A Spark of Heavenly Fire Outtakes #1

A Spark of Heavenly Fire takes place during the month of December. Originally, the story began on the first with the climax at Christmas, but during one of the rewrites, I got rid of most of the first chapter. So, oddly, the story now begins on December 2.  I could have have changed December 2 to December 1, but that seemingly innocuous change would have rippled throughout the book, and I didn’t want to make inadvertant mistakes. I make plenty of vertant ones! It may not have mattered so much if it were any other month, but the Christmas activities needed to take place on the 25th. 

To celebrate A Spark of Heavenly Fire‘s month, I will be posting outtakes from the book. It’s not as easy as it sounds. Since the original version is no longer in my computer, I have to retype the pages from my handwritten draft copy.  Hope you enjoy this behind the scenes look at my characters:

Greg was idly running his finger around the rim of the empty beer mug when Jim appeared in the seat opposite him.

“Jeez, you startled me,” Greg said.

If Greg looked like a matinee idol, Jim was surely a stock Hollywood villain — big and black, ugly and menacing. But one who could move as quickly and as silently as a jaguar. Cat or car, take your pick.

A hefty waitress with a rose tattoo peeping out of her considerable cleavage brought Greg’s second beer, slamming it down on the table so hard that some of the liquid sloshed out of the mug.

“Bring me a coke, will you, Joyce?” Jim said.

Joyce glowered at him, then trudged off, perhaps to get his drink.

“Still on duty?” Greg asked.

“A cop’s always on duty.”

“You know what I mean.”

Jim massaged the back of his neck. “I’ll have to go back to the station, probably have to work all night.”

“What’s up?” Greg could smell a news story — a big story — and wanted a piece of it.

“Off the record?”

Greg hesitated a second. “Okay.”

“I don’t know if it amounts to much, but the brass want it kept quiet. Afraid of starting a panic, I guess.”

“Over what?”

“There’s been a lot of deaths from something the medical examiner called ‘projectile hemorrhagic vomiting, cause to be determined.”

Greg hunched his shoulders. “That’s it?”

“If you’d seen the bodies, you wouldn’t ask that. In all my years on the job, I’ve never seen so much blood. Some of the younger guys are spooked. Can’t say I blame them. It’s truly gruesome. And when you consider that most of the victims were driving when they died, you can imagine what it was like out there.”

“Bumper cars.”

“Right.”

Greg studied his friend’s grim face. “There’s something you’re not telling me.”

Jim let out his breath in a loud whoosh. “You’re right. Did you hear about the woman who was bludgeoned to death and left lying in the street in a pool of her own blood?”

“I heard about it, but someone else at the paper was sent to cover it.”

“I talked to the pathologist assigned to do the autopsy. She said she won’t know anything for several days, but form a cursory look, the beating was post mortem.”

“Someone beat up a corpse?”

“Yep.”

“Jeez, how weird is that! Where does one get a corpse anyway?”

“Unfortunately, tonight there’s no lack of dead bodies lying around. The perp must have stumbled across a woman who died from the hemorrhagic disease and decided to have a little fun. The pathologist said it looked as if the woman had been run over by a semi — just about every bone in her body was broken. At first we thought the beating was done by a gang of teenagers, but we found only one weapon — an eighteen-inch-length of metal pipe.”

“Wow. This is great stuff.” Greg pulled a small notebook and a pen out of his pocket and began scribbling. “The guy who covered the story didn’t get any of this.”

“We’re still off the record,” Jim warned.

“I know, I know. But I can be prepared, can’t I? The proverbial lead pipe! I thought that only showed up in detective novels.”

“Not lead. Galvanized iron.”

Greg looked up in surprise. Jim was either very tired or very worried to have let the detective novel remark pass. A real-life detective, Jim considered most of the books to be simplistic or cartoonish, and he was usually quick to voice his opinion.

