Are you writing to reach a particular kind of reader?

I am the reader I was writing for. There were stories I wanted to read and couldn’t find, so I wrote them. The dichotomy of this is that I always wanted to reach a large readership and make a living by writing, so it would have been more practical to write books that a large number of people would like. To be honest, though, I don’t like what the majority of readers like, so it would be impossible for me to write such a book. At least, if I write for myself, I know that one person will like the book. But I’m lucky — I’ve found others who like my books.

Here are some responses from other authors about the particular kind of reader they are trying to reach. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with Alan Place, Author of “Pat Canella: The Dockland Murders”

I am not writing to any particular readers as my works cross genres. I think if you write to a type of reader you raise the chance of missing your target. Take Pat Canella, is she for the Mike Hammer fans, is she a ghost story or is she ladies who want a strong female lead?. OR is she all to everybody?

From an interview with Chuck Barrett, Author of “The Toymaker”

Absolutely. I like to write what I like to read—thrillers, with a touch of mystery thrown in just to keep the reader off balance…but enthralled. I like when a writer throws me a curve ball, so in like fashion, I throw a few myself.

From an interview with J. Conrad Guest, Author of One Hot January

The reader I wish to reach seeks something a little different—something that combines or mixes genres. A reader who enjoys the turn of a phrase, who believes how a story is told is as important as the story itself. I hope my readers remember the stories I tell long after they’ve closed the cover for the last time.

From an interview with Sandy Nathan, Author of Tecolote: The Little Horse That Could

Yes. I write for readers who are interested in making a difference and growing personally and spiritually. My readers also want a well written, fast paced, and extraordinary read that takes them to places they never imagined.

What about you? Are you writing to reach a particular kind of reader?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)

Can We Be Whoever We Want to Be?

There is a fallacy that dogs us our whole lives, instilled in us by our parents, teachers, preachers, writers, and everyone else who has influence over young minds. We are told over and over again that we can be whoever we want to be, but this simply is not true. We can never be anyone other than ourselves, no matter how hard we try, and anyone who has ever taken a vacation to get away from it all knows this. No matter where you go, there you are.

We can participate in the creation of ourselves, trying on new styles of dressing and living, for example, but that does not change the essence of our being. We go through many metamorphoses during the course of our lives, from infant to adolescent, from adolescent to adult, from adult to . . . whatever one is called in the last stage of life. (Odd that there isn’t a noun to denote such a person. There are words to describe all the other stages of life, but not that one.) We also go through traumas and grief and come out the other side feeling like a different person, but that person is just another facet of our being, not a completely new entity.

Often when we are told we can be whoever we want to be, the speaker is referring to our occupation or vocation, not our essence, but even this variation of the saying is a fallacy, because we cannot always be whoever we want to be. For example, a short, fifty-year-old man with small hands and an inability to handle a basketball will never be a professional basketball player, garning millions of dollars and fans, no matter how much he desires it. Not every girl who dreams of being romanced by the love of her life and living happily ever after achieves her dream. Too often the frogs she kisses are simply frogs. Or the love of her life dies before the relationship can come to full flower, leaving her alone and grieving, which happens way more than we ever imagine.

Even worse than being made to believe we can be whoever we want is being made to believe that we cannot be who we want to be.

When I was in high school, my sophomore English teacher told me that she saved papers from all the students she thought would make it as a writer but that she never saved any of mine. It was sort of a strange and very cruel thing to say, particularly since she knew I planned to write. I never thought of her as cruel, so her words puzzled me, but other than that, the slur never really mattered. I had no burning desire to be a writer — my saying so was more of a statement of my love of words, and I have kept that love throughout all my life.

I never really had dreams, though I often wanted not to be me, which is why my current commitment to being me is so important. But now I wonder if I need to find (or create) a dream, too. Are impossible dreams important, helping us through the traumas of our lives? Or does the unfilfillment of those dreams cause other traumas? Sometimes a miracle does happen, and the impossible suddenly becomes possible, but a dependence on miracles seems a rather inept way of planning for one’s future, no matter what our age. So maybe the fallacy that we can be whoever we want to be isn’t important. Perhaps it’s the instillation of dreams that is important.

