Wow! What a Story!

Thanks to suggestions from blog readers and offline friends, I finally wrote the mystery for the museum. I still have to list the characters and their movements and motivations on the fateful night, but for the most part, it’s finished. It sounds like a synopsis for a truly interesting novel. This is what I have so far:

History

It is late July, 1899, on the cusp of a new century. William McKinley is president of the United States of America. The United States, until now uninterested in expansion, has begun to assert itself and has officially become a world power. The first automobiles appear on the roads and the first traffic fatality will occur in a few weeks. Electricity is beginning to light the country.

Locally, horse racing is an important event, and people come from all over Colorado and Kansas to race and watch and bet. Gypsies camp down by the river. The Gardner House hotel is celebrating its seventh anniversary. Cowboys, as always, let off steam and try to shoot out the oil-lit street lights in front of the hotel.

Regionally, there is unrest among the Cheyenne, both the Northern Cheyenne and the Southern Cheyenne. The Medicine Hat Bundle, which included a ceremonial pipe and a buffalo horn, was the most sacred possession of the Northern Cheyenne, but in the 1870s, after a tribal dispute with the Keeper of the Sacred Medicine Hat Bundle, the pipe disappeared.

And oh, yes — a flock of crows is called a “murder of crows.”

This Story

Despite the rapid growth of southeast Colorado and the diverse people living there, it’s become a fairly safe place to live.

Until the murder of the Crows.

The Crows were drummers (traveling salespeople). John sold men’s haberdashery, and Abigail sold women’s unmentionables. When they arrived at the Gardener House, they found only one room still available because of all the activity in town. Instead of staying in room #3, which they considered lucky, the Crows reluctantly checked into room #5. Things were fine the first night, but on the second night, Abigail wakes to hear someone in the room. She starts to call out, but a figure descends on her like an immense black bird with wings outstretched. She feels terrible pain, then nothing. When she wakes again, she is dead.

The intruder is desperate. Two weeks ago, the intruder met a fellow traveler who was dying. The traveler gave the intruder a bundle containing an old peace pipe, and requested that it be delivered to a Cheyenne woman called Bright Raven in southeastern Colorado no later than midnight on July 28th or the world would burn in a terrible world war. The intruder promised, but during the journey, the intruder sensed the power of the pipe and figured there was money to be made from such an artifact. Because of the ill fortune that followed the intruder after accepting the pipe, the intruder stashed the bundle under the floorboards in the closet of room #5 in the Gardner House where the intruder was staying, until better plans could be made. But the intruder could find no one who would pay big money for an unlucky pipe of dubious origin. Ill fortune continued to follow the intruder. In desperation, remembering the July 28 deadline, the intruder, disguised in a voluminous black cape, returned to the hotel shortly before midnight on that date to retrieve the item.

It was bad luck room #5 was occupied. Bad luck that the woman occupant awoke. Bad luck that when the intruder swooped down on the woman, the knife the intruder had been using to pry up the floorboard in hand, the woman died. Bad luck that the husband awoke. Bad luck that the cowboys chose that very moment to shoot out the street lights. Bad luck that the intruder had to escape without the artifact.

During the investigation that followed the murders, the artifact was retrieved but in the confusion, the sacred pipe disappeared again. Bright Raven never received the pipe, never got to perform the cleansing ritual she’d needed to do to remove the taint.

Exactly fifteen years later, on July 28, 1914, a shot rang out.

And World War I began.

***

What if God decided S/He didn’t like how the world turned out, and turned it over to a development company from the planet Xerxes for re-creation? Would you survive? Could you survive?

A fun book for not-so-fun times

Creating a Murder

I met with a friend today to do a bit of brainstorming for the murder at the museum event, but we got stymied when it came to figuring out physical clues. We never got further than my original examples of a weapon, a blood spot, a fingerprint, and some sort of photographic clue. In my own mystery stories, I’ve depended on conversations, especially when one character contradicts another because physical clues always seemed so Nancy Drew-ish. And yet, that’s what I need for this event — clues for the participants to find. Even though I can think of things to plant around the museum, I can’t figure out how any of those clues would lead people to suspect a particular character.

