Blog Exchange with Pierre Dominique Roustan

As part of my week-long book launch party, Pierre Dominique Roustan and I are exchanging blogs. (You can find me at Writing and Reading.) Pierre writes:

Wow, this is a nice place you got here, Pat. It’s not every day I get to step out of my pad at the “Writing and Reading” Universe and explore. Allow me to introduce myself then! Pierre Dominique Roustan. Yes, you readers out there can say it: it’s a cool name. And that’s because I’m cool. I’m a 2nd generation Hispanic, born in Chicago, Illinois, son to a fiery Puerto Rican woman and a tough-as-nails Nicaraguan man. And, yet, you ask why I have such a French name…. Because my dad’s half-French. Yes. It’s true.

I’ve been writing ever since I remembered being able to walk. It was one of those things you just couldn’t get away from, you know? My parents had me tested for giftedness, and the results came back showing I was gifted. What gift(s) I had? Wasn’t sure. Didn’t care. So much so that I sometimes omit the pronouns when I write. However, my parents cared, teachers cared, others cared; and they saw something in me. It didn’t take me long to realize that I loved to write-poetry, fiction, nonfiction, anything. I just had this need to fill the white space on a piece of paper with some sort of manifestation of my imagination (that’s a mouthful there), so much so that I followed my heart and earned a B.A. in Creative Writing at the University of Illinois at Chicago.

As I stand now before you, I’m a published author. My debut will be released in December. The number of people I could thank outnumber my fingers and toes and the fingers and toes of my family. I’m not exaggerating. I think it’s fair that I give you some insight into my journey of publication, though….

I write urban fantasy and thrillers (and sometimes those two genres go together for me). My debut is a fast-paced thriller known as THE CAIN LETTERS. Look for it. However, it wasn’t my first finished manuscript, nor my first project.

I actually wrote my first ‘story’ at the tender age of 10, I believe. It was about 20 pages long. The next ‘story’ I wrote landed me a 200-pager. I can’t remember exactly how old I was, but I think I was a freshman in high school. I then wrote another story that stretched to 300 pages long. Here’s the real kicker, though; the next project I took on actually pulled in about 540 pages…. 154,000 words, and the best part about that was I, initially, thought that was too short!

Go figure. I guess I was long-winded.

And then came THE CAIN LETTERS. At 74,000 words, it moved fast. I had learned a lot about storytelling, about pacing, about plot, about character. THE CAIN LETTERS is a culmination of all that I’ve learned.

For those aspiring writers out there, let me tell you: following a dream kills. The good thing, though, is your passion for writing makes you reborn every single time. Through every rejection, every bout with writer’s block, every setback, anything getting in your way, that desire to write brings you back up. Every single time. Let me tell you how dreaming kills: I received over 100 rejections for THE CAIN LETTERS, about 97% of them from literary agents. And those 100 rejections were spread over one year, almost to the day. The middle of March, 2008, was when I finished the manuscript. I just signed my contract with Eirelander Publishing about four days ago-without a literary agent. Funny how time flies.

You never know what’ll happen. I just learned to keep trying. It paid off.

That’s all I got for all of you, readers. Give it up for Pat Bertram as well! Put your hands together. It has been an honor being her guest, and do give her the honor of reading her work as well. Feel free to make as many comments as you like! Pat and I will be checking. Questions? Concerns? Coffee? Cupcakes? Oh, and stop by “Writing and Reading”, just to check out the scene, check out the pad, http://writingandreading.today.com. I’ll see you later. Taco Supreme.

Pierre is also a guest on my Dragon My Feet blog. See: The Cain Letters and Interview with Pierre Dominique Roustan.

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More Deaths Than One Book Trailer, Fun, and Games

Fun and games!

More Deaths Than One Word Seek Puzzle:

wordfind

Click on the cover for a Jigsaw Puzzle:

Cover MDTO - online jigsaw puzzle - 40 pieces

You can find More Deaths than one at Amazon:
The print version is also available at a discount from Second Wind Publishing:

A Spark of Heavenly Fire Puzzles, Games, Sudoku

My week-long  “HALLELUJAH! MY NOVELS HAVE FINALLY BEEN PUBLISHED! LET’S PARTY!” party continues with more fun and games.

