Grieving the Nothings

I’m gradually moving away from the influence of grief. I’m not moving away grief itself, since there is a good chance that somewhere deep inside I will always be crying (I can feel the gathering tears even when I am not overtly sad), but I am moving away from grief’s influence. I can think clearly again, though the answers to many of my questions about life and death and the meaning of it all remain unanswered. I can focus without being distracted by thoughts of my deceased life mate/soul mate. I am not revved up with anger or guilt or adrenaline. I don’t feel quite as soul-shattered or heart-broken as I did at the beginning, and my yearnings for him are not quite as vast. His absence looms almost as large as his presence once did, but I am getting used to working around the void. I am also getting used to the unwelcome knowledge that I will never see him again in this lifetime, never hear him talk, never be warmed by his smile. (I’m just getting used to the knowledge that I will not see him; I will never get used to the fact.)

But . . . now that the big losses are a bit tamer, the small losses are becoming more apparent. I have no one with whom to share a moment with. You know what I mean — you’re watching a movie and, after a particularly touching scene, you turn to each other and smile. If I turn, no one is there. I sometimes look at his photo at such moments, but there is not much “sharing” when it is between you a piece of tinted paper.

I was also going to say I have no one to share anything with, but that’s not strictly true since I do have people I can share major happenings with. What is true is that there’s no one to share nothing with. There are so many little nothings in a day — miniscule victories or insignificant happenings that aren’t worth talking about, but that you want to mention anyway. And there are times when you’re sad or lonely or restless, and just want a moment’s connection before continuing your daily tasks. You can call someone perhaps, or email, but it’s not the same thing. By the time you make the connection, the moment of nothing has become something.

I also have no one to share the small incongruities and ironies of life with. Once walking in the desert, I saw a television on the road. So totally incongruous, it seemed as if it were an art piece in the making, and I had no one to tell about it in passing.  Today I went to the dentist to have him check on a small matter, and he told me to eat lots of sticky candy. The irony of the advice tickled me (I mean, really, when was the last time your dentist told you to eat lots of sticky candy?), and I had no one to tell that to in passing, either.

Come to think of it, there is no “in passing” anymore.

I made it through some of the major traumas of grief. Now I have to try to make it through the nothings.

Wondering About Life And Death And The Meaning Of It All

I don’t think I had survivor’s guilt after the death of my life mate/soul mate, but I do feel bad that I’m leaving him behind. I get a second chance at life, new friends, new vistas, new experiences, but he has been denied that. And in fact, he was denied all those things long before his death since his protracted dying kept him from doing much except struggling to get through one more pain-filled day.

He often told me that when he got incapacitated, I had to put him in a home and walk away. Just forget him. I know he’d want me to do the same thing now that he is dead, but I didn’t walk away when I had to put him in the hospice care center, and I can’t walk away now, and for certain I can’t just forget him.

But perhaps I am looking at the situation backward. His being dead is still the thing that drives my sadness — sadness not just for me but for him. And yet . . . what if it is he who left me behind? Perhaps he has gone on to a wondrous new life, in which case my sadness on his behalf is misplaced. And maybe none of this has anything to do with me. Maybe it’s not up to me to worry if he was cheated or not, or even to wonder if he’s in a better place. Despite our deep connection, he was still his own person. Maybe I’m poking into something that is his alone.

Just as I have to accept that my life is mine alone now.

About a year before he died, I hugged him and accidentally touched his left ear. I know now cancer had metastasized all the way up his left side and into his brain, but at the time, all I knew was that he pushed me away, wincing in agony. Something shut off right then, and a voice deep inside me said, “He might dying but I have to live.” For all that year, we went our separate ways, he to dying, me to living. Then, six weeks before he died, he made the connection with me again. He needed to talk about what was happening to him so he could gather courage to face what was coming, and during that daylong conversation, I remembered why I fell in love with him all those years ago.

Because of that disconnected year, a year where I felt dissociated from him and our life, I didn’t expect to grieve, but here I am, two years and seven weeks later, still struggling to deal with the wreckage of our shared life, still sad, still wondering about life and death and the meaning of it all. When life makes sense, death doesn’t. When death makes sense, life doesn’t. It would be nice to talk to him and compare notes about what we’re both doing, but so far he’s remaining silent.

One thing has changed recently. In between the moments of angst and wanting it all to be over with, in between the pinchings of grief and not caring what happens to me, that determination of several years ago is making itself felt.

