Excerpt from LIGHT BRINGER

Description of Light Bringer by Pat Bertram :

LBBecka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? What do either of them have to do with a shadow corporation that once operated a secret underground installation in the area? And how does Jane fit into the puzzle?

Excerpt from Light Bringer:

Realizing Mac was waiting for her reaction, Jane said in a noncommittal voice, “You saw a UFO.”

Mac winced. “UFO? No. An FO. There was nothing unidentified about it. I knew exactly what I saw.”

“An extraterrestrial space ship,” she said flatly.

“Of course not, and aliens didn’t abduct me, either. It happened right after I closed on this property. Unable to sleep, I drove out here and was leaning against my rental car looking at the stars when the crescent flew directly overhead. I could see it as plainly as I’m seeing you right now.

“The craft was about fifteen feet in diameter, made of a composite ceramic. A remarkably conductive amalgam of the most refined copper and the purest silver coated its underside, turning it into an electrical circuit offering no resistance to the wave of electromagnetic energy it floated on. It was absolutely silent, sweeping in ions from its flight path, like a whale feeding on plankton. The ionized air around it glowed, giving it an unearthly look, but it was very much terrestrial in origin.”

Jane lifted her hands and let them drop. “How could you learn all that from one brief sighting?”

“I was part of a team working on a craft exactly like it, only we hadn’t been able to get ours off the ground, at least not then.”

She regarded him warily.

“I’m not insane,” he said, answering her unvoiced question. “I’m an aerospace engineer, retired from the Jet Propulsion Lab in Pasadena.”

It took a minute or two for the significance of his story to register. “I see. You think Stellar Optics was a cover for a space telescope project, which was a cover for the real project—the development of a flying saucer.”

He didn’t respond, but he didn’t contradict her, either.

***

Where to buy Light Bringer:

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

Excerpt from LIGHT BRINGER by Pat Bertram

Description of Light Bringer:

LBBecka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Excerpt from Light Bringer:

As Special Assistant to the Director of Logistics and Deployment, Teodora, also known as The Fixer, had the best and brightest operatives the department had to offer. Intelligence agencies all over the world recommended their top young agents, hoping to cement their relationship to the powerful organization. The Deputy Director of the FBI himself had written recommendations for Keith Derrick and Hugh Wittier, mentioning their athletic accomplishments, superior scholastic standings at their respective Ivy League Universities, and exceptional performances at the FBI academy.

Teodora studied the two handsome young men visible on the split screen of her computer. They might have impressive pedigrees and extensive training, but they were unskilled liars. She didn’t even need the voice stress analyzer built into her computer to tell her they were deviating from the truth; changes in the size of their pupils and arrested movements of their hands betrayed them. Unfortunately, she could not tell which specific incident they were lying about; their involuntary reactions had begun as soon as Keith opened his mouth to give the report.

They would not be concerned with her knowing they had presented themselves as NSA agents; all her operatives used whatever tools were necessary to get the job done. They would not be concerned with her knowing about the stolen car; they had reported it immediately. They would not be concerned with her knowing the subject had apparently been expecting them or that he had assumed they were interested in the books he read. That left the man—the tall bearded man wearing dark sunglasses and a green tracksuit—who had come out of the bedroom aiming a pistol.

If this gunman did exist, who was he? The subject had no close friends. They only knew about Emery Hill because the operatives found a note wedged in the rear of a desk drawer when they had gone back and combed the apartment.

If the gunman did not exist, how had the subject escaped? And why? Hugh and Keith had been sent simply to ask him what he knew about his mother’s cousin and her ward.

Teodora made a mental note to have her computer technicians look deeper into the subject’s background, then gave the operatives her undivided attention.

Hugh stared out at her from the computer screen. “Why are we looking for these women?”

“They have information.”

“We still have not found out what Hansen knows about them,” Keith said, “and the only item we found in his apartment that might be germane is the photograph album we sent you.”

“Is your fax machine set up?”

Keith nodded.

