12/12/12 — A Wonderful and Wonderfully Mystic Day

1212/12/12 is a date that comes around every hundred years. Today should have been a mystical day, a momentous occasion with awesome happenings all over the world, though for the most part, it seemed to be a day like any other.

Twelve is a number steeped in our culture, in our heritage, in our very lives. To the ancients, it was a divine number. There were twelve major heavenly bodies in our solar system (the sun, the moon, the planets, which included Pluto and a far-flung planet as yet unknown to modern man, though currently hypothesized as Planet X). There were twelve gods. There are twelve signs of the zodiac, each representing 30 degrees of the heavenly arc. (Thirty is another divine number. If you are expecting the present era to end this month as the Mayans supposedly claimed, you will be disappointed. The Mayans used a mystical calendar with 360 days — 12 x 30 — rather than our 365.25 days. Hence, the so-called Mayan apocalypse won’t happen until 2087.)

There were twelve tribes of Israel, twelve apostles, twelve disciples of Mithras, twelve stations of life in Buddhism, twelve labors of Hercules, twelve sons of Odin in Norse mythology, twelve knights of the King Arthur’s round table.

Twelve is also a practical number, the lowest number with multiple divisors, making it a preferred method of organization, such as a dozen doughnuts or a dozen eggs; twelve colors on a color wheel; the twelve numbers on a clock face, the twelve inches to a foot, the twelve months in a year.

I’m sure there are dozens more instances showing the specialness of twelve, so why isn’t this day of twelves a momentous day of mystical happenings?

Well, for one, our calendar is arbitrary. The year could have started at a different time, perhaps in tune with the seasonal cycles where the first day of the year was the first day of spring. In certain cultures, the new year does begin on different dates, for example, the Chinese New Year was on January 23 this year, and the Jewish New Year was September 16th. The year itself is an entirely arbitrary number. Though this common era supposedly begins on the birth of Jesus, he was born no later than 4BC. (Though of course, back then, they would not have called it BC since the current calendar had not yet been invented.

And for another, this is a momentous day of mystical happenings. We are alive, aren’t we? That in itself is an awesome, momentous, and mystical experience.

Wishing you a wonderful and wonderfully mystic day.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Celebrating Life and Offbeat Occasions

photobI like to celebrate offbeat occasions, or at least acknowledge them. For example, I celebrate the anniversary of my connection to the internet with a sacrifice to the online gods to ensure the safety of my travels in cyberspace. In other words, that’s the day I renew my virus protection. It’s also the day I celebrate the birthday of my online persona, “Pat Bertram.” (The persona I established then has now become the real me. Odd that. The name, of course, has always mine, or at least a version of it.)

And just few days ago I celebrated my father’s 35,000th day.

Years before these celebrations were other offbeat parties. One of the most fun was the long ago day my best friend and I had a birthday party for a tree. There is (or was, anyway. I don’t know if it is still there) a stunning elm in the corner of Denver’s City Park at Colorado Boulevard and Seventeenth Street. A plaque beneath the tree said “Shakespeare Elm: The scion from which this tree was grown was taken from the tree at Shakespeare’s grave at Stratford-on-Avon.” The plaque also noted that the tree was planted on April 23, 1916, which is exactly 300 years after Shakespeare’s birthday. (April 23, 1616).

How could such a momentous occasion not be celebrated? So my friend and I baked elm tree cookies, made a “pin the leaf on the tree” game, stirred up gallons of green punch, even baked a tree shaped cake with candles. We sent hundreds of invitations to friends, family, Denver notables, the media, but on April 23, only family and friends showed up. And two cops.

The cops stood apart from all of us, though they did nibble on cookies and take tentative sips of punch. At one point, one of the cops turned to the other and said in amazement, “They really are having a birthday party for this tree.” Apparently they had been dispatched to the site in case we were staging a drug rendezvous or some such. As it turns out, it was lucky that no one showed up. Since it ended up being simply a family picnic, we weren’t fined for putting on a public event without a license. Whew!