He might be dead, but I have to live.

I just wish I knew how.

Is a Salinger-Like Reclusiveness a Viable Option in Today’s Book World?

Here’s an interesting dichotomy — there are so many books being published today that most will never sell more that 100 or 150 copies in a lifetime, yet an article in the New York Times says that in the e-reader era, writing one book a year is slacking. Name brand authors who once wrote one book a year are now writing two, and those who are sticking to a one-a-year schedule are also writing short stories and novellas to keep their names in view. To quote Lisa Scottoline from the NYT article, “the culture is a great big hungry maw, and you have to feed it.” And it’s not just name brand authors. Self-published authors are feeding the maw, too, sometimes with three or four or even six books a year.

Seems silly to me — authors scrambling to write extra books while many worthwhile books from small independent presses are going unread. There should be a way of evening things out, but people obviously prefer to stay with authors they are comfortable with. How else to explain the James Patterson phenomenon? Twelve books in twelve months? Yikes. Granted, some seem to be ghost written (or should I say guest written?), but still that is an incredible output considering that most people don’t read that many books in a year.

I’ve always loved books — in fact, as a child all I ever wanted when I grew up was time to lose myself in books — but now I’ve mostly lost my taste for reading. Too many books are shallow, even the well-written ones, and no wonder — authors who once had the time to write thoughtful books have to spend more time racking up the words and less time thinking. For me, a story isn’t enough. I want to be tantalized with insights, new ideas, different ways of viewing the world. I realize this is not the wave of the future. How deep can the ideas in a novel be if they are intended to be read on a phone or as an interactive ebook that’s enhanced with video, author interviews and social-networking applications?

I’ve never been one to follow the crowd. Sometimes I don’t even know where the crowd is. So it should come as no surprise that I don’t intend to increase my output of writing. (Though, come to think of it, any writing other than blogs would increase my output.) I couldn’t write more even if I wanted to. I am a slow writer. Even at my fastest, I can only write one book a year, and that doesn’t include editing and copyediting.

I am getting an interest in writing again, though. Sometimes I think about the books I’ve started and wonder what will happen to the characters, and just today I figured out how to develop my grieving woman book, the one I started for NaNoWriMo in 2010. It should be not so much a book about grief but about a woman’s journey into self-discovery, and so I should start the story before her husband dies, because it is during his long dying that she first loses herself.

This could be one of those books that takes a lifetime to write, since perhaps I will have to live the character’s life first. Or maybe I need to write the book as if I am writing my own future, and see what I can make of myself. Either way, the book would not be written in a month or even a year. It would take longer than that to glean the necessary insights.

According to the NYT article, “Publishers also believe that Salinger-like reclusiveness, which once created an aura of intrigue around an author, is not a viable option in the age of interconnectivity.” Luckily, I am neither self-published nor published by a major publisher, so I have the luxury of being as reclusive as I need to be in order to write whatever books might be in my future. (Shhh. It’s our secret. Don’t tell my publisher, Second Wind Publishing, I said that.)

Where Do I Belong?

My favorite types of books have always been those where the character is out of place, as if she doesn’t belong in the world where she was plopped. By the end of the novel, of course, the character finds where she belongs — often with the one man who appreciates her — but we never hear the end of the character’s story. All stories end where life ends — in death. Authors simply pick the appropriate stopping place for the novel. So, as long as we imagine the character living happily ever after with her beloved, we know she belongs somewhere, but what happens to her when her beloved dies?

One short story I read when I was small affected me so much that I remember it all these decades later. (Though I don’t remember who the author was and, in fact, might not have known it. Back then, an author’s name was only important as a way of identifying the type of story, and I didn’t pay much attention to them otherwise.) The main character in the story was a young woman who had always felt out of place — the world and the people around her were alien to her. It turns out she was an alien stranded here on earth, and at the end, she was rescued and taken home.

It makes sense that such stories spoke to me since I too felt out of place. No matter how I tried to fit in, I never got it quite right, as if I were an alien trying to fit into a human situation. Then one day I stopped by a health food store, met the owner — a wise and radiant man — and all of a sudden the world made sense. If he was in the world, then the world wasn’t such an alien place after all. We never belonged to each other, but we did belong with each other. We thought alike, valued the same things, disvalued the same things. When he died two years ago, the world became alien once more, and I am back where I started, wondering where I belong.

