Sneak Preview of Rubicon Ranch: Necropieces

Rubicon Ranch is a collaborative and innovative crime series set in the desert community of Rubicon Ranch and is being written online by the authors of Second Wind Publishing. Seven authors, including me, are involved in the current story — Rubicon Ranch: Necropieces.

Residents of Rubicon Ranch are finding body parts scattered all over the desert. Who was the victim and why did someone want him so very dead? Everyone in this upscale housing development is hiding something. Everyone has an agenda. Everyone’s life will be different after they have encountered the Rubicon. Rubicon Ranch, that is.

Although some of the characters were introduced in Rubicon Ranch: Riley’s Story, a previous collaboration, Rubicon Ranch: Necropieces is a stand-alone novel. The first chapter will be posted on Monday, June 11, and one chapter will be posted every Monday after that.

We hope you will enjoy seeing the story develop as we write it. Let the mystery begin! Whodunit? No one knows, not even the writers, and we won’t know until the very end!

Chapter 1: Melanie Gray
by Pat Bertram

Melanie Gray woke with tears on her face. She sat up in the bed she’d shared with her husband Alexander, put her elbows on crossed knees, and cradled her face in her hands. The pain she tried to hide even from herself erupted, filling her chest with such agony she could only breathe in shuddering gasps.

She’d been doing so well, concentrating on shooting the photographs to finish their coffee table book on desert life, photos that Alexander should have taken, would have taken if he hadn’t died. So why the upsurge in grief? Then it came to her—today marked the third month since Alexander’s death.

Three months! Melanie saw the months marching on, one by one, each carefully counted while she grew old alone. She was only forty-three, which meant a lifetime of loneliness ahead of her.

I can’t do this.

But she’d already been doing it—living each shocking day as it came.

First, she’d found out that Alexander had died in a one-car crash under suspicious circumstances — maybe an accident, or maybe something worse, something she couldn’t bear to think about. Then she had discovered that he’d been texting a woman when he died, a woman who claimed to be his mistress. Finally, she learned that somehow he’d managed to spend the considerable advance they’d received for their book, leaving her with a six-month paid lease on this house, barely enough cash for groceries, and a book contract she needed to fulfill. No savings. And no car.

At least the desert was close, so she didn’t need a car to do her job. Rubicon Ranch, the bedroom community where they’d rented the house, bordered on the high desert of inland California, and offered gorgeous vistas, wildlife . . . and death.

“Damn you, Alexander! Why did you have to die? You were the one who was supposed to shoot the photos. I only wrote the words. If you’d paid attention to your driving, you’d still be alive, and I’d never have found that little girl’s body.”

Poor little Riley Peterson. Kidnapped as a baby, dead at age nine without ever knowing that her biological parents had spent her whole life searching for her.

Melanie let her tears fall for a few more minutes, took one more shuddering breath, and hauled herself to her feet. As bleak as her life seemed, as sad and as lonely as she felt, she was still alive. And she had work to do.

As always, she dressed in white — loose cotton pants, billowing long-sleeved top, wide-brimmed straw hat, flowing scarf. She checked her pockets to make sure she had her cell phone, camera, and extra memory card. Then she grabbed a canteen of water, slung the strap over her shoulder like a bandolier, and stepped outside.

A perfect early fall day. Clear blue skies, the deepest blue she’d seen since she’d moved to Rubicon Ranch. A hint of a sweet-scented breeze wafting up Delano Road. Temperatures in the high seventies, though they would probably rise to the mid-eighties by noon.

The grizzled homeowner across the street picked up a newspaper from his driveway, waved it at Melanie, turned, and stood still. Wondering what had caught his attention, Melanie followed his gaze.

A tan bullmastiff towed a pretty woman up the street. The woman’s dark hair, drawn into a ponytail, swished jauntily as she ran to keep up with her exuberant dog. What should have looked like a carefree moment seemed one of desperation to Melanie, as if the woman were running from demons only she could see.

“Funny how art often imitates life, eh?” came a deep voice from behind Melanie.

She jerked her head in the direction of the voice, and gaped at Morris Sinclair, her next-door neighbor, who had managed to sneak up on her without her noticing.