Another idea my friend and I had was for a restaurant in the mountains. I don’t remember much of those elaborate plans, but I do remember that the menu was going to feature Alferd Packer pancakes and democratic sausages. That still cracks me up.

Well, life had its own plans, and when we grew up, it flung us separate ways. Over the years I looked for her, but it wasn’t until recently, thanks to the internet, that we reconnected. (See why I celebrate my connection day? What a wondrous thing the internet is!) And now we are planning to meet in person next year.

I wonder if she still has that creative mind and wacky sense of fun? I wonder if I do?

At the very least, it should be a great celebration.

(BTW, I am on the left in the photo. My friend is on the right.)

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

In Memory of My Mother

021 copyMy mother died  five years ago today, almost exactly a year after my brother. (This is the last photo of the two of them together.) To understand the sly humor rather than the pathos behind that sentence, I’ll have to tell you a bit about my mother. She spoke with perfect diction, in unstilted, unaccented English, and she loved words and word games, especially the kind of game where you take a word or phrase and find as many smaller words as possible. For example: in “almost exactly,” you can find most, call, cell, yell, exact, alas, and so on (Me? I hate that game, perhaps because I could never win when I played with her.).

It came as a shock to me when I realized as an adult that my mother was a first generation American who grew up speaking a language other than English. I always knew that, of course, but as a child you accept your mother for who she is without seeing her in the broader context of life. We often think of first generation Americans as people who have a rough time speaking English (or who speak rough English), but neither she nor any of her siblings had a hint of that other language in their voices.

She raised her family with a respect for language. No slang at our house. No “ain’t” or “we got no” or any other example of language slippage. My parents were strict, and we children seldom talked back,  but there was one thing we all argued about with Mother: “almost exactly.” She claimed “exactly” had no degrees. A thing was either exact or almost. The rest of us knew the truth: there is a world of difference between almost and exact. (My brother who is gone was the one who argued most vociferously with her, but of course, he argued vociferously with everyone. He was a bull of a boy and then a man, but never a bully, just strong and adamant about his beliefs.)

Though occasionally I use “almost exactly” in speech, I try not to use it in my writing. It’s one thing to use such a construction when talking and something else entirely to commit it to the permanency of writing, and I don’t want to meet her on a cloud in some afterlife and have her start in on that old argument with me again.

On the other hand, it might be nice.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

The One and Only 35,000-Day Celebration

In a previous post, I talked what I could do to celebrate my father’s 35,000th day because truly, such an astonishing number should not go unacknowledged. I finally decided on 35,000 KJBs (his initials), one to represent each of his days. Took me twelve hours to cut them out, but it was worth it to see a visual representation of all those days.

S

Other gifts were 35,000 “I love you”s from my sister, and 35,000 sequins to add sparkle to the day from my brother. (I covet those sequins. They are all different shapes and sizes, such as butterflies, flowers, stars, and teardrops, and definitely should add plenty of sparkle to . . . whatever. Any suggestions?)

More than anything, I got a kick out of making a deal over the day. I mean, really . . . how many 35,000-day celebrations have you attended? I have a hunch this was the one and only such party.

party

 

If you’d like to know how many days old you are, you can calculate it here: Decimal Birthday.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Allowing Myself to Dream

warriorYesterday I wrote about Living Each Day We Are Given and how there will come a time when I am free from my current concerns. People think I should be preparing for that future, planning what I am going to do, where I am going to go, and how I am going to live. Each person has his or her own suggestion as to what form that preparation should take, such as my going back to school either to situate myself anew in the job market or to take advantage of student loans. Others think I should be researching places to live, but the truth is, I am tired of planning. I’d like to be bold without being foolish, adventuresome without being reckless, but most of all, I’d like to be spontaneous without being flighty. In other words, I’d like to stretch myself to see what I’m made of without putting myself in danger, and I can’t do that if I immediately go from one planned life to another.

Still, I am preparing for my future, though it might not seem like it. I am exercising and trying to eat right, taking yoga classes and going for long rambles in the desert. And I’m pitching ideas, trying them on for size.

