Making a Video Blurb

Grief: The Great Yearning is a finalist in the memoir category for the Sharp Writ Book Awards, and I need to put together a 30 second book trailer for their “awards ceremony” video. Thirty seconds isn’t long enough to do a real book trailer, so I’m doing a few photos and text pages — more like a video blurb. I found a thirty second piece of Beethoven’s music — since it’s the last completed piano piece Beethoven ever wrote, it seems fitting — and I have been working on the pages. Do you think these will work?  Is it a bit over the top with the title on each page? Do the photos fit with the theme? Any suggestions for improvement?

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Grief: The Great Yearning

I never  set out to write a book about grief,  but I was so lost, so lonely, so sick with grief and bewildered by all I was experiencing, that the only way I could try to make sense of it was to put my feelings into words. Whether I was writing letters to my deceased life mate/soul mate or simply pouring out my feelings in a blog or a journal, writing helped me feel close to him, as if, once again, I was talking things over with him. The only problem was, I only heard my side of the story. He never told me how he felt about his dying and our separation. Did he feel as broken as I did? Did he feel amputated? Or was he simply glad to be shucked of his body, and perhaps even of me?

I wrote this letter to him exactly two years ago. It shows some of the collateral effects of grief, such as the questioning, the yearning, the struggle to come to terms with death and dying. Although I am going through a time of relative peace, what I wrote back then still holds true today.

Excerpt from Grief: The Great Yearning:

Dear J,

For the first time since you died, I almost forgot to advance your permanent calendar. I’m surprised I’ve remembered to do it all these months. I thought it would be a remembrance, but I don’t need anything to remind me of you — everything I see, say, do reminds me of you.

I’ve decided the only way to fill the hole you left in my life, to make sense of your absence, is to fill it with activities I would not have done if you were alive. There are not enough events in the whole world to fill the void, but I need to try, otherwise I’ll never manage to get through the next decades. I hope I don’t become one of those people who hold on to their pain because it’s all they have to make them feel alive, but it is all I have to connect to you. Well, I have memories and some of your things, but that’s not enough.

Would your death be easier to accept if you’d been happy? Is your unhappiness a reason for me to accept your death? What makes this so confusing is that your long dying, the accumulating weakness and pain made you unhappy, so how can I use that as a rationale for being okay with your dying?

I’m like a child, wanting to scream, “It’s unfair!” And it is, but that doesn’t change the fact that you’re dead.

Did I hold your hand when you died? I think I just stood there as you took your last breath, but I don’t remember. I don’t remember much of the last couple of years. It’s like I was in suspended animation, just waiting for you to die. What a terrible thing to say, but it was a terrible time to have lived through. But you didn’t live through it, did you? Well, you did live it, you just didn’t survive it.

I wonder if subconsciously I knew all this pain was waiting for me, and that’s why I closed myself off from the reality of your dying. I don’t like this, J. I don’t like it at all

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Click here to find out more about Grief: The Great Yearning

Grief: The Great Yearning — Day 197

During the first horrendous months after the death of my life mate/soul mate/best friend, I was so incredibly lost that sometimes the only way I could deal with the confusion was to write a letter to him in an effort to feel connected. I still have episodes of sadness, but I haven’t experienced that total anguish in a long time. Still, I miss him, yearn to go home to him, worry about him. Although this letter was written two years ago, much of it holds true today.

Dear J,

It’s been a while since I’ve written, but I’ve been thinking about you. Are you glad you’re dead? You said you were ready to die, to be done with your suffering, yet at the very end you seemed reluctant to go.

Despite all the problems with your restlessness and the disorientation from the drugs, I wasn’t ready for you to leave me. I still am not. Nor do I want to go back to where we were that last year, waiting for you to die. We were both so miserable, but honestly, this is even worse. I can live without you. The problem is, I don’t want to, and I don’t see why I have to.