Blog Posts I (Sort of) Wish I Hadn’t Written

It’s easy to forget how far-reaching the internet is. I tend to think I am holding court here in my own corner of the blogosphere, but the truth is, anyone who happens to search for the right term (or wrong term) can land on this blog.

Mostly people get here by using various search terms having to do with writing or grief, but occasionally I post an article that gets hits of a sort I never intended. For example, three years ago, I posted a transcript of a conversation I had with my sister “Was It Bizarre Reading a S** Scene Written By Your Sister?” A couple months later, when I realized that the article was attracting a huge number of hits from people who wanted to have s** with their sisters — 1,954 hits as of right now — I posted the list of the search terms people had used to get to here: S** With Sister Tips. Um…Yeah. That list has garnered 16,790 hits in the past three years. Two days later, I wrote S** With Sister Tips — Writing Tips, That Is. It was my idea of humor — if they wanted tips for having incestuous s**, I’d give them writing tips, sort of as a gentle chastisement. The article itself wasn’t humorous. It was a very pragmatic look at the pitfalls of writing about sibling s**. That article has garnered 9,272 hits.

The whole situation ceased to amuse me years ago, and now makes me rather uneasy. (Which is why the asterisks — I’m trying to keep the search engines from finding yet another s** with sister article.

The other post that makes me a bit uneasy because of all the attention is How Many Books Are Going to be Published in 2012? (Prepare for a Shock). I’d only written the article as a way of trying to make sense of the current book climate and to show the meteoric increase in the number of books available, not to establish myself as any authority on the subject.

Although the article was posted only five months ago, it has had 1,536 hits as of right now. I don’t mind that, of course, but I do mind being touted either as an authority or as an idiot. Several sites that offer book publicity services use that article as a reason for authors to sign up for expensive promotions, and others write scathing articles calling me an idiot who shouldn’t be allowed around statistics since I misuse them.

The truth is, there is no way to extrapolate from the information I gave as to how many books will be published in 2012. Bowker estimates they will issue 15,000,000 ISBNs this year, as compared to 407,000 in 2007, but the truth is, many people use several ISBNs for the same book since some retailers want separate ISBNs for ebooks and print books. And many self-publishers don’t use ISBNs at all, especially if they are only going to sell on Amazon and B&N since both companies will issue their own product numbers. So there could be 5,000,000 books published, or 15,000,000, or even 150,000,000.

This was supposed to be a cautionary tale about being careful what you post since it could haunt you for many years, but it in the end, telling your truth of the moment, no matter what the fallout, is the important thing. It does sadden me, though, that some of my best writing — inspirational and thoughtful posts — sink into oblivion, while these posts get many views.

Thank You for Five Incredible Blog Years

Five years ago today I started this blog. I’d only been on the internet a few months (four months to be exact), had no idea what a blog was but knew enough about book promotion to know that I needed one to help establish my online presence. I spent a few days researching the various blogging platforms and ended up here on WordPress.

My first post was tentative, a mere dipping of my pen in the metaphorical ink of the blogosphere. All that post said was:

Am I an aspiring writer? I have written 4 books, rewritten them, and will continue rewriting them until they are perfected.

No. I am not an aspiring writer. I am aspiring to be a published writer.

Not a bad statement of intent for a new blogger. In the beginning I wrote about my struggles to find an agent or a publisher, my attempts to learn all I could about how to become a bestselling author (still don’t know — drats!), my efforts at establishing my online presence. In the beginning, I used no photo of me, just an initial. I still hadn’t decided if I wanted to use a male pseudonym or any pseudonym at all. I’d also started writing a new novel that I now call my work-in-pause since it’s been sitting there, half-finished for almost five years.

Much has happened to me since I started this blog. I entered a couple of writing contests and made it to the semi-finals in both, (one was the very first ABNA contest). My mother died. I found a publisher. My father had quadruple bypass surgery. My life mate/soul mate got sicker and sicker. And throughout those two and a half years of turmoil, this blog sustained me. It gave me a place to escape from my daily life, a place I could count on.

And then, two and a half years ago, my soul mate died. His death catapulted me into a world of such pain, that it bled over into this blog. My posts became not so much a way to escape, but a place to try to make sense of what I was going through, to offer comfort and be comforted, to find my way to renewed life.

