There’s Plenty of Grief to Spread Around

I’m participating in NaNoWriMo, trying to find a new way and new reason to write now that my life has been turned upside down. I never liked wasting my writing — I liked to think that whatever scene I wrote had a place in the story. Writing comes hard for me (even when I’m playing the quantity game rather than the quality one) so writing for writing’s sake was never on my agenda.

This month, though, is all about the words, so it doesn’t matter whether the scene works or not. It doesn’t even matter if I scrap most of the book. It’s important just to write something so that when it comes time to put the story together, I will have bits and pieces to work with.

I always knew the mother and daughter in my story didn’t get along. The mother needs someone who will argue with her, someone who has no sympathy for her grief. I’ve been assuming that the daughter found out about her mother’s cyber affair and accused the mother of being a hypocrite, and that is how I wrote the scene. Now I know that when it comes to grief, there’s enough strife to spread around, so I could probably leave the daughter in the dark about the affair.

Real mothers and daughters (not just storybook mothers and daughters) don’t see eye to eye when it comes to grief. Daughters often feel as if their mothers are carrying on too much, since grown children may come to terms with their loss easier than spouses do. Grown daughters often feel as if they’ve lost both parents when the mother becomes steeped in sorrow. Sometimes the conflict goes the other way, with the mother feeling estranged from the daughter especially if the daugher did not visit the sick father very often. (Not everyone can handle seeing a person dying slowly and in great agony and would prefer to remember the person as healthy and vital.) 

Grief should bring families together, but often it tears them apart. All that anger surfacing. The denial. The recriminations and guilt. Not everyone goes through the stages of grief in the same order. Nor do they go through them at the same time or with the same intensity.

With so much emotion to deal with, it does seem as if the daughter doesn’t need to know about the affair. In fact, I’d just as soon she didn’t come to visit her father while he was dying, at least not toward the end. A friend of the mother’s stopped calling too, which left her to deal with her dying husband without much of a support group. Which is why she had to find it online. Which is where she found her cyberlover.

If the daughter doesn’t know, though, I’m not sure how the mother will explain to the daughter why she’s taking off to meet the guy, but maybe the estrangement between the mother and daughter is such that no explanation is necessary. I’ll guess I’ll have to wait to see what happens when I finish the book.

Ready or Not, Change is Coming Your Way

Most of my internet hangouts and hang-ups (meaning obstacles to smooth progress for those of you who are too young or too erudite to be familiar with the term) are going through massive changes. I checked in with MySpace (one of the aforesaid hang-ups — it never seemed to be worth the effort) and didn’t have a clue where I was or what I could or should do once I arrived. I did like some of the changes — it’s easier to find things, but the constant barrage of ads is enough to give one a headache. Still, it might have possibilities, though many long-time MySpace fans seem to be abandoning the site. They say Facebook is easier.

Facebook itself is going through major changes. Not only did they revamp the group feature, which will eventually undo everything I have accomplished on the site, it makes it virtually impossible to keep control of your identity. Anyone can add you to a group without your consent, and that means that their friends and the friends of their friends have access to your information. For me, that’s not a problem. I go by the assumption that everyone in the world will see what I post on the site, and so only post what I want people to see. So far, no one seems overly impressed.

Facebook is unveiling a new message system, which supposedly combines email, facebook messaging, instant messaging, and texting, which means you can interface with anyone, anytime, anywhere. Quite frankly, I have a hard enough time keeping track of the people I am connected to. Most of them I’ve never met, so gradually I’m checking them all, and weaning out those I would never, could never be friends with. Perhaps a page, with it’s unlimited number of potential fans, replaces the facebook profile, but so far I don’t see the point. I do have a fan page, but haven’t figured  out how to make it work for me. Maybe frequent status updates? Or even unfreqent ones?  I do know sending an update (a type of message, not a status update) does not work. No one reads them. Or at least very few. How do I know? I sent out a coupon for a free ebook and to over 1400 fans and only three people took advantage of it. Of course, that could be me — maybe none of my fans want a free ebook. In which case, I’m back to wondering why I even have a Facebook fan page.

WordPress is undergoing changes. They retired the theme I used when I set up the Second Wind Blog. Perhaps the new one will work. I’d like to add book covers to the sidebar to make it more like a website and offer visual-oriented people something to look at besides the header, and the new theme has an extra sidebar. My main problem with the change is what it portends. I did not know Wordpress retired old themes. What if they retire the theme I use for my many blogs? I always liked the color variations I created (green, blue, purple, red, orange) and I would not be pleased with a forced change. I don’t know that I’ve ever seen another blog that uses this theme, which I always thought was wonderful since I could be unique. But unique means obsolete in cyberspace. I guess I’ll just have to wait and see.

