“Now That My Book is Out, What is the First Thing I Should Do?”

A newly published author asked me an interesting question today: “Now that my book is ‘out,’ what is the first thing I should do?” I ought to know the answer to that since I was in the same position not that long ago and will be again next month when Daughter Am I is released, but I’m still a bit mystified about how to promote effectively online.

So much of book promotion on the internet depends on social networking sites, which means that one’s promotion efforts have to start long before the book is ever published because you need people to promote to. That was the big lesson I learned during my first months as a published author. The internet is so vast that any message thrown casually out into cyberspace has about as much impact as a child’s balloon set free to drift on the wind. If you hand a child a balloon, however, at least one person for sure will see it, maybe even two or three. If you have “friends,” on social networking sites perhaps a few of them will see the messages you post on your profile and be glad for you. Or at least they will pretend to be glad for you since chances are they are promoting a book, too, and responding to such messages is part of their promotion campaign.

(Do I sound cynical? I don’t mean to. I am a bit disappointed that promoting on the internet hasn’t had the impact on my sales that I’d hoped, but on the other hand, I’m having a wonderful time meeting new people, discovering new books, rediscovering old friends, creating new relatives. In essence, I’m developing a whole new life, which is a thrill in itself.)

Some new authors send email messages to all their contacts, but unless you know the people personally, I don’t think it’s such a good idea. I’m hearing through the grapevine that spamming generally doesn’t have much impact on sales, and it only irritates people, which might cause a backlash. On the other hand, status updates on MySpace, Facebook, Goodreads, Twitter are good, especially if you link the update to a blog article that tells about your struggles to get published or something else of an equally personal or helpful nature.

The secret to social networking is to be social. I admit I don’t do the one-on-one thing that well. I have a huge list of people I owe blog comments to, but somehow the days pass, and the list keeps getting longer. I’ve started responding to comments on my blog, though, which is a big step in the right direction. I used to think it was better to give commenters the last word, but recently my blog readers have convinced me they like a bit of dialogue, if only to let them know I read and enjoyed their comments. And I do. Read them and enjoy them, I mean.

I’m starting to ramble a bit here.

The point is . . . heck, if I knew what the point is, I’d be sitting back and counting my millions. Still, I have learned one thing — websites, blogs, tweets and status updates all work together to create something more than the individual parts. Who knows, that something may eventually turn out to be book sales.

Daughter Am I will be released by Second Wind Publishing, LLC in October, 2009

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Lisping Dialogue

I used to read books about writing — dozens of them.  Several mentioned that mispelled words and apostrophes are no longer in style to show speech defects or accents — such dialogue is difficult to read.  To denote dialect, one needs to show speech patterns from the specific area, such as “It’s not far, just down the road a piece.” Tells you a bit about the character, and it’s easy to read. Another suggestion was to use the misspellings and apostrophe’s to set the character’s accent in the reader’s mind, then switch to normal spellings.  I heeded this particular bit of advice in my upcoming novel, Daughter Am I. To get the full meaning of the excerpt, you need to know that the Scourge and Butcher Boy once worked for the Outfit, aka the Mob. 

“Who ith it, my love?” A rotund little old man wearing plaid bermuda shorts and a pink polo shirt appeared at the door beside the woman.

“Hello, Wallace,” Happy said.

Mary bit back a giggle. This was the Scourge? This gnome of a man with twinkling eyes and a lisp?

Wallace peered through the screen at Happy. “Do I know you?”

“Don’t you remember? We used to work for the same outfit.”

The woman’s face lit up. “Oh, how nice. Won’t you come in?”

She made a move to open the door, but Wallace put out a hand to stop her.

“That won’t be necessary. These folks were just leaving.”

“Hey!” Happy protested. “What’s the big deal? All we want is some information about Butcher Boy.”

“The supermarket in town has a nice butcher,” the old woman said, “but you can’t really call him a boy. He has to be at least forty.”

Wallace patted the woman’s arm. “Let me handle this, sweetie.” He opened the door, slipped through, and closed it behind him. Motioning for Mary and her gang to follow, he headed for the road.

“This your bus?” he asked.

A couple of editors mentioned that I was inconsistent, that I should have carried the lisp throughout the scene.  It was only two pages, but still, that’s a lot of th’s.

“That won’t be nethethary. Thethe fokth were jutht leaving.”

“…Thweetie.”

 “Thith your buth?”

So, when you read Daughter Am I (you are going to read when it’s released, right?) and notice the inconsistency, just remember how kind I was being to your eyes.

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Free Ebooks!

Free ebooks! Just stop by the Labor Day GiveAway at the Second Wind blog before September 12, 2009, mention the name of a Scover-mdtosecond Wind book that you’d like to read, and you might win an ecopy. http://secondwindpub.wordpress.com/2009/09/06/labor-day-giveaway/
 
Now is your chance to read More Deaths Than One or A Spark of Heavenly Fire!
 