This blog also helped me to re-establish my life as a writer because, after all, blogging is writing, too. A year ago, I made a commitment to blog every day for 100 days, and somehow I never stopped. And today marks an entire year, 366 days of blogging every single day. (Leap year, in case you’re wondering why 366 instead of 365.) I recently recommitted to another 100-day challenge. It’s nice to know that whatever life throws at me, whatever problems I encounter, whatever challenges come my way, this blog will be here for me.

I started with meager aspirations, hoping for the seemingly unrealistic goal of 12,000 views a year, and as of right now, this blog has had 215,817 all time views. On my busiest day, I had 3,542 people stopping by. I’ve been Freshly-pressed three times, written 1,003 posts (including this one), received 7,159 comments and almost 3000 likes and shares. My best ranking on Alexa.com was 607,198 out of 350 million websites. Quite an achievement for someone who, five years ago, did not even know what a blog was.

I never told you how much your reading my posts has meant to me, so I want to do so now. Thank you all for your comments, your likes, your support. They have meant more to me (especially this past two and a half years) than you can ever imagine.

Writing My Life

I’m writing a short story for the Second Wind Publishing holiday anthology, and it just occurred to me that the main character is the first one I have created since the death of my life mate/soul mate who isn’t a grieving widow.

I started a novel a couple of years ago, wanting to capture what it felt like to lose a spouse while my feelings were fresh, but I haven’t finished the book. The pain that seeps into the story is too raw for me to handle yet, and besides, I still don’t know what the point of the story is. Is it primarily to show what it feels like to grieve? Is it primarily the mystery of why her minister husband would get out of his deathbed to kill a neighbor? Is it primarily the mystery of who she is now that she is no longer a minister’s wife? Is it a story of renewal, love, acceptance? Unless I figure it out, that poor widow is doomed to grieve forever in the pages of that unfinished manuscript.

The next piece of fiction I attempted was in Rubicon Ranch, a collaborative mystery series I’m writing online with other Second Wind authors. My character is Melanie Gray, a writer whose husband died in a car accident, but certain inconsistencies are showing up in the investigation, pointing to something other than an accident. Melanie’s attempts to come to terms with her life and to find the truth of his death are a couple of the unifying themes in the series, though they are not the focus of the stories.

The third piece of fiction I wrote was “The Willow,” a short story I did for Change is in the Wind, a previous Second Wind anthology. My character in that story is a woman who found renewal in the spring of her second year of grief.

My fourth project is a steampunk collaboration I am doing with several authors I met online. It should come as no surprise that my character is grieving woman. The deaths of her husband and his mother are the catalyst for the story, since her father-in-law goes back in time to try to save them. This sentence hints that maybe her grief (and mine) is waning: Flo stood motionless and stared at her husband. She wanted to run to him, to embrace him, but he looked different somehow. Unapproachable. There seemed to be a bit of flabbiness around his middle, a discontented tilt to his head, a defeated slump to his shoulders. What had happened to the radiant young man she remembered? Had her vision of him changed over the past year, become idealized? Or had she stopped seeing the truth of him even before he died?

In the story I am currently writing, the character’s boyfriend doesn’t die. He leaves her. She doesn’t go into paroxysms of grief, at least not much, but she does cut her hair in an entirely unconscious symbol of mourning (so biblical!). I had her lopping off her long tresses more out rebellion than out of sorrow, since he had always demanded that she didn’t change.

It is strange to see such a pattern show up in my writing. From stark grief, to sustained grief, to a semblance of peace, to seeing the deceased as not so perfect, to easing the focus on grief. Apparently, no matter what I write, I am somehow writing my life (though oddly, the characters are getting progressively younger).

I’ll be interested to see what I write next.

My 1000th Blog Post!!!!

This is my 1000th blog post for this blog, and what do you know. I haven’t a thing to say. You’d think after writing 1000 articles on subjects that range from reading to writing, from being in grief to being in the moment, from social networking to socializing, I’d be able to come up with a few pithy words to celebrate the occasion,  but here I am, at a loss for ideas.