Morris, an international bestselling horror novelist had been a suspect in Riley Peterson’s death. The sheriff had declared the author innocent of the murder but guilty of buying stolen crime scene photos. And guilty of feigning Alzheimer’s. Melanie didn’t know how the sheriff had come to that conclusion. As far as she could see, if Morris had been feigning Alzheimer’s, he must have been trying to hide the truth — that he was insanely evil. Or evilly insane.

“Or maybe, in her case, life is imitating art,” Morris said.

“What are you doing here,” Melanie demanded. “Does Moody know you’re on the loose?” Moody, Morris’s daughter, had spent time in prison for the accidental death of a child. You’d think a man as perverse as Morris would be proud of her for that accomplishment, but he treated his daughter with even less regard than he treated everyone else.

“Am I my daughter’s keeper?” Morris intoned.

Melanie backed away from him. “I’m sorry. I don’t have time for this.”

“I know. You have to go out into the desert to shoot more of your little photos.” He bared his long, old-ivory-colored teeth at her in what might have been meant as a smile but came across as a predatory leer. Pointing a bony finger at her camera, he added, “You know how to use that thing, right?”

Melanie lifted her chin. “I do.”

“I’ll offer you the same arrangement I had with your husband.”

“You had an arrangement with Alexander?”

“Yeah. Alexander. Did you have more than one husband?”

Melanie stared at him in confusion, but when his dark opaque eyes met her gaze, she ducked her head.

“Alexander used to take certain . . . photos for me.” Morris raised his voice. “Photos of body parts.”

“Body parts?” Melanie asked. “You mean like arms and legs? You can find photos of those anywhere.”

“But I need amputated body parts. Dead parts. Lots of blood and gore. Necropieces.”

Melanie recognized the name of Morris’s most famous horror series — Necropieces — but none of his other words made sense. “You’re telling me Alexander took photos of amputated limbs for you?”

“And entrails. And organs. He loved shooting the images. Had a nicely developed sense of the macabre.”

“No,” Melanie said in a normal tone of voice. Then, all at once, the agony of the past few months gathered itself and launched a scream. “Nooooo.”

The word seemed to echo up and down the quiet street. She caught a glimpse of movement on the porch a couple of houses away, and she realized the old man who lived there, Eloy Franklin, had heard her shriek, but she didn’t care. She had enough of insanity and things that didn’t make sense.

“You leave me alone, Sinclair,” she shouted as loud as she could so that Morris would get the message, “or I’ll be shooting your dead body parts.”

“Every one of you bastards wants me dead!” Morris screamed, matching her decibel for decibel. He threw his arms wide as if to address the neighborhood. “Kill me! Kill me! Kill me. Cowards, every one of you! None of you have the guts to do anything but sit in your dark little caves and try to wish me away. Cowards! And you—” He turned to face Melanie. “I dare you. Kill me like you killed Alexander.”

Melanie gasped. “Alexander died in an accident.”

“An accident you created,” Morris said calmly, as if he’d never raised his voice. “Before that little girl died, she told Moody you’d messed with your car.”

“You’re lying.” Melanie’s words barely squeaked through her clenched teeth.

“Ask Moody.” Morris put a finger to his chin and cocked his head to one side. “So, will you take the photos for me? I’ll pay you well.”

The Story Behind Rubicon Ranch

Almost a year ago, I got the idea to write a collaborative novel online. I broached Second Wind Publishing authors with the concept, and I found eight other writers willing to participate in the experiment. It took a few months to hammer out the details, which seemed an endless task back then, but now I see as incredibly swift. The story was, after all, a committee production.

We started out with what we considered the most heinous of crimes — the death of a little girl. In the first chapter: Chapter 1: Melanie Gray — by Pat Bertram, which was posted on October 24, 2010, Melanie found the girl’s body stuffed in an abandoned television console when she was wandering in the desert, trying to come to terms with the death of her husband. Poor Melanie. So much death!

Each author created a character who might have a reason to kill little Riley. And each character was hiding something.

Could Kourtney and Jeff Peterson have killed their daughter, mischievous nine-year-old Riley, to protect their secret?

Moody Sinclair had once killed an eight-year-old boy. Has she killed again?

Fifteen-year-old Dylan McKenzie is a straight A honor student. By day. Did Riley discover the other Dylan, the one who prowls at night?

Cooper Dahlsing does strange things while sleepwalking. Could he have killed and not known it?

Mark and Jamie Westbrook, self-styled private investigators, show up to help solve the murder, but perhaps they had a hand in creating the crime?

