The Most Unexpected Truth About Writing

My guest today is Lazarus Barnhill, author of the wonderful and profound Lacey Took a Holiday and The Medicine People, available from Second Wind Publishing. Laz talks about destiny, which is a perfect topic for his guest appearance here on my blog. We met in November 2007 during an online writing contest (TruTV Search For the Next Great Crime Writer Contest on Gather.com) where we finished consecutively  — 10th and 11th — out of over three hundred entries. Now we are colleagues again — this time at Second Wind Publishing. Lazarus says:

“We are not accustomed to thinking that God’s will for us and our own inner dreams can coincide.”  –Julia Cameron, The Artist’s Way

It was Monday, August, 20, 2007, and I was driving home from down east North Carolina in a driving rainstorm.  After I dropped off my daughter at her home, I turned on the local NPR station.  As it happened, I tuned in precisely in the middle of an interview.  It became clear within a few seconds that I was listening to an author who had just had his first book published.  Because I was trying to catch up on the information in the report, I paid especially close attention and was able to piece together that there had been an online contest, the winner of which received a contract to have his book published by a major house.  As an aside, the interviewer concluded the report by saying that the same literary website was about to host a second contest.  This second one was for romance novels.

At that particular moment, I was sitting at a stoplight.  I remembered how, a few months before, I had finished a novel that-if you closed one eye and squinted just right-could be considered a romance: Lacey Took a Holiday. The light was still red, so I took out my extra fine point felt tip pen and scribbled the site on the back of my hand: “Gather”.

This commenced a twenty-month string of the most unlikely events: the following day was the last day to enter the romance contest and I made it in just under the wire; in the process of reading the romance chapters of almost 300 other authors, I became well acquainted with a number of them and for the first time recognized a “great miscarriage of publishing justice” (there were far, far more worthy romance novels than there were agents and publishers to snatch them up); many of the quality writers began to coalesce into writing groups and I was actually invited to join in with them; a third Gather contest — crime/mystery novels — commenced soon after the conclusion of the romance competition and I had, only days before, finished a crime novel (The Medicine People); once again I encountered and befriended a number of outstanding writers and experienced the reality that only one of them was going to receive a book contract; at the end of that contest, a blended group of romance and crime authors decided to take matter into their hands and start up a publishing company; that company (Second Wind Publishing), ten months after its inception, has twenty books available for purchase in multiple venues with another twenty waiting in queue.

The other day I was marveling at the uncanny string of events that brought me so many wonderful new friends (by the way — thanks, Pat, for the invitation to be here!), saw the publication of my first two novels and empowered me to express my artistic vision in ways that I never imagined.  Ironically, as I participated in the Gather contests, I had assumed I would be one of those writers who might pen a worthy story, but never get picked up by an agent or contracted by a major publishing house.  In retrospect, I’ve gotten to the point where I feel pretty lucky that I didn’t.  In fact, as I read Julia Cameron’s remarks in her wonderful book, The Artist’s Way, I began to wonder if in fact what I saw as a lucky string of chance events was really a matter of listening to a still, small voice that has always intended better for me than I could have imagined for myself.  If Julia Cameron is right, that same little voice has something to say to all of us.

My premise is this: whatever force there is out there in creation (call it God, destiny, a Higher Power or whatever you want) actually wants you to write. When you write, you are fulfilling an essential aspect of your truest purpose for existing. What do you think?

Here is another far out, mystical question: for the sake of argument, let’s say the universe wants you (in fact the whole perverse group of us literary creative people) to write. Is there such a thing as praying for help with your writing? What would you pray? “Get me unstuck, O literary angel”? What about this, “Let my writing muse guide me to express my truest self as a writer, and trust the outcome to be in greater hands than mine”?

What if your literary angel has a purpose and story in mind for your writing that is greater than anything you can currently imagine? Of course that implies that being on the NY Times bestseller list may not be the greatest destiny.

See also: Pat Bertram And Lazarus Barnhill Discuss Writing as Destiny

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Unreal Characters From Real Life

In a couple of previous bloggeries, I spoke of finding ideas, and how many thousands of ideas need to be accumulated to create a story. Ideas for characters — both believable and unbelievable — can come from real life. And not necessarily your own life.