I want to come home. Please, can I come home? I have a good place to stay, but without you, I feel homeless. Sometimes I watch movies from your collection and imagine you’re watching with me, but that makes me cry because I know you’re not here. Your ashes are, but you’re not.

I broke a cup today, one more thing gone out of the life we shared. Our stuff is going to break, wear out, get used up. I’ll replace some of it, add new things, write new books, and it will dilute what we shared. Is there going to be anything left of “us”? I feel uncomfortable in this new skin, this new life, as if it’s not mine. As if I’m wearing clothes too big and too small all at the same time.

There’s so much I hate about your being gone — hate it for me and hate it for you. It might be easier if I knew you were glad to be dead, but so far you’ve been mum about your situation. Just one more thing to hate — the silence of the grave. (Well, the silence of the funerary urn.)

Adios, compadre. If you get a chance, let me know you’re okay.

***

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Who Wants to be a Character in a Book?

Grief: The Great Yearning is a compilation of blog posts, letters, and essays I wrote while struggling to survive the first year of grief after the death of my life mate/soul mate. We’d been together almost thirty-four years. I thought I was prepared for his dying, but his death shattered me beyond anything I could ever have imagined. The only way I could survive the agony was to write about it. Although Grief: The Great Yearning is non-fiction (obviously), it has all the elements of great fiction — emotion that weeps off the page, a conflicted character who yearns desperately for something, a love that lives on even after death.

Such is the pendulum swing of life that now, one year and four months after the publication of Grief: The Great Yearning, I would no longer make a good character in a book. I have no real wants or desires; no wishes, dreams, or hopes; no great love (no hate, either). I have nothing to avenge, no strong beliefs, no regrets, no guilt, no fears, no anger.

From the beginning, I’ve been bewildered by my lack of change. Shouldn’t such a soul quake cause ripples of change forever after? I didn’t feel any different, but apparently changes were taking place. All the conflicts of my life seem to be in hiatus, as if the slate of me was wiped clean to make ready for the changes that will be coming to my life. Some of the changes will come because of decisions I make, others changes will simply happen as the rest of my life unfolds.

Character change in itself is not enough either to pilot a story or to plot a book. Change in a character is generally the result of other actions, and shows us how the events of the story affect the character. So, basically, a book needs to begin with a compelling character, and I am missing all the elements that makes a character compelling. On the other hand, since I am not a character in a book, I will enjoy this hiatus from conflict and strong emotion. I mean really, who wants to be a character in a book? Life is hard enough without having to deal with all the torments we put our characters through.

Why “Grief: The Great Yearning” is Important

Yesterday I was on Blog Talk Radio discussing my new non-fiction book Grief: The Great Yearning and explaining why it is important.

I’ve written four novels, all published by Second Wind Publishing, and although I thought the subject matter of each book important enough to spend a year of my life writing and another year editing (to say nothing of the years on the arduous road to publication), I have a hard time telling people the novels are important.

The basic theme of all my novels is conspiracy, focusing on the horrors ordinary citizens have been subjected to by those in power. Most people who have read the books seem to like them (though a few who didn’t like them seemed befuddled by what I was trying to accomplish). Light Bringer in particular seems to arouse a difference of opinion. Written to be the granddaddy of all conspiracy theories, Light Bringer traces the push toward a one-world government back 12,000 years. Based on myths, both modern conspiracy myths and ancient cosmology myths, Light Bringer is a thriller, or mythic fiction perhaps (if there is such a thing). I never intended it to be science fiction since the science is gleaned from ancient records rather than futuristic imaginings, but that is how it is perceived. Still, despite the scope of the book, despite it being my magnum opus and the result of twenty years of research, I can’t in all honesty say it is important to anyone except me. It probably won’t change anyone’s life or anyone’s thinking. For the most part, we bring to books what we believe, and so those who believe in conspiracies see the importance of my novels, while those who don’t have even a smattering of belief that there are machinations we are not privy to might even think them far-fetched.