Eighty-two-year-old Eloy Franklin sits on his porch and watches. But does he do more than watch?

Forty-three-year-old Melanie Gray found Riley’s body stuffed in a television console that had been dumped in the desert. But is she as innocent as she seems?

Sheriff Seth Bryan is bitter and cynical at having lost everything he values. Is he manufacturing crimes to bring him the notoriety he craves?

So many villainous characters! And until the very end, no one knew who committed the dastardly deed, not even the writers.

The novel was supposed to be a promotion stunt, but halfway through, it got derailed by life. One author had to deal with colon cancer, including three debilitating operations. Another author had to deal with a flooded house that was uninhabitable for six months. Still other authors had to deal with grief after the loss of significant people in their lives or heavy job pressures. When we started in again, we’d lost all our readers, so there was no longer any promotional value, but still we persevered.

And now the book is finished. You can read the entire novel online for free. If you prefer to read the book on an ereading device, Rubicon Ranch: Riley’s Story is available as a Kindle or in the ebook format of your choice from Smashwords. It’s also available in print from Amazon and Second Wind Publishing.

But . . .

That is not the end of Rubicon Ranch! Though some of the authors went on to other projects, enough wanted to continue the Rubicon Ranch saga, so we lassoed a few additional authors into creating characters. And now we have a new story.

Three months after finding the body of the little girl, poor Melanie is again wandering in the desert, still having a hard time dealing with her husband’s death, when she sees a congress of ravens pecking at a dismembered foot. Who was the victim and why did someone want him so very dead? Everyone in this upscale housing development is hiding something. Everyone has an agenda. Everyone’s life will be different after they have encountered the Rubicon. Rubicon Ranch, that is.

Although some of the characters from the previous collaboration are featured in the new story, Rubicon Ranch: Necropieces is a stand-alone novel. The first chapter will be posted Monday, June 11, 2012 on the Rubicon Ranch blog, and a new chapter will be posted every Monday after that.

I hope you will join us in this new serial adventure. It should be a devious tale.

Map of Rubicon Ranch.
A) Melanie Gray
B) Moody Sinclair
C) Eloy Franklin
D) Leia Menendez
E) Ward Preminger
F) Egypt Hayes
G) the Peterson house

Great Reviews for Light Bringer

I got a great review for Light Bringer yesterday from S.M Senden. “Pat Bertram has woven a wonderful story that weaves together imagination with history, science fiction, love, power and so much more, and it works so well. If you are looking for a good story, well written, then read this book. I hope you will love it as much as I did!”

I am thrilled when readers love any of my books, but especially Light Bringer.

First, it is very difficult to classify, even for reviewers. As Aaron Lazar wrote, “Light Bringer is something completely new and surprising . . . surprising in its freshness, originality, its genre bending brilliance. Part thriller, part fantasy, part sci fi, part mystery . . . its plots were large and complex, encompassing themes that plague us every day; offering social and world commentary blended with weather trend observations (where ARE all those tornadoes and tsunamis coming from??) I do believe Bertram has defined a new genre, and it is a pure delight. Fresh. Original. Riveting. The characters are real and engaging.”

Second, it is the result of twenty years of research into conspiracy theories and myth. Many researchers have traced the drive toward a one-world government conspiracy back 7000 years. Others believe that the black death was a man-made epidemic, created in an effort to “dumb down” the inhabitants of Earth. (William Bramley, author of Gods of Eden, wrote: “Strange men in black, demons, and other terrifying figures were observed in other European communities carrying ‘brooms’ or ‘scythes’ or ‘swords’ that were used to sweep or knock at people’s doors. The inhabitants of these houses fell ill with plague afterwards. It is from these reports that people created the popular image of death as a skeleton, a demon, a man in a black robe carrying a scythe.” This is the origin of the grim reaper) In fact, myths all over the world speak of the gods giving and the gods taking away. According to the Popul Vuh, the gods created the first humans exactly like the gods themselves. Displeased that the simple creatures of their making were also gods, the creators took some of the god-like abilities away from them, and we are the result. And from all that research came the idea for Light Bringer.

