Making Time, Finding Time, Having the Time of Our Lives

Once upon time when I worked in retail, I noticed that whenever a day seemed to go slowly for those of us womanning the cash registers, customers would complain about how the day was dragging. Conversely, when the day seemed to fly by for us, customers would also comment on how fast the day was passing. I started taking an informal poll then, asking people if the day was moving fast or slow. With but a single exception, the days went either fast for everyone or slow for everyone, which made me think that time was variable, though somehow our bodies and artificial timekeepers managed to key into the new time speed, so there was no way of knowing that time moved at different rates.

Oddly, time is no longer variable for me. It speeds up and keeps speeding up until I wonder how twenty-four hours manage to fit into a single day. Except when I write, of course, then it seems as if time doesn’t exist.

Time is a major factor for all of us. People often ask me how I juggle promotion, writing, and offline life, but the truth is, I don’t juggle very well. I always drop a ball or two so that a single ball is kept in the air at a time. (Am I mixing metaphors?) Right now my offline life is taking precedence (nothing particularly good or bad, just work). I am doing almost no promoting, not keeping up with my discussion groups (except for this one), doing a single blog post a week, and yet all that and more used to fit into a few hours a day. Now it barely fits into a week.

So, let’s talk about time. How do you make the time to write? For those of you who are published, how do you find the time to promote? How do you make sure that you are having the time of your life when you are writing, or does it become work after awhile? If you don’t want to talk about time, feel free to talk about any aspect of writing or your writing life.

Let’s talk.

My writing group No Whine, Just Champagne will be discussing this article during a live discussion about writing and the writing life on Thursday, January 21, 2010 at 9:00pm ET. I hope you will stop by our Writing Discussion #96. If not, leave your comments here. I always enjoy seeing what you have to say.

I Asked and You Answered. Thank you!

A couple of days ago I posted a plea for interview questions to submit for my Blog Radio interview on Thursday at 12:30 pm CT, and you generously came up with some wonderful suggestions. I don’t know how closely the moderator, April Robins, will follow the list, but it should give us a great starting place. Thank you all very much!

Here are the questions I submitted:

You are the moderator or co-moderator of four successful Facebook groups. How did you get started, and how did you end up with four groups? What’s the secret to your success with the groups?

How much time and organization does it take to be active in online communities?

Is your Suspense/Thriller writers’ group only for suspense/thriller writers?

Does it make sense to join a FB group, like the ones you host, if the writer writes for the YA audience?

How do you balance your time between writing, blogging, promoting, moderating 4 groups, and other day-to-day responsibilities? Do you have a written schedule or “to-do list”? How do you keep up with it all?

You have three books published. What’s next?

What is the most common question you are asked by fans or would-be writers?

What are your writing goals for 2010?

Which of your books was the hardest to write/most research intensive? What’s the biggest writing challenge you’ve ever faced?

How did you decide your genre?

Please stop by April Robins’ Blog Radio show Red River Writers Live — Savvy Designs on Thursday, January 7 at 12:30 pm CST to hear my responses. You can also call in with additional questions. The call in number is (646) 595-4478. Hope to hear you there!

Interview Questions Wanted

I am going to be a guest on April Robins’  Blog Radio show Red River Writers Live — Savvy Designs on Thursday, January 7 at 12:30 pm CST, and I need to supply ten interview questions. A few of those questions have to relate to the facebook groups I moderate or co-moderate, and the rest are up to me. I like a freewheeling interview, where we just talk rather than do a Q&A, but I can see that some guidelines would help. I will talk about my Facebook groups and how I ended up as moderator for four of them. And I will talk about how generous the members of all the groups have been with their time and expertise during the discussions, but beyond that? Haven’t a clue. If I were still in my blog tour/self-promotion phase,  I could feed April questions about my books, but that phase seems to have passed. I’m just me again, not an author on tour, and so I’m plumb out of questions.

Any suggestions?

Oh, and if you haven’t yet joined one of my Facebook groups, I am extending a personal invitation. Well, it’s more of an impersonal invitation, since I’m posting it here and not sending it to you individually, but still, it’s an invitation.

Suspense/Thriller Writers

Second Wind Publishing

Genre Book Club

Help Support Independent Publishers

And, of course, there is my live chat on Thursday evening at 9:00 pm ET. Always a lively discussion! So, feel free to join this group, too: No Whine, Just Champagne.

Whole Lot of Forgetting Going On

I find myself in a peculiar situation. For two and a half years, I lived for the Internet. First thing in the morning, I went online to see what was going on, checked again in the afternoon, and then spent all evening and late into the night in cyberspace. Most days I posted to my blog. That was always one of my favorite things — being able to say what I wish for everyone (or no one) to read. So it came as rather a shock when I checked my blog today and discovered my last post was ten days ago. Ten days! Whatever happened to my addiction? How is it possible that after all that time, I started forgetting to go online?

