The Year of Soylent Green

This is the year of Soylent Green, or rather the year that Soylent Green was supposed to portray. The novel upon which the movie was based, Make Room, Make Room by Harry Harrison, took place in 1999, but the movie makers moved things forward a couple of decades to 2022.

I’ve come across a few articles (one of which was sent to me by a friend) whose authors tried to figure out where the movie got 2022 so wrong, because, of course, we have not devolved to the point where the population is so staggeringly immense, corporate greed so all-consuming, and human life so worthless that the masses are being fed a mystery product called soylent green.

I don’t know why these authors are concerned that the movie got it wrong — after all, most dystopian movies don’t come true. Although some books are burned and banned, the world is awash in books, unlike the society portrayed in Fahrenheit 451. Although Big Sib (have to be politically correct, you know) does seem to be watching us, we have not moved into the extreme totalitarianism of 1984. And although we seem to be living in a society controlled more and more by corporations and technology, we have not yet moved to the robotic social order of Brave New World.

Dystopian literature is about extending what is or what might be into the furthest reaches of imagination. It’s not supposed to predict or preach or even give us a glimpse into a world we are fated to endure. Instead, it’s supposed to expose — perhaps — the truth of humans and what we can or can’t endure, what we can or can’t control, what we can or can’t accept if we wish to retain our humanity. It’s no wonder that in all of these books the authorities, whoever or whatever they might be, show the worst face of us. That lone dissenter, either hero or anti-hero, hopefully shows the best of us. As for the masses — all the rest of us — if the literature tells us anything about ourselves, it’s that we will be corralled somewhere in the middle, just trying to get by.

What so many of the dystopian books and movies of the 1950s through the l970s seemed to be trying to show were possible results of an unchecked birthrate, and no wonder. The population increased 5.5 billion from 2.5 billion in 1950 to 8 billion in 2022. Technology and agricultural advances made it possible to feed all those people or a great percentage, anyway. Despite a supposedly adequate food supply, 9 million people starve to death every year, a totally unacceptable number, and untold other millions deal with malnutrition because so much of the food that is available lacks essential nutrients.

Even though the world did not become as insanely crowded as the dystopian authors seemed to prophesy, our population still increased exponentially, though suddenly, any talk of overpopulation, whether in the dystopian literature, the daily media, or think tanks (formal and informal) has become taboo, making stories like Soylent Green seem even more stridently fanatical. Also, despite periodic whispers of a population cleanse or worldwide genocide, it will never happen. Why? There’s no money in it. Big business makes money with growth. No population growth, no profits. (Is it any wonder that any time the USA birth rate dips the immigration rate rises?)

If instead of disregarding the dystopian stories, if instead of creating more dubious agricultural practices and food products, we had been able to curtail the world’s population back in the nineteen fifties and sixties, we wouldn’t be dealing with a so-called climate crisis now. But then, cynical me says that there are fortunes to be made with selling more and more green vehicles and other green technologies to an ever-greater number of people.

So did the dystopian stories of the early and mid-twentieth century get it wrong? Not really — they got it right for the times. They just weren’t cynical enough, relying more on shock tactics of population bombs than critical thought about what effects a slowly decreasing population would have on the world economy.

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What if God decided S/He didn’t like how the world turned out, and turned it over to a development company from the planet Xerxes for re-creation? Would you survive? Could you survive?

A fun book for not-so-fun times.

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Handmaiden of Death

In June, I finished my started projects, cleaned house, and did everything I could think of to enable me to dedicate July to writing my new novel. I wrote for five days, then life, with a mocking laugh, stole my free time.

My elderly father developed prostate complications, and while he was in the hospital, his general practitioner decided to use the opportunity to do other tests. And since my father decided he had the right to refuse any treatment, he declined to sit in a chair or walk down the hall. And so he developed pneumonia, which extended his hospitalization.

He is home now, but mostly bedridden by choice. He can still walk, but both my sister, who came to help out, and I insist that one of us be there because he refuses to use the walker. Not a problem, really. He prefers to stay in bed except when he feels the need to empty his bowels, and so often, that feeling comes from his body sending him the wrong signal or perhaps he is simply misinterpreting what he feels.

During the past few years, I’ve seen way too many people in the final stages of life — a brother, my mother, my life mate/soul mate, and now my father. The first three died of cancer, and my father is simply wasting away from old age, his once strong body slowly shutting down.

To be honest, I find the end of life horrific, both for the dying and the tortures they endure(d), and for me as a bystander and future victim. I know this is the cycle of life — conception, birth, growth, decline, death — but something in me cannot grasp (or accept) the idea of decline.

heavenOne of my favorite end-of-life scenes is from the movie Soylent Green where the sick and dying are taken to beautiful rooms and treated to a visual and musical montage of forests, wild animals, rivers, and ocean life, scenes that had long disappeared from earth because of human overpopulation. And then the sick folks were gone, peacefully and instantly. That seems a much better and more humane way to die than waiting for the body to eat itself with cancer or to begin decaying while the body is still alive. (In Biblical times, executioners would strap a dead man — the “body of death” — on to the one convicted, and as it began to decay it would begin killing the living man . . . by decomposition. So vastly different from a Soylent Green death!)

In our culture, we basically have no recourse but to let the body do what it will. And rightly so, I suppose. Who among us is wise enough to say who is to live and who is to die? I remember another story I once read where the aged mother had told her daughter she didn’t want to live as a vegetable, and if that ever happened, then she wanted her daughter to end her life. One day the mother did end up paralyzed with no means of communication, but she found a quiet joy in her greatly condensed world. And then her daughter killed her. Ouch.

My sister had a rough time with our father last night, and tonight is my turn to be on call. We got a long-range wireless doorbell and gave him the button to push when he wants us. We women move the doorbell from room to room depending on who is to answer his call. It seems strange to be handmaidens of death, but that is the role we have accepted for now.

Despite all this, I’m still hoping to work on my book a little more this month, though exhaustion — for me, anyway — is not exactly conducive to literary endeavors.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.