Third, the lyricism of the book seems to bring out a corresponding lyricism in reviewers. Sheila Deeth called Light Bringer “mysteriously beautiful and musical,” and then added, “Pat Bertram’s novel soars in her descriptions of mystery and scenery. The song of the rainbow flows through the characters, binding them together, while the silence of the great unknown drives them and pulls them apart.” Tracy Fabre wrote, “This novel is color and sound and more color, described as it’s never been described before. Part sci-fi, part small town life, part intrigue, part romance, part rainbow explosion, this is a tale of two people who are not like other people yet end up in a little out-of-the-way community where a lot of strange things have happened and continue to happen. It’s a multi-layered story she should be very proud of, and incidentally will make you crave muffins. Consider yourself warned.”

***

Light Bringer: Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Click here to read the first chapter of Light Bringer by Pat Bertram

Click here to buy Light Bringer from Second Wind Publishing, LLC

Click here to download 20% free at Smashwords or to buy any ebook format, including Kindle.

(Also available from Amazon and B&N)

Do Us All a Favor and Let Your Characters Cry

Writers have a saying: if your character cries, your reader doesn’t. Writers seem to take this to mean that characters can never cry, that a tearful character is not a sypmathetic one, that readers cannot identify with a weeper. But tears are contagious — when watching a movie, I tend to cry if a character does. Still, even if the adage is true and readers don’t cry when a character does , is that so terrible?

As I mentioned in yesterday’s post, Why “Grief: The Great Yearning” is Important, I started writing about grief when I discovered that so many writers get it wrong. Many novels are steeped in death, with bodies piling up like cordwood, yet no one grieves. The surviving spouses think as clearly as they did before the death. They have no magical thinking, holding two disparate thoughts in their minds at once. (For example: I know he will never need his eyeglasses, but I can’t throw them away because how will he see without them?) The characters have no physical symptoms or bouts of tears that are beyond their control. There is no great yearning to see the dead once more (and this yearning is what drives our grief, not the so-called stages). In other words, we are continually conditioned to downplay the very real presence of grief in our lives. If we don’t see people grieve in real life, in movies, in books, where are we to get a blueprint for grief?

It’s simple enough to deal with the situation. Writers can let their bereft cry, and then later figure out a way to get the readers to cry. For example, if the character cries, is unable to staunch his tears, but later gathers himself together to deal dry-eyed with a story task, then the character’s strength and courage will have a heart-breaking quality about it. Or if the character deals with the task despite the tears running down his face, then that also is heartrending.

When my life mate/soul mate was dying in a hospice care center, I couldn’t stop the flow of tears, but I kept after the hospice workers until they made sure he was comfortable. (They screwed up his drug dosages, so he was in a massive amount of pain, and they wouldn’t give him the anti-nausea pill he needed because . . . why? I still don’t know. He was days away from death. What difference did it make?) They kept wanting to comfort me, kept wanting to ease my pain, but I told them every time, “Ignore the tears, they don’t mean anything. I have the rest of my life to grieve. Take care of him.” I couldn’t stop the tears, but, as I said, they didn’t mean anything (well, except that I was sad, in shock, and undergoing an incredible amount of stress). I still managed to do everything I had to do to keep him comfortable, and then later to deal with his funerary arrangements. The following two months, I had to dispose of his effects, clear out the house we’d lived in for twenty years, put my stuff in storage, travel 1000 miles so I could go take care of my 95-year-old father. During most of that time, I was crying (or screaming). Yikes, I never felt such pain and angst, and I hope I never do again. I can’t imagine how I ever survived those months. Yet I did. The point I’m making is that abstaining from tears does not make one heroic. What one does despite the tears — that is heroism. And such heroism will make your readers cry.

Another way writers can deal with a tearful character is to have a POV character overhear the hero sob, but when the character sees the hero a few minutes later, the hero is dry-faced, though perhaps with glistening eyes.

It’s not tears that readers don’t like — it’s self-pity. The surprising thing about grief is that very little of it (at least in the beginning) is self-pity. The questions and worries that beset the bereft are real and have to be dealt with. Ignoring the panic aspect of grief (that the world is forever altered, that there is a huge absence where once there was a presence) is a disservice to your characters and to your readers. You don’t have to let your character wallow — you can use their grief to catapult them to greater efforts. During those first two months when I had so much to accomplish (by myself, I might add), I used my periods of anger to fuel me. When the anger was overtaken by angst, I’d stop for a while.

