“A Spark of Heavenly Fire” Has Been Kindled

This has been an exciting week for me — my books were released in print form , I had a fabulous turnout at my “Hallelujah My Novels Have Finally Been Published! Let’s Party!” party, and now my books have been Kindled, or whatever you call it when they are made available as Kindle books. I almost feel as if that calls for another party, but it took me a couple of months to plan the first, so by the time I give the party, the Kindle books will be old news. I guess I’ll wait until my third book comes out later this year to throw another cyberparty. Should be fun planning it, though, to be honest, I don’t think people will find the release of a third book quite as exciting as the dual release of the first two. Unless, of course, by then I am a celebrated author. (Celebrated by others, I mean, not just me.)

Where to go from here? I was going to reclaim my blog for myself, writing about me and my writing concerns, but to do that, I will have to write. And I will. Eventually. My poor hero is wandering around the extraterrestrial zoo under a tangerine sun. Actually, it’s a terrestrial zoo run by extraterrestrials, but still, he’s a bit miffed with me for leaving him alone all this time. But what could I do? I had a party to plan. And now I have books to promote. So, until I get back to writing, I will continue to have guests on my blog. The next scheduled guest is Marshall Karp, who will be stopping here on April 12 as part of his blog tour.

Oddly enough, though my book launch party was successful and broke my previous “view” record, the new record was broken the very next day because someone “stumbleupon”ed one of my older articles. The power of the internet. Need to get me some of that.

So, the book launch week is over, the party favors put away, the blog blitz done. And here I am. Wondering what’s next.

My Kindle books: A Spark of Heavenly Fire and More Deaths Than One

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Bertram’s Global Blog Blitz

As part of my week-launch book party, today I am appearing as a guest on several different blogs. Please stop by and say hi.

I am in New Zealand with Suzanne Francis, author of the Song of the Arkafina cycle. We are celebrating our shared firsts. Visit us at Scriber Rescribus.

I am in Canada, with A.F. Stewart, author of Inside Realms. We are discussing one of my favorite topics: the new era in publishing. Visit us at A.F. Stewart’s Blog.

I am in Canada, with Cheryl Kaye Tardiff, bestselling author of Whale Song. We will be talking about the psychopathic personality. Visit us at Criminal Minds at Work.

I am in the United States, featured on a blog by Laurie Foston, author of  The Next Phase Chronicles. Visit us at Pat Bertram’s Blog Tour

I am also in the United States with . . . me. I posted a new 100-word story for the occasion. Visit me at Mini Fiction.

(If this doesn’t seem like much of a blitz, several of the people who invited me didn’t get the articles posted. And two got my name wrong. Which just goes to show . . .  I Don’t know what, except that we are in the grip of something beyond our control.  From the first, these two books have attracted problems like metal filings to a magnet. I keep telling myself it means that everything will be wonderful in the end, but until then, metal filings.)

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Blog Exchange with Pierre Dominique Roustan

As part of my week-long book launch party, Pierre Dominique Roustan and I are exchanging blogs. (You can find me at Writing and Reading.) Pierre writes:

Wow, this is a nice place you got here, Pat. It’s not every day I get to step out of my pad at the “Writing and Reading” Universe and explore. Allow me to introduce myself then! Pierre Dominique Roustan. Yes, you readers out there can say it: it’s a cool name. And that’s because I’m cool. I’m a 2nd generation Hispanic, born in Chicago, Illinois, son to a fiery Puerto Rican woman and a tough-as-nails Nicaraguan man. And, yet, you ask why I have such a French name…. Because my dad’s half-French. Yes. It’s true.

I’ve been writing ever since I remembered being able to walk. It was one of those things you just couldn’t get away from, you know? My parents had me tested for giftedness, and the results came back showing I was gifted. What gift(s) I had? Wasn’t sure. Didn’t care. So much so that I sometimes omit the pronouns when I write. However, my parents cared, teachers cared, others cared; and they saw something in me. It didn’t take me long to realize that I loved to write-poetry, fiction, nonfiction, anything. I just had this need to fill the white space on a piece of paper with some sort of manifestation of my imagination (that’s a mouthful there), so much so that I followed my heart and earned a B.A. in Creative Writing at the University of Illinois at Chicago.