On the other hand, Grief: The Great Yearning is an important book. It is composed of journal entries, blog posts, and letters to my dead life mate/soul mate, all pieces written while I was trying to deal with the unbearable tsunami of emotions, hormones, physical symptoms, psychological and spiritual torments, identity crisis and the thousand other occurrences we lump under the heading “grief.” Because of this, the emotion in Grief: The Great Yearing is immediate, the experience palpable. This is a comfort to those having to deal with a grievous loss because they can see they are not alone. (One of the side effects of grief is a horrendous feeling of isolation.) They can see that whatever they feel, others have felt, and that whatever seemingly crazy thing they do to bring themselves comfort, others have done.

This book is also important for the families of someone who has suffered a grievous loss. Too often the bereft are told to move on, get over it, perhaps because their families don’t understand what it is the survivor has to deal with. Well, now they can get a glimpse into grief and ideally, be more patient and considerate of their bereft loved ones.

This book is especially important for writers. I’ve mostly given up reading for now because of the unrealness I keep coming across in fiction. So many novels are steeped in death, with bodies piling up like cordwood, yet no one grieves. The surviving spouses think as clearly as they did before the death. They have no magical thinking, holding two disparate thoughts in their minds at once. (For example: I know he will never need his eyeglasses, but I can’t throw them away because how will he see without them?) The characters have no physical symptoms or bouts of tears that are beyond their control. There is no great yearning to see the dead once more (and this yearning is what drives our grief, not the so-called stages). In other words, we are continually conditioned to downplay the very real presence of grief in our lives. If we don’t see people grieve in real life, in movies, in books, where are we to get a blueprint for grief?

As Leesa Healy, Consultant in Emotional-Mental Health wrote, “If people were to ask me for an example of how grief can be faced in order for the healthiest outcome, I would refer them to Grief: The Great Yearning, which should be the grief process bible. Pat Bertram’s willingness to confront grief head on combined with her openness to change is the epitome of good mental health.”

So, yes, Grief the Great Yearning is important, and it was good to have a chance to talk about the book and to spread my message: It is okay to grieve. It is important to grieve. And as impossible as it is to imagine now, you will survive.

If you’d like to listen to me talk (and laugh) and discover that I really am okay despite my continued sadness and occasional upsurges of grief, you can find the show here: Talk Radio Network with Friend and Author Pat Bertram

Click here to find out more about Grief: The Great Yearning

Review of Grief: The Great Yearning

What a wonderful author Pat is. I found Grief: The Great Yearning so well written and it shows you, as the reader, the full extent of grief at losing a loved one.

I totally recommend you read this author’s books. She has a way with words and knows how to capture her reader right from the start.

Grief: The Great Yearning is an emotional ride and I promise you, you will need a hankie when reading, but I am so glad I have read it and I wish Pat every success with this book.
— review written by Sylvia Kerslake

***

Excerpt from Grief: The Great Yearning

Day 39, Grief Journal

I detest this roller coaster of emotions, though it’s not a roller coaster since there are no ups, only downs. It’s more of a side-to-side shimmy.

I woke this morning in tears. I am still depressed. Still feel way too much mental and physical pain. Still scream for him.

Someone suggested that I concentrate on the enrichment he brought to my life and less on my loss. It’s too soon for that, though — even good memories bring about a spate of grief. I hate feeling so maimed. I hate feeling that there is no one just for me any more. I hate feeling so damn alone.

At the grief group yesterday a woman said she wished her divorced daughter would find someone to grow old with. As if that’s all that was necessary — to find someone. I did have someone to grow old with, and now I don’t. Even if I come out of this okay, he will still be dead, so how is that okay? Damn it! This is not the way our lives were supposed to be!

I’ve been reading old Reader’s Digests, and boy, are those enough to scare a person half to death — stories of awful diseases, dreadful problems of aging, terrible accidents, all the horrors the world has to offer. And from now on, whatever happens to me, I’ll have to deal with it alone.

