Insurance Hell . . . As if Being Sick Isn’t Bad Enough

pillsI’m not one to air my feelings about government intervention (except in my novels, of course) but this whole thing about forcing United States citizens to buy health insurance is about as insane an idea as . . . well, as aspartame, and that got shoved down our throats, too.

The main problem with our health care system is the insurance racket, and the government wants to reward them for stupidity with our money? Sheesh. Case in point:

I am taking care of my 96-year-old father, and he’s recently taken a turn for the worse. He was in the hospital for pneumonia and various tests for about a week. Got out about eight days ago. The doctor prescribed a breathing treatment, but when I went to pick up the drugs at the pharmacy that night, they weren’t ready. Somehow, the doctor had forgotten to send in the prescriptions. Several calls and one personal visit to the doctor’s office later, the prescriptions were called in, and that’s when the fun really started.

The insurance refused to pay for the breathing treatment, so the doctor changed to a different one — one, moreover that the insurance company said was covered. I went to pick up the prescription and again, it wasn’t ready. Turns out this particular drug needed a doctor’s authorization. Say, what? Isn’t a prescription an authorization? Apparently not. Apparently, the insurance company wanted the specific reason why the doctor had prescribed that particular treatment. So I started making calls again, to the doctor’s office, trying to get them to do the authorization; to the pharmacy, trying to get them to do their part. Finally, the authorization was sent. But . . .

The insurance company told the pharmacy to bill Medicare, that they don’t handle any aerosol treatments. Huh? So what was the whole thing about changing medications to one that the insurance company does cover? Anyway, Medicare agreed to pay for the drug but . . .

Yep, another but. As of this year, Medicare has a $148 dollar per year deductable, which means my father ended up paying the whole bill of $119.00 out of pocket. He pays a fortune in insurance, a fortune in co-pays though his insurance policy, and yet because the insurance company refused to honor the prescription, he ended up bearing the full cost. A refill, of course, will be only thirty dollars or so, but the problem is that this replacement drug needs to be taken four times a day, every six hours, instead of two like the originally prescribed drug. It will be hard getting my father to do the treatment even once, so we will have a year’s supply of the drug, which means that any refills will also be at full cost.

So, if he has to pay the entire cost of the drug out of his own pocket, why weren’t we told this upfront so we could have just gotten the original prescription and been done with it?

This sort of situation is becoming way too common. I have a friend who suffers from advanced rheumatoid arthritis. One particular very expensive injection is keeping the disease at bay, allowing her to continue living without too much debilitation, and yet her insurance company refuses to pay for the shots any longer. The drug company ended up finding a sponsor for her. So what’s the point of having insurance if you have to beg someone to pay for a drug you need to survive?

And this is the insurance hell that everyone is going to be forced to endure. Cripes. As if being sick isn’t bad enough.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Grief at Thirty-Five Months

video[7]Today marks the thirty-fifth month since the death of my life mate/soul mate, yet today is a day like any other. There is no particular upsurge in grief, no particular focus on his death or my loss (two separate things).

This “acceptance” of the day is not a positive step forward so much as the combination of a couple of non-related factors. For one, I’m dealing with a major sinus infection, and upsurges in grief and upsurges in ill health don’t seem to happen at the same time, probably because both take an enormous toll on the body so one gives way to the other.

Even old grief, grief that is past the first year of raw pain, is stressful because you walk an unsteady path in an alien world, and you have to make mental compensations to travel that path, the same way you have to make physical compensations if your ankle is broken. During that first year, a person who has lost a spouse has 25% higher death rate from all causes than those who are not grieving, and even beyond that first year, the bereft seem to have a higher rate of illness since the stress of grief affects the immune system. (Sometimes it even seems as if there could be a bit of body/mind interaction, where the mind gets tired of grieving, and so allows the body to become sick, though that isn’t what happened in my case since I haven’t had a major upsurge of grief in a while, just upswings of sadness.)

The other factor involved in making this day less emotional than expected is that I’m looking after my aged father, who has taken a turn for the worse, and I find myself falling into the same mindset I had when I watched my life mate/soul mate die. In such a case, you take a step back from your emotions, wait to see what happens, do the best you can in any crisis, and bear the burden of helplessness as lightly as possible.

Seeing myself getting into this mental state again makes me realize that I did the best I could three years ago, that so much I regretted or felt guilty about was beyond my control. I’d worked past those concerns, so they haven’t been haunting me lately, but now I have a graphic illustration of truth. I did the best I could for him, just as I will do the best for my father.

