When a Writer is Silent . . .

I am not shy around people, though I am more of a listener than a talker, particularly when they are discussing subjects of which I have no interest or knowledge, such as celebrities, TV shows, high profile court cases. Even when people are talking about things I can speak of, I generally don’t fight for the floor except when the conversation sparks a new idea and I want to give it voice.

My propensity for being the “designated listener” has never been a problem because most people seem to prefer to talk, but things are different now when people discover that I am a writer. My silence makes them wonder if I am studying them to use as characters in a book.

Strangely, this never occurred to me. I spend so much time alone that simply being with people is a treat. I bask in their words and the camaraderie no matter what the topic of conversation. I know this is not the case with other writers. They do study people to learn more about how their characters should/could act. They also use people they know as characters in their boFriendsoks. As Anne Lamott said, “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should’ve behaved better.”

My characters rise out of the needs of the story. If the character needs to be shy, I make him shy. If she needs to be interested in the minutiae of everyone’s life, I make her so. Occasionally, I base a character on an actor in a movie, especially if I need to describe the character to someone. For example, Greg Pullman in A Spark of Heavenly Fire was loosely based on Jack, Bill Pullman’s character from While You Were Sleeping. I wanted Greg to be movie-star handsome as well as nice, and I named him Pullman to remind me of these two characteristics every time I wrote about him. But for the most part, the character of Greg evolved to fit the needs of the story. The same thing happened with Mary Stuart, the hero of Daughter Am I. I based her loosely on Lisa Walker, the character of Mary Stuart Masterson played in Bed of Roses, and I used the name Mary Stuart for my character to remind me that my Mary, like Lisa, was both strong and vulnerable. The name was supposed to be a working name — I planned to change it when I found a better name, but the character and the name evolved together, and could not be separated.

So, if you are ever in a conversation with me, and I am silent, you never have to worry about appearing in one of my books.

Well, hardly ever.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

What’s in a Name?

020bI finally found out the name of a mountain that I see almost every day when I go out walking — Mount Lamborn. (I’d be able to see it from my house, but the view is blocked by a neighbor’s haystack and the haystack is blocked by the lilac bushes we planted to keep from having to look at the dang haystack.) I was excited to put a name to the peak until I realized that the name was bestowed by a human (probably by some guy named Lamborn) and was not at all what the mountain calls itself. Does knowing the name tell me anything about the mountain I cannot see during my daily walk? Does the name give me a clue to its origins, its character, its life?

Humans have a penchant for naming things, which I suppose is a good idea. A name is a shortcut to communication. Calling a mountain Mount Lamborn serves as a shortcut to communicate about the mountain, but it says nothing about the mountain itself.

Character names are the same. We give our characters names so that we can identify them. In fact, I have gone so far as to give some of my characters very pointed names for that reason. Bob Stark in More Deaths Than One was so named because he was supposed to seem an “everyman,” hence the common first name. He was also supposed to be stark of speech and action, and so the surname was a reminder to make sure he didn’t get too flowery. Despite his name, Bob Stark turned out to be rather wordy at times and not the silent, uncommunicative loner I had planned. Greg Pullman in A Spark of Heavenly Fire was named after Bill Pullman in While You Were Sleeping to remind me that Greg was good-looking and very nice. Did these characters become their names, or did I simply become so used to them that when the names outlived their usefulness, I found it impossible to change? I wonder what our characters call themselves. Even more, considering the hell we put the poor characters through, I wonder what they call us!

(This was supposed to be a post inviting you to my book launch party to be held on October 15 here on this blog, but finding out the name of the peak sidetracked me. With or without an invitation, you are still invited to my cyber party.) 

DAIDaughter Am I, my young woman/old gangsters coming of age adventure, will be available from Second Wind Publishing in two days!

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