As with many people in this mobile world, my parents left their hometowns, moved west, raised their family, then moved on again, which leaves me without a heritage, without a home. The place where I grew up has itself grown up — no longer a cow town but a world class city, and it is as alien to me as any city in the world. It didn’t matter as long as he was alive since he was my home, but now . . . where do I belong?

I’ve gotten over the hump of my grief. I am no longer in constant physical and emotional agony, though grief still stabs at me (sometimes several times a day), and I still have moments of panic when I remember that he’s not just gone out of my life but that he is dead. (That is still the worst aspect of this whole situation. I can deal with everything but his absence from Earth. How can he be so very gone? Where is he? Is he okay?) I am mostly back to being myself, though I’m not sure who I am, what I’m supposed to be doing, where I belong.

Right now, I’m taking care of my 95-year-old father, but this is not my home. In fact, I’d never even been here until my mother’s dying days. When my father is gone, the house will be sold, and I’ll have to find somewhere to live. But where do you go if you don’t belong anywhere?

I am going to be on blog talk radio today!

I am going to be on blog talk radio today speaking to Jo-Anne Vandermeulen. Or should I say, she will be speaking to me? Either way, we will be discussing my new book, Grief: The Great Yearning, why I wrote it, and why the book is important. If time allows, we’ll also talk about how I help other writers and perhaps we might touch on more general topics, such as the future of books. (Jo-Anne wanted a list of ten topics for us to discuss. I guess she didn’t realize I could talk for hours about grief and its unwelcome role in our lives.)

The show is a half an hour, from 6:30pm ET to 7:00pm ET (3:30pm PT to 4:00pm PT). I hope you will tune in to listen, but if you can’t, well . . . blogs are forever, and blog talk is no different. The show will be available whenever you get a chance to check it out. It should be a good show. Not only is 30 minutes a manageable block of time, there will only be one guest (me!) and one host, so it should be a dynamic show. And anyway, you’ve been wanting to hear what I sound like, so here is your chance!

Link to show: Talk Radio Network with Friend and Author Pat Bertram

Guest call-in number: (347) 857-3752

How are characters integral to the setting?

I often troll my site statistics, curious as to how people found this blog, and the other day, several people landed here after Googling “How are characters integral to the setting?” It sounds like they were taking the easy way out doing their homework, but still, it’s a very good question. If the setting is simply a place for events to unfold, then the author has missed out on an opportunity to tighten the story by making the characters an integral part of the setting and the setting an integral part of characterization. Everything should be in service to the story, including the setting.

In my novel, A Spark of Heavenly Fire, the setting and characters are intertwined. The setting is Colorado in the midst of an epidemic. The story is driven by the women, all very ordinary, especially Kate. And that was the point — to tell a story of an ordinary woman who struggled during prosperous times when everyone else was doing well, but who managed to prosper in the dark times when everyone else was having difficulties. Without the epidemic, without the quarantine, without the very terrain of Colorado, Kate would have no being. And without Kate and the other characters, the setting would have no meaning.

Eudora Welty said, “Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else.” Most of my books are set in mountain climes, and the mountains create the characters and the characters complete the setting. A stage is empty and lifeless without the characters. You need characters to interact with the setting to make it come alive.

Think of a desolate area, such as a desert road. It evokes a feeling of loneliness, but if you put a character on that road, you personify the loneliness.

The setting/character relationship is not simply a story construct. We are integral to our settings and vice versa. Gardening and lawn care is one very obvious way we are integral to our settings. If not for gardeners, gardens would not exist. But the settings of our lives extend beyond such evident comparisons.

I used to live off a highway on a dead end road bounded by fenced alfalfa fields, so the only place I could walk was by trudging up and down that .3 mile road. This was indicative of my life at the time. My life mate/soul mate was dying, had been dying for a long time, we were stuck in a terribe situation that seemed to be going nowhere.

He is gone out of my life now, and so are the interminable laps on the short road. I left that place of constraints and came to this desert community to take care of my 95-year-old father. When I first got here, I walked the long straight roads in the nearby desert. They seemed indicative of my new life — emptiness and desolation and loneliness stretching endlessly before me. More recently, I’ve taken to hiking a narrow path up and over the knolls. This too is indicative of my life. The desolation isn’t as pronounced, but the challenges are becoming greater as it sinks it that I will always live with his absence, that I will be growing old alone. The true challenge, though, is to make room for joy along with the continued sadness.