The thing I regretted most about my mate’s death is that I took it for granted. He was ill for a long time, and after a while, his dying became a way of life. I see that happening again, that my father’s aging and inevitable dying is becoming a way of life. My life.

The odd thing for me is that I’ve spent the last three years trying to embrace life again, to get away from the stasis of dying and grief, but now, willy nilly, I am back in neutral. Not looking forward. Not looking back. Just taking life each day as it comes, even if the day marks the thirty-fifth month of my grief.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

It Takes Courage to Grieve

People have often mentioned how courageous I’ve been by writing about my grief, but the truth is, for the most part, it didn’t take any courage. At the beginning, I was in such incredible pain and bewildered by all I was feeling, that I tried to make sense of all the emotions and physical symptoms the only way I knew how — by writing.

There were two times, though, where it did take courage. The first time was when my grief continued far beyond what I had expected, and I was afraid people would think I was weak or self-pitying or self-indulgent, unable to move beyond the tragedy. I am moving, but at my own pace.

The truth is, when you lose your mate, you lose not only the person who meant more to you than any other, the person who connected you to the world, you also lose your best friend, your confidante, your support, your sense of self, your hopes and dreams, your shared world, your faith in a universe that makes sense. The changes are so vast and so sudden, it can take years to process them all.

I’d been honest about everything I’d been feeling, so I continued telling the truth about my grief even when I thought it made me seem pathetic. No one wants to show a weak side to the world, but someone has to explain how grief works, to show the ramifications of a certain type of loss. We are steeped in a culture of couplehood. Many songs and movies extol the joys of meeting the one person who makes life worth living, yet when you lose that person, you are expected to continue as if it didn’t matter. Well, it does matter. And it matters more when you lose that person to death. It’s almost impossible to fathom the absence of a person who once breathed the same air you did, who was there through every crisis and triumph, and who now is simply . . . gone. (Well, if I’m going to tell the truth, then I should tell the truth. It’s not almost impossible. It’s totally impossible.)

I’m past worrying about how people see me and my grief, so I’m back to not needing courage to write about how I am doing. I’m just continuing to chronicle the journey of a woman who is trying to rebuild her life after an immeasurable loss, both the steps forward into hope and the steps backward into sorrow and tears.

The second time I needed courage was when I published Grief: The Great Yearning, the story of my first year of grief. It’s one thing to write about grief in the backwaters of the blogosphere, and a completely different thing to put my grief out there for the whole world to read. Well, the whole world isn’t reading the book, so that’s not an issue, but more importantly, those who do read my story find they are reading their own story. Although grief is unique to each person, the pain and angst and bitter losses are the same. And so is the way we make this unwanted and terrible journey . . . one step at a time.

And that takes courage.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Grief Is Unique to Each Person

My mother, far right, on her 60th wedding anniversary

My mother, far right, on her 60th wedding anniversary

Today is my mother’s birthday. She would have been 91 if she had lived. Her life wasn’t cut short, nor was her death a tragedy — she’d lived a long life, and for the most part, her death wasn’t particularly horrendous. And even at the end of her life, she managed to get one last wish — to reach her 60th wedding anniversary.

One of the things so confusing about grief is the various lengths of lives and loves. Do you feel more grief if you’d been together for 60 years as my parents were? Do you feel less grief if you’d been together a matter of months?

I was with my soul mate for thirty-four years before death took him. After he died, I’d look at couples like my parents, and I’d envy them their long togetherness, but then I’d look at couples who had been torn apart before they ever had a chance to settle into their lives, and I would be grateful for the years I had with him.

Despite my envy/gratitude, I’ve concluded that when it comes to the loss of a mate, the length of time you were together isn’t a factor in your grief because you always grieve the entire life — everything you had and everything you didn’t have. If you’ve been together for most of your life, there is more of the past to grieve. If you had little time together, you grieve for all you never had. And in my case, I grieved for both the past and the future.

Many other factors are more important than the length of time you had together when it comes to grief. The depth of the connection matters, as does the interdependency of your lives. If you count on two paychecks to pay the bills, for example, and one of those paychecks evaporates, financial fear adds to one’s grief. If you are each other’s support group, providing a sounding board or hugs when necessary, then the loss of that support when you need it most adds to grief. Complications in the relationship can add to grief because you lose any chance of ever smoothing things out. Quick deaths add to grief because of the horrendous shock, and long dyings add to grief because of all the guilt and regrets that built up. And if you lose your mate when you’re relatively young, then you face many years without him, which adds to your grief.