A Spark of Heavenly Fire Sudoku. You work these exactly as you do number Sudoku, but you use the letters from A Spark of Fire. (A, S, P, R, K, O, F, I, E)

ashf-sudoku4ashf-sudoku

 ashfsudoku2                                                                                                 ashfsudoku3

 You can work the sudoku puzzles online:

First Sudoku
Second Sudoku
Third Sudoku
Fourth Sudoku

Click here for solutions:

solution

Cryptogram:

To break the code, look for repeated letters. E, T, A, O, N, R, and I are the most often used letters. A single letter is usually A or I. OF, IS, and IT are common 2-letter words. Try THE or AND for a 3-letter group.

EBGUB CO CY GDGUV EUNG ZLKRY’O BGRUE R OXRUF LA BGRDGYHV ACUG, ZBCLB HCGO ILUKRYE CY EBG MULRI IRVHCMBE LA XULOXGUCEV, MNE ZBCLB FCYIHGO NX RYI MGRKO RYI MHRQGO CY EBG IRUF BLNU LA RIDGUOCEV. (ZROBCYMELY DUDCYM)

More Puzzles:

A Spark of Heavenly Fire Word Scramble

A Spark of Heavenly Fire Gems

A Spark of Heavenly Fire Solitaire

Let’s have some fun
In a different guise.
Click on the cover
For a wonderful surprise.

A Spark of Heavenly Fire - online jigsaw puzzle - 40 pieces

You can find my newly published novels at Amazon:
 
They are also available at a discount from Second Wind Publishing (payable through Pay Pal only):

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HALLELUJAH! MY NOVELS HAVE FINALLY BEEN PUBLISHED! LET’S PARTY!

QUARANTINED! 

 

Are you up to the challenge?

Then…

Let’s party!

I brought the fireworks. 

 

 
You can find my newly published novels at Amazon:
 
They are also available at a discount from Second Wind Publishing (payable through Pay Pal only):
 
The first fourteen people who order A Spark of Heavenly Fire from Second Wind Publishing will receive a spark of heavenly fire. Perhaps I erred. Perhaps it’s more of a spark of machine-made fire — a dainty crytal pendant — but it’s still free to the first fourteen customers.

Please join me here for a live online celebration all day Tuesday, March 31, 2009. Stop by when you can, but I will be here live from 5:00 pm ET to whenever. There will be dancing, games, eprizes.

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A Letter From an Agent

I got a letter from an agent at William Morris Agency. It started out: Dear Pat:

Nice. Not too stuffy, not too familiar. Then the agent thanked me. Also good. And finally, he said that he was enclosing a manuscript for review.

Okay, that was mean of me to lead you on, but I liked the irony. Over the past seven or eight years, I sent out two hundred queries and primarily got form letters in response. (Form letters? Try form scraps — most agents enclose a much photocopied slip of paper into your SASE, and expect you to be grateful for that, which, of course, you are since many agents don’t bother acknowledge you at all.) But here an agent was sending me a manuscript, asking for my opinion. As I said, I liked the irony of it.

I also got a letter from the publisher (along with a finished copy of the book) thanking me for my review. The thing that struck me about this letter was the acknowledgement that readers sell books:

Writers write books, but it’s readers who sell them. Now, more than ever, the best way to hear about a good book is to hear about it from someone who read it and wants to spread the word.

All of us at St. Martin’s Minotaur are grateful for the time you’ve taken to read, review, and blog about . . . etc, etc.

So, is this more irony, this bringing the book business down to my level? Because my books are being published by a new press, I won’t have the sort of publicity that an major publisher can afford, but I can blog about my books, and I can (perhaps) get readers to talk about them. Just like a major author. Odd, isn’t it, this brave new world of publishing?

In case you’re wondering, the book is Marshall Karp’s new novel, Flipping Out. (He also wrote The Rabbit Factory andBloodthirsty.) I’m not allowed to talk about it until his blog tour, (he’ll be here on April 12th) but there’s nothing hush-hush about it. You can read the first five chapters on Karp’s website.