Twitter is also making changes. I like my twitter profile, and even left space for my fourth book, Light Bringer, which will be coming out in the spring of 2011, but now twitter has added more features, the main section where the tweets show up is off-center (I prefer my main reading pane to be smack-dab in the center of the screen), and my custom made screen is defunct.

The friends I’ve made online remains the best thing about the internet. I’m hoping that will never change.

Grief: Denying Denial

I never really had a choice about feeling my grief. It wasn’t so much that I embraced it, but that it embraced me. It took hold of my life and didn’t let go, though it is easing enough so that I am able to see the process for what it is.

People talk about denial as if it’s a bad thing. If I’d been able to deny grief and just go on living as if my mate of thirty-four years hadn’t died, I’d probably have done so. Grief is debilitating, disorienting, causes innumerable physical and emotional reactions, makes one susceptible to cancer, accidents, and other closer-to-death encounters and on top of that, it’s just downright painful.

So why deny denial? Because in the end, it’s better to embrace grief, to learn to live with the pain (which does diminish, though according to comments left on this blog from others who have also lost their mates, it never goes away completely. It can resurface even years later). By embracing grief, by learning how to cope with it, you can learn how to feel deeply again, look forward to the future, and embrace life. This in no way negates your loss, but allows you to honor his death with your life.

Another reason to deny denial is that grief will affect you whether you embrace it or not, but the effects of denied grief are not overt ones such as crying, eating too much or too little, sleeping too much or too little, feeling as if you’ve been kicked in the gut, feeling as if half your heart is missing. Instead, grief that goes underground can create in you long-term problems, including the symptoms of post-traumatic-stress disorder. Two friends — both of whom lost their husbands a few month ago, both of whom are deluged with family and family obligations that give them no time to grieve  — were diagnosed with PTSD after days of internal quivering that only responded to drugs. They do not have time to spare for grief, but grief is not sparing them.

Grief is stressful, which is why crying, screaming, beating up on defenseless sofas are necessary — they help relieve that pent-up stress. You can go into denial and hold grief in, but it’s like holding in your stomach for years on end — you can never think of anything else but your stomach. If you hold yourself tightly against memories, dreams, unexpected encounters with photos, you have no time for living. Perhaps you don’t see a purpose for living now, but if you do your grief work (and grief is work, there’s no doubt about that) chances are you will regain your desire to live. You might even be able to love fully again, and that means risking more pain, but after dealing with your grief, you will be strong enough to accept the risk.

At least, that’s the way I’ve interpreted the grief process. You might see different reasons for either denying grief or denying denial.

Grief: All Things Considered . . .

Another Saturday gone, thirty-three of them since my life mate died. Saturday — his death day — always makes me sad. Even if I’m not consciously aware of the day, my body still reacts, as if it’s been marking the passing weeks. For some reason grief hit me hard this past Saturday. Perhaps it was the lovely weather we’ve been having, weather he will never enjoy. Perhaps it was the homesickness for him that has been growing in me again. Perhaps it was just time for another bout of tears to relieve the growing tension of dealing with his absence. Grief doesn’t need a reason, though. Grief has an agenda of its own and comes when it wishes.

I’ve been mostly doing okay, moving on with my life — walking in the desert, writing, blogging and doing various internet activities, making friends both online and offline — but nothing, not even my hard-won acceptance changes the fact that he is dead. At times I still have trouble understanding his sheer goneness. My mind doesn’t seem to be able to make that leap, though I am getting used to his not being around. I don’t like it, but I am getting used to it. Maybe that’s the best I will ever be able to do.

Someone asked me the other day how I was doing. “I’m doing okay all things considered,” I responded. His witty and wise response: “Then don’t consider all things.”

I’ve been taking his advice, and trying not to consider all things — trying to consider just enough to get through the day, especially on Saturday.

I don’t expect much of myself on Saturdays. Often, I spend the afternoon and evening watching movies my life mate taped for us. It makes me feel as if we are together, if only for a few brief delusional minutes. I try not to consider that he’ll never watch his tapes again. I try not to consider the long lonely years stretching before me. I try not to consider that I’ll never see his smile again, or hear his laugh. I concentrate on the movies, and so Saturday passes.

By Sunday, I usually regain a modicum of equanimity, but Saturday always comes around again.

Amanda, Amanda, Amanda

Since writing during this month is about word count, not producing a finished work, I haven’t spent a lot of time or thought on visuals to ground potential readers in the scene, I just jumped in with the character and started writing. During rewrites, I’ll go back and add the setting — it’s not a good idea to start every every scene with the character’s name (though many writers do it). Here are some of the sentences I temporarily used to open new scenes. Poor Amanda.

Amanda opened her husband’s closet and stared at his clothes, wondering if she’d ever be able to get rid of them.

Amanda pushed the grocery cart through the aisles, looking for foods that didn’t remind her of meals with David, but every time she reached for a can, bottle, or box, her stomach clenched. 

