The Surprise and Sadness of Grief’s Journey

Every step I take on grief’s journey brings with it surprise and sadness. I’ve come far enough that I am no longer wracked with pain and sorrow at the death of my life mate/soul mate, though sadness and loneliness do shadow my life, and tears are sometimes needed to wash away my yearning to see him once more. Now that the trauma of his years of dying has dissipated, I remember more of what he once was, and those memories have both given him back to me in an oblique sort of way (which surprises me), while separating us even further because of the profound reminder that he is no longer here (which saddens me).

For so long, the two images I had of him in my mind were the last time I saw him, right after he died, before the nurses enshrouded his body in a white blanket and first time I ever saw him when he was young and vibrant. The juxtapositioning of those two images shattered my already broken heart. I could not understand how that strong, radiant being became the wasted unbeing who barely made a dent in the bed.

I had a lot to process during those first years of grief and now that I’m past the shock and disbelief and have even managed to come to terms with the anger, guilt, and regrets, those two images are fading to the same sepia tones as the rest of our thirty-four years together. His goneness — the very void of his absence — haunted me for almost three years, but now I’ve become modesert roadre used to his absence (though I still do not like it at all!), and that too, serves to give him back to me, at least in memory.

But the truth, that I will never again see him in this lifetime, is still incomprehensible. How is it possible that he is gone? How is it possible that I am still here?

Maybe I have tasks to undertake that he cannot help me with, and that is why I am here — to complete these tasks by myself. Maybe it’s simply chance that he died and I didn’t. And maybe the reason (or absence of reason) is as unfathomable as death itself. But in the end, the reasons don’t matter. It’s the reality I have to deal with, and the still unpalatable reality is that, however near he sometimes seems in memory, he is immeasurably far from me.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Uncertainty Is the Only Certainty

I started yesterday by seeing a quote online:

Uncertainty is the only certainty there is, and knowing how to live with insecurity is the only security. –John Allan Paulos

I thought Paulos’s words were interesting in light of the way I’d like to live after my present responsibilities end. Since I can’t bear the thought of settling anywhere, I am planning to live on the go, at least for a while, and see where serendipity and spontaneity take me. The uncertainty and insecurity of such a life style makes me a bit nervous, but I’d come to the same conclusion that John Allan Paulos did — that there is no certainty, and learning how to live with insecurity is the only security you can ever truly have.

Later, I read Malcolm R. Campbell’s blog Everything That Can Happen, Does Happen where he quoted Jane Roberts “The soul can be described for that matter, as a multidimensional, infinite act, each minute probability being brought somewhere into actuality and existence; an infinite creative act that creates for itself infinite dimensions in which fulfillment is possible.” – “Seth Speaks” (1972)

I read thUncertaintye Seth books once upon a time, but lost interest in Seth’s words when I realized that most of what he supposedly said had already touted in quantum physics, such as humans existing as possibility and electronic waves, which meant that his pronouncements could have come from Jane Roberts herself rather than from an all-knowing entity. (I also was disturbed by the assertion that Hitler was in a deep sleep for a thousand years. If time doesn’t exist outside of our material universe, then what difference does it make how long he was put to sleep?)

Although this might not seem to have anything to do with uncertainty, the idea that humans exist as possibilities, as an act rather than a physical being, is a variation of quantum mechanic’s uncertainty principle, which as far as I can tell says that everything exists in a state of infinite possibilities until it is observed or otherwise interacted with by another quantum object. (Actually, it says that either momentum or position of a particle can be precisely measured, but not both, and that the very act of measuring disturbs the measurement.)

And then, last night, quite coincidentally, I watched the 1994 movie IQ — just picked it blindly from a collection of movies. And there again, the uncertainty principle raised its head and took a long hard stare at me when Einstein and his cronies discussed the nature of the universe.

What does this mean? Probably nothing, though it does seem to show that uncertainty is the only certainty.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Nothing is Trivial When Dealing With Grief

It’s amazing to me how the most trivial things can take on significance when it comes to the loss of the person who connected you to the world.