And forget the “stages of grief” crap. There are no stages of grief, at least not for everyone. The absolutely worst fictional depiction of grief I ever read was “She went through all the stages of grief.” What does that mean? Simply that the author was lazy and didn’t do any research on what grief feels like. Having your character cry might not make your readers cry, but a silly sentence like that won’t make your readers feel anything.

In our society, we seem to believe that tears are a sign of weakness, when in fact they are a necessary stress release. The loss of a spouse is the most stressful thing a person will ever have to deal with. Tears release the hormones that build up in the system. If your protagonist’s loved one is not a major factor in the his/her life, you can get away with no tears, but please, if the loss is a major one, do us all a favor and the poor character cry.

Rubicon Ranch — The Saga Continues

More than a year and a half ago, nine authors from Second Wind Publishing got together to write a novel online. We knew nothing more than that a little girl’s body had been found in the wilderness near the desert community of Rubicon Ranch. Was it an accident? Or . . . murder! But who would want to kill little Riley? Everyone in this upscale housing development is hiding something. Everyone has an agenda. Everyone’s life will be different after they have encountered the Rubicon. Rubicon Ranch, that is.

From that short proposal grew a novel with intriguing and nefarious characters, each completely different because each was created by a different author.

Jeff and Kourtney Peterson are Riley’s “adoptive” parents who didn’t go through legal channels to get the child they so desperately wanted. Would they kill to protect their secret?

Moody Sinclair had once killed an eight-year-old boy. Has she killed again?

Fifteen-year-old Dylan McKenzie is a straight A honor student. By day. Did Riley discover the other Dylan, the one who prowls at night?

Cooper Dahlsing does strange things while sleepwalking. Could he have killed and not known it?

Mark and Jamie Westbrook, self-styled private investigators, show up to help solve the murder, but perhaps they had a hand in creating the crime?

Eighty-two-year-old Eloy Franklin sits on his porch and watches. But does he do more than watch?

Forty-three-year-old Melanie Gray found Riley’s body stuffed in a television console that had been dumped in the desert. But is she as innocent as she seems?

Sheriff Seth Bryan is bitter and cynical at having lost everything he values. Is he manufacturing crimes to bring him the notoriety he craves?

***

Life sometimes got in the way of this collaboration, so instead of posting a chapter every week, we went through a long hiatus where the authors suffered variously from cancer, death of a family member, house flooding, job loss, but we picked right up where we left off, and now this experimental novel is finished!

The book will be published during the next couple of months, but you can read the entire story online here: Rubicon Ranch, Book One: Riley’s Story

But that is not the end!!! Next week, we will begin posting chapters to a book in the series, Rubicon Ranch, Book Two: Necropieces — Residents of Rubicon Ranch find body parts scattered all over the desert. Who was the victim and why did someone want him so very dead? Eight Second Wind authors are collaborating to create another innovative crime novel set in the desert community of Rubicon Ranch.

Again, we will be posting a new chapter every week. I hope you will join us as the Rubicon Ranch saga continues.

Do you think writing your book changed your life?

I wish I could say writing my latest novel Light Bringer changed my life, it would make a good story, but the fact is, it made little difference outside of bringing to a close a lifetime of research. It was the fourth novel I wrote. I’d already experienced the joy and sense of accomplishment completing a novel gives one, and I’d already experienced the disappointment that comes from having a novel rejected. I’d already experienced the joy of getting published and the disappointment of lackluster sales. Now, if Light Bringer would go viral, that would change my life!

Writing Grief: The Great Yearning, my non-fiction book about surviving grief, didn’t change my life, either. In fact, my life had changed first. Writing was how I coped with the changes.

Here are some responses from fellow Second Wind Publishing authors about how writing their book changed their lives. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with: J J Dare, Author of False Positive and False World

Writing my first book a few years ago gave me confidence. I believe it was an exercise to prepare me for the challenges I would shortly face in my personal life.

From an interview with: Noah Baird, Author of Donations to Clarity

I think people thought I was pretty weird before the book. They still think I’m weird, but I think I get a pass now because I’m a writer.

From an interview with: Calvin Davis, Author of The Phantom Lady of Paris

After penning the Phantom Lady, I was not the same person. The actual writing of the novel took about five and a half years. During that period, I wrote and rewrote again and again, etc. That said, the truth is, it took me all my life to write the Phantom Lady. The penning of my two other novels was preparing me to write TPLOP. The production of my countless short stories was also tutoring me on how to create the Phantom Lady. And during all this time of schooling, “the lady” was inside me clamoring to be liberated, as I was clamoring to liberate her. “Free me…free me,” she screamed. When I completed the last sentence of the novel, the lady was finally liberated. “Thank you, Calvin,” she said. “Thank you.” Finally, she was free…and so was I.