Read the first chapter of the published version here: A Spark of Heavenly Fire 
Free download: get the first 30% of A Spark of Heavenly Fire free at Smashwords
Read blurb at  Second Wind Publishing: A Spark of Heavenly Fire

The Mythic Journey Behind Daughter Am I

Today is the last day of my Daughter Am I virtual book tour, and what better place to end it than here, at my own blog. Thank you everyone for your support during the past five weeks. It was a wonderful journey!

Daughter Am I was the combination of two different stories I wanted to write. I’d read The Writer’s Journey by Christopher Vogler, and the mythic journey so captured my imagination that I knew I had to write my own quest story. I also liked the idea of telling little-known truths about the mob, and I settled on the story of a young woman — Mary Stuart — going on a journey to learn about her recently murdered grandparents. Accompanying her are six old rogues — gangsters and conmen in their eighties — and one used-to-be nightclub dancer. As Mary listens to stories the old-timers tell, she gradually discovers the truth of her heritage and of herself. 

Developing so many characters at one time is difficult under normal circumstances, but the mythic journey archetypes helped me create the characters and keep them focused on their roles. Whether gangster or wizard, hit man or Darth Vader, the archetypes — and the power of the archetypes — are the same. 

A hero is the one who grows the most in the story, who gains knowledge and wisdom. Heroism, in the mythic journey sense, is connected to self-sacrifice, risk, and responsibility. The hero must perform the decisive act of the story, though at the beginning, before their transformation, heroes often need to be goaded into action. Mary starts out only wanting to learn about her grandparents, and ends up becoming intensely loyal to the elders in her charge. (If you saw Bed of Roses, you might have met Mary. Mary Stuart Masterson’s character — naïve and intelligent, strong and vulnerable — inspired me to write my Mary.) 

A herald gets the hero started on the journey. Kid Rags, a dapper forger forced into retirement by computer technology, eggs Mary on, challenges her to find out more about her grandparents. Kid Rags is also a mentor, giving guidance and gifts, a role he shares with Teach. Teach is a con man who believes everything is a con, and he is not hesitant about sharing his vision. (You’ve met Teach a hundred times. Remember Charles Lane? I’m sure you do. He started acting in 1926 and didn’t stop until 2005. Well, Charles Lane was my inspiration for Teach.) 

Every mythic journey needs a trickster, a character who embodies the energies of mischief and a desire for change, and who provides comic relief. The trickster in Daughter Am I is embodied by Happy, an ex-wheelman for the mob. Happy always wants to be on the move, is always urging action, and he peppers his talk with morose and unanswerable pronouncements about death. Did I mention that he carries a gun, but that his hands shake too much to be able to aim it properly? Poor sad Happy. 

Tim Olson, Mary’s romantic interest, is the shapeshifter. He doesn’t actually change shape, but he appears to change constantly from Mary’s point of view. He temps, dazzles, confuses her, and makes her question his loyalty. (Tim Daly from The Year of the Comet was my inspiration for Tim Olson. He had some great lines like:  “I never said I didn’t go to MIT.”) 

I could go through the whole list of characters, talking about which archetype each represented, but I don’t want to bore you by with a long discussion about the underpinnings of the story. The main point is that I wanted to use the same “hero’s path” that worked for such disparate stories as The Wizard of Oz, Star Wars, and Tin Cup, but head out on my own journey.

Click here to find the Daughter Am I Blog Tour Schedule Even though the tour is over, it exists forever in the eternal presence of cyberspace, so stop by any time.

DAIClick here to buy Daughter Am I from Second Wind Publishing, LLC. 

Click here to buy Daughter Am I from Amazon.

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DAUGHTER AM I HAS FINALLY BEEN PUBLISHED! LET’S PARTY!!

champagneI’m sitting here trying to come up with something witty or at least interesting to mark this momentous occasion of having one more of my novels released into the world, but all I can think of to say is, “Hallelujah! Let’s Party!”  Please help yourself to some  champagne. I promise it’s the best pretend champagne money can’t buy. The fun, however, is real.

For those of you who like action games, here is: Book Invasion.