She faxed them one of the photographs her technicians had altered to show what the females might look like today. Keith reached for the fax, scrutinized it, then handed it to his partner.

A faint line appeared between Hugh’s brows. “I saw the younger woman walk by the coffee shop in Chalcedony.”

Keith snatched the picture and gave it a second look. “I didn’t see her.”

Hugh lifted one shoulder in a barely perceptible shrug.

Teodora made certain that her expression remained blank, but she could not keep her heart from beating faster.

“Find her,” she said.

***

Where to buy Light Bringer:

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

Help Please!

I am driving my brother to Colorado.  We left just after midnight (too long a story to tell pecking out on my phone) and I am driving straight through. Am in Colorado now and need to drive across the state. This has been a horrifying and heartbreaking trip. To make things worse,  I’m not sure he’ll let me leave him here since he’s afraid of being on the streets again.

If you are prayerful, please say a prayer for both of us. If not, please send good thoughts and wishes for . . . I don’t know. Maybe for  courage.

Excerpt from LIGHT BRINGER by Pat Bertram

Description of Light Bringer:

Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Excerpt from Light Bringer:

Philip woke in the dark of early morning, forehead damp with perspiration, heart pounding from unremembered nightmares. When calm settled over him, he listened for the sound of Rena’s even breathing on the other side of the thin wall. Hearing only an indigo silence, he rose and went to check on her. Because he didn’t take the time to put on his braces, he made sure to plant one foot on the floor before swinging the other forward.

Rena’s bed was empty.

He found her on the porch, sitting on the single step, her strange cat beside her.

She turned a smile on him, as bright as the starshine.

He sat next to her. “What are you doing out here?”

“Listening to the music of the spheres.” As one, she and the cat tilted their faces to the sky. “Can you hear it?”

He angled his head. He heard crickets chirping nearby, dogs barking in the distance, and farther away a train clattering on its tracks. As he isolated each sound, he set it aside until there were no more noises. Then, as if from some vast remoteness, he heard a faint silvery tone that seemed to swell, bursting into a thousand jewel-bright notes. Every note sounded clean and sharp, a thing unto itself, but melodized into an aural patchwork quilt of intricate design.

After a timeless interval—minutes or hours, he had no way of knowing—heavy clouds rolled in, turning off the sky.

He shivered in the cooling air. Rena inched closer, put an arm around his waist, and nestled against him.

Warmth and sweet harmony enveloped them as if that aural quilt had settled on their shoulders.

***

Where to buy Light Bringer:

Second Wind Publishing

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

Excerpt from LIGHT BRINGER by Pat Bertram

Description of Light Bringer:

Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Excerpt from Light Bringer:

The trail was a gentle decline, hard-packed, and free of rocks, as if it had been well traveled since time out of mind. It ended at a stream so clear its cobbled bed looked like a mosaic of semi-precious stones. On the other side of the stream, the tall meadow grasses, lavender in the mountain’s shadow, whispered softly among themselves.

Laughing, Rena caught Philip’s hand. “They’re inviting us to come play.” She ran the last few steps toward the edge of the water.

He pulled his hand away, hearing in his mind the sickening sound of ripping ligaments and tendons, and feeling the pain.

Walking carefully, he joined her by the stream.

“Too bad there’s not a bridge,” she said, “but the water isn’t deep. We can wade across.”

He put out a foot, drew it back. “You go. I’ll wait here.”

She nodded in understanding, and took his hand again. “That’s okay. I can go another time.”

They sat on the forested slope, listening to the whispering of the grasses increase in pitch as the day came to an end. After the sun set, they headed home in a rich, warm alpenglow that turned the world to gold.

***

Where to buy Light Bringer:

Second Wind Publishing

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

A Barebones Kind of Writer?

As a project for a writing group, we were supposed to post the last sentence of a couple of our chapters, but it was hard for me to find last sentences that say much. It’s usually my second and third to last sentences that have the meat, with a final, very short sentence to deliver the punch, such as these chapter endings from Light Bringer.

