Today I Will Be . . . At Fault

Or maybe I’ll be fautless. It all depends on how the day goes.

I’m smiling as I write this, hoping you find my pun as groaningly amusing as I do. The truth is, a couple of friends and I are going on a trip to look for the San Andreas Fault. It’s not as simple a matter as it might seem. Apparently, there is no giant crack in the earth. According to the San Andreas Fault website (yep, the SAF as it is so affectionately called, has its own website): “The SAF has not had a major ground-rupturing earthquake since 1906. Virtually all traces of the ‘giant crack in the ground’ that so many people image the SAF to be have been erased. Erosion fills and covers the fault, plows and bulldozers reshape the surface, roads and neighborhoods are built on the fault. The actual surface trace of the fault is subtle. What one has to look for are the land forms that the plate motion has created.”

Really? Neighborhoods are built on the fault? I suppose it makes sense — that would have been the last bit of available land in many places, and probably relatively cheap, such as all the trailer parks that were build on flood plains and in tornado alleys.

Even though a “big one” is expected sometime this century, you don’t have to worry about my being swallowed up by an earthquake. According to a publication called Putting Down Roots in Earthquake Country, “A popular literary device is a fault that opens during an earthquake to swallow up an annoying character. But unfortunately for principled writers, gaping faults exist only in novels. The ground moves across a fault during an earthquake, not away from it. If the fault could open, there would be no friction. Without friction, there would be no earthquake.”

So, not only will I not fall in, I can’t use that idea for a story, which I’d actually thought of doing.  Still, if I disappear, you will no where to find me.  Hmmm. “No where” instead of “know where?” I thought it apropros, so I left in the typo. I hope it’s not a portent for the day.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

The Loosening Spiral of Grief

Yesterday I wrote about The Unchanging Face of Grief, and how a journal entry I wrote exactly three years ago mirrored what I was feeling — Just drifting. Marking time. Hoping . . .

But the truth is, there is a vast difference between yesterday’s feelings and those of three years ago. Three years ago, when I wrote that entry, I had accomplished most of what I needed to do immediately after the death of my life mate/soul mate. I had him cremated as he wished, opened a new checking account, disposed of most of his effects and a lot of “our” things that weren’t desert knollsworth storing, got myself to my father’s house to look after him since he could no longer live alone. There was nothing I needed to do, that day three years ago, and the great pain of grief provided insulation from the normal irritations and aggravations of life, offering me the illusion of freedom. I just drifted in a fog of pain, spending hours in the desert, thinking not much of anything. Just wandering. Marking time. Hoping my life was actually going somewhere and wouldn’t always feel so stagnant.

People often talk about the “stages” of grief, as if grief were a staircase you ascend, step by agonizing step, until you climb out of the pit, but grief is more like a spiral that slowly unrolls, returning you over and over to the same places, each time with a bit less pain and emotion. At the beginning, these changes from vast pain to numbness, from despair to hope, from determination to helplessness come so quickly, it’s as if you’re inside a slinky that some over-active child keeps tossing around. You don’t even have time to acknowledge one state of mind before you’re in a different state.

My spiral of grief is still unrolling, but now, after more than three years, the changes come slowly and have little power. And the upsurges of angst are over quickly. But this feeling of waiting, of stagnation, seems to be ever present.

I don’t seem to be going anywhere with my life. I remember at the beginning, I was anxious to be done with my grief so I could embrace my new life with arms outstretched. I expected wonderful things to happen, and why shouldn’t they? Doesn’t it make sense that great happiness should come to balance out such great pain? But here I am, long past the worst of my pain, and I still seem to be running in place.

Admittedly, I am stuck in place geographically, unable to make plans except for a few days in advance since my father’s health takes precedence, but my life has more often been a life of the mind instead of action, and that mental life seems stuck too. Even worse, the waning pain of grief no longer protects me from the aggravations of life. (And right now there seem to be more aggravations than normal.)

I have had a couple of revelations out walking in the desert though, so perhaps I am not stagnating as much as I think I am. A few days ago, I was talking to my deceased mate, complaining about all the aggravations I have to deal with, and telling him that when I was free to live my own life, I still wouldn’t be free since I have other commitments to consider. A few minutes after I shut up and the walking lulled my mind, the thought entered my head, “Don’t consider other people. Do what you want.”