For those of you who like more cerebral games, here is: Memory by the Book.

For those of you who like card games, here is: Daughter Am I Solitaire.

For those of you who like jigsaw puzzles, you will love these! Click on a cover to work a puzzle. They are  in order of complexity from the easiest to the I-dare-you-to-solve-it.

DAIDAIDAIDAIDAIDAI

 

 

 

 

 

And that’s not the end of the fun! There’s more!

Read the first chapter of Daughter Am I. Click here to find the chapter.

Giveaway! Download free samplers from Second Wind Publishing, which include the first chapters of all their published novels. The mystery sampler includes a chapter from Daughter Am I, More Deaths Than One, and A Spark of Heavenly Fire. Click here to find the free samplers. (If you have any problem, let me know and I will make sure you get the sampler of your choice.)

Read the first 30% of Daughter Am I free at Smashwords or buy in any ebook format, including Kindle. Click here to find Smashwords.

Click here to buy Daughter Am I from Second Wind Publishing, LLC. 

Click here to buy Daughter Am I from Amazon.

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Your Cyber Sins Follow You Everywhere

Daughter Am I is going to be published in just a few days, and Amazon is in the process of getting it up on their site. There’s no cover image yet, no blurb, no “look inside”. Nor does the book show up on my Amazon author page. Imagine my surprise then, when I checked the Daughter Am I page and found two editorial reviews. What????

Two years ago I entered the first Amazon Breakthrough Novel Award competition and ended up as a semi-finalist. The “prizes” for having reached the new level were reviews by Publisher’s Weekly and two top Amazon reviewers. I only received one Amazon review, and it said simply: Mary didn’t know she had Grandparents till the lawyer called to tell her that she’d inherited everything from them. Turns out, the pair were murdered together. Her father won’t talk about his parents and the more she digs, the more she wants to find out what happened to her mysterious family.  That “review” is simply a rewording of the description I wrote for my submission, and to be honest, mine was better!

The PW review said: A group of spunky octogenarians joins a woman on a search to discover the truth about the grandparents she never knew she had. After inheriting the farm of her estranged, murdered grandparents, Mary Louise Stuart discovers photos and an address book in the Colorado farmhouse and becomes obsessed with finding out who her grandparents were and who would want them dead. With each question, another senior citizen joins the quest – former friends and gangsters with names like Crunchy, Iron Sam, Happy, Lila Lorraine. The mystery deepens with each stop in their whirlwind tour of the Midwest: who’s following them? A love interest ensues between Mary and Tim Olsen, whose grandpa was good friends with her great-grandfather. While the author certainly researched the history of the Mafia, too many of the numerous historical asides – and subplots – are tacked on under the guise of story time, making the story drag with detail abut Wyatt Earp, the JFK assassination and bootleggers. But underneath the relentless bouts of story time is a delightful treasure-hunting tale of finding one’s self in a most unlikely way

It’s not a bad review, all things considered, but the book that is now being published by Second Wind Publishing, LLC has been rewritten, edited, tightened up, and is  much better than the version  I entered in the contest.

That’s not the point, though. The point is that the reviews have been lurking in cyberspace all this time, and now they have found me again. Makes me what other of my youthful peccadilloes (writely speaking) will come back to haunt me.

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Help! I Need Topics for My Blog Tour!!

I decided to do a virtual book tour for Daughter Am I, and now I have about four weeks of guesting on blogs, which means lots and lots of articles to write in a very short time.

I did not intend to commit to such a long tour, but the first blogger who agreed to be a host chose November 12 and the second chose October 18, so I’ve been trying to connect the dates to make one tour instead of two. I will need approximately thirty different blog articles or activities to make sure that each stop is different. (Actually, I will need sixty, since I will also have to post something on my own blog each day.) A few bloggers are going to send me interview questions. One wants me to send photos of my work space. Another wants an article about the challenges of writing with a focus on research. And yet another wants an article about writing dialogue for a group. The remaining twenty or so are trusting me to come up with something interesting. So — what would be some interesting topics? You can suggest a general topic about writing or you can take this opportunity to ask whatever you’d like about me, about my books, and especially about Daughter Am I. Either I’ll combine the questions into an interview or, if the response is long enough, I’ll use it as a stand-alone post.

