Emergency Library

When I was young, I often reread books, but in my middle years, I discovered I didn’t like rereading, didn’t like the echoes of previous readings reverberating in my head. Like most readers, I’d accumulated shelves of books, but when I realized I didn’t want to reread any, I gave them away. The only books I liked having on hand were those I hadn’t read, what I called my “emergency stash.”

When the quarantine hit, and the library was closed, I quickly used up my emergency stash, and ended up rereading The Wheel of Time series. I found I liked living in Jordan’s world, one that purported to be both our distant past and our even more distant future. Well, I liked the parts when they were traveling, not so much the parts when they were manipulating each other, torturing each other, bending each other to their will. When the reread seemed to work out, I started searching for other books or series I could keep on hand to reread. Although I tried, I was never able to get into any other fantasy series, could not relate to any of them. There were too many ridiculous unpronounceable names and even more ridiculous situations in never-were-could-never-be worlds, to say nothing of the often-execrable writing. I did enjoy Ender’s Game and some other of Orson Scott Card’s science fiction books, but none I wanted to re-reread.

Recently, I went through series I’d previously read, but this time, instead of picking up books haphazardly, I read them in the order they were written to get a better idea of the character’s story. Most were mysteries, most I’d read so long ago I didn’t remember the story, but none caught my imagination enough to want to ever reread again. Others were stories I once loved, such as the Mrs. Pollifax books, Dune, and The Lion, the Witch, and the Wardrobe, but although I liked the first book in all three of those series, the rest didn’t hold up to my adult scrutiny.

I did order the Noel Barber novels — I couldn’t get Tanamera, Sakkara, and Farewell to France from the library and I thought a friend would like to read Tanamera since she’d grown up in the Cameron Highlands in Malaysia. I ordered the others because at one time I’d liked them, and as it turned out, I still do.

So that’s the extent of my emergency library — Robert Jordan and Noel Barber. It turns out that no matter how much I once liked a book, few of them have the depth or sink-into-ability that I need to enjoy rereading a familiar story. It’s just as well. I don’t like having a lot of clutter, and books I don’t want to reread seem clutterish to me. I do have a stack of books about alchemy that I inherited from my brother and haven’t yet read, but I’m saving them for . . . actually, I don’t know what I’m saving them for. A time when I have the mental effort to expend on them, perhaps, but at least they are there as an emergency stash for my emergency stash.

Come to think of it, I also have the books I’ve written, but I’m afraid to read them in case I’m no longer proud of them. But someday I might read them. Or not.

Are there any books you enjoy rereading? Any you love? Any you’ve read multiple times?

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

M.I.C.E. (Types of Stories)

I thought we’d talk about M.I.C.E. No, not the little furry creatures, but Orson Scott Card’s list of types of stories. In How to Write Science Fiction, he says there are 4 types of stories: Milieu, Idea, Character, Event. These are skewed toward Science Fiction, obviously, since he is a science fiction writer, but they seem fit with all stories/novels.

The Milieu is the world — the planet, the society, the weather, all the elements that come up during the world creation phase. Every story has a milieu, but in some stories, the milieu is the point of the story. It follows the basic structure of Gulliver’s Travels — an observer goes to the strange place, sees all the world has to offer, and comes back a new person. The Milieu story obviously starts when the stranger arrives in the world and end when he leaves (or decides to stay for good).

The Idea is about the new bits of information that are discovered in the process of the story by characters who did not previously know that information. Idea stories are about the process of finding the information. The Idea story begins by raising a question; it ends when the question is answered.

The Character story is about the character’s character. It’s about the transformation of the character and the character’s role in society. The attempt to change doesn’t have to be a conscious decision, it can be unconscious, a seizing of an opportunity that takes him in a new direction. The Character story begins when something happens to make the character so dissatisfied with his present role that he begins the process of change. It ends when the character settles into his new role (happily or not) or gives up the struggle and remains in the old role (happily or not).

The Event story is about a change in the universe, a disorder, and the story begins when a new order is about to be established. The Event story begins when when the world becomes disordered and ends when a new order has been established. (Or when the world descends into chaos).

So, are there other basic types of stories? Do your stories/novels fit one of these categories? What is your Milieu, Idea, Character, Event? Most stories have more than one of these elements, so how do they fit together in your stories?