(I’m pretending this thought came from him in response to my complaints, but more probably it came from my subconscious.) Doing what I want is easy. Figuring out what I want is hard, but maybe someday it will come to me as I wander.

Another revelation, that I’m not sure I understand, is that life is a tool that we write with, much as we write with a pen. I’m still thinking about that one.

Despite the feelings of going nowhere, I am still trying to keep open to “somewhere.” Still trying to embrace life. Still trying . . .

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

The Unchanging Face of Grief

Sometimes it amazes me how little things have changed over the course of the three years of grief since the death of my life mate/soul mate. The pain, of course, has dissipated significantly, and I seldom have the falling-elevator feeling of panic at the thought that he is gone. Even the thought of his being dead at the moment isn’t making my stomach churn (though I still don’t like it and never will).

In fact, right now, I’m not feeling much of anything — no great sadness, no inclination to tears, no inclination to anything, if the truth be told. Because of this, I’ve been procrastinating about writing today’s blogpost: upgrading a defunct blog, learning a bit more about some of the widgets wordpress offers. I finally procrastinated so much that I ran out of time and decided to do an excerpt from my grief book as a fill in. And guess what? Exactly three years ago today, I felt the same way as I do now. Just drifting. Marking time. Wandering in the desert. Hoping . . .

Excerpt from Grief: The Great Yearning

Day 83, Grief Journal

I’m not doing much. Just drifting. Getting through the days. Pretending to be real. I hope the rest of my life isn’t going to be just marking time like this. It sounds . . . feeble. Mostly I’m babying myself, as if I’m recovering from a long illness. And I am—a soul sickness.

I spend hours every day wandering in the desert. I’m as restless as Jeff was at the end, and walking seems to be the only thing that keeps me pacified. The past couple of weeks have felt like a perfect summer from childhood that was always warm and sunny, at least in memory. It’s been hot here, of course, and windy, but I’ve been roaming like a child newly freed from restrictions.

I hope I am going somewhere. I hope I’m growing, developing, doing something besides stagnating, which is how I feel.

Click here to find out more about Grief: The Great Yearning

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Live Like It’s Heaven On Earth

I came across this saying earlier today (apparently it was written by William Watson Purkey, but now is in the public domain. The word art is mine, however). It caught my attention because I’ve been struggling to figure out how to live now that I am uncoupled due to the death of my life mate/soul mate.

LIve like it's heaven on earth

Most of this saying doesn’t pertain to me. Occasionally, I dance around the living room by myself, a sort of dance therapy, as a way of helping me feel lighter in spirit. And a couple of weeks ago I danced to the light of the moon. (It seemed appropriate at the time.)

But I never sing, seldom even listen to music except during my brief stints of dance therapy, and at the moment, I am fresh out of people to love. Well, family and friends, of course, but no one special to plan a future with. Perhaps someday
. . . or not. Life gives, and life takes away, and I am learning to deal with that.

I don’t believe in heaven, either, especially not the harp and clouds sort of patriarchal afterlife so often touted by religions, but something about that last sentence caught my imagination. Live like it’s heaven on earth. So what does that mean to me? Live with abandonment, saving nothing for another life. Live joyfully. Live.

I have no idea how to do that, but it seems a good basis for planning a new life.

Besides, if life and death are simply different facets of being, then this is heaven on earth even though it so often feels like hell.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

My Punctuated Life of Equilibrium

I never understood evolution, especially Darwin’s version of how it happens. I mean, a bat is always a bat. Bats beget bats and have been begetting bats for millions of years. So how does a bat become something else? And how did something else become a bat? Stephen Jay Gould’s idea of punctuated equilibrium is the only evolution theory that ever made sense to me since batsit mirrored what I knew — that bats always beget bats until . . . they don’t.

Punctuated equilibrium says (at least the way I understand it) that everything exists in a state of equilibrium, with very few evolutionary changes except on a local level. (By “local level” I mean within a species. A species of creatures that becomes separated by a river, for example, will undergo minor changes as time goes on, with those individuals most able to adapt to the new environment surviving to procreate. But still, the adapted creature is recognizably the same species as its forebears.) These vast times of stasis are occasionally punctuated with relatively short (on a cosmic scale) periods of genetic changes, and then things settle down into another long, long, long, period of equilibrium.

This is what my life feels like — long, long, long periods where everything is static, and then brief but frenetic periods of change before stasis sets in once more.

