Dreaming of Life in the Slow Lane

It seems strange to be alone. Strange to be blogging. Strangest of all to feel as if I belong —- not belonging to anyone or anywhere just . . . belonging. Maybe I’m beginning to feel a connection to the world again. Or it could be my inner sense of irony coming into play since I am at my storage unit sitting among my belongings.

I’ve been staying with friends ever since my father’s house was sold. (I’d been looking after him these past few years, and now he’s gone, as are my mother and life mate/soul mate.) I’m without a car —- the restoration that was supposed to be done in three weeks has now dragged on into two months — but it hasn’t been too much of an inconvenience. At least not to me. My friends might have a different opinion! Besides, I’ve needed to hang around town a bit longer anyway. I’d committed to doing a dance performance at the end of this month, and there have been practices and rehearsals to attend. And dance classes, of course.

I have been researching ultralight camping gear, researching the various trails, following the comments and updates of women hikers in preparation for . . . something. Adventure. Experience. Life in the slow lane.

I still have no idea what I am capable of, what I am willing to risk, what form my adventure will take. All of know is I want that intangible . . . something.

My original idea was to be spontaneous, just follow where the trail of life might lead, and perhaps I will still be able to spontaneous once all the research and preparation has been done. And yet . . . there have been people who set off on foot with no preparation or baggage whatsoever, just a head packed with determination and a heart full of trust. Such a life might come for me eventually, but for now I’m still dreaming. And researching.

I do believe, though, that whatever journey I make, whether strolls around the neighborhood, day hikes, backpacking, or cross-country road trips, I will be starting out alone. A friend had invited me to do the Appalachian Trail with her, but the more we talk, the less it seems to be to my advantage. But who knows what will happen in the next couple of years. I can’t even predict the next couple of weeks!

It’s been nice “talking” to you again. Wishing you fabulous adventures and dreams enough to last a lifetime.


(Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.”)


How Did You Do the Research for Your Novel?

I researched my novel Daughter Am I for two years, but I also had help from a historian friend, and in fact, he was the one who inspired me to write the book. He used to regale me with tales of gangsters. It got to the point where I couldn’t watch a gangster film with him because he’d keep up a running commentary about all the things the filmmaker got wrong, and I’d miss half the story. I did a lot of research myself, though, and it was a special joy when I discovered something he didn’t know! Most of the information isn’t on the internet, but resides in . . . gasp! . . . books.

Here are a few ways other authors did research for their books. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview by Deborah J Ledford, Author of Snare and Staccato

I’m part Eastern Band Cherokee and knew that I wanted the Native American element to be instrumental for SNARE. Once I decided on the Tribe to focus on I came into contact with the communications director on the Taos Pueblo in New Mexico. Floyd “Mountain Walking Cane” Gomez read every word of the manuscript as I composed each draft. He either approved scenes, characters and elements, or told me flat out “No, you cannot use this.” (he told me this quite often!) Elements Floyd wasn’t sure about were cleared by elders and the Taos Pueblo Tribal Council.

From an interview by T. C. Isbell, Author of “Southern Cross”

I spent a great deal of time researching my book. I used period magazines like Post, Life, and National Geographic. Some research was accomplished using old books and the Internet. However, information on the Internet has to be approached with a grain of salt.

From an interview by Polly Iyer, Author of “Hooked”

You’d be surprised how many upscale women write about their adventures as a call girl. Like Tawny, these are smart women who think why not get paid for something they’re giving away free. The top women go places with exciting, rich men and make big bucks to do it. Just click on Google, and there they are, telling all.

From an interview with Bonnie Toews, Author of “The Consummate Traitor”

I do intense research so that my facts are as realistic as can be in a fictional setting. I scour libraries, Google, read travelogues of areas I have not visited so that my descriptions are as true to life as possible, either today or in the time of the book’s setting. For that I interview people who lived and endured during the period. One interview for The Consummate Traitor was with an actual German aerocraft designer Canada protected so he could work on our Avro jet. He began as a fanatical NAZI with access to Hitler’s inner circle (He hated Goring) but by the end of the war, was so disillusioned that he ended up with a disassociated personality. During our interview he split from one to the other depending on what I described that triggered him to relive the past. I gained amazing insight from that interview and gave his hands to my NAZI villain. I have never seen hands like his — his finger tips were square, not rounded, and his shoulders were so slumped that his arms seem to hang too long for his body. I could picture him in an SS uniform with the shoulder paddings squaring off his body. He died a few years ago. He had Parkinson’s.

What about you? How did you do the research for your novel?