Celebrating Twenty Weeks of Daily Blogging

On September 25, 2011, I made a vow to blog for 100 days straight without fail. I wanted to get back into the discipline of daily writing, but didn’t want to make a major commitment such as writing a novel. I figured daily blog posts would satisfy the discipline and also satisfy the part in me that needs the reinforcement of completing a project. I passed the 100 day mark without even noticing, and now I’ve been posting a blog every day for twenty weeks — 140 posts.  Surprisingly, very few are frivolous, posted just for the sake of posting something. So today, let’s forget the seriousness of my usual posts. Let’s forget that this is Saturday, my sadder day. Let’s forget that my publisher, Second Wind Publishing, has moved to a new website and I have thousands of now-dead links to update. Let’s forget all of that, and just play.

And if that isn’t any fun, here’s a jigsaw puzzle (I get such a kick out of these!)

Want more fun?

Click here to read the first chapter of: Light Bringer

Click here to read the back cover copy and an excerpt: Light Bringer

Click here to check out (and buy at $2.00 off!) Light Bringer at Second Wind Publishing’s new site: Light Bringer

Balm to a Writer’s Bruised Psyche

Not only do I not understand this new publish-anything world, I don’t understand this everyone-is-a-reviewer world.

It used to be that professional reviewers (I am including reviewers employed by newspapers and magazines in this category) pretty much decided what were considered worthwhile books, and readers either paid attention to those recommendations and bought the books or ignored the recommendations and bought whatever they felt like. Today, anyone is a reviewer, whether s/he is qualified or not. All it takes is an opinion. The thing is, readers who see those reviews don’t take them as an opinion. They give them the same credence they gave the professional reviewers.

To be honest, I don’t know if it’s better to have a certain literary elite passing judgment on the books or if it’s better to have casual readers doing it. Either way, people are “grading” books based on nothing more than a whim. And those whims can destroy a writer’s career, or at least keep people from buying her books.

Light Bringer is my magnum opus, the result of twenty years of research into myths, both ancient and modern. I created an entirely new worldview based on these myths, one that could very well be true if the Sumerian cosmology and today’s conspiracy theories are true. According to the editors and agents who rejected the manuscript, it was unsellable. It had too many science fiction elements to be commercial and not enough science fiction elements to be science fiction. Because of this, I purposely did not send Light Bringer out for review. People generally hate books they can not categorize, and at best, Light Bringer has a narrow niche. Still, a few readers have given the book glowing reviews, so when a reviewer contacted me recently asking for a copy of the book to review, I sent it to her.

I don’t know why she wanted to review Light Bringer.  As it turns out, she’s a romance reviewer, and Light Bringer is not a romance and was never promoted as such. Even worse, she hadn’t a clue what the book was about. To be fair, she is used to paranormal romances she can quickly skim through, but I don’t want to be fair to her since she wasn’t fair to me. She wrote a terrible review and posted it on the review site. Why? What’s the point of posting a terrible review of a book you don’t understand? It’s not as if I asked her to review the book. She asked me. Adding to the insult, the review doesn’t even make sense. If it didn’t have the name of my book on it, I would never have recognized it as my story.

On the other hand, some people do understand Light Bringer and they honor the book with their poetic descriptions.

Sheila Deeth wrote:

Pat Bertram’s novel soars in her descriptions of mystery and scenery. The song of the rainbow flows through the characters, binding them together, while the silence of the great unknown drives them and pulls them apart.

The unknown, when finally revealed, is satisfyingly strange, though, unlike many of the characters, I maintain a healthy respect for the integrity of scientists and science. Romantic subplots are simultaneously lyrical and down-to-earth; dialog is natural and sometimes laugh-out-loud fun; secrets of history and astronomy are intriguing; and the whole is a fascinating read — a touch of old-fashioned sci-fi, blended with modern magic and corporate greed, shaken, stirred and conspired against, then woven into beautiful words.

Aaron Paul Lazar wrote:

I’m already a fan of Pat Bertram’s books. I’ve read them all and loved them deeply. But LIGHT BRINGER was something completely new and surprising… surprising in its freshness, originality, its genre bending brilliance. Part thriller, part fantasy, part sci fi, part mystery…its plots were large and complex, encompassing themes that plague us every day; offering social and world commentary blended with weather trend observations (where ARE all those tornadoes and tsunamis coming from??) I do believe Bertram has defined a new genre, and it is a pure delight. Fresh. Original. Riveting. The characters are real and engaging. I particularly enjoyed the bit of romance between Luke and Jane — yes, another subplot. I couldn’t put it down and extend my highest compliments to Ms. Bertram for her supremely smooth writing — there are no hiccups in this book. Very highly recommended.