As I stand now before you, I’m a published author. My debut will be released in December. The number of people I could thank outnumber my fingers and toes and the fingers and toes of my family. I’m not exaggerating. I think it’s fair that I give you some insight into my journey of publication, though….

I write urban fantasy and thrillers (and sometimes those two genres go together for me). My debut is a fast-paced thriller known as THE CAIN LETTERS. Look for it. However, it wasn’t my first finished manuscript, nor my first project.

I actually wrote my first ‘story’ at the tender age of 10, I believe. It was about 20 pages long. The next ‘story’ I wrote landed me a 200-pager. I can’t remember exactly how old I was, but I think I was a freshman in high school. I then wrote another story that stretched to 300 pages long. Here’s the real kicker, though; the next project I took on actually pulled in about 540 pages…. 154,000 words, and the best part about that was I, initially, thought that was too short!

Go figure. I guess I was long-winded.

And then came THE CAIN LETTERS. At 74,000 words, it moved fast. I had learned a lot about storytelling, about pacing, about plot, about character. THE CAIN LETTERS is a culmination of all that I’ve learned.

For those aspiring writers out there, let me tell you: following a dream kills. The good thing, though, is your passion for writing makes you reborn every single time. Through every rejection, every bout with writer’s block, every setback, anything getting in your way, that desire to write brings you back up. Every single time. Let me tell you how dreaming kills: I received over 100 rejections for THE CAIN LETTERS, about 97% of them from literary agents. And those 100 rejections were spread over one year, almost to the day. The middle of March, 2008, was when I finished the manuscript. I just signed my contract with Eirelander Publishing about four days ago-without a literary agent. Funny how time flies.

You never know what’ll happen. I just learned to keep trying. It paid off.

That’s all I got for all of you, readers. Give it up for Pat Bertram as well! Put your hands together. It has been an honor being her guest, and do give her the honor of reading her work as well. Feel free to make as many comments as you like! Pat and I will be checking. Questions? Concerns? Coffee? Cupcakes? Oh, and stop by “Writing and Reading”, just to check out the scene, check out the pad, http://writingandreading.today.com. I’ll see you later. Taco Supreme.

Pierre is also a guest on my Dragon My Feet blog. See: The Cain Letters and Interview with Pierre Dominique Roustan.

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More Deaths Than One Book Trailer, Fun, and Games

Fun and games!

More Deaths Than One Word Seek Puzzle:

wordfind

Click on the cover for a Jigsaw Puzzle:

Cover MDTO - online jigsaw puzzle - 40 pieces

You can find More Deaths than one at Amazon:
The print version is also available at a discount from Second Wind Publishing:

HALLELUJAH! MY NOVELS HAVE FINALLY BEEN PUBLISHED! LET’S PARTY!

QUARANTINED! 

 

Are you up to the challenge?

Then…

Let’s party!

I brought the fireworks. 

 

 
You can find my newly published novels at Amazon:
 
They are also available at a discount from Second Wind Publishing (payable through Pay Pal only):
 
The first fourteen people who order A Spark of Heavenly Fire from Second Wind Publishing will receive a spark of heavenly fire. Perhaps I erred. Perhaps it’s more of a spark of machine-made fire — a dainty crytal pendant — but it’s still free to the first fourteen customers.

Please join me here for a live online celebration all day Tuesday, March 31, 2009. Stop by when you can, but I will be here live from 5:00 pm ET to whenever. There will be dancing, games, eprizes.

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A Letter From an Agent

I got a letter from an agent at William Morris Agency. It started out: Dear Pat:

Nice. Not too stuffy, not too familiar. Then the agent thanked me. Also good. And finally, he said that he was enclosing a manuscript for review.