You’re probably curious how I managed to write all those articles — well, it took five years, one topic at a time, one word, at a time. You can see all the posts here: Archives — All My Posts.

Here are are a few of my favorite posts, though to be honest, a list of my favorites would include either my entire ouevre or merely the last one I wrote. I enjoyed writing all of them, and at the time of writing, each was my absolute favorite. Life changes, though, and so does perspective; what once seemed profound later seems merely mundane.

The Slang Game
Write Lofty and Carry a Big Chisel
How Often Has This Happened To You? (Close Encounters Of the Buffalo Kind)
What Kind of Blogger Are You?
Sports As Story
A Terrible Writing Accident
The Living Language of Dying
Pat Bertram And Lazarus Barnhill Discuss Writing as Destiny
Waiting For an April Time
Self-Editing — The List From Hell
Creatures of the Corn
On Writing: Looking Up
Free Exclamation Points for Everyone!!!
The Slamming of the Doors

These posts are all from my first couple of years of blogging. I don’t remember why I wrote some of them, such as The Slamming of the Doors, perhaps as a writing prompt. Others I had fun creating, such as my list of bloggers in What Kind of Blogger Are You? and my quiz The Slang Game, and I was disappointed at how few people ever saw the posts.

Thank you, everyone, who has read any of my posts or commented on them. It’s been a pleasure blogging with you.

Why the Struggle to Write?

While checking my Facebook feed yesterday, which is mostly comprised of updates by other authors, it struck me how many of them are struggling with writing. They are struggling to find the time to write. They are struggling to reach word-count goals. They are struggling to overcome writer’s block. So much struggling!

One writer posted an article about how to find the time to write, and the post had such a drill sergeant approach that it appalled me. The point of the article was that we must find time to write every day, and to do so we might have to sacrifice an outing with a friend, a trip to the movies, and other such “treats.”

Why? What is so important about writing that we need to forego time with family and friends in order to string a few words together? Truly, it is an unimportant skill. It can’t comfort a crying baby, can’t smile at a friend, can’t add another minute to a dying man’s life. It’s an inherently selfish activity since it’s about communing with ourselves. It’s also an unhealthy activity because we sit with limited motion for hours at a stretch. The hope is that ultimately others will read and understand what we write (and so understand us), and perhaps even allow us to make a living from our efforts, but still, writing is communication at one reserve. We are not sitting conversing with a loved one, and to supplant such a real conversation in the now with one in our heads seems a paltry trade.

Of course, if you have a contract that must be fulfilled, that is one thing, but if you are merely writing to satisfy yourself (and if you’re not, what’s the point of writing?) that is something completely different.

I can hear you now. “But I have to write!” If writing fulfills a need, then you don’t need to be urged to write — you are already doing it. If you have to write but don’t, then obviously, you don’t have to write. The world is not coming to an end because you are not writing. It hums along just fine without your words.

Many people do feel more in tune with themselves when writing, and why not? It’s therapeutic to let all the built-up words and pent-up emotions flow out of your head, just as blowing out a deep breath lets pent-up stress flow out of your body. And yet, for some people, such as mothers with small children and a demanding outside job, there simply is no time. To make such writers feel as if they are doing something wrong by not writing every day is unconscionable. For other people, such as those caring for a dying spouse or an aged parent, they might have the physical time but not the mental time — they might not be able to let themselves get immersed in their writing since their inattention could have disastrous results.

Nowadays, books aren’t even a physical thing — they are merely stray electrons temporarily held together by creative energy. So why the struggle to write? I truly don’t know. It seems simple to me: write, or don’t write.

For me, writing is a tool I use to help me make sense of life. It’s a means of being creative, a way of being playful, even, but writing is not life. Living is what’s important. If I don’t live, sense, experience, there’s nothing to write about. When I don’t feel like writing, I don’t struggle to overcome that feeling, and I certainly don’t let drill sergeant tactics make me feel bad about not writing every day. I know the truth: it’s not how much you write that makes you a writer, but what you say.

So I go with the flow, being me, living each day as it comes, and eventually, when the time is right, when I have something to say, I simply start writing.

Who gave you the best writing advice you ever received and what was it?