In the 1973 book Cecil B. DeMille by Charles Higham, Higham talks about DeMille’s problems with Victor Mature while filming Samson and Delilah.  DeMille, who chose Victor Mature to be Samson because of his role in Kiss of Death, was horrified when he first saw Mature at a costume test. He was badly out of condition, with fatty, flabby muscles. DeMille sent him to a gym for weeks of severe training until he lost thirty pounds. But that’s not the interesting bit.

Once shooting began that fall, Mature turned out to be even more problematica. He was a victim of numerous phobias: fear of water, fear of lions, fear of swords, and practically everything else as well. His genial, charming personality was far too weak for DeMille’s severe and stoical taste. When  Mature appeared in the battle of the jawbone in which a great wind swept through the studio, he took fright at a particularly violent, machine-made gust, and fled, hiding in terror in his dressing room. DeMille had him brought back like a naughty boy who had run away from school. He picked up his megaphone, and in a voice icy with disgust, shouted in full hearing of the immense cast and crew: “I have met a few men in my time. Soem have been afraid of heights, some have been afraid of water, some have been afraid of fire, some have been afraid of closed spaces. Some have even been afraid of open spaces — or themselves. But in all my thirty-five years of picture-making experience, Mr. Mature, I have not until now met a man who was 100 percent yellow.”

A few notes about John Wayne from the same book: John Wayne hated horses. He was a good chess player. He got straight “A”s toward the end of high school. The sand in the batch of cement outside Grauman’s Chinese Theater where John Wayne put his prints came from Iwo Jima. Also, John Wayne only had to read his lines one to memorize them. He was a voracious reader. 

These are the kind of ideas I like, the ones that make us think of characters in a different light: the hero who is afraid of everything; the big, physical man who is a great reader.

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The Living Language of Dying

The language of death and dying is a fluid, living language because people are forever trying to blunt the cutting edge of grief by using new words.  Here are the living origins of a few words about death.

Coffin comes from a Greek word meaning basket, which is a euphemism for casket.

Crypt means concealed.

Pyre means hearth or fireplace.

Dirge came from the “Office for the Dead” which included an antiphon that began, “Dirge, Domine, Deus meus,” meaning “Guide, O Lord, my God.”

Embalm means to anoint the body with sweet spices.

Eulogy means blessing.

Grave means to dig.

Hearse is a large rake. Turned upside down, it looked like a candelabrum, so the candle holder became known as a hearse. These elaborate candle holders became associated with the vehicle used to transport it and the corpse to the cemetery.

Morgue is French for “haughty superiority,” and was the place where new prisoners were grilled. This room was also used to dispay and examine bodies of persons who had kied under questionable circumstances.

Pallbearer comes from pall meaning a coronation robe. Because it covered the whole body, its name became used to designate anything that covered or concealed. For centuries, a pall was laid over a casket being transported to a cemetery. Four men walked in procession, each holding a corner of the pall.

“Where Do You Get Your Ideas?” Silly Question, or Not — continued

A couple of days ago, I posted a bloggery about the question that so many writers hate to be asked: where do you get your ideas? I always thought it was a perfectly sensible question, and now that I am a writer, I know that it’s a perfectly sensible question. Sure, ideas come from our heads, but how? And why does one particular idea take hold when others don’t?

For me, a story usually begins with a series of ideas or a combination of events, but that initial idea is only the first of many. A novel is composed of thousands of different ideas — each scene, each description, each sentence is an idea separate from the original.

For example, There is a scene in my WIP where the hero kicks over a rock and a volcano is born. I’d like to take credit for being so imaginative, but it really happened. In 1943, in Michoacan State, Mexico, a farmer hit a stone with his plow and uncovered a small hole. Steam came out of the hole, the earth shook, and Parangaricutiro Volcano was born. In two weeks, it grew to two hundred feet high, and flames, rocks, and lava were erupting from it. In my story, it takes only minutes for the volcano to grow, and a day for it to grow to two hundred feet, but is that hardly more fantastic than the truth.