Okay, that was mean of me to lead you on, but I liked the irony. Over the past seven or eight years, I sent out two hundred queries and primarily got form letters in response. (Form letters? Try form scraps — most agents enclose a much photocopied slip of paper into your SASE, and expect you to be grateful for that, which, of course, you are since many agents don’t bother acknowledge you at all.) But here an agent was sending me a manuscript, asking for my opinion. As I said, I liked the irony of it.

I also got a letter from the publisher (along with a finished copy of the book) thanking me for my review. The thing that struck me about this letter was the acknowledgement that readers sell books:

Writers write books, but it’s readers who sell them. Now, more than ever, the best way to hear about a good book is to hear about it from someone who read it and wants to spread the word.

All of us at St. Martin’s Minotaur are grateful for the time you’ve taken to read, review, and blog about . . . etc, etc.

So, is this more irony, this bringing the book business down to my level? Because my books are being published by a new press, I won’t have the sort of publicity that an major publisher can afford, but I can blog about my books, and I can (perhaps) get readers to talk about them. Just like a major author. Odd, isn’t it, this brave new world of publishing?

In case you’re wondering, the book is Marshall Karp’s new novel, Flipping Out. (He also wrote The Rabbit Factory andBloodthirsty.) I’m not allowed to talk about it until his blog tour, (he’ll be here on April 12th) but there’s nothing hush-hush about it. You can read the first five chapters on Karp’s website.

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On the Eve of Publication…

After seeing my article, “A Book Reviewer’s Lexicon,” where I mentioned that I’d read 20,000 books, author Ken Coffman asked what books stuck out in my mind as premier ones, what authors consistently pleased me, and which books I’ve read more than once. Off the top of my head, I posted a list of books. Premier? I don’t know that they are, but for some reason, I remember the title and author years — sometimes decades — after finishing them:

Sakkara by Noel Barber
Sarum by Edward Rutherford
The River God by Wilbur Smith
The Left Hand of God by William Barrett
The Balance Wheel by Taylor Caldwell (for many reasons, both good and bad)
Great Expectations by Charles Dickens (because of the irony)
The Creature From Jekyll Island by G. Edward Griffin (non-fiction)
The Gods of Eden by William Bramley (non-fiction)
The Twelfth Planet by Zeccharia Sitchen (non-fiction)
Story by Robert McKee (non-fiction)
most books written by Antony Sutton (non-fiction)
most books written by Stephen J. Gould (non-fiction)
a few books written by Hank Messick (non-fiction)

I wouldn’t necessarily recommend any of these books. I read them so long ago, I was a different person. That I remembered titles and authors shows what an impact they had at the time. In recent years, the only book that had any impact on me was Duma Key by Stephen King. I’m ashamed to admit it, but he did get me with that one. During the past couple of decades, the only other books that have completely pulled me in are The River God and Sarum, both of which I intend to reread. The River God is a story based on scrolls found in an Egyptian tomb, and Sarum is a Michener-type book about the Salisbury Plain in England. I don’t agree with a lot of Rutherford’s history, but the book fascinated me. I want to reread Sakkara if I can ever get it again, though I don’t remember much about it except that it’s a sort of North African Gone With the Wind. (Interestingly, I don’t like Gone With the Wind, though I did when I was very young. I tried rereading it a while back, and got bored.) I did reread Tanamera, (also by Noel Barber, and a sort of Singapore Gone With the Wind) and liked it the second time, too. In fact, I will reread all of Noel Barber’s books some day. Maybe even some of Nevil Shute’s books. And David Westheimer’s.

I read The Balance Wheel during the Vietnam era. Now THAT made an impact — reading a book about the war-to-end-all-wars during a later war. If I ever come across a copy of the book, I’ll reread it. (I lent it to someone who promised — actually swore — that she’d return it but never did.)

One book that got left off the above list is The Killing Gift by Bari Wood. I read it many years ago, and always remembered it. Reread it a few years ago, and it still had the same impact. It’s one of the few I’ve kept to re-reread.

I’ve also kept a copy of The Proteus Operation by James P. Hogan, so I can reread it someday.

One author who consistently pleased me was Kate Wilhelm until she stopped writing science fiction. On my wish list would be a newly written Kate Wilhelm science fiction novel (Are you listening, Kate?), but so far she’s sticking with mysteries. (They’re mostly published by Mira, which seems like hiding a diamond in the mud.)