I’ve always had a sense of my strengths and weaknesses, but I don’t want to take those strengths and weaknesses into consideration. I want to throw myself wide open and envision a life of endless possibilities, at least to begin with. It won’t be long before the realities slowly creep back in. I’m not elderly, but I’m not young, either. I’m not indolent, but I’m not athletic. (I’m smiling to myself as I write this. I had to rewrite the word indolent a half a dozen times because each time I inadvertently wrote insolent. I’ve never been insolent, never liked hurting people, so I have no idea where the subconscious desire for insolence came from.)

I’m not much of a daydreamer, living fantastic adventures in my head. I’ve always been too practical and pragmatic to want what is unattainable. Never been one to want much of anything, to tell the truth. Many women in my situation gave up their own dreams when they got married, and now that their husbands are dead, they are picking up those original dreams and running with them. I have no such abandoned dreams, but many things will be open to me in my new life that would have been inconceivable in the old one, and I need to allow myself to dream so I can become receptive to those possibilites.

Do I want to hop a plane and fly to Britain, with no real plans of what to do when I get there, just see what happens? Do I want to hole myself up in a garret and write incredibly wise and witty books? Do I want to enroll in classes — Tai Chi or calligraphy perhaps? Do I want to get rid of my stuff or put it into storage, and take to the roads? Do I want to . . . ?

There is a chance that I will move back to Colorado and settle down, but now that I am on my own, settling down seems too much like stagnating, and stagnation terrifies me. I don’t want to end up like one of those old woman who sits in her dark apartment, alone, with the whole bright world outside her door. And yet, and yet . . . there is the small matter of a lack of funds and the large matter of a laid-back nature more suited to a life of contemplation than a life of action.

So now I’m throwing my heart out into the world of possibilities in the hopes that someday the rest of me will follow.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Living Each Day We Are Given

SI’m noticing a change in my attitude lately — more cynical perhaps, and at the same time more optimistic about the future. This change showed itself to me in my reaction to a news story that is going around about a couple who holds the record for the longest marriage — 86 years. The story purported to tell the secrets of how they stayed together for so long, and my first thought was, “Because one of them didn’t die.” No matter how much they love each other, no matter how well they get along, if one of them had died, that would have been the end of their being together.

Immediately following my cynical thought was a moment of horror at the idea of being stuck in the same sort of life for all those years. She married very young, so what did she know of life (or herself) before making her vows? And she’ll never have a chance of exploring what she could have been on her own. The universal reaction to the story seemed to be “Oh, how sweet,” so the horror I felt must not reflect their situation but my own changing attitude.

My soul mate and I always thought we would die together since our bond was so strong, and yet, here I am and he is not. The pain of our separation was almost more than I could bear at times, and in fact, sometimes the only way I could get through another minute of continued life was to scream my pain into the wind.

Now, as I pass through to the other side of grief, continuing to process all the various emotions, fears, regrets, guilts, I sense that a new life awaits me, a life of possibilities, maybe even adventure. I don’t know what form this life will take, whether it will entail geographical travels or spiritual travels, new activities or new perspectives, broadening my horizons or only broadening my mind. But a new life is surely coming, and sometimes my heart leaps ahead of me at the thought of such freedom.

I’m not yet at that place of freedom. I still have many concerns to deal with first. Since I am looking after my 96-year-old father, that is my prime concern, but there are also personal concerns such as my continued awareness of my mate’s death. I know he would be the first to applaud my coming adventures — he felt bad that the constraints of his illness and the life we were forced to live destroyed my spontaneity, but the truth is, he gave me the courage to be spontaneous in the first place. And now I’ll have to find the courage to be spontaneous on my own.

It’s a difficult line to walk — being glad of a chance at a different sort of life while at the same time not being glad of the death that will allow such a life, being glad of one more day of life while being aware that such a day was denied him. But I will find a way to handle it as I have handled every step of this grief journey.

Maybe the secret isn’t how to stay together, but how we live each day we are given, whether with someone or alone.