Another example: we have a lot of native roses around here, a flat yellow, or red, or red and yellow rose that smells like oranges. In one scene of my WIP, the hero is so dehydrated that when he smells the orange and goes in search of what he thinks is an orange tree, he is devastated to discover rose bushes.

Where do you find all the ideas that you need to complete your book? Do they all come from your head or do you buy them on Ebay (a joke, and one that I borrowed from someone else.). Do you integrate your real life experiences? Do you go searching for ideas, or do they come searching for you?

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Pat Bertram Is Two Years Old Today!

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On May 17, 2007, I — or rather, Pat Bertram — signed gift4up for the Internet, and it was love at first byte. The entire world opened up to me, and I was reborn. I’d already written four books, but until I went online, I hadn’t started creating the author of those books. Who should I be? What name should I use? I considered using a male pseudonym, Cole Black, perhaps, since men with hard C’s and K’s do well in the public arena. Anyone heard of Steven King? Dean Koontz? Tom Clancy? Kevin Costner? Clint Eastwood?

In the end I decided to stick with a version of my own name, one that I didn’t use in my offline life. It’s a good name for an author with enough hard consonants to sound authoritative. And it has the whole androgynous “It’s Pat” thing going for it; I can be whoever I want. Besides, p’s and b’s and t’s and r’s didn’t hurt Brad Pitt any.

I signed up for my domain, set up a website at patbertram.com, then fished around for another way to create myself, and discovered blogging. I didn’t even know what a blog was, didn’t think it was something I would ever be able to do (my diaries as a kidgift3 never lasted more than a day or two), but I’d discovered that an author needed a blog. Since I was intent on creating myself as an author, I signed up for WordPress, and oh! What a joy! I could write whatever I wanted, say what I wanted, be what I wanted, and people would read what I wrote. Okay, only a couple of people read Bertram’s Blog at the beginning, but I am still friends with one of them. How cool is that? I’m too embarrassed to admit how many blogs I now have — some of which I keep up with on a regular basis, soballoons1me I don’t — but blogging remains one of my favorite online activities.

From blogging, I went to Gather.com to enter a crime writing contest, and through a series of incredibly serendipitous encounters, I found a publisher. And more friends. After that, of course, I had to start promoting, so I started social networking. I’d heard from so many authors how much they hated promoting, but me? I think it’s great fun. It’s all about making friends, and what’s more fun than that?

So, friends, please join me in celebrating this very special birthday. You don’t even have to bring me a present. I have presents for you! Click on either package to open.  I hope you have fun.

I know I will.

Puzzling Out Promotion

Writing means many things to many people. It is like a mythic journey into self, other lands, other minds. It is like archeology, like exorcising demons, like channeling, like performance, like a faucet. It is like having an adventure. It is uniquely human, and it brings out the divine in us. It is breathing, a compulsion, a necessity, a reason for living, an obsession, a fun pastime. It is exhilarating and frustrating. It is liberating. And it is like comfort food, chocolate, and cherries. It is like magic.

Because of this mystic connection to their words, other writers don’t seem to understand why I can stop writing to promote my newly published books. For me, writing is like the world’s longest crossword puzzle, one that takes a year to complete. I like playing with words, finding their rhythm, and getting them to behave the way I want. I like being able to take those words and create ideas, characters, and emotions. Amazing when you think about it, how we can juggle twenty-six symbols in different ways to create words, sentences, paragraphs, worlds. And what one person writes, another can read.  (more . . . )

(This article was originally published and is published in full on Vince Gotera’s blog, The Man With the Blue Guitar.)

Negative Reviews: Are they Always Negative?

My Suspense/Thriller Writers group on Facebook is discussing the postive aspects of negative reviews this week, and Roni Gehlke left a comment that’s worth passing along.  Roni wrote:
 
As a reviewer and a writer I have to say that there are all kinds of ways people can give you a negative review. As a writer I don’t mind hearing people give me constructive criticism, especially if they know what they are taking about. After ten years I’ve developed a thick skin, at least I hope I have. I still get disappointed when I hear someone didn’t like what I wrote, but as long as there are others who do, I push forward.