She thrust the magazine at Mac. “This isn’t a picture of my parents.”
But the frantic beating of her heart told her it was.

She turned around slowly, and clutched at her chest.
The ghost cat was inside the house.
And so was something else.

Wisdom lay stretched out on the borrowed couch, eyes closed in feline bliss. The skin on its belly rippled gently as if being caressed by unseen fingers. A chuckle reverberated in its chest.

“Shakespeare was right,” Emery said. “‘Hell is empty. All the devils are here.’”

Still, I did manage to find several ending sentences that were a bit longer than most and even made a sort of sense by themselves:

Lying awake, staring at the dust motes dancing in the moonlight, he thought he could hear voices murmuring in the wind.

After the sun set, they headed home in a rich, warm alpenglow that turned the world to gold.

A skinny, hairless cat with luminous silver eyes sat on the porch and stared at them, a quizzical look on its face.

Could it be that they were all following a script of someone else’s devising?

They were met with a burst of color, a song of pure joy that seemed at odds with the harsh environment of the laboratory they had entered.

Hugh shot them a disgusted look, then he and Keith plunged into the light.

Hmmm. I might have to change my opinion about my writing. I always thought I was a barebones kind of writer, but there seems to be a bit of poesy to my descriptions, especially with longer passages, such as this one:

She looked just as he remembered. The lithe body that moved as gracefully and effortlessly as a song wafting on a breeze. The shoulder-length brown hair that glimmered red and gold in the sunlight. The smile, big and bright and welcoming. Only her clothes—a pale green blouse and cotton shorts—struck a discordant note, as if he were used to seeing her in more exotic attire.

“Hello,” she said when he neared. The single word sounded as musical as an entire symphony.

“Hello,” he said, a goofy grin stretching his face. He felt a harmonic resonance and knew, once again, they belonged together.

After several seconds, her smile faded. “Do I know you?”

“Of course. We met . . .”

He gazed at her. Where had they met? Though it seemed as if he had always known her, they must have met somewhere, sometime; but when, in his pathetic little life, could he have met anyone so special? It slowly dawned on him he couldn’t have—not until this very moment.

Ducking his head, he whispered, “I’ve made a terrible mistake. We don’t know . . . We’ve never . . .”

***

Where to buy Light Bringer:

Second Wind Publishing

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Follow Pat on Google+. Like Pat on Facebook.

A Thousand Miles From My Cool Green Home

Three or four times my life mate and I packed up everything and moved without any idea of where we were going. I remember the looks of non-comprehension mixed with envy I’d get when I’d tell my new acquaintances how we ended up where we did, especially if those people were dreaming of leaving that very place. Perhaps it did seem a bit strange that we were so foolish or so daring to move from a place with no destination in mind and no clear plans of what to do when we arrived, but we always hoped for a better life for us. Those hopes were not fulfilled, at least not in the way we wanted, so it amazes me we took the leap so many times.

I don’t think I’ll ever forget how free I felt when we left a place behind and set out for an unknown future. It felt as if the whole world lay ahead of us, and anything was possible. Once we spent the night in a motel at the truck stop in Nephi, Utah. We had no worries at the moment, nothing to do, nowhere to go, and we talked about how much fun it would be to live there at that truck stop. (Sort of like an upscale version of Bagdad Café, though this was long before the movie was filmed.) Staying wasn’t practical at the time, and so we found a place back in Colorado to settle down for a while. And the web of everyday life began to entrap us once again.

Eventually we stopped taking those trips into the unknown, though we’d still occasionally look for that ideal place. One planned trip took us to eastern New Mexico. We were standing in the middle of a dusty town — no more than a crossroads, really — and he seemed unexpectedly peaceful as he looked around that wide empty space. There were no places to rent, of course, and nothing for sale, and even if we had found a place, the nearest grocery store and library were a long way away, which would have made living there a logistical nightmare, and so we returned home. By then, all the trees and bushes we’d planted had grown up and leafed out. Our place looked cool and green, and the blue Colorado light seemed soothing after the yellowish glare of that little town.