All of these things combine to make grief unique to each person, but what isn’t unique is the sense of loss, the yearning, the hanging on the best we can until life opens up to us once again or until we find peace at the end.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

A Sweet Tale or a Horror Story?

breadOn Valentine’s Day, a Facebook friend posted an anecdote that I can’t get out of my mind: A man made his wife toast on their anniversary, and she got upset. “For 50 years,” she said, “you have given me the end pieces and I am sick of it. I hate the end piece!” The man was stunned by her outburst and quietly responded, “But that is my favorite piece.”

Everyone who commented on the anecdote thought it was a sweet story, but all I could see was the horror of fifty years of misunderstanding. In fifty years, she never once told him she hated the end piece? Never once, when she got upset at him for some other hurt, did she bring up the matter of the toast? Never once did he bother to find out what she liked? Never once did he watch her make toast and see that she didn’t fix the end piece for herself?

This anecdote does not portray a loving relationship. She is long-suffering and uncommunicative, unable to find a way to express her wants until the frustration overwhelms her and she bursts out in anger. It’s even possible the problem isn’t the end piece at all — if the only thing he does for their anniversary is make her toast, then maybe she is upset at the lack of flowers or gifts or a meal in a nice restaurant, and mentioning the toast was simply a way of letting him know she wasn’t happy. He, on the other hand, is self-absorbed and arrogant, assuming that just because he likes something, so does she. He also seems smug in his belief that by giving her his favorite piece he is doing something loving, when in fact he is disregarding her by not considering her wishes.

Somewhere along the line, every new couple runs into such a situation, where one repeatedly does something the other doesn’t like, and so they compare notes about likes and dislikes and the expectations each has of the other. Something as simple as toast preferences should have been mentioned long before it became an emotional issue. If a couple can’t find a way around this sort of misunderstanding in the first few years of being together, then their problems run much deeper than who likes what piece of toast.

Love is seeing the truth of each other. Love is witnessing each other’s lives. Love is being present to each other. If after fifty years he did not know what she wanted, it shows how little he saw of her. If after fifty years, she did not know why he gave her the end piece, it shows how little she saw of him. It seems like a cold relationship at best.

On the other hand, loving or not, apparently they deserve each other, and maybe that’s what kept them together all those years.

This anecdote illustrates one other thing — the value of showing rather than telling. If this anecdote were developed into a scene as part of a story, it would be a great way of showing the problems of the couple’s relationship rather than simply saying that they misunderstood each other. Or it could be an example of how much he loved her, as the anecdote was meant to be. That’s the beauty of showing — the writer merely presents the story. Readers interpret it through their own experiences, deciding whether it is a horror story or a sweet tale, and hence make the story their own.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

The Mythic Stages of Grief

Joseph Campbell was the first person to write about the motifs and archetypes underlying myths, stories, and spiritual traditions. Christopher Vogler, in The Writer’s Journey, further developed this idea of the “hero’s journey,” making it applicable to writers, both in their stories and in their lives.

The hero’s journey is an endlessly fascinating structure because it is endlessly malleable, able to fit any character, any story, any life. We are all on our own mythic journey through life, but our lives are so much more complicated that the life of a character in a novel because we are dealing with quests within quests within quests rather than a single straightforward journey.

Growing up, falling in love, marrying, parenting, writing, making art, growing old are all quests of their own, though each quest is a but a step on our journey though life.

My most recent mythic journey has been the journey through grief. Grief has been, perhaps, the most mythic of all my quests, each of the stages clearly delineated. (In fact, these mythic stages of the hero’s journey are much more applicable to grief than Kübler-Ross’s stages.)

All of us who embark so reluctantly on this journey through grief are true heroes. It takes a hero’s courage and commitment to deal with everything grief bombards us with and come out on the other side stronger, wiser, and accepting of whatever comes our way.

The mythic stages of our heroic journey through grief:

1. Ordinary World. A hero’s journey begins with the normal world, and in the grief quest story, the normal world is the life we shared with our life mate/soul mate.

2. Call to Adventure. His (or her) dying calls us to grief’s adventure, though death is too traumatic an event to be dismissed as a simple call to adventure. There’s no warble of a bugle call; it’s more like the shriek of a smoke alarm that cannot be silenced.