We always tried to be safe, to be healthy, and still, he got sick. A mutual acquaintance said to me, “How could he have let himself get sick like that?” What??!! As if he chose to get cancer. Sheesh. A woman at the grief group mentioned that this county has a higher than normal rate of cancer. Could that have been a factor? Even if it is, it doesn’t change anything.

I hope he didn’t suffer too much at the very end.

I miss him. I miss working with him, talking with him, watching movies with him, laughing with him. I miss our shared hopes for a better future. It’s a good thing I have so much to do — getting my car ready for the trip, getting ready for the yard sale—otherwise I’d just sit around feeling even sorrier for myself.

I have to steel myself to go on. I will not molder for the rest of my life. If I’m going to be here on Earth, I want to live, laugh, love. But not yet. I’m not ready to let go of my grief. It’s all I have left of him.

***

Grief: The Great Yearning is available from Amazon (both print and kindle), Second Wind Publishing (at a $2.00 discount!), and Smashwords (download the first 20% free in any ebook format).

Excerpt From “Grief: The Great Yearning” — Day 3

So many people have told me lately that I should write a book about grief, that I realized somehow I’m not getting the point across — I did write a book about grief, and it is now published.

I never actually set out to write a book, never planned to make any of my writing public (except for the blog posts, of course), but I was so lost, so lonely, so sick with grief and bewildered by all I was experiencing, that the only way I could try to make sense of it all was to put my feelings into words. Whether I was writing letters to my deceased life mate/soul mate or simply pouring out my feelings in a journal, it helped me feel close to him, as if, once again, I was talking things over with him. The only problem was, I only heard my side of the story.  He never told me how he felt about his dying and our separation. Did he feel as broken as I did? Did he feel amputated? Or was he simply glad to be shucked of his body, and perhaps even of me?

People always mention how my pain shines through my words, yet at the beginning, I was in such shock, I didn’t feel much. Two years later, I still miss him, still hate that he’s dead, though I don’t have the physical trauma that I did, and I have regained some of my energy. It truly shocked me how exhausting grief is, but then, most of what I experienced shocked me. I never expected to feel this sort of grief. Never knew it was possible.

Excerpt from Grief: The Great Yearning

Day 3, Grief Journal

This was a hard day, though I don’t suppose any of them will be easy for a while. It’s amazing how little energy I have. I can’t do much at all. Today I rewound some of Jeff’s video tapes, the ones we watched toward the end. Perhaps tomorrow I will find the strength to put them away.

The hospice nurse came and got rid of the drugs. (Dumped them in a plastic bag of kitty litter, which turned them into a solidified mess, and took them with her.) The medical supply people are supposed to come tomorrow to pick up the oxygen tank. It’s like I’m rewinding his life. I wish I could rewind it back to the good times. We did have good times. I know we did. But everything got so muddled at the end. All we were doing was struggling to survive.

I can’t believe there was ever a time I wished the struggle were over so I could start my new life. How could I not have known I’d feel such pain? I heard today that losing a long-time mate was like an amputation, and that’s exactly what this feels like.

Good, bad, indifferent—it was all the same. We were together. We took care of each other. And now he’s been amputated from me and my life.

I got furious on his account today. It’s so unfair that he had such ill health, that his life ended too soon and too terribly. It seems unreal, now, that we took for granted he would die young. Shouldn’t we have railed against it more? But he was so disciplined, focusing his energies on trying to prolong his life and be productive.

I don’t know which is worse, the times I miss him dreadfully or the times I concentrate on doing something and he drifts from my thoughts. It seems such a betrayal. If he only exists in my memory and I don’t think about him, it’s as if he’s dying again. And once was hard enough. It takes my breath away when I realize I will never talk to him again. Well, I will talk to him, and I do, but we will never converse. I will never hear his voice.

I thought I was through telling people our sad little tale, but I’ve remembered a few others I have to notify about his being dead. I hope I don’t start crying when I talk to them. I’m tired of crying, tired of feeling sick to my stomach, tired of the hole in my chest. How do people endure such grief for months on end? I truly hate that he’s gone. Hate it!!