More Deaths Than One: Bob Stark returns to Denver after 18 years in Southeast Asia to discover that the mother he buried before he left is dead again. He attends her new funeral and sees . . . himself. Is his other self a hoaxer, osparks-coverr is something more sinister going on? And why are two men who appear to be government agents hunting for him? With the help of Kerry Casillas, a baffling young woman Bob meets in a coffee shop, he uncovers the unimaginable truth.

A Spark of Heavenly Fire: In quarantined Colorado, where hundreds of thousands of people are dying from an unstoppable disease called the red death, insomniac Kate Cummings struggles to find the courage to live and to love. Investigative reporter Greg Pullman is determined to discover who unleashed the deadly organism and why they did it, until the cost — Kate’s life — becomes more than he can pay.
 

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Blog Talk Two

I just finished being interviewed on blog talk radio, and all things considered, it went okay. Well,  there was that part where my mind went blank and I couldn’t think of a single disease mentioned in A Spark of Heavenly Fire, couldn’t think of a single biological warfare experiment that I researched. Sheesh. I spent years on the research. You’d think at least some of it would have come easily to mind. I did manage to mention a  connection between swine flu and the novel, but still . . . it would have been nice to sound as knowledgable as I am about the horrors of biological warfare and human experimentation. And I talked about the Hanta River in North Korea, when it’s in South Korea.  In the end, though, it doesn’t matter. The story isn’t about disease, though I kill off hundreds of thousands of Colorado residents with the flu-like epidemic I created. The disease, the deaths, the quarantine are all simply the setting for the story of how insomniac Kate Cummings came alive when all around her people were dying.

What does matter is that I didn’t give the right website address for my publisher, Second Wind Publishing. Aaaarrrggghhhh! You can find them at http://secondwindpublishing.com. Just goes to show that you can’t take anything for granted. Make sure you have website addresses and other pertinent information right in front of you. Don’t rely on your memory!

I had fun, though. I’d met one of the hosts, Steven Clark Bradley, author of Patriot Acts, through Facebook. We’ve had a few interesting email conversations, he’s participated in some of my discussions, and he did a wonderful review of More Deaths Than One. During the blog talk show he mentioned that he stayed up late one night to read my book –Oh, how I enjoy keeping men up late at night! What power!

We talked about how I got the ideas for my books, talked about the characters, and I got in a plug for my novel, Daughter Am I, which will be published next month. All good stuff. The best thing about Blog Talk Radio is that, like all blogs, it’s forever. So stop by whenever you can. I’ll be there.

Blog Talk Two (Today’s interview): Back Story — The Behind the Scenes Look at Writing a Novel

Blog Talk One (My first interview): Talk to Me: Conversations With Creative, Unconventional People

Steven Clark Bradley’s review: More Deaths Than One

More Deaths Than One and A Spark of Heavenly Fire are available from Second Wind Publishing, LLC.

You can also download the first 30% free at Smashwords

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I Need a…Gulp…Outline

I’ve been rereading my work-in-progress, trying to get back into the mindset of the story so I can work on it. Usually by the time I’ve written 37,000 words, my characters help develop the story. No, my characters never take over — they always do what I make them do. It’s more that I know who they are, what they want, and who’s going to stop them from getting what they want. Unfortunately, during the first part of my WIP, my hero mostly contended with the ever-changing world, and the people he met were simply passing through his life. So now I have to create a whole cast of characters.

I’m thinking of having a contest — let people suggest characters, and if I use it, they get an acknowledgement in the book along with a copy of the printed book when it’s published next year. Seems a bit of a cheat, but it could be fun.

But I digress. One of the characters I have to create is a group. Sounds odd, but groups have a culture, a dynamic of their own, a character that is different from the sum of the individual members. Groups also develop, just like characters do, and there are several distinct stages:

1. Coming together and finding the individual roles
2. Defining the task.
3. Feeling unrest — disenchantment with the group and each other
4. Cohesion — beginning to feel like a team
5. Interdependence — work as a team, believe in the subculture they have created.

In addition to creating a whole new cast of characters and developing them into a group, I need to figure out how to get my hero to give up the relative security he recently embraced and go back out into the dangerous world and dubious freedom.

When the novel is finished, much of this scaffolding will be invisible to the reader, but I need to be able to see at a glance how all the parts fit together so I can show what’s happening rather than telling it. It sounds to me like a need a . . . gulp . . . outline. I’ve never outlined a novel before. Should be interesting.