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Pat Bertram is the author of the conspiracy novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Death and Dying: Good-bye Experiences

70During the past thirty-two months since the death of my life mate/soul mate, I have shared my grief, and in turn others have shared their grief with me, telling me stories they never told anyone else. I have heard incredible tales of signs and dreams and feelings of connection to the one who has left earthly life behind, which makes me realize that something is going on beneath the surface of earthly life, though I don’t know what.

Although I concede that near death experiences exist, I do not believe that NDEs are necessarily an encounter with those who are dead. We humans are so incredibly complex, that these experiences could be an as yet unknown state of consciousness, such as a dream state, or maybe even a dip into the collective consciousness. I’ve heard of too many people who saw the white light, saw their loved ones begin to draw near and then immediately recede as the nearly dead person returned to consciousness. It seems peculiar to me that the dead have nothing better to do than wait for someone to begin to die, to hurry and don their earthly bodies to rally round on the off chance that the person will die, and then shrug off their earthly personas and go back to doing whatever their disembodied selves were doing before being called to reception duty.

On the other hand, there have been an incredible number of instances of people saying good-bye before they left the earth for good.

Sometimes the good-byes were said while the people were still alive. I’ve heard many stories of perfectly healthy people who visited and called family and friends they hadn’t seen in a while, and then a few days later they had an accident or a heart attack and died. It was as if part of them knew they were going to leave this earth, and they were saying good-bye even though they didn’t consciously realize that is what they were doing.

Sometimes the good-byes were said after the people were dead. A boy’s grandmother stopped by to tell him that she would be okay and not to spend his life in sadness. A woman whose husband died in an accident never got a chance to say good-bye before the hospital removed his body, but that night, she felt a kiss on her cheek and his whispered words that it didn’t matter, that he’d already been dead when he reached the hospital. A woman who swam too far out into the ocean and was floundering in panic heard her mother tell her to relax, that she would be okay, and later found that her mother had died at that very moment. A woman who lost her husband had incredibly rich and coincidental experiences every Monday during the first six months after he died. She could even feel his anger, but now, eighteen months later, he is finally leaving her alone to find her own way.

And sometimes the messages come in dreams. One daughter planned to move in with her mother, and that night her father visited her in a dream and said he was glad, that her mother needed her. (The daughter told her mother to tell her father to stay out of her dreams.)

Even I had a good-bye experience. Two of them, actually.

For the last year of his life, my love and I argued about what I would do afterward. He thought I should go stay with my father where I would be safe and warm and fed, but I could not bear the thought of doing so. I’d just finished caring for one dying man, and I didn’t want to look after another. While he was in a coma during his last days, however, I finally decided to follow his wishes and come stay with my dad, and I told him so. Just a few hours later, he died.

At the moment of his death (or rather, when his breathing and his heart stopped), I did not feel anything except a moment of relief that his suffering was over. I watched the nurses clean his body and shroud it in a blanket, then I waited numbly for the funeral director. After she took away his body (in a black SUV, not a hearse), I left. The highway was dry, but about halfway home, my car suddenly went careening, around and around, back and forth, totally out of control. (I assumed I hit a patch of black ice, but that was such a peculiar night, I can’t say for sure.) I thought I was going to die, but oddly, I never left the road. The car finally came to a halt facing the wrong way on the highway. I was fine. So was the car. As I sat there gripping the wheel, I wondered if he had stopped by on his way out of this world to save me, to leave me a final reminder to be careful, or maybe give a shake of his ghostly head at this evidence of my carelessness. (He always worried that I wasn’t careful enough.) I remember feeling him leaving this earth — like a breath passing over head — but to be honest, I don’t know if I really felt his leaving at the time or if the impression was something my mind created later to explain the bewildering event. It was after this particular near death experience (as out of control as the car was, it truly is amazing that I survived intact), that the feeling of his goneness slammed into me, and I never again have had any sense of his presence in my life.

What was he doing for those hours before he left this earth? Finishing his dying, possibly. Closing down systems of the body and brain that have yet to be discovered. From grief, I have learned the power of our lizard brain, learned that there is way more to the brain — and human biology, psychology, and consciousness — than is in our textbooks.