Because neither of us were able to come up with anything other than what we already had, we went on to discuss the victims. Since the event will be called “A Murder of Crows,” by definition, that means that two or more people will have to be victims. My idea is a married couple — traveling salespeople. Perhaps the man sells men’s haberdashery and the woman sells women’s unmentionables. I envision them killed in their bed, but I have no idea how someone would kill two people without one or the other being aware of it, though it’s possible only one of the couple was the intended victim, and the other woke up and saw the killer.

But I haven’t a clue why anyone would want to kill one or both of these seemingly innocuous characters. We discussed the possibility of the couple being spies, but there doesn’t seem to be anything noteworthy happening in this area around that time (1900), nor does there seem — at first glance — to be anything spy-worthy about that time in the USA, either. If we jettison the spy idea, we could have the couple ending up with some sort of contraband — an Indian relic, for example — and the owner wants it back or a greedy person sees it as a source of personal riches.

There are lots of other possibilities, of course. Most of the costumed characters would need to have to a motive, otherwise, there’s no real game. Often in a mystery story, you start out with no one who has a motive, so the detective needs to search out a motive to discover the perpetrator, but I don’t think that sort of scenario would be feasible in this case. Too much work for the participants.

Which means that I would have to come up with a motive to assign to each of the characters. Possibilities are: robbery, jealousy, vengeance, lust and passion (as in a crime of passion), money, loathing, anger, fear, mistaken identity, covering up secrets and lies, prevention of a greater crime (killing an assassin, for example)

I won’t have another meeting on the topic until next week, so it will give me a chance to let things stew in my brain pan. With any luck, I’ll cook up a likely scenario and plenty of suspects.

***

Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One. “Grief: The Inside Story is perfect and that is not hyperbole! It is exactly what folk who are grieving need to read.” –Leesa Healy, RN, GDAS GDAT, Emotional/Mental Health Therapist & Educator

Murder Mystery Proposal

I submitted a proposal to the museum today for the murder mystery they’ve planned for the end of October.

The first mystery I created was based on a Clue game, so all the character’s names were colors. Various comments and suggestions from people gave me the idea of bird names. The victims could be a couple surnamed “Crow,” and the event could be called “A Murder of Crows.” Not everyone knows that a group of crows is not a flock but a murder, but that shouldn’t make any difference to the game.

Crows have nothing in particular to do with this area, though this part of Colorado is a good site for birding. (Except when it comes to me. Out of the 400 species that have been sighted, I’ve seen only a dozen or so.) Because of a lack any historical connection to crows, my proposal was just a first draft to get things going. Still, the museum director seemed to like the idea.

One of the characters could be a woman reporter, whose name could be Brenda Starling or more probably, Nellie Starling since Brenda Starr wasn’t created until the forties and Nellie Bly was active during the historical time of this event.

I’d also like one of the victims to be a ghost, roaming around looking for either her husband, their killer, or both.

And there’s a local medicine man who would make a good huckster.

My job is done for a while. The next steps need to come from other people, such as signing up people to play various characters and finding out noteworthy local events from that time. And I need help figuring out the visual clues, though I have a hunch that will be left to me.

I did have visual clues the first time, such as a photo of a man with a saloon girl he claimed never to have met, but since the museum is rather large for such a small town, I think clues like that got lost. This time, I figure we can put a silhouette of a crow by any clue, photographic or otherwise, to give people a hint.

I’d like to use fingerprints somehow. It’s possible I could just put a photo of a fingerprint by the crime scene and then simply tell people who it belonged to, though the person would deny committing the crime. Another possibility is to give all the characters a photo of a fingerprint they can hand out so people can check who the fingerprint belongs to, but the logistics of doing that seem a bit too complicated.

What makes this sort of game hard to create is that it has to be enigmatic yet logical, as do all mysteries. It also needs to be convoluted yet easy enough to solve so that even kids can play.

Until the museum folks gather some of the information I need, I don’t really have to do anything else to put it all together. Except think, of course. It always helps me to play out various scenarios in my head before I lay them out on a page.

A big thank you to everyone who gave me suggestions for this project. It certainly makes it easy for me to come up with a proposal when all I have to do is collate other people’s ideas!

***

Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One. “Grief: The Inside Story is perfect and that is not hyperbole! It is exactly what folk who are grieving need to read.” –Leesa Healy, RN, GDAS GDAT, Emotional/Mental Health Therapist & Educator