I’ve come to see that this is the true purpose of grief — to stretch our minds, souls, psyches so that we can encompass all that life has to offer. At first I thought I could get over my grief. Then I thought I could bury it with new activities. Now I see that sorrow will always be a part of me, but that doesn’t mean it will be the only part of me. Nor will I always be here in the desert. There will be new places to walk, places that reflect the changing me at the same time as I reflect the places.

How are your characters (or you) integral to the setting?

“Golly gee what have you done to me?”

As part of my quest to refigure the pathways in my mind and open myself up to more light, I’ve been doing my version of dance therapy — dancing to a peppy song or two every day. I hop a bit, wave my arms around, and surrender to the rhythm. It generally works to lighten my mood, but today, Saturday, my sadder day, the song had the opposite effect and I ended up pummeling the air instead of bopping to the beat.

The song? Buddy Holly’s “It Doesn’t Matter Any More.

Cripes. As if I really needed to hear Buddy singing, “There you go and baby here am I / Well you left me here so I could sit and cry / Golly gee what have you done to me?”

Someone told me that grief over the death of a mate is like a relationship gone bad, and sometimes it does feel that way. I talk to him, and he says nothing in return. I beg for a hug, and he ignores me. I yearn for him, and he remains remote. I ask what happened to us, what did I do that was so terrible he had to leave me, and he doesn’t answer.

And then I remember — he didn’t leave me, he died. Now he is there and I am here with no way to bridge the gap. We don’t even have the opportunity to get together to fight about who gets what — I ended up with everything by default. If he were here, he could have everything. I’d even let him have the silly dishes we argued about that last year. (I received a set of Melmac dishes for Christmas when I was young. It was some sort of giveaway, and my mother got the whole set and saved them for my hope chest — though it wasn’t a chest, just a shelf in the kitchen cabinet. I still use those dishes occasionally — they are a wonderful size, and so very light.)

He and I shared everything during our years together, but for some reason I got very protective of those vintage dishes the last year of his dying. We’d started cutting up beets and other colorful vegetables for salads and I asked him not to use those plates — they were white and the beet juice stained them — but he kept using them anyway. (I should have known something was dreadfully wrong with him — he was the most considerate person I’d ever met.) I don’t know why my frustration over his continued decline focused on those dishes, but it did. I don’t even know why it  mattered. It sure doesn’t matter any more.

The song (“It Doesn’t Matter Anymore” written by Paul Anka) continues, “Now you go your way baby and I’ll go mine / Now and forever till the end of time.” Yeah. A real spirit lightener.

The song ends with the words, “baby / We’ll say we’re through / And you won’t matter any more.”

We might be through — my life mate and I — and I wish I could say he doesn’t matter any more, but he does. And he always will.

Facebook Makes Us … (Fill In the Blank)

Facebook has become an icon, a symbol for our times. We are lonelier than ever — disconnected from family and friends in offline life — yet at the same time we are more connected online. Various recent articles have suggested that Facebook makes us sick, narcissistic, depressed, lonely, and anxious, partly because of the shallowness of Facebook relationships. But honestly, does anyone consider “liking” a comment an actual relationship? I doubt it.

Facebook is good or bad depending on how you use it. An article in The Atlantic that suggested Facebook makes us lonely used Yvette Vickers, a former Playboy playmate and B-movie star (best known for her role in Attack of the 50 Foot Woman) as an example. Apparently, the actress had been dead for almost a year before anyone realized she was gone. (This is hard for me to believe. Perhaps all her bills were automatically paid out of her bank account every month, but what about taxes? Wouldn’t someone from any of the various tax collecting bureaucracies have noticed her delinquency?)

Still, the story goes that a neighbor found her and was so concerned about Yvette’s ignominious end that she scanned Yvette’s phone records and discovered that the former actress’s last calls were to old fans who found her via Facebook. Ignoring the neighbor’s decided lack of concern for the actress while the woman was alive, what business was it of hers how Yvette spent her last days? What business is it of ours? There is no way of knowing how Yvette felt. Perhaps it made her happy to connect with her past, to remember that she once had a life, to know that she once touched people. Perhaps everyone she knew and loved had died, and she needed to reach out and connect somehow. We don’t know the truth. We can never know another’s truth. The story is only pathetic because of our own fears of ending up alone.