So what does all this mean? I don’t know, and that’s the truth of it.

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Pat Bertram is the author of the conspiracy novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

How many subplots in a novel are acceptable?

In my Suspense/Thriller Writers’ group on Facebook, one author asked, “How many subplots in a book are acceptable?”

Most of the writers thought that one or two subplots was enough, but horror writer Rob M. Miller gave a wonderful response that I’m reposting here. Considering the ephemeral nature of Facebook, in a couple of days his comment would have disappeared into the great maw of FB, and I didn’t want it to be lost forever. Rob said:

A broad question begging for a broad answer, of which there is only one that’s truly honest, even if horribly vague:

As many as the author can competently handle.

In the hands of a master, there can be many subplots, even into the double and triple digits, as can be read in the incredible work Shogun by James Clavell, or The Hobbit by Tolkien.

But to have a masterful work, there doesn’t have to be many in order to keep the reader hooked and hungry for — One…More…Chapter!

Wiki Answers says that “subplot is like the secondary plot of your story. It means additional plot(s) to a movie, show, book, or play that help contribute to the main plot. Subplots are less important than main plots.”

swIn Star Wars you have the following plot or through line: Ragtag rebels work to stop a space station from cementing the evil emperor’s hold on the galaxy.

That’s the plot. The spine. It’s the elevator speech, as well. Short, simple, and concatenates the story. But it’s also a bit simple — isn’t it? — even for Star Wars, which is not the most complex of stories.

How many subplots are in Star Wars?

I concede the number could be argued, but c’mon, fellow writers, there is more than one, and there is more than two. The mentoring of Luke, Chewie and Han as wanted criminals (smugglers), the romantic tripod of Leia, Han, and Luke, and in my view, even more.

Subplots, mini plots, lines of suspense, how many characters there should be and the proper ratio of bad to good. These things can all be made as complicated as desired, or as complicated as hell even when not desired.

The key is to simplify the approach, at least in one’s head, like with the through line given for “Star Wars.” The final product might be beautifully written and wonderfully controlled as an epic master work, such as Martin’s Song of Fire and Ice series, or Tolkien’s set of Hobbit adventures, or a chunky Tom Clancy novel . . . or it can be an equally wonderful, but streamlined story. There are no rules, save for don’t write boring. There are conventions, tropes, schemes and paradigms, some of more value than others.

What to do?

Author, know thyself, and then stretch 10%, putting down a tale as best you can, whether outlined or not, large-staged or mini, small cast or jam-packed.

If you want “one” of something, go for it. Shorts, for example, are a form that generally works better when they are a drag race from point A to B, and which end in a singular climax — but I’ve read exceptions. Perhaps your idea is an exception, too. But don’t be afraid of two, or forty-two. Keep track of stuff . . . be forgiving when it turns out that Hemingway was write about first drafts being shite, and then, like a conductor or architect, you can make sure that all the balls are being juggled properly.

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With a love for reading and writing that started in his youth, Rob has traveled far to get to the place where he can now concentrate on breaking into the horror market.

Born and raised in the “micro-hood” of Portland, Oregon, he grew up as the oldest of three children, the son of a book-lover and a book-hater.

It was after two years of free-lance stringer work, and a number of publishing credits, that he tired of non-fiction and decided to use his love of the dark, personal terrors, and talent with words to do something more beneficial for his fellow man -– SCARE THE HELL OUT OF HIM.

Talking About How Clothes Make the Character

I am a guest at Joan P. Lane’s Fashion Flashback blog, which is a great resource for readers and writers of historical fiction, and anyone else who has an interest in the history of apparel.

floozyConsidering how little attention I pay to clothes in real life as well as in my fiction — I wouldn’t know a Manolo Blahnik, if it stomped on my foot, and in fact I had to Google the names of shoe designers to get a name to make this point — it doesn’t seem as if Joan’s blog would be a good fit for a guest post for me, but it turned out to be a wonderful experience. I talked about how clothes make the character, and many people left comments, which resulted in a rousing discussion.