3. Refusal of the Call. We are frozen with grief, reluctant to continue life alone, refusing to see that perhaps continuing alone could be an adventure.

4. Meeting with the Mentors. We go to grief groups for support, and we talk to others who have also lost their mates. Some of us go to bereavement counselors or read about grief to learn how to deal with this horrifying new world.

5. Crossing the threshold. We commit to grief, to whatever changes will come because of it. We allow ourselves to feel without blocking out the pain because we know that is the only way to find our way through the angst to a more peaceful time.

6. Tests, Allies, Enemies. Grief encompasses all these aspects. Grief tests us, our strength, our commitment to life, our beliefs. Grief is an ally, changing us so we can become the person we need to be in order to survive in this new world. And grief is an enemy, bringing more pain than we could have ever imagined.

7. Approach to the Innermost Cave. Grief takes us further away from our ordinary world of a shared life. This is a stage where we regroup. We find a respite from grief for a few days or weeks, leading us to believe that perhaps we can do this after all.

8. Ordeal. Although all of grief is an ordeal, at this particular stage of grief’s journey, the greatest ordeal is accepting that we are alone, that although he is dead, we have to continue living. We thought getting through the initial raw pain of grief was our greatest agony, but now grief throws us even more anguish with the realization that he is never coming back. This new life without him is forever.

9. Rewards. There are many rewards for going through grief. We seize the sword of courage, we find the elixir of patience, we discover the crucible of greater insights. There are consequences, of course, and generally we pay for any rewards with a huge upsurge of grief.

10. The Road Back. The road back is not easy, especially when it comes to grief. Although we can never return to the ordinary world from which we came since that world was shattered forever by his death, we do return to an ordinary world, a world where grief is a companion that merely shadows us, rather than being the trickster that taunts us, the enemy that torments us, the shapeshifter that bewilders us.

11. Resurrection. The hero faces death and is resurrected, and in the case of grief, we face the death of who we once were. We realize we are separate from our life mate/soul mate, that he has his journey and we have ours, and hence we are reborn into a new life. A life that is ours alone.

12. Return with the Elixir. We all bring back from grief certain gifts, whether wisdom or patience or simply the knowledge that we survived the worst ordeal of our lives, and often we share this gift with others. Many of us end up taking care of aged parents, exhibiting a patience we never knew we had. Some of us write or paint to show the world our truth. Some of us go into grief therapy to help others. My magic elixir — my gift, my blessing — has been the unexpected ability to decode grief and write lyrically about the process, such as recognizing the mythic stages of grief and writing this post describing grief as a heroic journey and quest. A strange gift, indeed.

And so life’s journey continues . . .

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Let It Ride — The Philosophy of Luck

luckWe do not all see the same story even if we watch the same movie or read the same book because we each bring our own feelings and philosophies and perceptions to the experience. I’ve always known this, of course, but now that the internet allows everyone to be a critic, it’s becoming a lot more obvious.

For example, professional critics panned the movie Let It Ride, calling it disjointed and only sporadically funny. The screenwriter herself didn’t like it, and had her name removed in favor of a pseudonym. Nonprofessional critics — those who posted reviews on the Internet Movie Data Base — generally liked the movie. In fact, the majority thought it was one of the all-time most underrated films. Even people who hated it didn’t have much bad to say about it other than it was simplistic and predictable.

In their reviews, the nonprofessionals talked about the great cast, the humor, the gambling. They talked about it being a feel-good film and mentioned how great it was to see an underdog win. And they said fans of thoroughbred racing would love the film, calling it the best horse racing comedy ever.

All that might be true, but it does not reflect the movie I see. To me, the movie is a philosophical gem about luck, about recognizing luck when it makes an appearance, trusting the luck and having the courage to go where it takes you.

Trotter (Richard Dreyfuss) lucks into a hot tip on a race. He has a hundred dollars he’d stashed away for such an occasion, but instead of betting the whole thing, he shares it with the friend who gave him the tip, which makes me wonder about the nature of luck. If he hadn’t been so generous, propitiating the gods of chance with his generosity, would his luck have died right there? (Well, obviously, his luck would have been whatever the writer decided it was, but since this is my version of the movie, I tend to believe that originally luck might have given him a small nod, but his generosity made good luck smile on him.)