Amanda checked her emails.

Amanda went from eating nothing but yogurt to eating cookies, candy, cake, crackers, chips — anything she could grab and eat without cooking or having to sit at a table to dine.

Tired of crying, of holding the shattered pieces of herself together, Amanda hugged David’s robe-wrapped ashes one more time and climbed out of bed.

Amanda stared at her reflection in the mirror. The woman looked familiar, as if she had known her intimately long ago, but the woman seemed to have nothing to do with her todays.

Amanda felt her life, her love for David rewinding.

Amanda checked to make sure the box was empty.

Amanda woke to light seeping in from between the slats of the closed blinds.

Amanda wandered through the house, seeing not the shabby furniture, the shelves overloaded with books, the 20-inch out-of-date television, but the home she and David had created.

Frenzied with grief-induced adrenaline, Amanda yanked open the door to David’s closet and slammed his underwear into a garbage bag.

Don’t Mess With a Grieving Woman

This is an excerpt from my NaNoWriMo novel:

Amanda was fumbling in her purse for her keys when a voice said, with low-toned menace, “Give me your purse or I will kill you.”

She jerked her head up. Standing between her and her Corolla were two men who looked barely old enough to shave. One jiggled from foot to foot like a child who needed to go to the bathroom, but the other stood firm, his hands steady on a gun.

The scene didn’t seem quite real. Perhaps she’d wandered onto a movie set? She looked around. No cameras. Just the two men standing before her in broad daylight.

Was there such a thing as narrow daylight? She giggled at the thought. Then stopped abruptly. I really am going crazy.

“What’s with you, bitch?” screamed the man with the gun. “Gimme your purse or I’ll kill you.”

“Promise?” Amanda said, clasping her purse to her chest.

The jiggling man lifted his hands and pointed a finger at her like a gun. “Yeah, we’ll kill you, bitch.”

“Okay.” Amanda stared at them, hope blossoming in her chest. God provides, David had been fond of saying. Maybe God was providing a way out of her grief.

The hand with the gun began to waver.

“Do it, man,” yelled the jiggler.

“Yes, do it,” Amanda said softly.

“I’m out of here.” The gunman took off running.

The jiggler danced in place. “Where are you going?”

“She’s crazy. Or a cop.” The words floated back to them from between a pick-up and a mini-van.

The jiggler looked longingly at Amanda’s purse, hesitated, then trotted after his companion.

Opening a Vein

There’s nothing to writing.  All you do is sit down at a typewriter and open a vein.  ~Walter Wellesley “Red” Smith

I always thought the above was a silly, though poetic thought. If a story really does mean that much to a writer, why are so many books barely adequate? They tell a story, but have no depth, demand no blood in response, give no transfusion.

Even from a writer’s point of view, the idea seems rather overblown. Writing is more of an intellectual activity, at least it always has been for me. But not with this NaNoWriMo project, my grieving woman book. For the first time, I understand the sentiment. I feel as if I am opening a vein while writing the story. Or at least picking at scabs. I thought I was moving right along with my grief, handling it well, but yesterday while writing I hit too close to the truth.

I worried about doing this project, wondering if it was too soon to re-immerse myself into the world of grief, even if only through fictional characters, but I jumped in with both feet. And now here I am, crying again.

I have a hunch that the only way out of this writing dilemma is through, so I’ll continue to open my vein of grief. As Ray Bradbury said, “You must stay drunk on writing so reality cannot destroy you.”

These are the final words of the scene that destroyed my equilibrium:

“Do you need some liquid morphine?” Amanda asked.

David looked up at her. “Is it time?”

“You can have the liquid whenever you want it.”

“I don’t want to go to Hollywood and be an actor.

An actor? Amanda tried to decipher his words. His mind seemed to take convoluted paths when the simpler words wouldn’t come. Then all at once she understood. “You won’t become a drug addict. I promise.” She left the second part of her thought unspoken. You won’t live long enough to become addicted.

Healing the Split In Ourselves

I’ve spent many hours walking in the desert during the past few months, which has given me plenty of time to contemplate grief, life, death and anything else that comes to mind. One thought that filtered through my mind was the idea that when my mate died, I split in two. The me that shared a life with him is grieving still, while the other me, the one who was born with his death, continues to live and grow. As long as I am in the person of this second me, I do fine — I’m strong, in control of my emotions, looking forward to what comes to me in life. The problem is that I keep slipping over to the other me, the grieving me, and when I do, the grief is as new as it was when it first hit me. The task is to reconnect the two parts — both the grieving me and the new me.