This has happened before. When I was younger, I used to run a mile every day. Did that for years. And then one day I simply forgot, and that was the end of my running. Same thing with writing — for eight years I wrote almost every day, sometimes two and three times a day. And then one day I forgot. And that was the end of that for a couple of years. To get back into the habit, about three weeks ago I started writing a page every night (mostly stream of consciousness, not fiction, but still it’s writing). And then one night I forgot. I was half asleep when I finally remembered, so I turned the light back on and did my page.

So, back my peculiar situation. I had resolved to cut back on Internet time — I really was spending way too much time here — and now I have to resolve to spend more time. Or not. I could just go with the flow, I guess, and see what happens, but going by past exerience, nothing would happen. I’d simply disappear.

Hmmm. That could make an interesting story, though perhaps it’s been done. The idea seems familiar, but if I ever read such a book, I forgot.

Wishing You a Boring, Perfect World

For some reason, the spammers have found my obscure Quantum (Uni)Verse blog where I post “frozen thoughts.” (They’re not really poetry, and they are not new writings. They are thoughts I once had that are now, well, frozen.) These spammers are clever — instead of the obvious gibberish that so many spammers use, these are quotes, some quite interesting, so I am leaving them on the blog. One that I received today said, “I guess we’d be living in a boring, perfect world if everybody wished everybody else well.”  Despite the risk, I do wish you all well.

Ugly Book Cover

A recent reviewer of More Deaths Than One liked the book well enough, but thought the cover was SO UGLY. (The capital letters were the reviewer’s.) Perhaps it is. The printed version is not what I had envisioned. It was supposed to be an eerie night-vision-goggle-green painting with purple lettering (as you see on the right sidebar) and it turned out to be emerald and raspberry sherbet pink. The painting also lost much of its detail. However, whatever the vagaries of the printing process that gave More Deaths Than One a less than appealing cover, they gifted Daughter Am I with a stunning cover. Instead of the happy turquoise you see on my sidebar, the cover printed up as a gorgeous deep and brooding turquoise that is a perfect match for the story.

I have no idea any more if my covers are good or bad. They are what I wanted at the time. I do know they are not standard fare, and they do have an untextured glossy cover, which, apparently, readers equate with self-published books. The fad today in the publishing industry is embossing, foil accents, textures, and matte finishing, but once upon a time if a book didn’t have a glossy cover, it wasn’t considered worth reading. I found an interesting article about shunning glossy covers here: “An open letter to Trade Publishers“.

Like all prejudices, this prejudice against glossy covers is based on ignorance and assumption. Covers do entice people to buy books and covers put people off from buying books, but a cover isn’t the book. Nor do glossy covers mean self-published books. Even so, some self-published books are better than the books published by the major publishers, and all of the books I have read recently that were published by small independent presses are vastly superior to any recent book published by the majors.

I’m not sure what the answer is. People will buy what they want to buy, or rather they will buy what they are trained to buy. That is the nature of fad and fashion. Personally, if I see one more book cover with a man’s naked torso on the cover, I am going to scream. We are no longer allowed to objectify women, but apparently it’s okay to objectify men. But that’s beside the point. The point is that naked chests are the current fad for romances and so that is what readers have been trained to look for. Before naked chests, the fad was jewelry on the cover. Before that, it was men and women together. Will small presses ever have the clout of the big ones so that they can dictate the public’s taste and prejudice to this extent when it comes to covers? I doubt it, yet that doesn’t mean small press books are less enticing, nor does it mean the independent presses should become “me too”s, trying to catch the leftovers from the big guys by copying their phony fads. 

It’s nice to think that there are real readers out there, readers who will buy books based on the quality of the words, but I wonder how many there are. Not enough, probably, to afford small press authors the esteem given to those published by the major presses. But the major presses publish pap — stories so homogenized and tasteless that all they have going for them is fancy coverings, so where’s the esteem in that?

A Spark of Heavenly Fire Outtake #3

A Spark of Heavenly Fire takes place during the month of December. To celebrate, I am posting outtakes from the book. Like movie outtakes, these are scenes that were deleted from the final version.  Posting them is not as easy as it sounds. Since the original version is no longer in my computer, I have to retype the pages from my handwritten draft copy.  Still, it’s fun being able to revisit some of my original scenes. Hope you enjoy this look at my characters. Oh, and if you’d like to see a photo of the handwritten book, you can find it here: A Spark of Heavenly Fire Pre-Anniversary.

One of Hollywood’s highest paid actors, Jeremy King had a tendency to take himself and his status too seriously, but here, on his vast Montana ranch, he felt centered. A man, not an icon.