Ah, balm to a writer’s bruised psyche.

Can Characters Really Change?

A couple of days ago I wrote a blog postulating that Without Changes, You Have No Story, and I stick to that premise. Characters need to change, the relationships of the characters to each other need to change, story expectations need to change, the direction of the story (and each scene) needs to change. But there was a discussion on that blog post centered on what degree it is possible for characters to change, and if they truly do change, and that made me think.

Some psychologists say we never change in any basic way, that our characters and essential personalities are our foundation, that we can only change in small ways, such as changing our habits or changing our focus. This is at odds with books about writing, which claim characters must do a complete about face, a 180° turnaround to show how the events of the story affected the characters. I thought I’d created strong character arcs for each of my characters, with my characters ending up different from the way they began, but now that I consider it, I don’t see that my characters change in any fundamental way. They become more of who they were, perhaps, but not recognizably different.

In More Deaths Than One, we see a gradual change in Bob Stark, the hero, see his current concept of himself eroded until he becomes what he once was and now will always be. (A bit cryptic, I know, but since this is the crux of the story, I don’t want to spoil it in case you haven’t yet read the book.) But he didn’t really change. He only seemed to change.

In A Spark of Heavenly Fire — which was inspired by a Washington Irving quote: “There is in every true woman’s heart, a spark of heavenly fire, which lies dormant in the broad daylight of prosperity, but which kindles up and beams and blazes in the dark hour of adversity.” — Kate Cummings seems to change in response to the red death and the resulting martial law that is destroying Colorado, seems to kindle up and beam and blaze in the dark hour of adversity, but there are hints in the story that she was always like that. Her spark of heavenly fire — her generosity — was merely hidden from herself and from us until a life-altering event stripped her to the core.

In Daughter Am IMary Stuart never truly changes, though she also seems to change. She was unsure of herself, unsure of what she wanted, unwilling to make a commitment of any kind even to a job, until she set out to discover who her grandparents were, who wanted them dead, and why her parents lied about their existence. It wasn’t out of character, perhaps, for her to drive halfway across the country in search of the truth because she only went along with what others wanted. At least in the beginning. As the journey progressed, she learned the truth she was seeking, and an even greater truth — who she is. She is granddaughter, daughter, and herself. Mostly herself. But that isn’t a change. It’s a discovery. A coming home.

In Light Bringer, neither Becka nor Phillip change. Again, they just discover who they are, a truth that had been kept from them their whole lives. In all my books, but Light Bringer especially, what changes is the reader’s perception of who the characters are. The truth is slowly revealed, and each revelation seems to show a change in the characters, but in the end they simply become what they always were.

How very odd to learn this so long after having written the books.

(Click on a title to read the first chapter of the book.)

Kindle Sale! Get Any of My Books for Only $1.99!!

Have you been wanting to get one of my books? Well, now is the perfect time! The Kindle edition is only $1.99 on Amazon from now until November 8, 2011. Happy reading!

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ASHFIn quarantined Colorado, where hundreds of thousands of people are dying from an unstoppable disease called the red death, insomniac Kate Cummings struggles to find the courage to live and to love. Her new love, investigative reporter Greg Pullman, is determined to discover who unleashed the deadly organism and why they did it, until the cost — Kate’s life — becomes more than he can pay. This is a story of survival in the face of brutality, government cover-up, and public hysteria. It is also a story of love: lost, found and fulfilled.

Click here to read the first chapter of: A Spark of Heavenly Fire by Pat Bertram

$1.99 Kindle sale! Click here to buy: A Spark of Heavenly Fire by Pat Bertram

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Bob Stark returns to Denver after 18 years in Southeast Asia to discover that the mother he buried before he left is dead again. He attends her new funeral and sees . . . himself. Is his other self a hoaxer, or is something more sinister going on? And why are two men who appear to be government agents hunting for him? With the help of Kerry Casillas, a baffling young woman Bob meets in a coffee shop, he uncovers the unimaginable truth.

