is necessary for the story.

The second part of the book presented an entirely different challenge — too many characters. I’m typing up a stray chapter, one I wrote three years ago, and it astonished me to count fifteen characters: my hero, his nemesis, three starfish-like aliens, plus ten supporting characters. Ouch.

Luckily, I’d done research on group dynamics shortly after I started writing this book, and so I was able to give each human an identifiable role in the group. As I found out, at times groups act like a single entity, so that also helps in dealing with myriad characters. As I wrote in On Writing: Characters and Group Mentality:

massesThere are five stages of group development:

1. Coming together and finding roles
2. Defining the task
3. Disenchantment with the leader, each other
4. Cohesion, feeling like a team
5. Interdependence, acting like a team, becoming more than the sum of the parts.

Most groups unconsciously assign roles to the members, and once these roles have been assigned, tacit agreement maintains them. The most common group roles are: leader, seducer (wants to bewitch others), silent member, taskmaster, clown, victim, oppressor, conciliator, combatant, nurse, young Turk (wants to take over the leadership), the naïf, and the scapegoat.

Groups tend to isolate one person as the source of any conflict, whether warranted or not, and they deposit their negative feelings on that person. Because my hero keeps to himself, and because the others think he’s “teacher’s pet,” he becomes the scapegoat. I don’t think he cares, though, so if you don’t care, are you still the scapegoat? Either way, that’s the role the group has assigned him.

Well, the group didn’t assign him that role; apparently I did once upon a time. It should be interesting to see what other treasures I find as I rediscover this story.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Grieving For Grief

A woman who lost her life mate/soul mate around the same time as I lost mine told me about an insignificant event that briefly stirred up her low-lying grief, and then she said, “I wonder if I were grieving for grief.”

It sounds strange, but the truth is, we do grieve for grief. Grief for a spouse or a soul mate is so all-consuming, that it fills, in a strange sort of way, the hole they left in our life. Grief, as hard as it is, makes us feel, which makes us feel alive. Grief keeps us connected, if only by pain, to our mates. Grief reminds us that we once loved, and perhaps were loved in return. Grief gives us a glimpse of the vastness of life and the void of death and makes our existence feel important, makes us feel important. When grief passes, we have none of those things, just an emotional and spiritual emptiness. And so we grieve for the loss of our grief. Eventually, I hope, we will find something to replace grief, as grief replaced our love, but who knows what that will be and when or if it will come.

One of the tasks of grief is to help disconnect us from the past so that we can embrace the future while living as fully in the present as possible without being stuck forever in the half-life of loving someone who is dead. Then, of course, we have the problem of disconnecting ourselves from the grief. Disconnecting from grief is a much easier task, of course, since we don’t bridgereally thrive on pain (I don’t, anyway. Never have been much of a masochist), but still, whether we welcomed it or not, grief does become our life. It’s how we connect to the world and ourselves. It’s how we move past the trauma of losing the one person we loved more than anyone else in the world. It’s how we bridge the gap between the meaninglessness of death and finding new meaning in life.

I can see that as my grief is waning, I am disconnecting from my life mate/soul mate. Or maybe it’s the other way around, as I’m disconnecting from him, my grief is waning.  Either way, I’ve come to the realization that although it seemed we were connected soul to soul, my mate and I are/were two separate people. For a while we traveled the same road, but now we are on separate journeys. After he was gone, I had grief as a constant companion, urging me forward, but now, with the waning of grief, I see the bleakness of myself alone, fading, dying.

But that’s not all there will be, nor is it necessarily the truth. I have years, maybe decades of life in me still. It’s just a matter of finishing the tasks of grief, of grieving briefly for the loss of grief, then heading out on the highway of life and seeing what comes my way. Sounds easy and life-affirming, doesn’t it? I wonder if the coming leg of the journey will be as hard as all the rest.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Dreaming Time is Here

After profound grief winds down, there should be a more noble state than the period of disgruntlement and dissatisfaction I am now experiencing. It’s possible this dissatisfaction is a precursor to taking action as some people have suggested, but the truth is, I still have no idea what action to take. I have no real dreams, no list of wants left unfulfilled, no idea of where to go with my life.

To be honest, I can’t go anywhere, not yet. I am still looking after my 96-year-old father, which limits me to some extent, yet at the same time offers me enough freedom to roam the nearby desert, to indulge myself in small ways, to dream.

One benefit of having let myself feel every cyclonic and cyclic aspect of my grief is that I have experienced the worst it can throw at me (at least I presume I have), so I don’t have to keep busy to prevent myself from thinking. I am free to let my mind roam without fear of where it will take me. Sometimes I think of where I’d like to travel, what I’d like to do, what I’d like to be. Other times, I let the cool desert winds blow all thoughts out of my head and wait to see what flows back to me.

Someday I will travel. Someday I will finish my poor work-in-pause. Someday I will set up my barbells. Someday I will . . .

But today, now, I am content to let the thoughts flow, dreaming up possibilities, like a child, with no regard to probability.