During all the years when my life mate/soul mate was dying, our lives seemed stagnant. We did things of course, but there were no major changes, nothing to yank us out of our torpidity. Day after day, year after year, he got sicker and weaker and I became more emotionally anesthetized since I could not bear what was happening to him and I couldn’t do anything to help him get better.

As the years passed, I felt as if it would always be that way — he dying, me struggling to live. And then one day, things changed. He bent down to pick something up, and a horrendous pain shot through him. He bore the pain as long as he could — three unbelievably agonizing weeks — because he knew that any drug strong enough to kill the pain would also destroy him. And it did. When he finally got on morphine, it made him disoriented. Sometimes he didn’t remember me, and sometimes he didn’t remember himself.

I hunkered down for a long siege since the doctor said he had three to six months to live.

And just like that, three weeks later, after one last breath, the long years of stasis were over. I went through a few months of rapid changes, getting rid of his stuff, putting mine in storage, moving in with my father to take care of him.

These past years of grief have masked the truth. That my life is still basically the same. Stagnant. Living with a man (my father this time) who is declining. Struggling to find a way to survive live despite the situation. I’ve agreed to stay to the end, which could be years, and I’m okay with that. (Designated Daughter, don’t you know.)

The end of this stage of equilibrium will be punctuated with another brief but frenetic period of change as I adjust to the new situation of having no one but me to be responsible for. And then . . .

I’m hoping to figure a way out of this punctuated equilibrium of mine, maybe find a way to incorporate small but steady changes to punctuate my future and keep things from becoming one long run-on sentence, to keep me ever-evolving until the inevitable period is put on the end of my life.

Of course, this is easy to say. It’s harder to do. No matter what we plan, life scatters punctuation marks where it will.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Dealing with the Ashes

Yesterday I talked about the many tasks of grief, and mentioned that although I got rid of most of my life mate/soul mate’s “effects,” there are many things I cannot get rid of. It’s still unthinkable for me to throw away his wallet, eyeglasses, car keys. And I can’t bring myself to get rid of his baseball bat and glove or the games we used to play.

Most of all, I can’t get rid of him. Well, not him. His ashes. His “cremains” as the funeral industry so cutely calls them.

Although I was never sure what I’d do with his ashes, I’d never planned on keeping them until a minister friend suggested that I save some. He said that people who get rid of all of the ashes tend to regret it. Since I couldn’t bear to think of separating “him,” keeping some of his ashes and throwing the rest to the winds, I’ve kept them all.

I have an “urn,” which is not an urn but a square brass box with a permanent closure. I didn’t want to do anything “permanent,” so I kept his ashes in the temporary box, and since that plastic box seemed unfeeling and . . . well, dead . . . I wrapped the box in his robe when I brought the ashes home, and it’s still wrapped in his robe.

If I ever take a trip, I might leave a few bits of him wherever I stop. Or not. I’m not sure I can ever throw him away, and it wasn’t until this very moment that I understand why.

He was an historian, and he told me that the Inuit and other nomadic people would “throw themselves away” when they got too sick or too old and weak to continue traveling with the tribes. They would just stay behind when the tribe moved on.

When he got sick, he often told me that if he went into a coma or got too ill to take care of himself, I was to throw him away, forget about him, and get on with my life. “Throw him away,” was a euphemism for leaving him in some sort of nursing home.

And there did come such a time.

Five days before he died, the hospice nurse suggested that he go to the hospice care center for a few days to give me a chance to sleep. (His terminal restlessness kept us both up all night, and neither of us was getting any sleep. Although it was supposed to be a five-day respite, we knew he was never coming back.) He was sitting on the couch, so small, momentarily comfortable, momentarily alert. He gave me a pitiful smile and said, with a crack in his voice, “I don’t want to go. We have a good life here. We’re doing okay, aren’t we? I’m not ready for you to throw me away.” About broke my heart.

I didn’t want to throw him away, of course, but I couldn’t keep him at home. He hated the nasal cannula, and that last morning, I found him frantically rummaging in a kitchen drawer for a knife to cut it off. What if . . . ? No, I’m not even going to think about that.

And so his ashes are still with me, still wrapped in his robe because I simply cannot bear to throw him away again.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Grief Work

Grief work after the death of a spouse or anyone who makes your life worth living encompasses many tasks, from the simple task of getting out of bed in the morning to the complicated tasks of arranging for funeral services and dealing with financial matters.