This might seem like dissociative personality disorder, though it’s not really a disorder. It’s how we all deal with life. I don’t remember the name of the person, but a psychologist once hypothesized that there are no true moods. What we think of as moods are different personalities. This natural order becomes a disorder when you lose track of yourself during mood swings or when they cease to be a way of dealing with life and become a way of hiding from life. I don’t know the truth of this, nor do I know the truth of my idea of splitting apart, but my idea feels true. I can almost feel the clunk of the gears as I switch from one mode to the other. I don’t switch as often now, which makes me think I’ll eventually be whole again.

Today, at my grief group meeting, I had a graphic example of how I am moving beyond my grief (at least for the moment. It does swing back and slam me in the gut from time to time).

During these meetings, there is a lesson — a topic — that we discuss before going on to personal updates. One of today’s lessons started out: Grief brings with it a terrible and lonely loss. Instead of acknowledging the sentiment, and contemplating my terrible and lonely loss as I was supposed to, I looked at the words, and said, “No, it doesn’t.”

This brought the meeting to a standstill while everyone stared at me.

“Grief doesn’t bring the loss. Loss brings the grief, ” I said.

More silence. Eventually, they agreed with me, probably to shut me up and get the discussion going again.

The point is, I focused on the words, not on the emotion. Of course, this could be more that I’m in writing mode than that I’m moving on with my life, but I took it as a good sign. Because this is the truth: death brings a terrible and lonely loss. Grief is our reaction to the loss, and ultimately it’s how we learn to heal the rift in ourselves brought about by that loss.

My Topsy-Turvy Writing Life

NaNoWriMo is good practice for me, this writing without stopping to think.

I’ve always been a slow writer, but I can also see that the way I wrote and the reason I wrote created the slowness. I used to write at night when all was quiet, then the next morning I would read the work to my mate. The piece had to be cohesive, well written, and most of all entertaining because that is why I wrote — to entertain us. That way of writing taught me to pull someone immediately into a scene, to make characters come alive in a few words, to add a hook or reward on almost every page.

I had my reward in his smile. Whenever I saw his lips curve in a secret little smile, I knew I’d hit the scene perfectly.

He and his smile are gone from my life. I’ve had to find a different way of writing and a different reason. For now, meeting the challenge of NaNoWriMo is reason enough. The very nature of the challenge is helping me find a new way to write. Instead of searching for the perfect word, I write any word that comes to mind, trusting that during the rewrites I will find the right one. If no word comes to mind, I leave a blank space and continue with my train of thought.

I also have no need to write a coherent story from beginning to end for there is no one to follow along as I write. I jot down whatever scene is foremost in my mind. I also write in the morning since it’s quietest here then. Also, by writing in the morning, I can come at the task in an oblique way before excuses begin to get in the way.

Some of what I’ve written will need little revision. Other bits read more like notes for a novel than a fleshed out scene and will need to be completely revised. Other parts are redundant and will need to be junked. But I am keeping up with my word count (probably because I am leaving out the hard bits, like descriptions and sensory details), and that is an important achievement.

I’m getting into the rhythm of this topsy-turvy life. From being one of a couple to being alone. From living near the mountains to living near the desert. From writing at night to writing in the morning. From writing beginning to end to writing whatever scene catches my attention.

I’m still writing the same type of book, though — a non-literary literary novel. The way I understand it, a literary novel is a story that addresses the major themes of life, and the way it is written — the choice of words, the sentence structure, the imagery — is more important than what is written. I fail in the second part — I strive for a simple, easy to read style that doesn’t detract from the story — but I do address major themes, especially in this work. Life. Death. Love. Grief. Relationships. The meaning of life. All while telling a good story. At least, that’s the plan.

I’m hoping someday you’ll be able to tell me if I succeeded.

Desert Revelation

While walking in the desert this morning, I had a vision. Well, not a vision so much as a revelation.

I’d been thinking about my grieving woman novel, which is shaping up to be the story of a woman in search of herself. She is directionless after her loss, has a lot of unfinished business to take care of, and is trying to figure out who she is now that she is no longer a wife. I wondered if people would accept that this woman is finding out all sorts of things about herself that she didn’t know — after all, a person in her early fifties should have some idea of who she is.

Then I realized that even if we have a strong identity and know almost everything there is to know about ourselves, it’s still possible and perhaps necessary to revise our self-concept, especially after going through a trauma such as a major loss.

I saw that our psyches are like nesting dolls or boxes within boxes or doors within doors (choose your cliché). You never see the doors, so you think you know who you are, but a great emotional upheaval can cause a door to open, letting you see more of yourself and what you are capable of, revealing a part of your identity that might have been hidden from you until that moment.

You get to know who you now are, adding to or changing your idea of yourself, rethinking the past in light of this new awareness. You get comfortable with this revised self-concept and then BAM! More trauma, and another door. You never have to go through the door, of course, but if you do, you might find riches of which you were unaware.

What can I say? It was the desert. Wandering in the desert is traditionally a place for both sun-induced absurdities and great insights.