His friends and friends-for-the-day envied him his luck, but when he offered to pool his money with theirs and bet it all, they backed off. Although they recognized Trotter’s luck, they didn’t trust it. Or perhaps they simply didn’t have the courage to trust it. It’s this lack of follow-through on their part, this variation on the theme, that helps give the movie its depth, and keeps the story from being as simple as it seems.

One thing I especially like about this movie, and what helps earn its appellation of being simplistic, is that there is no third act where everything goes wrong. I hate such third acts, and the lack of one in this movie keeps the story focused on the premise of a guy courageous enough to trust his luck.

The philosophy of luck interests me. I’ve never considered myself lucky, but overall, I’m not sure I’m particularly unlucky, either. I am aware that much of success in life is luck — being in the right place at the right time, perhaps — but what I don’t know is if we can create luck. Lucky people say yes, and of course they would since lucky people seldom see themselves as lucky — they take their largess as their due, as payment for their work, and refuse to see that others have put in at least as much effort without getting the same results. Unlucky people say we can’t create luck — we are either lucky or we aren’t.

Some people don’t believe in luck — either good or bad — because they believe that we decide before we are born into this life what traumas and situations we will have to deal with in order to learn certain lessons. Perhaps that is true, but what do I know? I’m having a hard enough time negotiating the steep rocky path of this life without worrying about what might have come before or what will come after.

To confuse the issue of luck, perhaps there is a different kind of good fortune, a sort of negative luck that makes us lucky even if we don’t seem to be lucky. In one scene of Let It Ride, Trotter is mistakenly arrested before he can bet what he thinks is a hot tip. And the horse loses. So what seems like bad luck is actually good luck.

Considering my interest in the philosophy of luck, it makes sense, then, that I would see the luck theme in Let It Ride, where others would see merely the wonderful comedy, the great cast, or the racing aspects.

So what does this philosophical vision of the movie teach me? Perhaps that luck — and life — should be taken as it comes, we should trust ourselves, and beyond that, we should just let it ride.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

A Palliative for the Brokenhearted

warriorThree years ago, a yoga teacher and fitness instructor living in Holland got tired of the cold, and so her husband put in a transfer to a warmer climate.

Three years ago, I was living a thousand miles away from the high desert in another state, watching my life mate/soul mate die.

Six months ago, that teacher’s life and mine crossed paths. A friend asked me to accompany her to an introductory therapy yoga class (a class geared toward each person’s abilities and disabilites), and there I met the woman from Holland, who was teaching the class. (She wasn’t from Holland originally. She was actually from California, but she’d living all over the world for the past two decades.)

At that yoga class, I began to come alive. Grief pulls you into yourself, huddling you against the pain, and the thrust of her classes was to open us up to the universe, to new experiences, and to ourselves. My friend dropped out after those introductory classes, but I was hooked. Coincidentally, all the women who remained in the class were in various stages of recovering from the deaths of their husbands, and we formed a bond with each other and with our globetrotting teacher. It was a rare and magical experience, the electric highlight of my week, but magic has a way of dissipating. The teacher was offered a wonderful job in another city that used all of her skills (and paid her a phenomenal amount of money), and she couldn’t turn it down.

Although I felt devastated when she made her announcement, I am trying to consider the ending of the class as a graduation. When a student is ready, a teacher appears, or so it said, and in my case it was true. So perhaps it is also true that when the student is ready, the teacher disappears. Perhaps I have learned from her what I need to know to continue on to the next stage of my life.

But this is all prelude to what I really want to talk about. Whenever I have mentioned how distressed I was at the loss of this class, the response has universally been, “Find another yoga class.” Ummm. Yeah. Find another confluence of people and events that come together from thousands of miles away to create a magical, electric, and life-affirming moment. Sure, I’ll get right on it.

This seems to be the response for every loss. Get a new class, a new life, a new soul mate. Is it really that easy for people to do? Or is it simply that it’s easy to say, a palliative for the brokenhearted?

I realize that soon I will need to find a new life, but as I’ve mentioned in a previous post, it’s not as if I can go to the mall and search the aisles at Lifes ‘R’ Us until I find a new life that fits properly and looks good. I’ve never really wanted anything or anyone, but out of the blue, my life mate/soul mate dropped into my life, bringing (for a while anyway) radiance and excitement, and then later companionship, but now that he’s out of my life, I’m back to not wanting anything. If I did want something, I’d go after it, but I don’t want what is out there to get. (Or maybe I mean I don’t want what I know is out there to get. For example, I’d never considered doing yoga, had no interest in it whatsoever, and yet out of the blue, the yoga teacher dropped into my life.)