Sheila Deeth, who will be my host on November 9, said, I’ve never hosted before, and I’m nothing like as experienced at blogging as you, so I’m reluctant to suggest a topic. I know what I’d really like to read would be how you got from where you were before to where you are now, and what advice you would give those of us dreaming of following.

Now that’s a good topic. It’s personal, and it’s something she wants to know the answer to. And it’s something I would never have thought of since I know the answer. Sort of.

So, what do you want to know?

Also, if you’d like to be part of my blog tour, please leave your blog address in a comment. I still have a few scattered dates to fill, so don’t be shy. (Yes, I mean you.)

Daughter Am I is a young woman/old gangsters coming of age tale that is being sold as mainstream, though it could just as easily be classified as a mystery.

When twenty-five-year-old Mary Stuart learns she inherited a farm from her recently murdered grandparents –grandparents her father claimed had died before she was born — she becomes obsessed with finding out who they were and why someone wanted them dead. Along the way she accumulates a crew of feisty octogenarians –former gangsters and friends of her grandfather. She meets and falls in love Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. Now Mary and Tim need to stay one step ahead of the killer who is desperate to dig up that secret.

DAIDaughter Am I, my young woman/old gangsters coming of age adventure, will be available from Second Wind Publishing in one week!

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Daughter Am I Is Finished!

DAII received my final proof copy of Daughter Am I, my young woman/old-time gangsters coming of age adventure, and I’ve reluctantly agreed to let it go to the printer.  There is always that moment when you realize this is it — you have to live with any mistakes that end up in the book. If there are any, though, it will be sheer accident. The novel went through several good editings, including a final scrubbing by Deborah J Ledford, fellow Second Wind author and editor extraordinaire. It was also scrupulously copyedited by Donna Russell, (creativemuse1(at)aol(dot)com) a treasure I found on Facebook. So my reluctance is more imaginary than real — the book is as perfect as I can get it.

When I received the final copy edits from Donna, she enclosed a note:

Thank you for the opportunity to edit your book, Daughter Am I.  You certainly put a lot of time and effort into researching all of the historical elements, and did a good job incorporating them into the plot without overwhelming it.  I learned several new things — Hegelian dialect, terms such as “lamster,” and a lot about guns, cars, and the Mafia.  I personally enjoy it when an author sends me to the dictionary or encyclopedia (or Google). There were also many excellent lines in the book. I thought these were especially good:

“The loss of something that never was can be as devastating as any other loss.”

“They thought they could rule by fear, but when fear is around every corner, people lose their fear of the fear.”

“They worked in silence, their excitement so great it seemed to shimmer in the air like a heat mirage.”

“It’s odd—I never used to be aware of old people as real persons. I’m not stupid. I know they weren’t born old, but it didn’t occur to me that heroes and villains, killers and great lovers could be hidden in those feeble bodies.”

I also enjoyed your use of humor, and the way you developed the characters.  It was nice to see Mary grow into a more confident woman, see her influence on the old gangsters, and the way she and they came to genuinely care for one another.  You made me care about the characters.  Have you considered a possible sequel?  I can see the potential for more “adventures.” Anyway, just a thought.

Hmmm. A sequel. Could be interesting, but first I have to sell the original. Luckily, it will be released soon  — maybe in two weeks. Sounds like a good excuse for a party! 

 Daughter Am I will be available soon (!) from Second Wind Publishing, LLC

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How to Tell When Your Novel is Finished

DAII finally turned in what might be the final proof of Daughter Am I. At least I hope it’s the final one. People often ask how you know when a book is finished — well, if you’re to the point where seeing one more word of the manuscript makes you want to throw it against the wall (or bang your head against the wall, though the first hurts less) then you’re finished. And I passed that point months ago.
 