Yesterday I was clearing out a mini in-basket where my life mate/soul mate kept stamps and related items, such as postage rates and receipts. Up until now, I’ve just left the basket intact. In those first months after his death, I couldn’t bear to use the last stamps we ever bought together, so I set the basket aside and ignored it. Enough time has passed that those stamps now seem like ordinary, insignificant postage, so I dug them out, sorted through the papers in the basket, and threw away the outdated rates and receipts.

One of the things I found in the basket was a simple note he had written: 44¢. That’s all it said. He wrote it in green ink on yellow paper about two-and-half-inches square, so that despite his worsening vision, he could see at a glance what the current postage rates were.

I hesitated a moment before tossing out the note. As unimportant as the paper was, it seemed to be a symbol of how bit-by-bit, his erstwhile place in the world and my life was disappearing. Most of his things are gone now, and attrition has eliminated many of “our’ things — towels worn out, spoons lost, cups broken.

The first time I broke a cup, it about devastated me. I remember crying as if it were my heart and not a piece of crockery that had shattered. As I wrote back then, “I broke a cup today, one more thing gone out of the life we shared. Our stuff is going to break, wear out, get used up. I’ll replace some of it, add new things, write new books, and it will dilute what we shared. Is there going to be anything left of ‘us’? I feel uncomfortable in this new skin, this new life, as if it’s not mine. As if I’m wearing clothes too big and too small all at the same time.”

Still, I did throw out the paper. It seemed foolish to keep it, especially considering that postage rates have gone up since then. And I’m no longer newly bereft, clinging to anything of his to bring me comfort.

If the paper had remained in the trash, there would be story, but a little later, I retrieved the paper and put it back in the basket. My rationale was that someday, perhaps, I’d like to know what the postage rate was on the day he died. But grief has no rationality. I simply could not let go of that newly significant slip of paper.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

What Would You Like to Ask a Bookstore Owner?

In an effort to combat a certain online megastore from taking total control of the book world, I am going to initiate a program to interview book store owners and give them a bit of exposure on my Pat Bertram Introduces . . . blog,  To do this, I will need questions to pose. Obviously, I will need to ask where their store is located, hours, directions so people can find them. I’ll also need to ask what sort of books they carry and if they special order.

Basic information like that gets boring after a while, so I need some exciting or at least fresh and interesting questions to ask.

For example:

askingWhat book do you wish would sell better?

What little-known book would you like to see make it big?

What is your reading preference?

As you can see, I am having a hard time coming up with interesting questions. If you were going to interview a book store owner, what would you ask? (Ask as a reader, I mean. I know what you’d like to ask as an author!) If you were reading such an interview, what would you like to know? If you are a book store owner, what would you like someone to ask?

Thank you for your help!

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Excerpt From “Grief: The Great Yearning” — Day 23

So many people have told me lately that I should write a book about grief, that I realized somehow I’m not getting the point across — I did write a book about grief, and it’s been published now for over a year.

I never actually set out to write a book about grief, never planned to make any of my writing public (except for the blog posts, of course), but I was so lost, so lonely, so sick with grief and bewildered by all I was experiencing, that the only way I could try to make sense of it all was to put my feelings into words. Whether I was writing letters to Jeff (my deceased life mate/soul mate) or simply pouring out my feelings in a journal, it helped me feel close to him, as if, once again, I was talking things over with him. The only problem was, I only heard my side of the story.  He never told me how he felt about his dying and our separation. Did he feel as broken as I did? Did he feel amputated? Or was he simply glad to be shucked of his body, and perhaps even of me?

It’s been three years now since the following piece was written, and though I don’t have the physical trauma and emotional agony, I’m still lost, still miss him, still pinning my life mostly on “perhaps.” How did I get through three years of such great yearning? I honestly don’t know other than by taking life one step at a time.