I cannot abide by people who just appear to be mean spirited, though.

For example, I have a favorite author who is constantly getting bashed on Amazon. It isn’t that she is a bad writer, obviously l like her and she’s been around for over 30 years writing novels. I believe there are some people who don’t like her style because they don’t hold the same values she does and because of that they criticize everything she writes. Sometimes I have to ask whether these people have even read the book or are just writing a bad review to be mean.

This particular author writes contemporary western cowboy romance novels, about strong alpha men and virginal women. Just because one believes that there are no longer virgins in the world and strong alpha males are bruits doesn’t mean that the stories are bad.

Because you don’t agree with the author’s topic of writing is no reason to give a bad review. If you don’t like gay books or ménage books, don’t read them and don’t force you’re values on those who enjoy them. When bad reviews are written for this reason it is unfair to the author and unfair to those who may wish to read the book but then follow the advise of the reviewer and don’t.

Since I started reviewing books I work carefully to check out all angles of a novel. If the subject matter offends me, and little usually does, I won’t read it or review it. Why waste my time or the readers who may follow my advice.

If the book has fatal flaws like grammar errors, even I as a novice can find, then I might mention it and shave off a few points of the end score, but it doesn’t mean it will get a bad review either. If the story has a good theme, well thought out characters and in the case of suspense and thrillers, keeps me reading until the very last page it will get high scores from me.

One final note: I read an author’s blog a few months back where she was very upset that she had received bad reviews on one of her books. This is a tough industry. People give bad reviews in ignorance, in spite and just because they can. Authors spend a lot of time and put a lot of themselves into their work. The first few bad reviews may sting, but keep in mind that you will always get bad reviews before you will get good ones. More people will complain then praise. It is just a fact of life. Try to look at the bad reviews as a learning experience of what people don’t want to see, balance it with the good reviews of what people do want to see and get right back in front of that computer and start again. If you are lucky enough to get published, that says everything right there.

Happy writing.

If you are a fan of romance and happy endings, check out Roni’s Blog: Romance Books Scene.

A Stranger on My Own Blog

Sometimes I get to feeling like a stranger on my own blog. I know I’ve told you several times before that I’m going to reclaim it for myself, but I keep meeting fascinating people who have more interesting things to say than I do, so I invite them to write a guest post. Sometimes I don’t even know how fascinating the people are! I met Vince Gotera on Facebook when I added my Suspense/Thriller Writers group to his index of Creative Writing Sites on Facebook, and we struck up a sporadic conversation. (Actually, I think sporadic is being generous.) The upshot of the deal was that he would write an article for me about an editor’s pet peeves. How was I to know that Vince is the editor of  the prestigious North American Review, the longest literary magazine in the U.S.? Actually, I should have known the magazine was a big deal — with Google, there is no excuse not do one’s homework. Still, it makes me seem as if I’m way more savvy than I really am. If you haven’t already, be sure to check out Vince’s bloggery, “Submitting to Literary Magazines 101: Professionalism.” And don’t forget to read the comments. Vince was a perfect guest, responding to everyone who commented. Even more thrilling, this is just the first installment of a three-part series.

I’m doing it again — aren’t I? — talking about other people instead of myself. But I don’t know what to say anymore. When I first began this blog, I gave writing tips and suggestions, then somewhere along the way it began to seem presumptuous. Who was I to tell anyone how to write? Two hundred rejections is not an indication of a great writer! At least it’s not an indication of a writer who follows the rules she’s propagating. Then I got the idea that I should write that which only I can write. Again, a presumptuous idea. But I did talk of my WIP (poor stalled creature that it is) until I found a publisher who loved my books More Deaths Than One and A Spark of Heavenly Fire. Then I started promoting. Or at least talking about it. I don’t have a clue how to get from here to selling the thousands of books I should be/could be selling.

Which leaves me to talk about . . .

I don’t know. At least I don’t have to figure it out for a while. Joan De La Haye is going to be stopping by here on May 5th as part of her blog tour. Then Steven Clark Bradley will be here shortly after that talking about the importance of perseverance in writing.