We never moved again. His illness eventually trapped us, and then he was gone.

I am now a thousand miles from that cool green home, and a million miles from him. He no longer has a say in what I do, but still, I wonder what he would think of my plans to live a nomadic life — living nowhere and everywhere. Would he remember the times of freedom when we were temporarily untethered, and be glad for me? Or would he think of my being rootless and alone and be sad for me? I know he’d tell me to be careful, to be smart, to be alert.

I just wish I could hear him give his warnings in person, but then, if he were here to advise me, I wouldn’t need to be considering such an adventure, such a leap into the future.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Excerpt from LIGHT BRINGER by Pat Bertram

Description of Light Bringer:

Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Excerpt from Light Bringer:

Where am I? A new foster home?

Philip supported his throbbing head in his hands and wondered if he’d live to adulthood.

Tamping down the pang of self-pity, he raised his head, and everything came clear. Or almost everything.

He knew who he was: the thirty-eight-year-old Philip, dressed in yesterday’s clothes. He knew where he was: the foldout bed in Emery Hill’s den. But he didn’t know how he got there. He remembered being in the car with the creature, flinging himself against the door—no wonder he felt so bruised—and the icy touch on his neck. Had it brought him back here?

He stood, rocking until he caught his balance, then staggered off in search of the coffee he could smell brewing.

When he entered the kitchen, Emery started and dropped the mug he had been removing from a cabinet. It came to rest at Philip’s feet. Wincing, Philip bent to pick it up.

“Jeeminy Christmas!” Emery exclaimed. “You about scared the intellect out of me. What are you doing here? I thought you went back to Denver. See what you’ve done? I’m already turning into a blithering idiot.”

Philip laughed, then cut it off and clutched his head.

“What’s wrong? Hangover?”

“Feels like it, but I haven’t been drinking.” Getting a mug for himself and pouring a cup of coffee, he wondered if he’d been drugged. He took a sip of the brew, which seemed strong enough to soften a stone, and barely refrained from spitting it out. “Tomorrow I make the coffee.”

“Fine,” Emery said absently, regarding Philip with narrowed eyes. “I always know when one of my students is in trouble. It’s time you told me what’s going on.”

“I was never one of your students.”

Emery waved away the remark. “Between the two of us we should be able to solve your predicament.”

“I’m not sure there is a solution. Right before I came here, two NSA agents came to my apartment.”

Emery shook his head as if to clear it. “I must have misunderstood. I thought I heard you say NSA agents.”

***

Where to buy Light Bringer:

Second Wind Publishing

Amazon

Barnes & Noble Nook

iStore (on iTunes)

Palm Doc (PDB) (for Palm reading devices)

Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo)

Excerpt from Light Bringer by Pat Bertram

Light Bringer is my latest novel, scheduled for release by Second Wind Publishing in March, 2011.

Description of Light Bringer:

Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Excerpt (Prologue):

Helen Jenks gripped the steering wheel and squinted into the darkness beyond the beam of the Volkswagen’s headlights. Nothing looked familiar. Was she almost home? The snow had stopped falling, but in these hills so far from town, the county didn’t bother to plow. She didn’t know if she drove on the right road, or any road at all. There were no other cars, no tire tracks.

Where was everyone?

She sighed. Home in bed, probably, where she would be if she hadn’t pulled a double shift at the hospital.

Hearing an odd drone, she cupped a hand behind an ear and tried to isolate the sound from the rumble of the Volkswagen engine. Was something wrong with the bug? Oh, please, no.

All at once the sky lit up. She leaned forward for a better view and caught sight of a brilliant star that seemed to throb in time with her heartbeat, growing brighter with each pulsation.

She sat back and rotated her head around her stiff neck. Maybe it was Venus. Hadn’t she read that at certain times of the year, under certain conditions, Venus could be as big and as bright as the moon?

Leaning forward again, she saw the star pulse one last time, then wink out. As she became used to the darkness it left behind, it reappeared, darted toward the horizon, and vanished. So, not Venus. Perhaps a meteor or two.