I am in no shape to trek the length of the Pacific Crest Trail and yet I can dream and perhaps one day I will hike a small part of it. I don’t have the knees for running anymore, yet I can still dream of the freedom it once gave me. I am basically a hermit, yet I can dream of making friends and charming people wherever I go.

Perhaps fantasizing is a more noble state to follow the waning of profound grief than disgruntlement. Or not. Either way, dreaming time is here.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

A New and Embarrassing Stage of Grief

I’ve gone through so many stages of grief since the death of my life mate/soul mate that I’ve lost track. To be honest, I’m not sure there really are such things as “stages.” There simply seem to be varying states of mind that come around repeatedly in an ever-loosening spiral. Still, “stage” is an understandable term for an incomprehensible process, so I use it to describe each new phase of my grief, such as this latest manifestation.

A couple of things have happened lately to catapult me into a new and embarrassing stage of grief.

The first thing that happened was I finished watching the movies my deceased mate had taped. Viewing the movies was the final task of my Grief Work, and it exacted an emotional toll I hadn’t expected. As I watched each of tapes, I was aware that the last time I saw the movie, he was by my side. I remember the things we said, the looks we gave each other, the connection we felt. These once-loved movies now seem dull and bland as if a vital spark is missing. And it is missing. He is missing. Watching wasn’t hard at the beginning, when I started my self-imposed grief task, but it took more than two years to go through all the tapes, and the sadness built up, sort of like a cinematic water torture.

But that is finished. In the future, whatever feelings the movies instill in me when I watch them won’t be so achingly raw. Time, life, and new experiences will pad the movies, and separate me from him just a bit more. Once that thought of increased separation would have brought me pain, but now I know it’s necessary if I ever hope to live a full life.

The second thing that happened is that I do not have as many mixed feelings about his death as I once did. Many people insist that grief is for us, not for the deceased, but I’ve been greatly troubled by his death — for him. He didn’t seem to have much of a life. He’d been sick for so long and in such pain that he was often housebound and couldn’t do much. He was also relatively young. Hadn’t reached retirement age. Even worse, too many of his dreams never came true. It seemed to me that he got cheated out of so much, which was hard for me to bear. On the other hand, I was glad his suffering was over. Sometimes I even thought he got the better part of the deal since he didn’t have to hang around as I do to pick up the pieces of a shattered life. But when those pieces are roughly pasted together, I will get a chance to start over, and he won’t. Conflicts such as these complicate grief. But the other day while walking in the desert, I had a revelation — well, two revelations — that helped alleviate these particular conflicts.

First, I realized that when I was dead, I’d no longer care that he died before me, so if it is inevitable that someday it won’t matter that he died so soon, perhaps it doesn’t matter as much now. Second, I realized that if somehow we are eternal, existing before this life as well as afterward, then his death and mine would happen simultaneously in a cosmic sense. (If life is eternal, then there is no time, right? It all exists now. And so right now we are both alive/dead, though he is . . . perhaps . . . more dead than I am. Or thinking of it a different way: my potential extra decades of life will happen in an eye blink of eternal time, so from his current point of view, I will follow immediately after him.)

Finishing my final grief task and resolving my mixed feelings has more or less ended my sorrow. (At least for now. Sorrow at the death of the person who connected you to this earth never completely disappears.)

And after the sorrow? Well, this is the part I am embarrassed to admit. I am disgruntled and dissatisfied. It seems as if such profound grief, great yearnings, and impenetrable sadness should dwindle into something more noble than discontent. Besides, disgruntlement should be something I can control, but as with every other stage of grief, it seems to be outside of me. Or inside of me. Either way, it’s not of me. It’s just a stage to pass through on my way to whatever lies on the other side of grief.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Serial Killers and Sociopaths

Despite fads and new genres, serial killers endure as a favorite villain for writers and readers alike, though I lost my taste for such books years ago. For one thing, too many writers use killing as a cheap way of escalating tension, with each murder upping the ante. For another thing, too many writers perpetuate the serial killer myth of the white, middle-class, intelligent, charming male about thirty-five years old.

Dr. Katherine Ramsland, a forensic psychologist, debunks this stereotype in a guest post she did for this blog: Serial Killers and the Writers Who Love Them: Facts about Popular Myths. As Ramsland points out, “Serial killers are not all alike. They’re not all male. Some have been as young as eight or older than fifty. They’re not all driven by sexual compulsion. They’re not all intelligent, nor even clever – often, they’re just lucky. They’re not all charming. A single killer may choose different weapons or methods of operation, although they will tend to stay with whatever works best. Even with rituals, the basis of a ‘signature,’ they often experiment and change things. They might be profit-driven, in search of thrill or self-gratification, or compelled by some other deep-seated desire, fear or need. Occasionally, serial murder is about revenge or it’s inspired by a delusion. In most cases, the killer does not wish to be stopped or caught. Yet a few do intentionally undermine themselves or stop of their own accord. Some rare killers have even professed remorse or killed themselves.”

Far more fascinating to me are the sociopaths who don’t kill. Some psychologists estimate that there are thirty thousand mindpsychopaths who are not serial killers for every one who is. (Some professionals use “sociopath” and “psychopath” interchangably as I am doing and some argue there is a difference, but oddly, no one seems to agree on what those differences are.)