Excerpt from Grief: The Great Yearning

Day 23, Grief Journal

I was lonely last year with Jeff spending so much time in bed, but now I am so lonely I feel bleak. And bereft. There seems to be little reason to live. No, I am not suicidal, but if I were to die today, I would not care.

I feel as if I am disappearing, fading from life, and all that is left is pain. How anyone gets through this, I do not know. And for what? Life didn’t seem foolish when Jeff was alive. I always knew we were meant for each other, but I never realized that he was my tie to life, to wanting to live. Finding that desire in myself right now is next to impossible. All I see are tenuous hopes and promises of pain. It’s not enough. Not nearly enough.

Do I need someone in order for my life to have meaning? Sounds weak. But isn’t love a major component of life? I know people survive quite nicely on their own, managing to find purpose, but I am so lost. So unhappy.

Perhaps the future holds something good for me, but that is such a silly word to pin my life on, yet that’s all I have—“perhaps”. Jeff no longer even has that. I’m trying to find comfort in knowing he is no longer suffering, and for a moment yesterday I even envied him. I wish my pain were over, too.

I’ve developed a terrible fear of dying. I could not handle dying the way Jeff did. It took him so long—years of getting sicker and weaker. Years of pain. I’m truly glad he isn’t suffering any more; I just wish he never had to suffer at all. Wish he were here, happy and healthy.

So many foolish wishes. Nothing I can say or do will change anything. The past is done. Finished. It scares me that I have no clear image of him in my mind, but my mind has never been a pictorial one—it’s more about feelings and impressions.

I miss him. Miss his fleeting sweet smiles. He had so little to smile about, yet he did smile at me. Did I return his smiles? I hope so. I loved him. Even when I could barely tolerate him (and there were such moments), I still loved him.

Click here to find out more about Grief: The Great Yearning

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Three

Three is a powerful number that satisfies our deepest needs for symmetry. Three gods ruled the earth—Zeus, the god of heaven; Poseidon, the god of the sea; and Pluto, the god of the underworld. People worshipped the moon goddess as a triad, representing three phases of the moon. There were three Fates, three Furies, three Graces, three Harpies, three primary colors. Three times three was also a mystical number, hence the nine muses.

3

A few obvious threes from popular culture:

Three wishes. Three bears. Three little pigs. The Three Stooges. Three outs. Best two out of three. Three Faces of Eve. Three Days of the Condor. The Three Musketeers. Third time lucky. Love triangle. (The triangle itself is a divine symbol signifying the power of three.) Three is also a visually pleasing arrangement. And the number three signifies harmony.

balloons

So, to make your stories more powerful, harness the power of three.

1. When describing a character or scene, mention three attributes. Also, if a particular attribute needs to be fixed in the reader’s mind, mention it three times (and only three times) during the course of the book, and it will stick.

books

2. When devising a plot, follow the storyline of The Three Bears. The first time the hero tries to reach her goal, she fails but learns the risks. The second time she tries, she confirms that she’s doing things wrong, but she learns from her mistakes. The third time she tries, she gets it right. three bears

3. Look for patterns in your story. If your character has given his love flowers and perhaps made love to her in a flower garden, mention flowers once more to solidify the pattern.

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I could give you more ways to make your stories more powerful, but since I’ve given you three suggestions, that should be enough. And if it isn’t, you can find more uses for this powerful tool here: The Most Powerful Tool at a Writer’s Command

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

What is Wrong With Using a Prologue?

Most agents, editors, and publishers frown on prologues because they claim that readers skip them.

Perhaps that’s true. I myself am not a fan of prologues. Some writers have the appalling habit of using a prologue as an information dump, telling readers things they think they need to know rather than presenting the material a bit at a time when it is needed. Some writers have the even more appalling habit of augmenting a poor beginning with a prologue that is not really a prologue but more of an interlogue, an excerpt taken from the middle of the book, copied and pasted into a prologue. While this excerpt might create suspense and keep us reading through a less than stellar beginning, it is not necessary to the story since the material is a duplication, and we feel cheated when we reread it during the course of the book.