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On Writing: Looking Up

When your characters look up, what do they see? Sunsets and sunrises are so prevalent in books as to be clichés, yet every day there is a sunrise and every day there is a sunset, even if it’s too cloudy for us to see either. I suppose mentioning the rising or setting sun makes more sense if there is a reason. For example, tonight there was a gorgeous sunset here because of the fires in California. The smoke drifts to Colorado and is trapped by the mountains.

I try to find different things for my characters to look at, because to a certain extent, a character is what he sees. If a character sees a flock of what looks like hawks, and he or she knows that they are vultures, it tells you a bit about the character. Vultures fly in packs, hawks fly alone. Or so I’ve been told. Both hawks and vultures are equally lovely as they coast on the updrafts, but somehow knowing that the regal bird is a vulture and not a hawk takes away some of the beauty of the scene. 

In A Spark of Heavenly Fire, the characters see helicopters patrolling the skies above quarantined Colorado. In Light Bringer, which will be published next year, the characters see unnatural lights in the sky, they see strange airplanes, and they see an impossibly brilliant rainbow. In my WIP, the characters see a light in the west on Easter morning, and for just a moment, they think it’s the rising sun.

So what do your characters see when they look up? Does the sight have a bearing on the story? Does it tell you a bit about the character?

007a

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Distilling the Essence of a Story

I have an interview on BlogTalkRadio on Saturday, September 5 at 11:30am ET. We’re going to be talking about back story — where I got the ideas for A Spark of Heavenly Fire and More Deaths Than One. Although one of the hosts of the show has read at least one of my books, I’m sure at some point he will ask me, “What are your books about?” And I will give the same answer I give to everyone who asks. A blank stare. Though, being radio, it will come across as blank silence.

How does one encapsulate a three-hundred-page novel with subplots and subtexts, themes and scenes, complexities and ironies into a minute of description? This distillation is commonly called an elevator speech, and after five months of being published, I still haven’t figured mine out.

I can talk around the story — More Deaths Than One is a thriller/mystery/suspense novel that explores what it is that makes us who we are. Is it our memories? Our experiences? Our natures? A Spark of Heavenly Fire is a thriller/suspense novel with a strong romantic element. It tells the story of ordinary people who become extraordinary because of the trauma they must endure. — But neither of those descriptions gives an idea of what the stories are about.

I can relate a bit of the story — More Deaths Than One tells the story of Bob Stark who sees his mother’s obituary in the morning paper, which stuns him because he buried her two decades ago before he the country to live in Southeast Asia. So how can she be dead again? A Spark of Heavenly Fire tells the story of how Kate Cummings, an ordinary woman, gathered her courage and strength to survive the horror of a bioengineered disease let loose on the state of Colorado.

The problem I’m finding is that I don’t know the essence of either story, the emotional triggers. What do the books do for readers? Why should people read them? Perhaps the books will bring romance and adventure to readers’ lives. By showing ordinary people rising to horrific occasions, perhaps readers will feel better about themselves, knowing they too have the potential for heroism. And, in the case of A Spark of Heavenly Fire, people will know what to expect if ever the Swine Flu or any other virulent disease spreads so rapidly that an entire state needs to be quarantined in an effort to curtail the deaths.

So, how do you distill the essence of your book (or any book!) into a few words and make a reader desperate to read it?

More Deaths Than One and A Spark of Heavenly Fire are available from Second Wind Publishing, LLC.
You can also download the first 30% free at Smashwords.

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Why Mistakes Happen

I worked hard to make More Deaths Than One typo-free, but there are at least two errors in the published novel.

        “I’m Kerry. Kerry Casillas.” She eyed the obit-
ary. “How many of those children are yours?
Bob massaged the back of his neck. “None.”

And:

“I thought you were in the jungle of your nightmares.”
Bob laid a had on top of hers. “I was.”
“Then let’s get you out of there. Finish the story.”

Errors in copyediting are easy to make. One website, Regret the Error: Mistakes Happen, capitalizes on this, chronicling the editing mistakes and corrections in newspapers around the world. If professional proofreaders and editors have such a hard time, what hope is there for the rest of us? Perhaps not much. And it’s not due to carelessness so much as the way we are made.

According to Joseph T. Hallinan, author of Why We Make Mistakes, we have a very narrow angle of good vision, perhaps a thumb’s worth, which is why our eyes constantly flicker back and forth — they are trying to focus on a larger area. What this means for us is that we see the beginnings of words, pick up clues, and automatically fill in the rest —  such as the e at the end of the. Hallinan writes, “people were asked to read a text and cross out the letter e every time they saw it. It turned out that the later the e appeared in a word, the more likely it was to remain undetected. Not only that, the e in the word the was very likely to be missed — 32 percent of the time.”