The best writing advice I ever received I read in an old book called The Practical Stylist by Sheridan Baker: “Clarity is the first aim; economy the second; grace the third; dignity the fourth. Our writing should be a little strange, a little out of the ordinary, a little beautiful with words and phrases not met everyday, but seeming as right and natural as grass.”

Isn’t that beautiful? I paid particular attention to that advice when writing Light Bringer. I wanted the style itself to show that the characters were a little strange, a little out of the ordinary, a little beautiful. For example, “And then there it was, spread out before her in a shallow thirty-foot bowl. A lake of flowers — chrysanthemums and tulips, daisies and daffodils, lilies and columbines and fuchsia — all blooming brightly, all singing their song of welcome.”

Here are some responses from other authors about how the best writing advice they ever received. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with Sheila Deeth, Author of “Flower Child”

I met Jane Kirkpatrick shortly after we moved to Oregon. She told me to keep writing. In fact, she’s told me several times to keep writing. It’s probably the most valuable piece of advice I’ve had.

From an interview with Eric Wasserman, Author of Celluloid Strangers

Frederick Reiken’s literature course on the short story was my very first graduate school class. The very first thing he said to all of us was, “If you’re not willing to submerge yourself in the world of reading fiction, give up now on being a serious writer of fiction.” I wrote this down the moment he said it, went back to my dingy Boston studio apartment that evening, and taped it across the screen of my TV.

From an interview with Sandra Shwayder Sanchez, Author of “The Nun”

The best advice I ever received was from J.R. Salamanca (Lilith, A Sea Change, Embarkation, Southern Light and more) who said the permanence of the written word has more influence on readers than spoken words and to take that influence seriously and try to create a good influence and that is the advice I would give aspiring writers.

What about you? Who gave you the best writing advice you ever received, and what was it?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)

A Place Where I Can Connect With Myself And The Mystical World

It’s amazing we ever manage to communicate with each other, considering that different words mean different things to different people. We do have common ground, though, so perhaps that keeps us connected. We know basically what words mean, such as “desert,” “reading,” “writing,” but we also imbue the words with our own connotations, and that’s where it gets interesting.

For most people around where I am staying, “desert” means a place of rattlers, a place to ride dirt bikes, ATVs, and other noisemaking machines, a place to honk their dogs. (That’s what I call it anyway. They let their dogs run free and drive behind them, honking to keep the animal from straying too far.). But for me, “desert” means a place away from the bustle of everyday life, a place where i can connect with myself and the mystical world around me, a place where I get in touch with the truth inside me (the truth that resides in all of us.) Even those who do see the desert as a place away from every day life, see it as a place to run, all the while connected to an ipod or whatever is connected to those wires coming out of their ears.

For most people, “reading,” fiction, in particular, means entertainment, a way to kill a few hours, an indulgence in fantasy. There’s nothing wrong with that, of course — it makes people happy and fuels the book industry — it’s just not what reading means to me. For me, “reading” means a place away from the bustle of every day life, a place where I can connect with myself and the mystical world of books, and get in touch with the truth inside me. It came as a real shock when I discovered that’s not what reading means to others. It’s often true that people see reading as a place away from the bustle of every day life, but for most people it’s an escape from themselves, not an escape into themselves.

Writers each have their own meaning for the word “writing.” Most often it’s the same as reading — to entertain, to communicate with readers. Sometimes they don’t know what it means to them, except that it fulfills a need. Occasionally, it means a way of making money. It should come as no surprise that writing, for me, means a place away from the bustle of every day life, a place where I can connect with myself and the mystical world of my own story, and get in touch with the truth inside me. Writing bloggeries, such as this one, helps me figure out what I think, but writing fiction puts a “face” on what is inside me, creating a metaphor or a parable for my thoughts and experiences.

I’ve never been one to count words since the number of words don’t count. What counts is what the words say, what they mean. I’ve never been one to inform others of how my writing is going since the writing is for me. Once the book or bloggerie is published, however, it becomes something else, not something that was written so much as something to be read. Does that make sense? I might have walked too long in the desert this morning, and brought some of its mysticism back with me.