Interestingly, I started rereading some of the classics, and couldn’t do it. Nicholas Nickleby, Sense and Sensibilty, A Tree Grows in Brooklyn. AAGGHH!!!

For about fifteen years I got so sick of the pap put out by the major publishers that I stuck with non-fiction. Read everything — history, quantum mechanics, string theory, health, archeology, etc, etc, but that got old (or I did) so now I’m back to fiction.

I’ve decided I need to get rich so I can start buying indie books. I feel like the man who kept shrinking and shrinking until finally he shrunk so much he ended up in an entirely different universe, a microscopic one. For me, the publishing world has shrunk so much that the only hope for finding the sort of books that interests me is to find another world. Which I have. The indie world. I guess I’ll just have to get people to send me books to “review.” Yes, that’s it. I’ll tell people I’ll do a review if they send me their book.

I thought that it would bother me posting this for anyone to see — it does say something about me, though I don’t know what — and I half-intended to delete it, but then it dawned on me: this is the eve of my becoming a published author. I’ve approved the proofs, so More Deaths Than One and A Spark of Heavenly Fire will soon show up on Amazon. (They are already listed on the Second Wind Publishing site.) If a list of books I’ve read exposes me, then the books I’ve written will expose me even more.

So, here I am.

For what it’s worth.

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Joe R. Lansdale’s Act of Kindness

The generosity of some writers never fails to amaze me. Yesterday I posted a bloggery called “Is Genre Writing an Endangered Species?” I quoted Andrew Vachss’s words from the foreward of the 1995 edition of Joe R. Lansdale’s novel, Act of Love, and today I found the following comment on my blog. I’m presuming it’s partly due to the wonders of Google Alerts, but it’s mostly due to Joe R. Lansdale. An act of kindness. Or an act of promotion. Either way, it impressed me. Joe Lansdale wrote:

Interesting to see Andrew’s kind words again. I have no idea who invented the serial killer novel, but my book has been cited by many as being the beginning of the type of novels that have become such a mainstay. I will also agree that it isn’t a great book. I was young when I wrote it, and I hope you’ll be kind enough to try some of the others, THE BOTTOMS, MUCHO MOJO, LEATHER MAIDEN, etc. But the bottom line is I think it blended a lot of things that are now thought of as the serial killer novel’s back bone. Actually, when I finished that book, I moved on. I’ve written about serial killers since, but never in that way, and never in any way as the heroes of a piece. Genre writing and mainstream writing are welding together, and sometimes in good and interesting ways. But the old fashioned genre writing is disappearing. Maybe it should. All things mutate. LONESOME DOVE was a Western, and a great one. SILENCE OF THE LAMBS is bestselling genre, and so on. It’s there. It won’t die, but it will mutate. As for ACT OF LOVE, I think there may be a thirty year anniversary volume, 2011, and then I retire it. The reason it doesn’t have the impact it had then is now so many people have done what I did, and better than when I did it. But it’s also dated, and probably, at this juncture, my worst novel. But man, I’m glad I wrote it. I’ve been amazed over the years at how many writers have told me it influenced them. Surprising. I was just trying to learn how to write a novel and have a good time at it and maybe discuss a few social issues, if in a superficial way. Anyway, Thanks for the space. Joe Lansdale

Thank you for commenting, Joe. I will definitely check out your other books.

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Is Genre Writing an Endangered Species?

I’m sure you’re all getting sick of me and my comments about the publishing industry, so today I thought I’d let someone else write about it. Andrew Vachss is guest blogging here blog today, though “ghost blogging” would probably be a better word for it. He doesn’t know he’s a guest and might not be happy if he finds out, so don’t be surprised if this post disappears.