From an interview with: Sherrie Hansen, Author of Merry Go Round

I think each book that I’ve written has changed my life. I remember an episode of Star Trek, Next Generation, when Jean Luc Picard was swept away to live out his life on another planet. He eventually fell in love, married, had children, and learned to play a musical instrument. When his new world came to an end, he learned that he had never left the Enterprise, and that the whole alternate life experience had occurred only in his mind, in a few days time. I feel like that every time I finish a book. It’s like I’ve visited some alternate reality and lived the life of my character from start to finish, feeling what they feel and experiencing what they experience, when in reality, I’ve just been sitting at my desk, typing away. In a very real way, I think each book makes me a richer, more multi-faceted, more understanding person because I’ve walked a mile (or a hundred) in my character’s shoes.

From an interview with: Coco Ihle, author of She Had to Know

Absolutely. In a couple of ways. My sister and I talked in detail about our lives before we met, and how we felt about all the things that happened and didn’t happen through the years. Our talks created a stronger bond between us.

Another way my life changed was, my adopted mother used to accuse me of starting projects and losing interest before finishing them. Well, I took that criticism to heart.  I know she’s up there smiling down at me, because I finish projects now.

So, do you think writing your book changed your life?

My Short Story “The Willow” Has Been Anthologized!

My short story, “The Willow,” has been published in the Second Wind anthology Change is in the Wind. Reviewer Sheila Deeth says:  “Pat Bertram’s ‘The Willow’ haunts with its beautiful portrayal of love and loss.”

I hope you will read this story. It did what I wanted, capturing the essence of timeless love and the new life that comes from loss. You don’t even have to buy the book. I’ll let you download the anthology this week for free! To download the ebook, go to https://www.smashwords.com/books/view/146269, pick the format of your choice, and then use coupon code HG57Y when you purchase the book. Your cost should be $0.00 (Offer expires April 17, 2012)

Excerpt from “The Willow”:

One summer day, shortly after their twenty-fifth wedding anniversary, Gracie was curled on the couch, proofing the catalog for an exhibit of the new modernists, when Scott trudged into the room. Gladness at the sight of him sparked a smile as always, but something in his manner . . .  a hesitation . . . made her smile fade.

“Do we have any plant food?” he asked, his words slurred.

“There should be some in the garage.” She peered at him. “Are you okay?”

“I think I’m dying.”

Gracie bolted upright, heart pounding so hard it shook her body. “What?”

“A little plant food should help.” Scott started to walk away.

“Wait! Just wait a minute, Scott.”

He glanced over his shoulder, a questioning furrow between his brows.

“You can’t just drop a bomb like that and then leave as if nothing happened,” she said.

“What bomb?”

She stared at him for a second, unable to speak, but finally managed to croak out the words. “You said, ‘I think I’m dying.’”

“I didn’t say you were dying.”

“Not me. You. You said you were dying.”

“I said the tree was dying. You never listen, do you?”

The chill in his voice froze her. All she could do was sit immobile on the suddenly uncomfortable couch and watch him. He stumbled as he left the room, and his shoulder hit the doorjamb.

Fear, like fury, flashed through her body. Something was wrong with Scott. Terribly wrong. In all their years together, he’d never spoken to her in such a tone. She hadn’t even known he had such a tone. And that stumble? He was the most graceful man she’d ever met, walking on the high beams of his buildings as if they were earth-bound sidewalks.

She chased after Scott and found him staring up at the canopy of the globe willow. Golden leaves sprinkled down on him as if it were fall instead of just beyond spring.

“Do we have any plant food?” he asked, warmth and worry in his voice.

Gracie put a hand to her mouth to hold back a dry sob. Didn’t he remember that he’d already asked her about the plant food? “Maybe it’s time for you to get a check-up,” she said.

“Me? I feel good.” He grinned at her and held out his arms. “How about a little stress release, love? That’s all I need to make me feel great.”