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On the Eve of Publication…

After seeing my article, “A Book Reviewer’s Lexicon,” where I mentioned that I’d read 20,000 books, author Ken Coffman asked what books stuck out in my mind as premier ones, what authors consistently pleased me, and which books I’ve read more than once. Off the top of my head, I posted a list of books. Premier? I don’t know that they are, but for some reason, I remember the title and author years — sometimes decades — after finishing them:

Sakkara by Noel Barber
Sarum by Edward Rutherford
The River God by Wilbur Smith
The Left Hand of God by William Barrett
The Balance Wheel by Taylor Caldwell (for many reasons, both good and bad)
Great Expectations by Charles Dickens (because of the irony)
The Creature From Jekyll Island by G. Edward Griffin (non-fiction)
The Gods of Eden by William Bramley (non-fiction)
The Twelfth Planet by Zeccharia Sitchen (non-fiction)
Story by Robert McKee (non-fiction)
most books written by Antony Sutton (non-fiction)
most books written by Stephen J. Gould (non-fiction)
a few books written by Hank Messick (non-fiction)

I wouldn’t necessarily recommend any of these books. I read them so long ago, I was a different person. That I remembered titles and authors shows what an impact they had at the time. In recent years, the only book that had any impact on me was Duma Key by Stephen King. I’m ashamed to admit it, but he did get me with that one. During the past couple of decades, the only other books that have completely pulled me in are The River God and Sarum, both of which I intend to reread. The River God is a story based on scrolls found in an Egyptian tomb, and Sarum is a Michener-type book about the Salisbury Plain in England. I don’t agree with a lot of Rutherford’s history, but the book fascinated me. I want to reread Sakkara if I can ever get it again, though I don’t remember much about it except that it’s a sort of North African Gone With the Wind. (Interestingly, I don’t like Gone With the Wind, though I did when I was very young. I tried rereading it a while back, and got bored.) I did reread Tanamera, (also by Noel Barber, and a sort of Singapore Gone With the Wind) and liked it the second time, too. In fact, I will reread all of Noel Barber’s books some day. Maybe even some of Nevil Shute’s books. And David Westheimer’s.

I read The Balance Wheel during the Vietnam era. Now THAT made an impact — reading a book about the war-to-end-all-wars during a later war. If I ever come across a copy of the book, I’ll reread it. (I lent it to someone who promised — actually swore — that she’d return it but never did.)

One book that got left off the above list is The Killing Gift by Bari Wood. I read it many years ago, and always remembered it. Reread it a few years ago, and it still had the same impact. It’s one of the few I’ve kept to re-reread.

I’ve also kept a copy of The Proteus Operation by James P. Hogan, so I can reread it someday.

One author who consistently pleased me was Kate Wilhelm until she stopped writing science fiction. On my wish list would be a newly written Kate Wilhelm science fiction novel (Are you listening, Kate?), but so far she’s sticking with mysteries. (They’re mostly published by Mira, which seems like hiding a diamond in the mud.)

Interestingly, I started rereading some of the classics, and couldn’t do it. Nicholas Nickleby, Sense and Sensibilty, A Tree Grows in Brooklyn. AAGGHH!!!

For about fifteen years I got so sick of the pap put out by the major publishers that I stuck with non-fiction. Read everything — history, quantum mechanics, string theory, health, archeology, etc, etc, but that got old (or I did) so now I’m back to fiction.

I’ve decided I need to get rich so I can start buying indie books. I feel like the man who kept shrinking and shrinking until finally he shrunk so much he ended up in an entirely different universe, a microscopic one. For me, the publishing world has shrunk so much that the only hope for finding the sort of books that interests me is to find another world. Which I have. The indie world. I guess I’ll just have to get people to send me books to “review.” Yes, that’s it. I’ll tell people I’ll do a review if they send me their book.

I thought that it would bother me posting this for anyone to see — it does say something about me, though I don’t know what — and I half-intended to delete it, but then it dawned on me: this is the eve of my becoming a published author. I’ve approved the proofs, so More Deaths Than One and A Spark of Heavenly Fire will soon show up on Amazon. (They are already listed on the Second Wind Publishing site.) If a list of books I’ve read exposes me, then the books I’ve written will expose me even more.