After a satisfactory day riding fence, he crawled into bed so blissfully drowsy he felt no need to take a sleeping pill.

His wife Nora rolled over into his arms, enveloping him in her inimitable scent: jasmine, cinnamon, woman. He felt a momentary tug of arousal, but it dissipated when she didn’t respond to his exploratory kiss. Before he even had time to register a flicker of disappointment, he fell asleep.

To his annoyance, he woke an hour later. As he started to get out of bed, Nora grasped his wrist.

“Don’t go,” she said, still half asleep.

“I have to. This damn prostate.” He gently disengaged her fingers and headed for the bathroom.

When he returned, Nora was sitting up, the heirloom quilt clutched to her throat.

“Don’t go,” she repeated.

“I won’t.” He laughed humorlessly. “Not for an hour or two, anyway.”

“That’s not what I mean.”

“It’s late, honey. Go back to sleep.”

“I had a dream.”

Jeremy yawned. “Can’t it wait? We can talk tomorrow before I leave.”

“I don’t want you to go to Denver,” Nora said. “Something terrible is going to happen to you there.”

“I’m only going to be gone two days, just long enough to shoot a few exterior scenes. That’s all.”

Jeremy’s latest film, Cry of Hope, was the story of a Colorado cattleman who, while trying to survive a severe drought, discovers that his son has leukemia.

Test audiences had been singularly unmoved. In an effort to rescue the movie, the producers had decided to shoot a few more scenes showing the rancher’s despair. Jeremy had readily agreed to take the extra work; he was at that age where one disappointing film to could an end to a long career.

Nora knew this too, so why was she giving him grief? Maybe she was lonely now that their two children were away at college.

“Why don’t you come with me?” Jeremy said. “Go shopping at Cherry Creek Mall, eat at some fancy restaurants.”

“You think that’s what this is about?”

“Look, it was just a suggestion.”

“Oh, never mind.” Nora flopped down on the pillow, pulled the covers up to her chin and turned her back on him.

Jeremy had just about drifted back to sleep when Nora sat up again and turned on the light.

He squinted at her in the sudden brightness. For just a second he wondered who the worried old woman was. What had happened to the slim, raven-haired beauty he had married twenty-five years before?

With a pang of compassion, he sat up, put his arms around his wife and pulled her close. “What is it, honey?”

Nora started to cry, loud gulping sobs like a child.

Jeremy patted her back and made soothing noises.

“I don’t want to lose you,” she said after she had calmed down.

“You’re not going to lose me. What can happen in Denver? There’s no earthquakes, no hurricanes, no tornadoes, no tidal waves or flash floods. There’s an occasional blizzard, but eh weatherman says it’s going to be clear this week-end.”

She pulled away from him to study his face. “You’re making fun of me.”

“No, I’m not.” He smiled at her. “Well . . . maybe a little.”

She snuggled back into his arms. “The dream really scared me. You and someone else — a girl, I think — were alone in a very desolate place. There were a few skeletons of buildings in the background, and some trucks and bulldozers parked haphazardly around an immense smoking pit, but that was all. The sun was just setting. Because of the smoky haze, the sun was red, like the sun of a dying planet, and it made everything else look red, too. Blood red.”

Jeremy felt Nora shudder. “It’s just a dream,” he said. “Remember when I was doing The Sultan’s Pride? You called me in Mozambique, all frantic because you dreamed I was going to be tortured. You were right. I was. But it was just a scene in the movie. And that time you dreamed I was going to be hit by a car and end up in a coma? Another scene from one of my films.”

“I still feel terrible about accusing you of having an affair with your co-star while you were making Mesa Grande — what was her name? Janet Richards? — but I did see the two of you in a dream.” Nora sighed. “You must think I’m a foolish old woman.”

When he opened his mouth to speak, she kissed him, stifling his protests. “You’re a good man, Jeremy King,” she said, then she turned off the light.

Within minutes, she was sound asleep. Jeremy, however stared up at the ceiling, unable to get her words out of his head.

His affair with Janet Richards has been very discreet, so it had come as a shock when Nora had confronted him with it. He had managed to sidestep a battle by swearing the affair was nothing more than a protracted love scene that had been cut from the movie, but he had never understood how she had found out about it in the first place. Could she really have seen it in her dreams?

An hour later, still wide awake, Jeremy took two sleeping pills.

I always liked this scene. It put a different slant on Jeremy’s flirtation with the gorgeous Pippi O’Brien, and it foreshadowed the terrible sight that greeted them when they fled Denver, but too much of Jeremy at the beginning pf the book overwhelmed the story and made it drag. I can’t believe I had the courage to eliminate it. 

