Sometimes it seems as if most books and movies today are glorified comic books, epic battles between the good and the impossibly evil. Conflicts in which there are no shades of gray must be satisfying for many people, since such books sell by the millions, but I like a little more subtlety in my conflicts, a little more reality.
In a world that seems to be run by the major corporations, the stories where a lone hero takes on a megalithic corporation, brings down the owner of the company, and saves the world just are not plausible. Though I’m sure the presidents of the major corporations think they are indispensable, they are not. If they are eliminated, there will always be others to take their place, and the corporations will go on doing whatever it is that they do.
Because I know this and cannot escape it even in a world of my own creation, the conflicts in my books tend to be less clearly defined than good versus evil. Of course I have heroes and villains, but the villains are not always dastardly ones, though my other characters may perceive them as such. The villains are the heroes of their own story, and though a corporation is often the villains’ vehicle, my heroes don’t bring it down.
I like my heroes to find a romantic partner, but I prefer that partner to be a co-protagonist. It seems to dissipate the energy of the story if the male and female leads are always in conflict. I find it more satisfying when they bond together in their struggle against fate (or against another character as the personification of fate). To me, the biggest villain around is fate. What is more unfair, more murderous, more disastrous, more villainous than fate?
Because of fate, people get sick, die, have accidents, lose the one they love, lose their homes, freeze in winter, swelter in summer, get slammed by hurricanes or tornadoes, get washed away in tsunamis. No human villain can compete with such destruction.
My heroes never bring on their fate for the simple reason that I cannot sympathize with characters who are the cause of their own problems, and why would characters ever have to cause problems for themselves when life itself is always ready to cause problems for them? This is especially true in my poor stalled work in progress. Everywhere my hero turns, fate throws another fit and leaves him to deal with the mess. Sounds like real life, doesn’t it? We make plans, but life doesn’t consider our plans before deciding our fate.
My heroes are always slow to meet their fate. To begin with, they are usually laid back types, but during the course of the book, they are forced into action and then become dedicated to their mission.
Fate, of course, has other plans, and so conflicts escalate throughout my books, just as they do in life. When fate comes knocking on the door, everything changes. And that’s when a real story, not a comic book, begins.
Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.