Of all the parks and monuments I’ve visited during the past couple of years, the strangest has to be Petroglyph National Monument. Oh, the park itself is lovely, and there were plenty of side trails so that I managed to avoid most of the other visitors and have a peaceful commune with nature. The oddity is that the only way to get from the visitor’s center to the various trails is to leave the park and meander for miles through city streets. And the trail I hiked abuts a suburb. Signs of an ancient civilization on one side of the trail, and signs of a current civilization on the other side — such an incongruity!
But then, I find all of New Mexico incongruous, especially in a time where people are over-sensitive to cultural appropriation. I mean, an entire city filled with modern buildings built to look like the original adobe houses? To the best of my knowledge, I doubt any of those old adobes came equipped with two and three car garages, and yet the new copies have them. Yep. Inconcongrous.
Can a people appropriate their own culture? There are hideously garish buildings owned by indiginous folks filled with “Native American” artifacts made in China for sale to people of other cultures.
Oh, and of course, tribal casinos galore.
Can you tell I’ve had too much time to think? Although all this over-thinking might make me sound curmudgeonly, the truth is, I greatly enjoyed my drive (and hike!) in New Mexico.
I suppose that, too, seems incongruous.
(Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.”)