Click here to read the first chapter of: More Deaths Than One by Pat Bertram

$1.99 Kindle sale! Click here to buy: More Deaths Than One by Pat Bertram

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When twenty-five-year-old Mary Stuart learns she inherited a farm from her recently murdered grandparents — grandparents her father claimed had died before she was born — she becomes obsessed with finding out who they were and why someone wanted them dead. Along the way she accumulates a crew of feisty octogenarians — former gangsters and friends of her grandfather. She meets and falls in love Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. Now Mary and Tim need to stay one step ahead of the killer who is desperate to dig up that secret.

Click here to read the first chapter of: Daughter Am I by Pat Bertram

$1.99 Kindle sale! Click here to buy: Daughter Am I by Pat Bertram

***

Becka Johnson had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Click here to read the first chapter of: Light Bringer by Pat Bertram

$1.99 Kindle sale! Click here to buy: Light Bringer by Pat Bertram

Tomorrow is Blog Jog Day!

Blog Jog is a trot around the blogosphere, each blog linked to the next so that you can explore new blogs with a simple click on the link to the next blog. Many participants will be offering giveaways and contests, and so will I. Anyone who leaves a comment on my Blog Jog post tomorrow, August 7, 2011 will be entered into a contest to win a free download of one of my novels, including my latest, Light Bringer.

Light Bringer tells the story of  Becka Johnson, who had been abandoned on the doorstep of a remote cabin in Chalcedony, Colorado when she was a baby. Now, thirty-seven years later, she has returned to Chalcedony to discover her identity, but she only finds more questions. Who has been looking for her all those years? Why are those same people interested in fellow newcomer Philip Hansen? Who is Philip, and why does her body sing in harmony with his? And what do either of them have to do with a shadow corporation that once operated a secret underground installation in the area?

Malcolm Campbell, author of  Garden of Heaven,  Jock Stewart and the Missing Sea of Fire,  The Sun Singer, and  Worst of Jock Stewart had this to say about the novel: Light Bringer is TYPICAL BERTRAM: plots within plots, multiple characters with multiple agendas, fast moving, more than enough mystery and intrigue for everyone, satisfying conclusion.

Author Aaron Lazar has this to say: I’m already a fan of Pat Bertram’s books. I’ve read them all and loved them deeply. But LIGHT BRINGER was something completely new and surprising… surprising in its freshness, originality, its genre bending brilliance. Part thriller, part fantasy, part sci fi, part mystery…its plots were large and complex, encompassing themes that plague us every day; offering social and world commentary blended with weather trend observations (where ARE all those tornadoes and tsunamis coming from??) I do believe Bertram has defined a new genre, and it is a pure delight. Fresh. Original. Riveting. The characters are real and engaging. I particularly enjoyed the bit of romance between Luke and Jane – yes, another subplot. I couldn’t put it down and extend my highest compliments to Ms. Bertram for her supremely smooth writing – there are no hiccups in this book. Very highly recommended.

So stop by tomorrow, leave a comment on my Blog Jog Day blog, and you might win an ecopy of one of my books, including Light Bringer.

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Click here to download the first 20% of Light Bringer free at: Smashwords

Click here to read the first chapter of: Light Bringer

Wonderful Review of Light Bringer

I just received the most wonderful review of Light Bringer, my speculative fiction thriller. You have to love a review that talks about the author’s “broad knowledge and brilliant imagination.” The author, in this case, being me. 

The reviewer, Sandra Shwayder Sanchez from BookPleasures.com, also says: “The plot, replete with secret sinister underground corporate experiments, extraterrestrial creatures, a couple of budding romances, could have been the stuff of trendy comic books or yet another television series but the author’s excellent characterizations make it real, original, the stuff of literary fiction. Stylistically the author is adept at moving between lyrical poetic descriptions of nature, wryly funny dialogue and perfectly paced suspenseful writing.”  Yep, she’s talking about me again. Wow.