Blurb from Change is in the Wind:

The assignment was simple: submit a short story dealing with change. The results were astonishing, engaging, and incredibly varied. The stories compiled in this volume range from taut action drama, to stealthy intrigue, to enthralling spirituality, to tangled relationships, to timeless love renewed—or lost, to angelic second chances.  No two of the tales are remotely similar, and yet they are linked in remarkable ways. Each story is tied it to all the others in the anthology with two exquisite threads. The first constant theme is redemption; in each case there is a transformation, often painful, that brings new beginnings, new possibilities and revitalized life. The second theme is love—timeless and true—expressed in a multitude of ways, but unfailing in bringing hope and newness. Change in the Wind is an extraordinary collection of marvelous stories from gifted, eclectic writers who draw us into their worlds and leave us wanting more.

Second Wind Publishing is starting a new short story contest. Perhaps you will be included in the next anthology! For information about this new contest, click here: Holiday short story contest

What is the easiest part of the writing process? What is the most difficult?

The easiest aspect of writing for me is editing. The words are all there, it’s just a matter of making sure they are the right ones and that they say what I want them to say. The most rewarding is knowing I wrote a book worth reading. People tell me they really enjoy Daughter Am I, that they “hate saying goodbye to these wonderful characters.”

The most difficult part of writing for me right now is just sitting down and writing. I have no real inclination to write fiction, and I find it hard to focus on a long project. I’m sure the desire will come back, probably when I stop spending so much time on the Internet.

Here are some responses from other authors about the easiest and hardest parts of the writing process. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with J J Dare, Author of False Positive and False World

The easiest part of the writing process is inspiration. When it’s there, the words flow like a raging river. If the story is in my head and I’ve been tapped by my muse (and she stays with me), I can write a novel in a week.

The hardest part of the writing process is inspiration. When it’s not there, it can’t be faked. Constipated writing can be unbearable.

From an interview with Dale Cozort, Author of “Exchange

For me, the easiest part is writing the rough draft. Once I have characters and a plot outline I can write the rough draft of a novel in four to six weeks and I enjoy doing it. What happens before and after writing the rough draft is far more difficult and time-consuming.

The most difficult part is the last five percent of the editing process, the part that gets you from almost the right words to exactly the right words. For me that takes more time than writing the rough draft.

From an interview with A. F. Stewart, Author of Once Upon a Dark and Eerie

For me, the easiest element of writing is the dialogue. I rarely have a problem with the flow of dialogue. Possibly because I can hear all those character voices whispering in my head.

The most difficult part is writing the middle section of the plot. I’m great at churning out beginnings and endings, but I always have to work at writing the stuff in between.

So, for you, What is the easiest part of the writing process? What is the most difficult?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)

Choosing Book Titles

The title of a book is important. It’s the first thing a prospective reader sees . . . or at least it used to be. Now the author’s name generally comes first and apparently is a much better selling tool than the title ever was. A title is still important, however. It often sets the mood for the book, it lays out the theme, and it tantalizes readers into opening the book. Think of Gone With the Wind. With such a title, you expect a wide sweep of a story. The title speaks of loss and perhaps survival in the face of broad changes. Even before you open the book, you are primed to find out what is lost and why it disappeared into the wind. Imagine then, how different your feeling would be if the book had been published under its working title. Pansy. Would the book, the movie, the character have ever had such an impact if that had been the name? Of course not.

Another major work with last minute name changes was Catch 22 by Joseph Heller. Originally Catch 18, it was changed because of another book that was coming out at the same time: Leon Uris’s Mila 18. And 1984 was originally 1948. So not the same feeling!

Choosing a title is not an easy task. My novels all had simple working titles: The Red Death, The Chameleon, The Gangster Book, The Alien Book, but except for The Red Death, none of those titles were ever possible for the real title.