I have a rocky relationship with my books — not exactly love/hate, more of an enjoy/disenjoy relationship. (I realize disenjoy is not a word, but it should be.) Sometimes I read what I’ve written and am amazed that I enjoy it so much. Other times I can’t believe how boring it is. (To be fair, any bit of writing, no matter how great, does pall after the hundredth read through.) Daughter Am I is no exception. I like the story:

When twenty-five-year-old Mary Stuart learns she inherited a farm from her recently murdered grandparents—grandparents her father claimed had died before she was born—she becomes obsessed with finding out who they were and why someone wanted them dead. Along the way she accumulates a crew of feisty octogenarians—former gangsters and friends of her grandfather. She meets and falls in love Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. Now Mary and Tim need to stay one step ahead of the killer who is desperate to dig up that secret.

I like the beginning. I’ve been told that the first sentence is too long and introduces too many characters, but it’s the only possible beginning since it states the book’s main premise and it foreshadows the end:

“Who were James Angus Stuart and Regina DeBrizzi Stuart?” Mary asked, trying to ignore the mounted heads of murdered animals staring down at her from the lawyer’s wood-paneled walls. 

I also like my characters, though I do wonder about the long-windedness of a couple of them. The eighty-year-olds that I know, however, aren’t as quick with one-liners as are younger folk, and they do tend toward loquaciousness, so I hope readers are as forgiving of my octogenarians as they are of their own.

Still, after all these years of researching the Mob, of writing the book, rewriting it, editing it, copyediting it, I am a bit tired of the whole thing and will be glad to see the end of my work.

So why am I telling you this? Well, it is a painless way of doing a bit of pre-publishing publicity (painless for you, too, I hope). There is also a moral: when you decide to write a book, make sure it’s one that you can live with for a very, very, very long time.

Daughter Am I will be released by Second Wind Publishing in October, 2009.

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Aaaarrrgggghhhh!!!!! Now I Have to Write a Review!

StaccatoWhile most of the world is talking about the new Dan Brown bestseller, Second Wind Publishing, LLC has quietly released a thriller of its own — Staccato by Deborah J Ledford. You won’t find all the elements that have become Brown’s hallmarks: cartoonish characters, amateurish prose, tin-ear for dialogue, internal inconsistencies. What you will find is a well-written, well-constructed story that will keep you enthralled.

The product description on Amazon says it better than I could: Performed against the backdrop of the Great Smoky Mountains of North Carolina, Staccato transports readers to a behind-the-scenes glimpse of professional musicians, the psychological twists and turns of its characters, and in the end, retribution that crashes in a crescendo of notes played at the literary pace of a maestro’s staccato. The only drawback to Staccato is that it doesn’t come with a soundtrack — each meticulously chosen piece of music enhances the mood of the scene it accompanies, and unless you are much more informed about music than I am, you will miss some of the brilliance of this composition.

Readers are in for a treat, and me? Aaaarrrggghhhh!!! I have to write another review! Well, I don’t have to, but the book deserves all the attention it can get. So, I will add it to the stack of other books I’ve promised to review, yet haven’t:

Lacey Took a Holiday by Lazarus Barnhill
The Medicine People by Lazarus Barnhill
Steel Waters by Ken Coffman
Toxic Shock Syndrome by Ken Coffman
Mazurka by Aaron Lazar
Heart of Hythea by Suzanne Francis
and now, Staccato by Deborah J Ledford

Although all these books are much more literate, readable, and enjoyable than Dan Brown’s pap, the best I can come up with as a review for each of these deserving novels right now is, “Good book. I liked it and you will, too.”