Writing the Tough Stuff (Or Killing the One You Love)

Please welcome my friend, fan, and fellow author, Aaron Paul Lazar, who will be discussing killing the one you love — metaphorically and literarily speaking, that is. Aaron writes to soothe his soul. An award-winning, bestselling Kindle author of three mystery series, Aaron enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys.  Aaron says:

It’s not easy writing a scene where you kill the one you love.

Of course I don’t mean your actual spouse or lover. I mean the wife, husband, or sweetheart of your main character.

I’ve done it in FOR KEEPS. Thinking about it tears my heart out every single time.

That’s what I mean by “writing the tough stuff.” Sam Moore—a retired family doctor who is our resident hero in Moore Mysteries — is very much like me, except he’s twelve years older and retired with enough money to putter around in his gardens all day. Let me repeat that. All day!

I hate him for that.

Okay, so maybe that’s a little extreme, considering he’s fictional. Shall we say, I am exceedingly jealous of his lifestyle? Although Sam was a family doctor and I am an engineer, we’re still a lot alike. We both love to plunge our hands into the soft earth and grow things. We both love our grandkids so much it hurts. And we both have spouses with multiple sclerosis. There are plenty of differences, too. I cook, I write, and I take photos. Sam doesn’t. But of course, it’s not a competition. At least I don’t think so…

In spite of the fact that he’s not real (at least not in the traditional sense, LOL), I relate to this man and feel his pain when he’s hurting. Sure, you say, writers should feel ALL their characters’ pain. We have to, to get into their heads and nail the characterization. Don’t we?

But I’ll bet some characters are closer to your heart than others.

Sam’s wife, Rachel, shares many qualities with my dear wife, Dale. They both endure MS, they both love to read, they are both chair-caning artists. Some of their symptoms are the same, but that’s where they split apart. Rachel loves to cook (that’s my job in our marriage), she’s in a wheelchair, and she stays pretty upbeat, considering her challenges. They both adore their grandchildren and both love to read. Rachel’s a tribute to Dale, in all honesty. But she also has morphed into her “own woman,” too, and I love her deeply. Er . . . through Sam, of course. (Honey, don’t be jealous!)

In the first two books of theMoore Mysteries series, Rachel sticks by Sam’s side, supports him when he’s overcome with grief and is plagued by strange paranormal events, and loves him deeply enough to keep him sane.

That’s why it really hurt when I had to kill her.

In For Keeps, the third book in the series, life takes an awful turn. When Rachel is murdered by a serial killer, it puts Sam back in the psych ward, the same place he was thrown when his little brother disappeared without a trace fifty years earlier. Desperate to fix things, he calls on the power of the green marble, the talisman his little brother Billy controls from afar that whisks him back and forth through his past.

Unlike those of us in real life, Sam gets a “do over.” He flies back in time to desperately try to fix the problems that lead to this gruesome act, and over and over again, he attempts to tweak the past to bring his dear Rachel back to life.

How do you write such a scene without losing it? How do you make it feel authentic to your readers? How much is too much? And how can you be certain that your character’s reaction will ring true?

It’s not easy. Matter of fact, since I loosely base Rachel on my own wife, and since Sam and I are really quite alike, it was close to torture.

I called upon my darkest, most powerful emotions experienced when my father died and also when my own dear wife almost died several times in the past few years. I’ll never forget the time the nurse in the ER called the nun on duty to bring me to a little room where no one would see my reaction to her impending news that Dale might not make it. She carried a box of Kleenex under one arm and a bible in the other. She was so sweet. Yet it was one of the scariest moments of my life. Thankfully, my wife pulled through and is doing okay today.

That hollow-gut, black-sludge-in-your-heart feeling is horrible when you lose someone dear to you, isn’t it? It’s all encompassing. Sometimes you just want to deny that awful truth, and pull away — far away — like Sam does in the following excerpt. (Click here to read the Excerpt From “For Keeps” by Aaron Paul Lazar.) I tried to channel those feelings when getting inside Sam’s head.  Let me know if you think it worked.

For Keeps is book #3 in Moore Mysteries, and is now available through Twilight Times Books and Amazon.com. The series can be read in any order.  Free dates of “For Keeps”: Sept 14, 15, 16th and October 12, 13th.

copyright 2012, Aaron Paul Lazar