I can’t tell you more because of copyright infringements, but you can go to Book Pleasures to read the whole review: Pat Bertram’s Light Bringer Reviewed By Sandra Shwayder Sanchez of Bookpleasures.com

To download the first 20% of Light Bringer free at smashwords.com, click here: Light Bringer

To read the first chapter of Light Bringer online, click here: Light Bringer

A Life-Long Quest for Truth

When I was eleven years old, I overheard my brother ask our dad if he believed in Atlantis, and something inside of me leapt with recognition. I knew, without any doubt, that there had once been a wondrous place called Atlantis, though I hadn’t any idea what or where that place might be. The very word seemed like a beacon, illuminating an incredible and mysterious past. Until then, I’d never heard of Atlantis, never even had a concept of lost civilizations, and yet, there it was . . . that instantaneous knowing.

(This recognition happened only one other time in my life, and that was when I met the man who would share more than three decades of my life, but that came years later, and only has a bearing on this story because he also shared my need for truth.)

I seemed to have an innate belief that great truths (and even lesser ones) were being kept from us, though this belief could have stemmed from my being a child, and much is kept from children, but still, I wanted to know. And so started a life-long quest for truth — the real truth, not the sketchy half-truths and self-serving lies we are taught to accept as fact, both in school and on the news.

There have been so many mysteries to study and to ponder: UFOs; the Kennedy assassinations; mysterious places such as the pyramids and Stonehenge; ancient, lost, and forgotten civilizations; the origins of mythology; historical truth; the war on gold; alchemy; who our true leaders are.

And there were many surprises. For example, when I first started delving into mysteries, I came across the idea of continental drift, that all the continents had once been connected and had drifted apart. At the time, it was only discussed in esoteric circles, because the scientific community did not recognize the validity of the theory. Years later, when revisiting the topic, I discovered that the theory of continental drift had become standard.

Another surprise came from the study of “The New World Order.” Those words have been bandied about for centuries, sort of a slogan for conspiracy researchers who were aware that the goal of many secret groups throughout the ages has been to develop a one world government — a new world order — and then George Bush used that very phrase. Shocked the heck out of me. But it shouldn’t have. Many once secret groups, such as the Council for Foreign Relations, have become mainstream.

But the biggest surprise came when all those mysteries, those fields of study began to converge. Some of the players in the Kennedy assassination drama, such as Guy Bannister and Fred Crisman, showed up in UFO literature. Modern technologies began to mirror mythological technology, such as plasma guns, fusion torches, weather manipulation.

The past emerged into the present, science merged into history and politics, and a larger picture took shape. Whether this big picture has any truth to it or is simply the result of a mind seeking patterns where none exist, doesn’t really matter, at least not to me, not any more. I never had an emotional stake in the resolution of the mysteries. I simply wanted to know the truth.

It does make a great story, though, the pattern of truth I found. At least, I hope it does. This lifetime of research into arcane subjects is the foundation of Light Bringer, my newest novel.

As for Atlantis, I have no idea if such a place by that name existed, but there is no doubt that civilization did not begin with us, that there have been many civilizations that rose to prominence and disappeared, leaving only traces of stone behind.

On Writing: Family

If a character has well-defined family members — that never-satisfied mother, that demanding great-aunt, that silent father — then we authors don’t have to create that character. The family does it for us.

The family of Mary Stuart in Daughter Am I truly helped create her. When Mary found out that she was the heir of grandparents she never knew existed, she had to find out who they were so she could find out who she was. Once I set the family dynamic, that determined the character of Mary. Her father was close-mouthed, wouldn’t talk about why he disowned his parents or why he told his daughter they were dead. He also bonded more with his daughter’s fiancé than with her. The mother seemed to be mostly a shadow of the father. Because of this, it was inevitable that Mary got engaged to the guy they liked, and it was also inevitable that she dumped him when she became her own person. And even that “own person” was created by family — turns out she was just like her dead grandfather, with his set of values, a desire to build his own life despite social conventions, and an intense loyalty. Even her “adopted” family helped create her. As she followed her quest to learn about her grandparents, she accumulated a crew of travel companions — all friends of her grandparents — who become a new family of sorts.

Rubicon Ranch, the collaborative novel I’m doing with some other Second Wind authors, is all about family. The birth family who’s been searching for the girl and who fall prey to con artists, the couple who wanted a child so bad that they kidnapped one, the old man who suspects his son of the crime, the woman who suspects her father, the boy who is being abused by his father, the sleepwalker who is still haunted by his dead sister, the woman who is grieving for her dead philandering husband. It’s interesting how the theme of family has evolved in such an extemporaneous project. We never planned this theme, but each of us separately chose to deal somehow with family skeletons.