I don’t even have much use for true prologues, which present events that happen before the story begins. The main rule in writing is “everything in service to the story.” If a prologue does not advance the story, if it is not as exciting as the rest of the book, then it should be removed and any essential information presented during the course of the story.

Sometimes, however, a prologue is necessary, especially if important events take place years before the main story. Occasionally, lbmugto get past the stigma of a prologue, authors will label the pre-story chapter “Chapter One.” To call a prologue “Chapter One” does not make it any less of a prologue, and it confuses readers, who think they are reading one story and find out they are reading another.

Despite the cautions about prologues, I used one in Light Bringer. It is a true prologue in that the events take place thirty-five years before the present day action, but I do something that is frowned on even by those who see nothing wrong with prologues: I introduce a character who does not appear in the body of the work, only mentioned in dialogue.

When I rewrote Light Bringer before submitting it to Second Wind Publishing, I considered getting rid of the prologue but I kept it for three reasons: I wanted readers to experience for themselves the events that precipitated the story, it was the way I originally conceived it, and I loved the image of tiny footprints in the snow. The prologue might seem like a darling, a word used by William Faulkner to describe the parts we love but that have no real function in the story, but without the prologue, the story loses some of its immediacy. Being told of a radiantly special baby being found on a doorstep is entirely different from experiencing it for ourselves through the eyes of the staid woman who found her.

And if readers skip my prologue? Well, there’s not much I can do about that. The truth is, there is there is nothing wrong with a prologue as long as it has a hook at the beginning, has conflict, and is written with immediacy as a scene, just as with any other chapter.

If you’d like to read the prologue, click here: Light Bringer by Pat Bertram

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Embracing Life in the Face of Death

I happened to come across a transcript of an interview where a woman had asked an advice columnist about confronting her cheating husband. The woman is dying of cancer with only a few months left to live, and though her husband is attentive, loving, and caring (he takes care of her in addition to caring for her), he is having an affair. When she first found out, she was heartbroken, but after a few days she realized he deserved to have someone help and support him during such an emotional time. Her question revolved around whether or not she should confront him. Should she tell him she understands? Should she let him know that she forgave him and didn’t want him to feel guilty?

Thousands of people left comments, most condemning the husband for having an affair, though some condemned her for her attitude, thinking she was too insecure to stand up to him. It does sound terrible, doesn’t it, the husband cheating on his dying untitledvwife? And maybe he is a cad, but as his wife said, “He has been amazingly supportive of me during this time. We have no kids, and as my health has declined, he has sat with me through endless doctor appointments, hospital stays, and sleepless nights.”

The advice columnist and the respondents to this article seemed to miss the salient issue, that death changes the world of those involved. We all know the stages someone who is dying undergoes — denial, anger, bargaining, depression, and acceptance. But what no one talks about is that when a couple is deeply connected, both people are affected, and in many ways, the person being left behind is the one who suffers most. You not only have the care of the person you deeply love, you have to watch them suffer, have to see them waste away, maybe even have to endure unpleasant personality changes caused by both the illness and the drugs they need to keep the pain at bay. And there is nothing you can do about it. You can make them as comfortable as possible, but nothing you do will ever change the facts of your life. S/he is dying, and you have to live.

Many things happen during this horrific time. As your spouse retreats from life, you retreat from death. This is not a matter of vows, but a matter of self-preservation. Too often, you feel as if you are also being drawn into death, and even though part of you doesn’t care, the more visceral part of you cares deeply.

At some point during a long dying, there is a disconnect. You disconnect from yourself, your life, your dying spouse. It’s not conscious, in fact often you don’t always know what is happening, but the truth is, distancing yourself emotionally from the unbearable situation is the only way you can survive. And your hormones go wacky. Sometimes your libido disappears; other times it goes into overdrive. Sometimes you are tormented by overwhelmingly painful arousals. Sometimes you fall in love or desperately need to feel someone’s arms around you, especially if your terminal partner cannot bear being touched any more. This does not mean you love your spouse less. It means your lizard brain, your body, your visceral nature are all screaming in the face of death and will do anything to keep you connected to life.