***

Click here to find out more about Grief: The Great Yearning

How has your background influenced your writing?

I always thought I’d be a writer, so when I was twenty-five, I quit a job to write a book about a love that transcended time and physical bonds, told with sensitivity and great wisdom. Unfortunately, I discovered I had no talent for writing and no wisdom, so I gave up writing.

After I discovered I didn’t know how to write, I did temporary work for several years to gain experience of life. Or at least life as it pertains to work. I worked at hundreds of different companies doing everything from filing to billing to bookkeeping to operating a switchboard to selling cars to being a legal secretary. When I wasn’t working, which was frequently, I read. All those thousands of books seeped into my subconscious, and gave me a feel for storytelling, and so when I took up writing again, I had more of an idea of how to tell a story. I just had to learn the specifics, such as show don’t tell, which I did.

Two years ago, my life mate/soul mate died, and the only way I could handle my overwhelming grief was to pour it out onto pages of a journal, letters to him, and blog posts. When I discovered how much those blog posts meant to people who had also suffered grievous losses, I compiled my writings into a book about my first year of grief called Grief: The Great Yearning, which has recently been published by Second Wind Publishing. And so, quite by accident, I ended up writing the story of a love that transcended time and physical bonds, told with sensitivity and great wisdom. I just never knew that the story I’d always wanted to write would be mine.

Here are some ways their backgrounds influence other authors. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with Sandra Shwayder Sanchez, Author of “The Nun”

I was a child people called “an old soul” . . . an aunt said I seemed to look right through people and I do remember having insights about what was going on inside the heads of adults and often felt very sorry for them. My mother used to discuss Freudian dream interpretation with me and that fascinated me as well as the mythologies and fairy tales I enjoyed reading. So it was I think inevitable that I would write books in which the world of our dreams and the world of consensual reality interface and merge with almost imperceptible boundaries.

From an interview with Dale Cozort, Author of “Exchange

I grew up in a fair-sized city, but I spent a lot of time with relatives in the country, so I probably write rural life a little more authentically than someone without that experience. I also have a computer background, so there is always a little bit of the techie in my stories. I have to dial that back so it doesn’t get in the way of the story.

From an interview with Sheila Deeth, Author of “Flower Child”

I call myself a mongrel Christian mathematician. I think my mixed-up background helps me (or forces me to) see things from a slightly different perspective. Being an English American does the same thing — it makes me more aware of how many of my assumptions are cultural, so it lets me explore characters who might make different assumptions.

So, how has your background infuenced your writing?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)

The Shoulder Season of Grief

I had a rough time around the publication of my new book, Grief: The Great Yearning, due partly to the fact that the story of me and my life mate/soul mate has been told and is now contained between the covers of a book, and partly to the realization once and for all that he is never coming back. I already knew that of course, knew it from the moment he died, and I came to that same realization dozens of times afterward, but this time I reached rock bottom of acceptance, and it took. Surprisingly, the last couple of days have been good ones. My emotional state evened out, and I felt light. It wasn’t just that my grief took a hiatus, but also that my anger had dissipated. I’ve been angry for so long, since way before he died, that it became my default state. Because of that, I didn’t even realize I’ve been angry.

For many years, we sustained loss after loss — his health, our business, security — and finally, his life. So many reasons to be angry. I haven’t been furious or enraged, just a quiet anger that went soul deep. So, why did the anger leave me, even if only temporarily? I don’t know. Perhaps because the realization he is never coming back brought the knowledge that the past really is the past. Or perhaps this is simply the latest stage of my grief, a letting go. Or perhaps it’s because spring is almost here.

Whatever the reason, I no longer fear the third year of grief. I expect to experience grief upsurges, but for the most part, I think I’ll be entering the shoulder season of grief.