For A Spark of Heavenly Fire, I considered using the title The Red Death since my quarantine mirrored the middle ages, though in a hi-tech way, but the name had already been used several times. And anyway, from the very first, I’d planned on using A Spark of Heavenly Fire. That was my inspiration for the book, the Washington Irving quote: “There is in every true woman’s heart a spark of heavenly fire, which lies dormant in the broad daylight of prosperity; but which kindles up, and beams and blazes in the dark hour of adversity.” I wanted to tell the story of ordinary women, women who seemed colorless in ordinary times, but who blazed brightly in dark times. When I found no takers for the book, I thought perhaps the title didn’t reflect the story, so I changed it to In the Dark Hour. And I got an agent. She couldn’t sell the book, so when my contract was up, I changed the title back to A Spark of Heavenly Fire. And that’s the title Second Wind Publishing released it under.
I had to try several times before I got the title of More Deaths Than One right. The working title was The Chameleon but that was never a real contender since I didn’t want to give the story away. So first I used the Law of the Jungle, which amused me since the jungle was so much a part of the story. Also, at one point I had my hero say that the villain might be above the law, but he wasn’t above the law of the jungle. Both the line in the book and the title ended up being deleted because they were too trite, so next I went with Nature of the Beast. It was adequate, and I would have stuck with it despite its triteness, but then I came across a couplet from Oscar Wilde’s “Ballad of Reading Gaol”: He who lives more lives than one/More deaths than one must die. Since my hero appeared to have more lives (and deaths) than one, More Deaths Than One struck me as the perfect title.
Daughter Am I, my gangster book, only had one previous title: Sins of the Fathers, though really it should have been Sins of the Grandfathers. Then I found the Rudyard Kipling quote: “Daughter am I in my mother’s house but mistress in my own.” The quote would have more accurately described the theme of the book if it were “daughter am I in my father’s house,” but I was taken with the title Daughter Am I and decided it was close enough.

Which brings me to my most recent novel, Light Bringer. Sad to say, I haven’t a single story to tell about the title. Even though the working title was The Alien Book, I always knew the title was Light Bringer. Light is the theme of the book, and the Light Bringer (planet X) was the reason for the story.

So, as a reader, what are your favorite titles? As an author, how did you come up with the names of your books?

Excerpt From “Daughter Am I” by Pat Bertram

DAIDaughter Am I: When twenty-five-year-old Mary Stuart learns she inherited a farm from her recently murdered grandparents — grandparents her father claimed had died before she was born — she becomes obsessed with finding out who they were and why someone wanted them dead. Along the way she accumulates a crew of feisty octogenarians — former gangsters and friends of her grandfather. She meets and falls in love Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. Now Mary and Tim need to stay one step ahead of the killer who is desperate to dig up that secret.

Excerpt:

Mary blinked in the sudden brightness, then blinked again when she saw Iron Sam. He seemed to be the personification of the inorganic being, as Happy called it. His skin looked ashen. Charcoal bags hung below slate eyes. His hair, still thick, still with the deep widow’s peak, had faded to pewter. The only hint of color in his face was the gold tooth visible between slightly parted gunmetal-gray lips.

He glanced up as they entered, but no other part of his body moved. Nor did he speak.

“Hi, Sam,” Lila Lorraine said.

The slate eyes shifted toward her.

“It’s me. Lila Lorraine.”

Iron Sam nodded, the merest inclination of his head.

Happy stepped forward. “Remember me? Happy?”

Again the tiny nod.

Mary wondered if he were paralyzed, but if so, wouldn’t he be in a wheelchair instead of an ordinary wooden chair?

Any compassion she might have felt withered when his eyes met hers. Feeling like a bug impaled on a pin, she gazed at him, unable to look away, unable to move a single muscle. After what seemed like a long time, but must have been only seconds, he turned his attention to Kid Rags, leaving her feeling limp and very thirsty, as if her vital fluids had been sucked right out of her.

With nonchalance Mary could only marvel at, Kid Rags pulled out his flask and offered it to Iron Sam. When Iron Sam nodded toward the plastic cup sitting on the bedside table, Kid Rags poured two fingers of bourbon and handed the cup to him. He sniffed it, inhaling deeply with closed eyes, then took a mouthful and held it a moment before swallowing it. His lips twitched — a smile perhaps? — then he took another sip.

The alcohol fumes mingling with the hospital odors and the stench of decay emanating from Iron Sam’s pores turned Mary’s stomach. She swallowed hard, then swallowed again, knowing she shouldn’t show weakness in front of Iron Sam, and somehow she managed to get her queasiness under control.

He flicked a look in her direction, as if sensing her struggle, then concentrated on his drink once more.

“My name is Mary Stuart,” she said when she could no longer stand the heavy silence. She introduced Kid Rags, Crunchy, and Teach, then explained about her grandparents’ deaths.

“What can you tell me about my grandparents? You might have known them as Jimmy Boots and Gina Dale.”

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.