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Lisping Dialogue

I used to read books about writing — dozens of them.  Several mentioned that mispelled words and apostrophes are no longer in style to show speech defects or accents — such dialogue is difficult to read.  To denote dialect, one needs to show speech patterns from the specific area, such as “It’s not far, just down the road a piece.” Tells you a bit about the character, and it’s easy to read. Another suggestion was to use the misspellings and apostrophe’s to set the character’s accent in the reader’s mind, then switch to normal spellings.  I heeded this particular bit of advice in my upcoming novel, Daughter Am I. To get the full meaning of the excerpt, you need to know that the Scourge and Butcher Boy once worked for the Outfit, aka the Mob. 

“Who ith it, my love?” A rotund little old man wearing plaid bermuda shorts and a pink polo shirt appeared at the door beside the woman.

“Hello, Wallace,” Happy said.

Mary bit back a giggle. This was the Scourge? This gnome of a man with twinkling eyes and a lisp?

Wallace peered through the screen at Happy. “Do I know you?”

“Don’t you remember? We used to work for the same outfit.”

The woman’s face lit up. “Oh, how nice. Won’t you come in?”

She made a move to open the door, but Wallace put out a hand to stop her.

“That won’t be necessary. These folks were just leaving.”

“Hey!” Happy protested. “What’s the big deal? All we want is some information about Butcher Boy.”

“The supermarket in town has a nice butcher,” the old woman said, “but you can’t really call him a boy. He has to be at least forty.”

Wallace patted the woman’s arm. “Let me handle this, sweetie.” He opened the door, slipped through, and closed it behind him. Motioning for Mary and her gang to follow, he headed for the road.

“This your bus?” he asked.

A couple of editors mentioned that I was inconsistent, that I should have carried the lisp throughout the scene.  It was only two pages, but still, that’s a lot of th’s.

“That won’t be nethethary. Thethe fokth were jutht leaving.”

“…Thweetie.”

 “Thith your buth?”

So, when you read Daughter Am I (you are going to read when it’s released, right?) and notice the inconsistency, just remember how kind I was being to your eyes.

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Distilling the Essence of a Story

I have an interview on BlogTalkRadio on Saturday, September 5 at 11:30am ET. We’re going to be talking about back story — where I got the ideas for A Spark of Heavenly Fire and More Deaths Than One. Although one of the hosts of the show has read at least one of my books, I’m sure at some point he will ask me, “What are your books about?” And I will give the same answer I give to everyone who asks. A blank stare. Though, being radio, it will come across as blank silence.

How does one encapsulate a three-hundred-page novel with subplots and subtexts, themes and scenes, complexities and ironies into a minute of description? This distillation is commonly called an elevator speech, and after five months of being published, I still haven’t figured mine out.

I can talk around the story — More Deaths Than One is a thriller/mystery/suspense novel that explores what it is that makes us who we are. Is it our memories? Our experiences? Our natures? A Spark of Heavenly Fire is a thriller/suspense novel with a strong romantic element. It tells the story of ordinary people who become extraordinary because of the trauma they must endure. — But neither of those descriptions gives an idea of what the stories are about.

I can relate a bit of the story — More Deaths Than One tells the story of Bob Stark who sees his mother’s obituary in the morning paper, which stuns him because he buried her two decades ago before he the country to live in Southeast Asia. So how can she be dead again? A Spark of Heavenly Fire tells the story of how Kate Cummings, an ordinary woman, gathered her courage and strength to survive the horror of a bioengineered disease let loose on the state of Colorado.

The problem I’m finding is that I don’t know the essence of either story, the emotional triggers. What do the books do for readers? Why should people read them? Perhaps the books will bring romance and adventure to readers’ lives. By showing ordinary people rising to horrific occasions, perhaps readers will feel better about themselves, knowing they too have the potential for heroism. And, in the case of A Spark of Heavenly Fire, people will know what to expect if ever the Swine Flu or any other virulent disease spreads so rapidly that an entire state needs to be quarantined in an effort to curtail the deaths.

So, how do you distill the essence of your book (or any book!) into a few words and make a reader desperate to read it?

More Deaths Than One and A Spark of Heavenly Fire are available from Second Wind Publishing, LLC.
You can also download the first 30% free at Smashwords.

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