I also know from doing puzzles such as Word Finds that we tend to see the middle of the page more than the top and bottom lines, and we tend not to see the far sides of the text. If ever I can’t find a word, I know to look at the periphery of the puzzle. More often than not, that’s where I find the missing word. (I seldom do such puzzles any more. They’ve lost their allure after all the copyediting I’ve done this past year.) And this is where the typos in More Deaths Than One are. The first error occurs on the periphery of the page, the other error occurs in the second line from the top. (It’s easy to see here, because it occurs in the very middle of the excerpt.)

We also see what we expect to see, and the better we are at something, the more likely we are to skim. Hallinan tells the story of a distinguished piano teacher and sight reader, Boris Goldovsky, who “discovered an misprint in a much-used edition of a Brahms capriccio — but only after a relatively poor pupil played the printed note at a lesson.” Since the kid didn’t know how the piece was supposed to be played, she played it the way it was printed, not the way the experts misread it.

So what does this mean for us amateur copy editors? Go slowly, word by word. Resist the urge to skim. Double-check the first couple of lines on a page and the last couple of lines. Check the far sides of the text. And if all else fails, have your kid proofread the book for you.

***

(Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.”)

Catapulting Me Into BetterSellerdom

In the past week, I received a couple of emails from people asking my advice on how to promote various online activities, I received an invitation to host a seminar on promotion, and I received an invitation to participate in a BlogTalkRadio discussion about creating a successful Facebook group. Apparently, I’m making a name for myself, (albeit slowly) but not as an author. Am I doing something right? Am I going about my self-promotion in the wrong way? I don’t know.

The interesting thing — to me, anyway — is that contrary to appearances, I still don’t know much about promotion. Sure, I am creating a presence on Facebook, I’m playing around with GoodReads, I blog and tweet. I’m even going to do a presentation at the local library about the brave new world of publishing. But those are the same things everyone else is doing, and I know that to be effective, promotion has to be creative, unique, and personal.

The odds of selling a truckload of books are miniscule to none, but I have never played the odds. I’m not giving up on my first books — A Spark of Heavenly Fire and More Deaths Than One — but in the next couple of weeks my third book — Daughter Am I — will be released, and I will need to figure out how to promote it. And who to promote it to.

When Mary Stuart, my twenty-five-year-old hero, discovers she inherited a farm from her murdered grandparents — grandparents her father claimed had died before she was born — she sets out on a journey to find out who they were and why someone wanted them dead. So is this a book that will appeal to readers in their twenties and thirties? Maybe. Along the way, Mary accumulates a crew of feisty octogenarians — former gangsters and friends of her grandfather. So is this a book that will appeal older readers? Perhaps. Mary also meets and falls in love with Tim Olson, whose grandfather shared a deadly secret with her great-grandfather. So is this a book that will appeal to romance readers? Probably not. There is no real romantic conflict in the book. The conflict belongs more in the mystery category, because Mary, Tim, and the octogenarians need to stay one step ahead of the killer who is desperate to dig up that secret. So is this a book that will appeal to mystery lovers? Could be.

If I had to do it over again, I would probably be more careful to write books that fit a particular genre to make them easier to promote. Oh, hell, who am I trying to kid. If I had to do it over, I’d write the exact same books. I like telling stories the way they should be told, without adhering to the boundaries of genre or niche marketing.

So, until I come up with a creative, unique, and personal idea of how to catapult me into bestsellerdom (or even bettersellerdom) it’s a matter of continuing to make a name for myself. Even if it is as a promoter.

If you want to know what I know about promotion, check out Book Marketing Floozy. Everything I know about marketing I got from there.

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It’s a Birthday Party!

No, it’s not my birthday, it’s the birthday of Second Wind Publishing, LLC. The first book was published exactly one year ago today, and now there are almost thirty, including two of mine (with a third on the way.)

 

I have no doubts of the success of Second Wind. Mike Simpson has the uncanny ability of getting his authors involved in the business, challenging us to expand our abilities beyond the scope of writing. He’s gotten die-hard thriller writers to edit romances. He’s gotten shy authors to do book signings. And somehow (still don’t know how) he’s gotten me to become Second Wind’s promotion co-ordinator. Okay, I do know how. He genuinely likes the books he publishes, and says the most wonderful things about them. In an introduction to my 100-word stories that were included in the romance anthology, Love is on the Wind, Mike wrote: “Pat Bertram, author of the newly released duo of suspense novels, More Deaths Than One and A Spark of Heavenly Fire, is a writer who defies categories, a literary maverick whose stories transcend genre and transport readers to beguiling worlds filled with compelling characters.”

So, stop by and join the celebration!

Ten Lessons I Learned (The Hard Way): A Publisher’s Reflections on the First Year
What Second Wind Book Do You Wish to Read? You Might Get Your Wish!
Introducing the authors of Second Wind!

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