I found this bit by Vachss in the foreword of Act of Love by Joe R. Lansdale, which might be the book that started the serial killer genre. (I always thought Thomas Harris started it, but this book predates his by several years.) I wasn’t impressed by the book (sorry Joe and Andrew) but I did find Vachss’s words interesting. He wrote:

Genre writing is an endangered species . . . for all the reasons any species starts to run out of road. Overpopulation, in-breeding, lack of natural predators, limited food supply. Words don’t work as stand-alones; they gather their power from juxtaposition . . . from context, from precision placement. But, in our game, words have become de-valued currency-you can’t count on them anymore. Our field is overdosed with flab: take some gratuitous, implausible violence, throw in some unrealistic sex, splatter some guts and hair on the nearest wall, sprinkle in a touch of mystical reference . . . and you’re walking on the “dark” side.

Sure.

The genres . . . horror, crime, fantasy, whatever . . . all have their built-in places to hide. Write something stupid, it’s a metaphor. Write something mean-spirited and small, it’s satire.

Getting published is pretty easy today. And that’s good. I’m all for an open admissions policy. But the sorting-out phase, the natural, organic process by which the strongest survive . . . that’s not happening. What we have instead is favor-trading, networking, and other sordid forms of insulation from the culling edge of the evolutionary razor. When the awards outnumber the candidates, we’re heading for the Wall. With no breaks and the steering locked.

Remember I told you that the genre market was in trouble? A dragon’s coming soon . . .coming down hard. It’s going to walk through the jungle, clearing out the dead vines with its breath, stomping on those that can’t get out of the way. A hard, cleansing wind is going to blow.

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Writing and Well-Meaning Friends

A friend — another writer — sent me an email, which she said I could post here on my blog. She asked:

How do you resist the efforts of (I hope) well-meaning friends who want to manage your writing career for you?  As an example, a friend of mine happened to see a copy of my novel on the bookshelf while she was over.  Questions arose–How many copies had I sold?  Why wasn’t available locally in the bookshops?  How did I expect to sell millions of copies if it wasn’t marketed?

I tried to explain that writing was an end to itself, and I had no expectations beyond that.  I don’t expect to make any serious money writing, and I don’t want to be well-known, especially in my home town.

She looked at me like I was crazy and then launched into a bunch of suggestions about what I “should” do — like visit the local bookstores and sell my book to them, or have a local autograph/book launch party.

No, no, no.

I’m a private person.  I HATE speaking in front of people I don’t know, or otherwise putting on a show.

And these well-meaning lectures happen all the time.  Basically to the point where I don’t want to tell people what I do anymore.  But my kids or my husband usually chime in–because they are proud of what I have accomplished.  So I am, but I am happy with the level of success I have achieved.

Any thoughts?

My response:

That’s an interesting question. My publisher (Second Wind) is new,  so for now the authors are pretty much on their own for promotion. Many are haunting bookstores, (or trying to get their courage up to do so) trying to line up booksignings, and they can’t see beyond that. But . . . 85% of books in a bookstore sell less than two copies. Most people who go to bookstores buy what they went in for (though they may browse) and usually what they buy is one of the 15%. Most people who impulse buy, buy online. Which makes sense when you think of it. When do people have time to kill? At work. And so they browse the internet.

I totally understand about being a private person. I may have to do a booksigning/talk at the local library (the librarians have been very good about getting me the books I needed) but I have no desire to be a local celebrity. Or a laughingstock.

Nor am I interested in traveling around doing booksignings — you spend more than you can make.

The way I see it, our books are available on the internet. (Or mine will be when I’m finally out of copy-editing hell.) So that’s what any promotion should be geared for.

One of the benefits of being published by a small press is that most do not expect you to become a public person. Most (especially if they publish on demand) are even willing to keep the book on their lists indefinitely, which is good. It takes three years for a book to take hold.

But this does not really answer your question. It just explains why the questioners don’t know what they are talking about.

I don’t know how to answer pushy people. Never have. Maybe the best thing is to put a smile over gritted teeth and say, “I’ll let you know when I do.”

Odd, when you were published as an e-book, you weren’t a real writer. Now that you’re in print, you’re not a real writer because you haven’t sold a million copies. But you know that you are a real writer, a real published writer. And no one can take that away from you.

How would you respond to the author’s question?

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