Read the first chapter of the published version here: A Spark of Heavenly Fire 
Free download: get the first 30% of A Spark of Heavenly Fire free at Smashwords
Read blurb at  Second Wind Publishing: A Spark of Heavenly Fire
Blatant hint: Books make great Christmas gifts!

I’m Not Waiving Any Moral Rights I Have in My Blog!

A couple of weeks ago I got an email from a marketing company doing a social media campaign for a major corporation. Apparently they wanted to get bloggers to do a contest for them, and the winner would receive . . . nope, better not go there. If I told you what the prize would have been, it would be tantamount to telling you who the corporation is, and I’d probably get sued.  For my part in the production, I would have received the same prize, but since I have no use for it, it wasn’t much of an incentive. I like doing online promotions, though, whether for me or someone else, so I was going to do as they asked just for the fun of it.

(It’s a good thing I didn’t. The last contest I promoted got almost no entries, so if you’d like to help me redeem myself as a promoter, you can check out: Free ebook giveaway of the latest thrillers!)

After I said yes, I received a four page contract. I suppose it makes sense — after all, if they were going to give away a couple of items worth two hundred dollars each, they would want to make sure I did what I said I would do. The agreement seemed standard until I go to the part that said: You grant us the right to link to your blog and to reproduce, display and distribute excerpts from your blog, for any purpose, in any media now known or hereafter invented. Like I’m really going to grant them those rights forever.  I told them they could have the rights to any article I wrote on their behalf, but that’s it.

Anyway, they changed that section, and I went through the agreement one last time before signing. In a section about attesting to being over eighteen and being the sole owner of my blog and not defaming the company, etc., I found this: You hereby waive any moral rights you may have in your blog.

What???? I don’t even know what that means. Still, I gave them the benefit of the doubt and said if they removed that line, they had a deal. I never heard from them again.

The contest was supposed to start in two days. I’m keeping my eyes open for contests pertaining to that corporation. I’m curious how many people got suckered into signing away the reproduction, distribution, and moral rights to their blogs.  I hope you weren’t one of them!

Sharing a Thanksgiving Day Card With You

I received this card from Joylene Nowell Butler, author of Dead Witness, and decided to share it with all of you. Thank you, Joylene!

Creating Perfection

Today I am at Mark David Gerson’s blog talking “All About Balance,” and he is here with an article about creating perfection. As you know, I’m planning to start writing again, so I am taking special heed of Mark David’s words. Mark David says:

Have no fear of perfection, you’ll never reach it. 
~ Salvador Dali

Are you frustrated? 

Do you struggle to find the perfect words that consummately evoke the depth of your passion or flawlessly paint the fullness of your vision? 

Are you frustrated because the words you have chosen seem inadequate, their ordering unsatisfactory?

You’re not alone. Many writers echo your frustration.

It’s a futile frustration, for language is an approximation. It’s a powerful but often inadequate device for translating experience and emotion into a form others can share.

When I originally wrote these words for an early draft of The Voice of the Muse: Answering the Call to Write, the sun was sliding through a marbled Hawaii sky toward the Pacific, its light skipping across wind-rippled waters.

If I was successful in that description, you will have seen some version of an ocean sunset. Some version, but not mine.

It may approach mine. It may approximate mine. Yet my words, as expertly as I may have deployed them, cannot create a Kodak moment. (Even Kodak can’t create a perfect Kodak moment.) My words are more likely to create an Impressionist moment.

That’s not a bad thing. It gives readers space to have their own experience, to paint their own pictures from the words you have freed from your pen.

Just as you can’t control the words that flow from you, you can’t control your reader’s experience of those words. Nor would you want to.

How often have you been disappointed by a film portrayal of your favorite literary character because your inner director cast the role more astutely than the movie director did?

Empower your readers to have their own experience and recognize that all you can do is translate your experience as heartfully as you’re able into little squiggles on a page. Begin by recognizing that most of the time you’re only going to come close. Continue by knowing that it remains within your power to have your words incite revolution, topple dynasties, overthrow “reality.”

That’s perfect enough for me. How about you?

Can you let go your natural human perfectionism long enough to let your story tell itself to you on the page? 

What are you waiting for? Pick up your pen. Describe what you see, what you feel, what you yearn for, what you love. Don’t try to be perfect.

Don’t try at all. Just allow. And know that from that place of surrender, you are creating perfection.

Mark David Gerson has taught and coached writing as a creative and spiritual pursuit for nearly 20 years and is author two award-winning books, The Voice of the Muse: Answering the Call to Write and The MoonQuest: A True Fantasy. He has also recorded The Voice of the Muse Companion: Guided Meditations for Writers on CD. For more information on Mark David and his books, coaching, workshops, blog and radio show, visit www.markdavidgerson.com.

To rean an excerpt from The Moonquest: A True Fantasy by Mark David Gerson: click here

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