So, here I am.

For what it’s worth.

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A Thrill of Books

51miDOzhkHL._SX333_BO1,204,203,200_A murder of crows. A quiver of cobras. A charm of finches. A mischief of mice. A tower of giraffes. A scurry of squirrels. To this list of wonderfully evocative group names, I’m adding “a thrill of books.”

When I was young, I used to love coming home from the bookstore or library with an armful of books. I’d study the covers, read the blurbs and acknowledgments, open the book and sample a few words. It was a special thrill, this stack of new worlds that would soon be a part of me. Where would I go? Who would I meet? What challenges would I have to overcome?

The years did their damage, as they always do. Or maybe the culprit wasn’t the passing years, perhaps it was too many trivial stories, too much homogenization of genre, too much corporate policy infringing on the art. For whatever reason, I lost the thrill of having new books to read, and I thought it was gone forever.

I mentioned in my previous blog that I offered to review a few books, and today I received two of them in the mail: Steel Waters and Toxic Shock Syndrome by Ken Coffman. I looked at the covers (okay, I did more than look, I ran my hand over them, savoring the feel of the brand new books). I read the back covers, the acknowledgements, the author’s signature — “To my friend and fellow writer, Pat Bertram. I wish you all the best with your work.”

Already I could feel the glimmer of that old familiar feeling. Then I opened Steel Waters to the middle and saw, “I looked and smelled like a Bolivian sewer rat.” From comments others had made, I knew this was no homogenized piece of corporate bilge, but right then I felt it — the thrill.

So thank you, Ken, for giving me — one more time — a thrill of books.

See also: Pat Bertram Introduces Glen Wilson, Hero of Five Ken Coffman Novels
On Writing: Style and Cadence by Ken Coffman
A Cheapskate Guide to Creating a Publishing Company by Ken Coffman

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

The Book Reviewers’ Lexicon

I seem to have sidled into the book review business. Well, not business exactly, because no one is going to pay me, but a few people asked me to review their books, and I volunteered to review a few others, thinking . . . Who knows what I was thinking — I don’t have the slightest idea of how to review a book.

After having read more than 20,000 books, few seem original to me, fewer captivate my interest. So why do I read? Better to ask why I breathe. Even polluted air is welcome to oxygen-deprived lungs. But that doesn’t help the author who wants a review. “Not quite as polluting as others I’ve read recently” isn’t the most endearing review an author can receive. I considered writing curmudgeonly reviews, but unless they become popular, which would give the author a reverse (or perverse) sort of respect, they could only hurt. And I don’t enjoy bestowing hurt. I also considered using my own rating system, perhaps one Z for every time I fell asleep while reading, so a ZZZZZ rating would be a great book for an insomniac. The problem with such a system is that it would make me seem a) old; b) tired; c) sleep disordered. And that is not the image I am trying to portray.

I am not an effusive person, and I especially can’t gush about a book that barely impinged on my consciousness (or lungs if we keep up the air metaphor). So how can I write a review? By cracking the reviewers’ code. Now I can write an honest review using all the typical buzzwords. For example: when reviewers say a book is funny, what they really mean is that they think it’s funny the book was picked for publishing when their own was rejected. Here are some other words from the reviewers’ lexicon:

Fast-paced — Flipped through the pages at a very fast pace so I could be done with it.

Good read — Like a good feed, a good read goes in one end and out the other with little discomfort.

Page-turner — Couldn’t turn the pages fast enough to get to the end and be done with the torment. (See also fast-paced.)

Side-splittingly funny — I’d rather commit seppuku than read one more strained quip.

Sizzling romance — It really burns me that I wasted my time reading such tripe.

Sharp dialogue — lots of white space on the page making it easy to cut through the trite comments.

Witty — full of remarks so obtuse that you know the writer was trying to be clever though he or she didn’t quite manage it.

So, if I write a review that says a book is a side-splittingly funny page-turner with sharp dialogue and sizzling romance, you will know what I mean.