She listened for the drone, but no longer heard it. Good.

Ten minutes later, she noticed a pin prick of light in the distance: her porch light. Her car slid to the side, and she gripped the steering wheel harder. Be careful, she cautioned herself. You’re not safe at home yet.

When at last she parked in front of her old frame house, she pried her fingers off the steering wheel and stumbled out of the car. Except for the dings and pops of the cooling engine, the world was silent, appearing so new and un-touched, she hesitated to mar the opalescent expanse with her footprints. Then her eyebrows drew together. The snow wasn’t untrodden after all. Tracks led to the house where a small gray creature huddled against the door.

She clapped her hands. “Shoo. Shoo.”

The creature did not stir.

“Go on. Get,” she shouted.

The creature still didn’t move. Was it dead? This wouldn’t be the first time a dying animal had been attracted to the warmth seeping from beneath the front door.

She approached gingerly, relaxing when she saw what appeared to be an old gray blanket that had somehow ended up on the stoop. She bent over to collect the wad of fabric, then straightened. Bad idea. Who knew what vermin had taken refuge in the folds.

Before she could figure out what to do, the blanket moved. She jumped back and stared at it. The blanket moved again, giving her a glimpse of a coppery curl.

She lifted the bundle, cradled it in her arms, and drew back the blanket. Two dark eyes, shining with intelligence, gazed at her.

She sucked in a breath. An infant, no more than nine months old.

As the infant continued to gaze at her, its eyes brightened to gleaming amber. Then it beamed at her—a welcoming smile, both joyous and knowing, as if it had recognized a dear friend.

Helen’s face felt tight. “Who are you?”

The baby chortled in response.

“And who left you here?” She glanced at the tracks. They led in only one direction—toward the house.

Feeling dizzy, she crouched to examine the tracks more closely.

They were footprints. Tiny footprints in the snow.

Distilling the Essence of a Story

I have an interview on BlogTalkRadio on Saturday, September 5 at 11:30am ET. We’re going to be talking about back story — where I got the ideas for A Spark of Heavenly Fire and More Deaths Than One. Although one of the hosts of the show has read at least one of my books, I’m sure at some point he will ask me, “What are your books about?” And I will give the same answer I give to everyone who asks. A blank stare. Though, being radio, it will come across as blank silence.

How does one encapsulate a three-hundred-page novel with subplots and subtexts, themes and scenes, complexities and ironies into a minute of description? This distillation is commonly called an elevator speech, and after five months of being published, I still haven’t figured mine out.

I can talk around the story — More Deaths Than One is a thriller/mystery/suspense novel that explores what it is that makes us who we are. Is it our memories? Our experiences? Our natures? A Spark of Heavenly Fire is a thriller/suspense novel with a strong romantic element. It tells the story of ordinary people who become extraordinary because of the trauma they must endure. — But neither of those descriptions gives an idea of what the stories are about.

I can relate a bit of the story — More Deaths Than One tells the story of Bob Stark who sees his mother’s obituary in the morning paper, which stuns him because he buried her two decades ago before he the country to live in Southeast Asia. So how can she be dead again? A Spark of Heavenly Fire tells the story of how Kate Cummings, an ordinary woman, gathered her courage and strength to survive the horror of a bioengineered disease let loose on the state of Colorado.

The problem I’m finding is that I don’t know the essence of either story, the emotional triggers. What do the books do for readers? Why should people read them? Perhaps the books will bring romance and adventure to readers’ lives. By showing ordinary people rising to horrific occasions, perhaps readers will feel better about themselves, knowing they too have the potential for heroism. And, in the case of A Spark of Heavenly Fire, people will know what to expect if ever the Swine Flu or any other virulent disease spreads so rapidly that an entire state needs to be quarantined in an effort to curtail the deaths.

So, how do you distill the essence of your book (or any book!) into a few words and make a reader desperate to read it?

More Deaths Than One and A Spark of Heavenly Fire are available from Second Wind Publishing, LLC.
You can also download the first 30% free at Smashwords.

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