The family of Bob in More Deaths Than One certainly helped create him, especially since that was the basis of the story. He comes home from an 18-year sojourn in Southeast Asia to discover that the mother be buried before he left is dead again. He goes to her funeral and sees his brother, but they had never been close, so he doesn’t make contact. Bob also sees himself, but a doppelganger isn’t really family, so it doesn’t have any part of this discussion.

Lack of family also helps define characters.

In my just-published novel Light Bringer, two of my main characters found each other when they were searching for their birth parents. Those characters were truly a product of their upbringing and their birth. That is the whole crux of the story — who the characters are and why they were birthed.

How does your character’s family make her who she is? (Or make him who he is.) How do they bind her? How do they set her free? Do they add to her conflicts, either internal or external, or do they help her on her life’s journey?

Final Edits, Perhaps

I received the final edits for my novel Light Bringer, which will be published later this month. I had a couple of editors go over the book to look for any problems; when I get the proof copy, I want it to be strictly a copy-editing job — checking for typos, the letter I that mysteriously transforms itself into the numeral one, and other such exacting details. When I sent Donna B. Russell the manuscript to edit, I enclosed a message:

Donna, I hope you enjoy this book as much as you did Daughter Am I. Thirty years of research, about six years of writing from start to finish — it’s my magnum opus, though it won’t be so magnum if no one likes the opus.

When Donna sent the manuscript back with the edits, she replied, 

In your last e-mail, you said, “It’s my magnum opus, though it won’t be so magnum if no one likes the opus.”  I don’t think you have to worry about that because I’m sure Light Bringer is much closer to an “opus” than an “oops.” *S*  You have a good beginning, building tension with Helen driving in the snowstorm and finding a baby on her doorstep, and a superb ending.  The double plot twist at the end was absolute genius — a kind of literary whiplash, but in a good sense.  Your vivid descriptions helped me “see” not only the people, but the scenery and locations.  You made them very real.  You made me care about the main characters, and developed both the good guys and the villains very well.

One of my favorite passages in the book didn’t have to do with the main story, but with Hugh’s father (p. 218):

“His father, who had endured years of agony while dying of pancreatic cancer, had once told him pain created its own reality. He said he could no longer remember what it felt like before the pain began, nor could he imagine what it would feel like when it ceased. Nothing else ever existed, or would ever exist, except the eternal pain.”

You’ve captured exactly how many feel who live with chronic pain on a daily basis.

Below are the line edits and some suggestions.  I hope they are helpful.  I wish you all the best with Light Bringer. — Donna

How can you not feel like a real author when people are going around quoting you! Okay, just one person, but still . . .

Excerpt from Light Bringer — Ghost Town and Ghost Cat

No wonder Becka felt tired—it was still night. She was about to climb back into bed when she remembered what Luke had said about the setting moon illuminating the outlines of the houses where the white tribe had lived. Afraid of missing the phenomenon, she didn’t even take time to snatch a robe to throw over the long T-shirt she wore, but dashed to the front door, yanked it open, and stepped out onto the porch. 

Mouth hanging open, she stared at the town. By outlines, she’d thought Luke meant a faint tracing on the ground where the foundations had been, but this . . . this was a complete village, each exquisite stone house solidly visible. Though the stones weren’t uniform, they fit together snugly, like a miniature version of the megalithic ruins she’d seen in pictures of Cuzco. The roofs seemed to be made of rough wooden shingles, and the windows were covered with what appeared to be mats woven of dried grasses. 

Seeing the door of the nearest house open a crack, she froze. 

The door opened wider, and a sleek, hairless white cat with outsize ears and large slanted eyes sneaked outside. It looked around as though proud of its accomplishment, then sat back on its haunches and washed its face. 

A ghost cat?

Becka felt a giggle percolate to her throat. She tried to swallow her amusement, but a tiny gurgle escaped. 

The cat swiveled its head in her direction and focused its luminescent eyes on her. 

She gazed at the hairless creature, unable to look away. What is it they say about staring too long into the abyss? Make sure it isn’t staring back at you? 

She shivered, but still couldn’t avert her eyes. 

Suddenly, with one liquid motion, the cat sprang to its feet and streaked toward her. 

Light Bringer by Pat Bertram will be released in the spring of 2011 by Second Wind Publishing, LLC