In the post, I explained (among other things) how I used clothes in A Spark of Heavenly Fire. One of the dramatic clothes moments in this story of a state quarantined because of a dreadful disease, is when my clothes-conscious character has to wear blood-soaked clothes for added warmth. (Actually, I don’t think I portrayed her as clothes conscious so much as self-absorbed.)

Clothing can be used as part of the stage action to show the nature of character rather than just to dress him or her. In another scene in A Spark of Heavenly Fire, a girl polishes a fingernail with the edge of her crop top, and in doing so exposes her breasts. It wasn’t a deliberate or flirtatious act on her part. She was a receptionist, and was simply polishing her nails to show her oblivion of the client standing at her desk.

A third significant clothes moment in A Spark of Heavenly Fire goes to show the depth of a woman’s character. She is big, hearty, aggressive, with a braying laugh, yet she wears feminine clothes such as challis dresses and blouses with ruffles.

So you can see that even though clothes are not a big part of my fiction, with very few words spent describing the characters’ apparel, the clothes they wear do have an impact on the story.

You can find the guest post and the ensuing discussion here: Clothes make the character.

What about you? How do you use clothes to show character or to further the plot in your story? If you don’t currently use clothes except to keep your characters from running around naked, how could you better use apparel to further your story?

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

UnSocial Networking

I’m starting to play rough with Facebook, unfriending people with the same abandon I once friended them — sort of reverse social networking. (Would this be called Unsocial Networking or Social UnNetworking?) Start with 5000 people at random, and then one by one, remove the annoying ones. You know the people I mean:

1. The authors who send you one message after another asking you to like their FB page, download their book, check out their website, read their blog. I’m not talking about notifications or the posts that show up in your feed, but repeated private messages. I now have a new policy: if you spam me once, I might let it go if I know you or if I’m in a good mood, but if you send the same spam message a second time, I will unfriend you. Friends don’t spam friends.

2. The rabid political lobbyists, those who are always lobbying for their party, their agendas, their preferred candidates, their right or left wing propaganda. These people aren’t interested in being friends. They want power, even if at one remove.

3. The uncompromising religious folk, those who never acknowledge that another person’s religious beliefs might be as sacred as their own. These people remind me of the folk in Emo Phillips joke. This joke was voted the best God joke ever, but was not credited to Emo Phillips, and truly, it’s such a classic, he needs to be acknowledged as the author. I don’t remember many comedians, but I do remember the delightfully waifish Emo telling this story:

Once I saw this guy on a bridge about to jump. I said, “Don’t do it!” He said, “Nobody loves me.” I said, “God loves you. Do you believe in God?”

He said, “Yes.” I said, “Are you a Christian or a Jew?” He said, “A Christian.” I said, “Me, too! Protestant or Catholic?” He said, “Protestant.” I said, “Me, too! What franchise?” He said, “Baptist.” I said, “Me, too! Northern Baptist or Southern Baptist?” He said, “Northern Baptist.” I said, “Me, too! Northern Conservative Baptist or Northern Liberal Baptist?”

He said, “Northern Conservative Baptist.” I said, “Me, too! Northern Conservative Baptist Great Lakes Region, or Northern Conservative Baptist Eastern Region?” He said, “Northern Conservative Baptist Great Lakes Region.” I said, “Me, too!”

Northern Conservative†Baptist Great Lakes Region Council of 1879, or Northern Conservative Baptist Great Lakes Region Council of 1912?” He said, “Northern Conservative Baptist Great Lakes Region Council of 1912.” I said, “Die, heretic!” And I pushed him over.

I’m now down to about 1650 friends on Facebook, and who knows, at the rate I’m pushing people off the bridge, I might end up with only one or two hundred connections, but those will be real friends — people I enjoy following, whose blogs I read, and whose opinions I respect. And never, ever, do they spam me or lobby me or disrespect my beliefs or unbeliefs.

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Pat Bertram is the author of the conspiracy novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+