Although not everyone has an affair during a long dying, all of us in that situation have done things we were not proud of. As I wrote in Grief: The Great Yearning, “It’s been said that every behavior is a matter of survival, which I suppose is true in my case. I could feel myself fighting to live, to gain more autonomy, but that struggle manifested itself in impatience, irritability, and resentment. I think I was angry at his condition and took it out on him. When I remember all the years I swallowed my feelings in deference to his illness, it appalls me that at the end, I couldn’t sustain it. I am so not the person I thought I was!”

Soon the wife will be gone, and the man in question will reconnect to himself and life. If he is a good person who had to deal with an untenable situation, he will probably be wracked by guilt for what he did to his wife. He needs to know that she knew, that she understood and forgave him, but she doesn’t need to do it while she is alive. She can write a letter for him to find after she is gone. Because that is the truth. She will be gone. And he will still be here, dealing with grief, regrets, guilt.

Admittedly, I don’t know the entire situation, but neither does anyone else who responded to the article. But I do know what it’s like to try to live while someone is dying, and the truth is, you will never know what you are capable of, both heroic and base, until you yourself are trying to embrace life while someone you love deeply is, however unwillingly, embracing death.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

If I Could Change a Single Moment of the Past

clockIf I could change a single moment of the past, it wouldn’t be a moment of my life. The traumas and failures in my life have never been the result of a single moment but of life’s unfolding drama or mistaken assessments on my part. The single moments that did have an impact didn’t change my life, just gave me a few uncomfortable weeks or months, so it’s not worth the trouble to go back and redo those moments and put up with any ripples and upheavals that might result from such changes.

I would instead bestow this power to change a single moment on another, someone I’ve only talked to a few time, someone whose name I don’t even know.

At a local employee-owned grocery chain, I occasionally see an employee sitting by the door, giving us customers a friendly good-bye as we leave. Generally, these “sitters” are workers who have been injured and can’t stand all day, so this is a way of giving them a rest on the clock.

One such woman is radiantly beautiful, looking to be about twenty when in fact she is in her forties. A couple of years ago, her boss needed someone to move a heavy object, and since no one else was available, she volunteered. In that moment her life changed from one of a vibrant health to one of chronic back pain and doctors who can’t agree on treatment.

The last time I saw her, I didn’t stop to talk, merely said in passing, “I was hoping I’d never see you again.” Those words echoed in my mind as I crossed the parking lot, and I was appalled by what I had said. I meant, of course, I was hoping I wouldn’t see her at her post and that she finally was through with her ordeal. I might have let the remark go, but she is of a different race than I am, and I was afraid she’d take it as a racial slur if not a personal insult. So I went back to the store, but she and her chair were gone.

Yesterday I saw her again and finally got a chance to apologize. She said she knew what I meant and hadn’t taken offense. We talked for a while, and she mentioned that her grandmother’s funeral had been packed to overflowing. The woman had been active in the civil rights movement in Mississippi, was loved by all who met her, and since she lived to be 106, she had plenty of opportunity to meet people.

If the grandmother is anything like the woman I met, it’s no wonder she was so beloved. This woman’s smile is enough to brighten anyone’s day, even mine when I was in the worst phases of my grief. Although she is very sweet and kind, and not at all bitter, she is always aware that one single moment changed her life forever, and if it were ever possible, she’d go back and change it.

It is that moment of change that I would gift her with if I could.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Life is a Great Big Canvas…

The words might not have originated with me, but the photo art is mine. I was trying to cheat and do a quick post since it’s so late, but this little bit of fluff took longer than a written post would have done!

Life is a great big canvas

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+