And if I say simply that I like it, without any effusion, you will know that I mean it.

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Joe R. Lansdale’s Act of Kindness

The generosity of some writers never fails to amaze me. Yesterday I posted a bloggery called “Is Genre Writing an Endangered Species?” I quoted Andrew Vachss’s words from the foreward of the 1995 edition of Joe R. Lansdale’s novel, Act of Love, and today I found the following comment on my blog. I’m presuming it’s partly due to the wonders of Google Alerts, but it’s mostly due to Joe R. Lansdale. An act of kindness. Or an act of promotion. Either way, it impressed me. Joe Lansdale wrote:

Interesting to see Andrew’s kind words again. I have no idea who invented the serial killer novel, but my book has been cited by many as being the beginning of the type of novels that have become such a mainstay. I will also agree that it isn’t a great book. I was young when I wrote it, and I hope you’ll be kind enough to try some of the others, THE BOTTOMS, MUCHO MOJO, LEATHER MAIDEN, etc. But the bottom line is I think it blended a lot of things that are now thought of as the serial killer novel’s back bone. Actually, when I finished that book, I moved on. I’ve written about serial killers since, but never in that way, and never in any way as the heroes of a piece. Genre writing and mainstream writing are welding together, and sometimes in good and interesting ways. But the old fashioned genre writing is disappearing. Maybe it should. All things mutate. LONESOME DOVE was a Western, and a great one. SILENCE OF THE LAMBS is bestselling genre, and so on. It’s there. It won’t die, but it will mutate. As for ACT OF LOVE, I think there may be a thirty year anniversary volume, 2011, and then I retire it. The reason it doesn’t have the impact it had then is now so many people have done what I did, and better than when I did it. But it’s also dated, and probably, at this juncture, my worst novel. But man, I’m glad I wrote it. I’ve been amazed over the years at how many writers have told me it influenced them. Surprising. I was just trying to learn how to write a novel and have a good time at it and maybe discuss a few social issues, if in a superficial way. Anyway, Thanks for the space. Joe Lansdale

Thank you for commenting, Joe. I will definitely check out your other books.

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Is Genre Writing an Endangered Species?

I’m sure you’re all getting sick of me and my comments about the publishing industry, so today I thought I’d let someone else write about it. Andrew Vachss is guest blogging here blog today, though “ghost blogging” would probably be a better word for it. He doesn’t know he’s a guest and might not be happy if he finds out, so don’t be surprised if this post disappears.

I found this bit by Vachss in the foreword of Act of Love by Joe R. Lansdale, which might be the book that started the serial killer genre. (I always thought Thomas Harris started it, but this book predates his by several years.) I wasn’t impressed by the book (sorry Joe and Andrew) but I did find Vachss’s words interesting. He wrote:

Genre writing is an endangered species . . . for all the reasons any species starts to run out of road. Overpopulation, in-breeding, lack of natural predators, limited food supply. Words don’t work as stand-alones; they gather their power from juxtaposition . . . from context, from precision placement. But, in our game, words have become de-valued currency-you can’t count on them anymore. Our field is overdosed with flab: take some gratuitous, implausible violence, throw in some unrealistic sex, splatter some guts and hair on the nearest wall, sprinkle in a touch of mystical reference . . . and you’re walking on the “dark” side.

Sure.

The genres . . . horror, crime, fantasy, whatever . . . all have their built-in places to hide. Write something stupid, it’s a metaphor. Write something mean-spirited and small, it’s satire.

Getting published is pretty easy today. And that’s good. I’m all for an open admissions policy. But the sorting-out phase, the natural, organic process by which the strongest survive . . . that’s not happening. What we have instead is favor-trading, networking, and other sordid forms of insulation from the culling edge of the evolutionary razor. When the awards outnumber the candidates, we’re heading for the Wall. With no breaks and the steering locked.

Remember I told you that the genre market was in trouble? A dragon’s coming soon . . .coming down hard. It’s going to walk through the jungle, clearing out the dead vines with its breath, stomping on those that can’t get out of the way. A hard, cleansing wind is going to blow.

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.