In the travel business, the time between the high season and the low season is called the shoulder season. I’m coming up on the two-year anniversary of his death. I will probably have some unbearably sad days as the date approaches, but after the anniversary, I could be entering a time of not-grief but not non-grief, either, a bit of a shoulder between the wildness of my early grief and the road to the rest of my life.

I still don’t know what I’m going to do with my life, but I feel a quickening of interest. If I let myself, I still panic at the thought of growing old alone, of being old alone, of dying (although the idea of being dead doesn’t bother me, dying does — it can be a terrible thing) but I still have many good years left. I actually might accomplish something. Or not. I’m not sure if I want to “do” or if I want simply to “be”. I do have a new philosophy, though — the platinum rule. If the golden rule is to treat others the way you would want them to treat you, then the platinum rule is to treat yourself the way you would want others to treat you. So, I intend to be kind to myself, to be patient with my deficiencies, to be proud of my accomplishments. And I intend to encourage myself to be bold and adventurous.

Sounds like a good beginning to my shoulder season of grief.

Introduction to “Grief: The Great Yearning”

Grief: The Great Yearning, the book about my first year of grief has finally been published. I wrote this article during the summer following my life mate/soul mate’s death, long before I ever knew my writings about grief would be published, but with the addition of the last paragraph, it made the perfect introduction to the book. Grief: The Great Yearning is available from Amazon, Second Wind Publishing, and in various ebook formats from Smashwords.

Death came in the spring.

At the beginning of March, the doctors said that Jeff, my life mate—my soul mate—had inoperable kidney cancer and that he had six months to live. He had only three weeks. We’d spent thirty-four years together, and suddenly I was alone, unprepared, and totally devastated. I couldn’t even begin to comprehend the wreckage of my life. It wasn’t just he who died but “we.” There was no more “us,” no more shared plans and dreams and private jokes. There was only me.

Other losses compounded the misery. I had to sort through the accumulation of decades, dismantle what was left of our life, move from our home. We bereft are counseled not to make major changes during the first year after a significant loss—one’s thinking processes become muddled, leaving one prey to faulty logic and rash decisions—but I needed to go stay with my father for a while. Although he was doing well by himself, he was 93 years old, and it wasn’t wise for him to continue living alone.

I relocated from cool mountain climes to the heat of a southwestern community. Lost, heartbroken, awash in tears, I walked for hours every day beneath the cloudless sky, finding what comfort I could in the simple activity. During one such walk, I turned down an unfamiliar city street, and followed it . . . into the desert.

I was stunned to find myself in a vast wilderness of rocky knolls, creosote bushes, cacti, rabbits, lizards, and snakes. I’d been to the area several times during my mother’s last few months, but I’d spent little time outside. I hated the heat, the constant glare of the sun, the harsh winds. After Jeff died, however, that bleak weather, that bleak terrain seemed to mirror my inner landscape. Wandering in the desert, crying in the wilderness, I tried to find meaning in all that had happened. I didn’t find it, of course. How can there be meaning in the painful, horrific death of a 63-year-old man? I didn’t find myself, either. It was too soon for me to move on, to abandon my grief. I felt as if I’d be negating him and the life we led.

What I did find was the peace of the moment.

Children, most of whom know little of death and the horrors of life, live in the moment because they can—it’s all they have. The bereft, who know too much about death and the horrors of life, live in the moment because they must—it’s the only way they can survive.

During the first year after Jeff’s death, I lived as a child—moment to moment, embracing my grief, trying not to think about the future because such thoughts brought panic about growing old alone, trying not to think about the past because such thoughts reminded me of all I had lost.

And so went the seasons of my soul. The spring of death gave way to the summer of grief, and grief flowed into the fall and winter of renewal.

Grief: The Great Yearning is not a how-to but a how-done, a compilation of letters, blog posts, and journal entries I wrote while struggling to survive my first year of grief. As you journey through grief, I hope you will find comfort in knowing you are not alone. Whatever you feel, others have felt. Whatever seemingly crazy thing you do to bring yourself comfort, others have done. And, as impossible as it is to imagine now, you will survive.