So who are these non-killing psychopaths? Your neighbor, perhaps, or your mother-in-law. Probably many politicians and scientists. Possibly even you.

(In A Spark of Heavenly Fire, Peter Jensen says: “I have a theory, entirely unproven, that a lot of psychopaths gravitate to the sciences, biology especially, where they can hide behind that famed scientific detachment. They can also torture animals in the name of science, and no one calls them insane.”)

Even if you don’t write crime fiction, familiarity with the sociopathic personality can help you create dynamic characters and even interesting dialogue. For example, sociopaths frequently use contradictory and illogical statements such as “I never touched her, and anyway, she wanted it.”

A sociopath has difficulty connecting to others, though people often like them. They can be charming, glib, witty, and use captivating body language. (Sounds like a politician, doesn’t it?) Because of their impulsiveness, need for excitement, no need to conform to societal standards, poor behavior controls, and lack of responsibility, they can be fun companions, but because they lack empathy, conscience, and remorse, they can never truly connect with anyone.

One characteristic that keeps a sociopath from being a good fiction hero is that in fiction heroes need to change during the course of the novel, and sociopaths have solid personalities that are extremely resistant to outside influences. But, being the manipulative creatures that they are, they can make us believe they have changed.

In a relationship, such manipulation might be intolerable, but in fiction, it makes for a interesting character, even if the character isn’t a killer.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Is Our Grief Necessary to the Dead?

I talked to my deceased life mate/soul mate while I was out walking in the desert this morning. I apologized for keeping him tied to me with my grief, told him I hadn’t meant to shed so many tears for him or grieve for so long, and explained that much of my grief came from somewhere so deep inside that I had no conscious control over it.

I told him I was doing okay, so perhaps I wouldn’t be bothering him as much, and I wished him well.

I continued wandering, wondering about the incomprehensibleness of grief, and the thought came to me that perhaps such profound grief is a beacon, as necessary to the dead as it is to the living.

During the last weeks of my mate’s death, he was often agitated and confused due to both the cancer in his brain and the morphine he needed to control his pain. Once he woke screaming. I went to calm him, but he was frantic. He couldn’t remember who he was. “Do you remember me?” I asked. He studied my face, nodded his head, and immediately started to calm down. A few minutes later, he’d recovered enough to remember who he was.

What if after he died, he felt as horribly and as bewilderingly amputated as I did? What if his new world felt as alien as mine did? What if my grief, so incredibly powerful, served as a beacon the same way my presence did that night? What if my grief showed him where I was and gave him something familiar to focus on until he could get his bearings?

We are indoctrinated by religion and by stories of near death experience into believing that death is an immediate rebirth into the light, but no one knows the truth of it. (Many people who have near death experiences do not see the light, but see darkness. Some people whose heart stops have no experiences. The truth is, the brain releases powerful psychedelic chemicals during trauma that can induce such mystical experiences. Many people who took LSD or DMT and had good trips returned to themselves believing they had died and experienced God and the after life. But although many people think they know the truth of it, no one on this side of death can know for sure.)

Someone who died abruptly might not know what happened. Someone who died slowly but in confusion and disorientation might not know what happened. This sort of thing isn’t unheard of; it occurs here on Earth. A person who is given sight after being blind since birth often cannot immediately see except a fuzzy light. The brain needs to be trained so that it knows what it is seeing. Perhaps the newly dead also need to be trained to see through their new eyes. And if so, the grief of a loved one could provide a beacon until they get their bearings.

The desert is known for inducing mysticism in people who wander those empty spaces, so there could be some truth to this. On the other hand, it was very hot, and I might have had sunstroke. Either way, the idea of grief being a beacon is an interesting concept, one that will stew in my brain pan for a while.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Searching for Faults

When I unexpectedly and quite surprisingly found myself a few miles from the San Andreas Fault, I was at first appalled and then fascinated. Such a mythical place! Who hasn’t heard the warnings of “the big one” and the quite erroneous assertion that when it hits, Arizona will become beachfront property?

I have plenty of faults of my own, so I don’t  need to go searching for personal faults, but I did go in search of the myth. As I mentioned yesterday, there is no giant crack in the earth, and in many places there is no indication at all of the fault line. Erosion, bulldozers, plows, and buildings have all helped to eradicate any “line.”

Still, there are signs. This “lake” (more of a pond, really) is actually a fault sag, a place where the land sank as a result of earth movement along the fault. Water is collected in the lake from rain, snow melt, and underground springs.

Somewhere down in these narrow gorges is the fault line. Supposedly it is visible as it dips south and west, though I couldn’t see whatever it was I was supposed to see.

I could see better indication of the fault line here, because it is marked by the red sedimentary rock. The gray schist is the local rock, but fault action shifted the red rocks to their present location.

This search was an incredible journey, and as you can see, a beautiful one. Wouldn’t it be wonderful if all our personal faults were as hard to find as this geographical fault and as colorful and dramatic when we did catch a glimpse of them?

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.