As time goes on, the tasks of grief seem to increase, especially the emotional, mental, and spiritual tasks. We need to work through the pain, adjust to the absence of our loved one, find ways and reasons to continue living despite the absence, realize we each have our own path in life, remember them with joy not just sadness. (These might not be tasks so much as the natural progression of grief, but they all fall under the category of “grief work.”)

There are the horrendous tasks of dealing with the loved one’s effects, clearing out the things they no longer have any use for. Sometimes this particular bit of grief work can take years. Although I disposed of most of my life mate/soul mate’s things, I still have items I cannot get rid of, either because he asked me to keep them or because getting rid of them is still unthinkable after Untitledmore than three years. For example, I can’t get rid of his keys, eyeglasses, and wallet. Something in me balks at that, as if he still has use of such things. Especially ridiculous are his car keys. I donated his car to hospice, but kept a set of keys. I just can’t get rid of them.

And then there are the self-imposed tasks, the ways each of us find to honor the end of our shared life. For me, this self-imposed task is watching movies. Think it’s easy? No way!

Long ago, when we realized that we were renting the same movies over and over again because we couldn’t find anything better, he started taping movies for us. Started out with movies for us to watch together, and then expanded into movies he liked but I didn’t. As he got sicker and more housebound, he occupied his time by taping TV movies and television shows by hand so he could cut out the commercials.

There were more than a thousand tapes, some of them with a full six hours of movies or shows. Many of these tapes I had never watched, but during the past two-and-a-half years, I have been watching these tapes, sorting out the ones I have no interest in, keeping the ones that I like or that remind me of special occasions. I started with the tapes he made at the end, the ones I had never seen, and they were painful to watch — so many of them dealt with people who were dying or people who had to find a new way of living after the death of a spouse. It’s almost as if he were leaving me a message telling me to get on with my life.

Even more painful is when I reached the tapes that we always watched together. As I watch each of them, I am aware that the last time I saw the movie, he was by my side. I remember the things we said, the looks we gave each other, the connection we felt. These once-loved movies now seem dull and bland as if a vital spark is missing. And it is missing. He is missing.

I’ve almost worked my way through all the tapes, and I have a hunch that this particular self-imposed task is prolonging my grief since they connect me to the past and at the same time make me aware that the past is gone forever.

Despite all this grief work, there are two things I will never be able to deal with. I will always hate that he is dead. And I will always miss him.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

Writing (And Reading) On the Edge

A friend recently taught a class about writing on the edge — writing at the edge of possibility and freedom; exploring the shapeless, the uncertain, the indefinite and the incoherent; accepting the endless, the multiple, the fragmented, the collaged, the ambiguous, the disjunctive, the long forgotten realms of the mysterious and the wild.

Her point was that we are addicted to easy reading as something to lull our senses and to provide respite from our daily lives, and that challenging ourselves to move beyond that changes our perspective and makes us better able to deal with the increasingly complex world.

I would have liked to take the claVenice Beachss since it seemed a good way to discover unreached recesses of my mind, but the 1000-mile commute would have been a killer. Besides, although I would like to explore the long forgotten realms of the mysterious and wild, I’m not a fan of complicated writing. I like books that are easy to read but that have depth or something new for me — a new idea, a new place, a new insight into life or humanity or something. If it’s just a rehash of the same old stories and ideas, I get depressed.

Once a long time ago, I gave my mother a stack of books I had finished reading, and the language in one of them dismayed her. I didn’t know what she was talking about, couldn’t remember any such passages, and said so. She gave me an appalled look and responded, “I’d hate to think that any daughter of mine was so naïve as to not know what the words meant or so jaded that they didn’t bother her.” I just shrugged and said, “I don’t read words.”

That really shocked her, and I could never make her understand the truth of it. I don’t read words when I read a novel. I read by some sort of osmosis. Reading words is dreary task, especially if the passages are complicated and not easy to understand.

The truth is, as my friend suggested, I do read to lull my sentences. (I mean senses, but I left the typo because . . . what a cool faux pas!) For me, the whole point of books being easy to read rather than convoluted and incomprehensible is not so much to find a respite from daily life but a way of running toward the truth, toward real life, and the lull provides a space so the hard work can go on beneath the surface. (The story and words keeps my conscious mind busy and frees me for the important task of inner exploration and assimilation.)