Facebook doesn’t create loneliness. It might exacerbate a loneliness that already exists, (and face it, if we really had full offline lives, would we be spending so much time online?), but it also gives us the opportunity to connect with our past and maybe our future. I know several people who fell in love online, and the connection continues offline even now.

Facebook makes us informed. If it weren’t for Facebook, I would never have seen the above-mentioned articles, hence I would never have known about the deleterious effects of Facebook. Nor would I have seen these incredible before and after photos of Nagasaki.

Facebook makes us humble. You’re feeling thrilled that you sold ten books that day and then someone boasts they sold 10,000. Brings you down a peg, that’s for sure. Is humility such a bad thing? In a world that seems to revere aggrandizement, a bit of modesty is good for one’s soul.

Facebook makes us grateful. Mixed in with all the brags and too-cute animal photos are the heartbreaking posts. People talking about how their chemo is going, sharing their angst at the death of a loved one, giving updates on their hospital stays, telling us about the traumas their children and aged parents are facing. Such posts make us realize that no matter how bad things are for us, someone has it worse.

Facebook makes us aware of community. Or at least that’s the goal of my various groups. In the Suspense/Thriller Writers Group, I’m trying to keep writers focused on the craft of writing, on helping each other attain our writing goals. Perhaps together we can do what each of us can’t do alone.

In other words, Facebook doesn’t make us do anything. We make of it whatever we can.

There Really Is Life Offline — If You’re a Goose

It seems as if my entire life is lived online now,  and as enticing as it is to visit friends on facebook, talk about writing in one of my discussion groups, check my various email addresses for the hundredth time, even I need a break. So, yesterday I went for a picnic at a nearby lake.

This lake seems to be sort of an unofficial wildlife preserve. It’s one of the few bodies of water in the vicinity and it is a popular spot for waterfowl to stop by and rest during their migrations. For us humans, there is always something new to see (or feed). I’ve seen lots of coots, mallards, a few wood ducks, a blue-billed duck, egrets, swans, herons, and geese.

I counted at least six different geese families yesterday, but this particular family (blelow) stood out because of the blonde baby. Maybe geese aren’t as monogamous as they are made out to be!

Seems like an ideal life, doesn’t it? A summer home, a winter home, and swimming in between. There is only one drawback to beeing a goose — no internet.

The Necessity For Grief

People keep telling me I’m courageous to write about my grief, and perhaps it does take courage to let people see me at my most vulnerable, especially when I remember that the grieving me will be living forever in cyberspace. Even if I find peace or new meaning or happiness, that vulnerable part will still be accessible to anyone with a connection to the internet. But that is a small price to pay to be able to get my message across.

I never had a message to impart, but after the death of my life mate/soul mate, I found I did have something to say, and it is this: it’s okay to grief. Such a simple message, really, and not just meant for the bereft, but also those connected to the bereft. Too often family and friends urge their bereft loved one to “move on,” “get over it,” “stop thinking about it.” And they need to know that it’s okay for the bereft to grieve. If they can’t handle their loved one’s grief, imagine how much harder it is for the bereft to handle the pain.

We live in a society that values cheerfulness at all costs, and sometimes, when it comes to grief, the cost of putting on a cheery mien to make others feel better is simply too high. Despite what people seem to think, happiness and joy are not the only allowable emotions. Grief is important, too. If the bereft shows no danger signs, such as drinking too much, blocking out family and friends for many months, suicidal impulses such as stockpiling pills, then it’s better to let grief take its course.

Grief is how we learn how to adapt to a world without — without our loved ones’ presence, without their friendship, without their support, without their love —and it is possible to learn how adapt well enough so that we can live, laugh, love again. Grief digs deep into our psyche, allowing us to ask the important questions that get lost in the activity of daily life: who am I, why am I here, and what’s it all about? Even more important, perhaps, grief helps us to grow in courage, strength, wisdom. It would be nice if happiness and easy living gave us such attributes, and sometimes they do, but more often growth comes with adversity.

Although we bereft often wish to be done with our grief, we would resist anyone who tried to take it away from us. It is ours. Its lessons are ours to learn. Its power to reshape us into people who can deal with anything is ours to grasp.

Apparently, as I’ve been writing this bloggerie, I’ve amended my message. Not only is it important to grieve, it is necessary.