Mostly I’m taking the need for a new life in stride. Whatever happens, happens. Wherever I go, there I go. It doesn’t seem to really matter — something will drop into my life or it won’t. Either way, I’ll deal with it.

The only thing I know (or rather, suspect) is that I will not remain here in the high desert. Because of the yoga teacher and her class, for the first time I’d been contemplating staying in the area so I could continue taking instruction from her, and her getting a new job seems to be a clear sign that my future doesn’t lie here. But then again, I don’t really believe in signs . . .

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Embracing My Inner Crone

My sister claims I must have a lot of karmic debt to pay off since the past five years of my life have been mostly spent taking care of the sick, dying, and aged — first helping with my mother, then my life mate/soul mate, now my father — but I have a hunch it’s more that I’m going through my crone stage a bit earlier than normal. Although “crone” has become a pejorative term, crone is one of the mythological stages of a woman’s life (maiden, mother, crone). Crones cared for the dying and were spiritual midwives at the end of life, the link in the cycle of death and rebirth. They were healers, teachers, way-showers, bearers of sacred power, knowers of mysteries, mediators between the world of spirit and the world of form.

Sounds wonderful, doesn’t it? Something to look forward to becoming — a wise woman — and yet crone is a word few women embrace, and no wonder since over the centuries, crone has come to mean “ugly old woman.”

It seems strange that there are so many derogatory words for ugly old women — witch, hag, crone, harridan, battle-ax, beldam, shrew, termagant — yet not a single derogatory to word to describe ugly old men. (At least, I can’t think of any.) And why are such wise women considered ugly, anyway? Apparently, after men have had their way with young maidens, then used up their youth in bearing and rearing children, they somehow expect women to still be attractive. Nowadays, of course, with creams and lotions and make-up and hair-dyeing and all the other beauty treatments available, most women do retain at least a semblance of their youthful looks. And yet those ancient terms for “wise old woman” still retain their pejorative connotations.

But no matter what she looks like or what she is called, a woman who calmly listens to the crotchets of the old folks, who patiently sits by the bedside of the dying, who deals with life’s unpleasant chores with a minimum of complaint, has an aura of beauty. I would be willing to be that no one who is ministered to by one of these “crones” thinks she is ugly. I bet her beauty shines through to them, if no one else.

I also bet she isn’t aware of her beauty. Like me, she is probably simply doing what needs to be done as calmly as possible.

It seems odd that so many of us who have lost our mates end up taking care of aged parents, but perhaps we are the ones who have the patience for dealing with the slow and inexorable ways of age and death.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Becoming the Vibrant Person You Will Remember Being

I woke feeling tired today. Even though I would just as soon have lounged around all morning doing nothing, I got dressed, took a walk, and now I’ve turned on the computer to work on this blog post. After having watched my life mate/soul mate push through the impossible exhaustion of dying from cancer in order to do something, anything each day and now watching my father dealing with the infirmities of old age, including being unutterably weary all the time, I understand the truth. No matter how tired I feel today, in twenty years, I will look back on this time in my life as one of strength and vibrancy, and in thirty years, I will look back at this time as one of incredible youthfulness.

As I mentioned in a previous post, current research by Harvard psychologist Daniel Gilbert shows that while we can see how much we have changed in the past, we never think we will change in future. But this isn’t always true. There does come a time when we know that our advancing years will bring many changes. We know we will not always be feeling the way we do today.

Someone who is dealing with an enervating illness or the weariness of old age, for example, will no longer have an interest in physical activities such as bungee jumping. (Of course, it won’t take old age to rid me of such interests since I don’t have any to begin with. Even if I wanted to participate in such daredevilish activities, my body has a strong sense of self-preservation that simply would not let me step into nothingness.)

Dwelling on the future is as futile as dwelling on the past and brings about as much satisfaction — none. And even if you know what changes will be coming, they probably will not be exactly as you imagined (and maybe you won’t be exactly as you imagined, either), so there is no point in thinking about it. But. . . being aware of a future where you will look back on the person you are today as one who is vibrant and youthful has its advantages. It allows you to do what you want to (or need to) despite your tiredness, and in so doing, become the vibrant person the future you will remember being.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+