Meantime, I started a new blog — one just for me. I liked the idea of the WordPress P2 theme, (sort of a Twittery thing) and had to try it out. Stop  by and say hi! Talking about presumptuous — I call my new blog The Mind of Pat Bertram. Sheesh. As if anyone cares what goes on inside my head.

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Goddess of Poetry: Patricia Smith

On March 31st Bruce DeSilva, the writing coach at The Associated Press in New York City, posted one of my book trailers on his Facebook profile. He prefaced it with: Check out the trailer for the new book by Facebook goddess Pat Bertram.

I shot back a thank you, with a wry: goddess? I thought the rest of our email conversation noteworthy, and I wanted to share it with you.

Bruce: “The Goddess” is what I call my wife, the poet Patricia Smith. I do NOT throw the term around loosely.

Pat: I am honored. Actually, I was honored even before your explanation, and now even more so.

Bruce: If you want to see Patricia in action — she’s truly incredible — go to this URL and look at the great video. It’s the Borders “poetry open door” site. Believe me, you’ll be very glad you did. http://www.bordersmedia.com/odp/smith.asp

Pat: You’re right, Patricia is incredible. I always thought of poetry as quiet, visual. But hearing and seeing it spoken turns it into something different — something alive, dynamic. I never realized that before.

Bruce: Poetry was originally meant to be spoken out loud. Academics took it over and turned it into something dusty and stuffy. But poets like Patricia are taking it back to its roots and, in the process, getting it a wider audience. Yet Patricia’s work not only works on the stage but on the page. She works not only in free verse but in form, producing great sonnets, sestinas, crowns, etc. She’s a four-time National Poetry Slam champion, but she’s also National Poetry Series winner and a National Book Award finalist. Yes, I’m very proud of her.

Pat: You’re proud of her? I couldn’t tell.

Bruce: There’s another series of videos scheduled to be put up on the site soon, and I’m thrilled that the filmaker, Anthony Tedesco, who had me man a second camera, gave me a camera credit on it.

So, as Bruce said, check out the video of Patricia Smith reading her poetry. You will be glad you did. Border’s Open-Door Poetry site.

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My Novels Did Not Make the Earth Move. Or Did They?

This is the first day of my post-book-launch-week life, and I feel just the same. The past couple of days I felt a bit let down when I realized my book release did not make the earth move. Well, there was that earthquake in Italy, though I don’t think I had anything to do with it. But you never know. If a butterfly flapping a wing in the Amazon can cause a typhoon in Malaysia, perhaps the ripple of my books being released into the atmosphere of the literary universe could have become so magnified as to make the earth quake, but I hope not. I would not want all those deaths and injuries on my conscience.

But today I feel . . . well, I feel released. Getting the books published has been a long, hard journey, from the first word to the final product. A journey that took almost a decade. I have to admit, though, that these past few months have been the hardest — months of always being a step away from publication, months of knowing that the books were almost ready but not quite. But all that is past. As Goethe wrote, “There is only the eternally new now that builds and creates itself out of the elements of the past.”

So now it’s time to build my future out of those past elements, though as what I don’t know. A published author whose books people love? An author who sinks into the slime of “never heard of her”? A desperate self-promoter screaming “looka me, looka me” to an uncaring cybercrowd? Whatever happens, I hope I will handle it with grace.

I’ve already been baptized into the realm of anonymous ratings. I noticed on a couple of sites that my books have a one-and-a-half star rating, which means that two people had to have rated them, one with a single star, one with two stars, yet as far as I know, no one has read my books. A few people might have received their order by now, but no one has emailed me to say what a fool I am to think I could write. On the other hand, no one has emailed me to say they loved the books. Which means . . . nothing.

I know I have an incredible task ahead of me. Promoting a book in today’s market is like tossing a pebble in a gravel pit. Who can find one book or one pebble among so many? And yet, if the sun shines just so, if a spark catches someone’s eye, perhaps it will be found and treasured.

And maybe, just maybe the book will make the earth move.

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