During one horribly depressing time in my life back in my late twenties, I couldn’t stand to read anything that didn’t have a happy ending, so I descended further and further into easy reading — ending up with Harlequin romances. And then I really got depressed! It took me about three months to make the correlation with the books I was reading and my suicidal thoughts, and when I did make the connection, I gave up reading for several months until I found a bit of equilibrium. Now, all books give me that same “harlequin” feeling, which is why I can’t read any more. There is nothing in books but the easy reading. There is nothing to fill the space created by the lull.

Maybe someday when grief is no longer defining my life, I’ll be able to read again, but for now, I’m finding that the lull created by not reading is as important as the lull once created by reading.

Meantime, I’ll see if I can find my own edge and then figure out how to write beyond it to see what lurks in the wilds of my mind beyond the lull of daily life.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

A Downsurge of Grief

I’ve just passed through an upsurge of grief (though it was really more of a downsurge — I’ve been in a funk the past few weeks). I hadn’t realized I was experiencing an episode of grief — it just felt as if it were sorrow as usual — until this morning when I noticed the grief had seeped away leaving behind a strange feeling of optimism. (Strange because there is no reason for it — nothing has changed, no issues have been resolved, and a blank future still lies ahead of me.)

Why that particular upsurge? I’m not really sure — grief needs no reason. I have a hunch, though, it had to do with the odd anniversaries of grief I’d just passed through. First there was the anniversary of the worst day of my life, then there was the anniversary of leaving our home. I’d barely noticed these days during my second and third years of grief, so I never expected to even remember them this far into my journey, but apparently my body did. (It remembers even when I don’t.)

Or perhaps the grief upsurge could have been instigated by the recent loss of a couple of friends. (Lost not to death but to differences of lifestyle and opinion.) Any loss seems to bring on an upsurge of sorrow, reminding me of that most grievous loss — the death of my life mate/soul mate.

Or maybe I’m just making a big thing out of no thing. Maybe I’m blaming the normal vicissitudes of my life on grief, when in fact this is the new me, though I hope not. I hate to think that I’ll always be so emotionally frail, given to tears over the least little upset. At least with grief, there is always the possibility of someday being able to reclaim my equilibrium and once again take life as it comes.

Though come to think of it — are tears really so bad? They relieve stress and help wash away the hormones that build up because of that stress. (Remember Holly Hunter in Broadcast News? Peppy little thing, always on the go, always thinking, always two steps ahead of everyone, then when she’s alone, she breaks into tears for a few minutes. I never understood that part of her character . . . until now.)

Maybe I should worry more if the tears dry up forever.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

I’ve Been Published in Urdu!

Well, I myself haven’t been published in Urdu — three of my 100-word stories were.

In February, Mubashir Zaidi, a Pakistani writer and journalist, contacted me and said he was planning on publishing a book of 100-word stories. He selected one hundred such stories from different sources and books to convert into Urdu, and asked permission to use a few of mine. I told him that as long as he listed me as the author, he could use the stories. He promised me he’d send me a couple of copies of the finished book, and on May 2nd, he sent them. It took one day to get from Dubai to New York and an entire month to finally get to me. (Don’t know what the problem was, but it took many phone calls to “speed” the books on their way.)

The book is called “Namak Paaray” after  a crunchy salty snack of Pakistan and India, indicating that you can finish reading a story in the time it takes to finish a ‘Namak Para.’ (The snack is featured on the cover.)

So, here it is, “The Kiss” by Pat Bertram in Urdu. (According to Mubashir, Urdu is written from right to left. It has same alphabets as Arabic and Persian but all three languages have different words. Hindi, on the other hand, has a different script but same words as Urdu.)

Since I’m sure you’re no more able to read Urdu than I am, here is a translation:

The Kiss

When Jack entered her flower shop, all Jen could do was stare. It had been years since she’d seen him, years she’d spent regretting their final quarrel, yet she still felt the same attraction. His heavy-lidded gaze told her he felt it, too.

He held out a hand, and she let him draw her close for a kiss that spanned the years. She snuggled into his embrace. Everything would be perfect now that they were together again.

“How did you know I was here?” she asked.

“I didn’t. I just came in to buy flowers.”

“For me?”

“For my wife.”

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.