Starting the Year With a Feeling of Dread

In a post I wrote six years ago, I mentioned that I was starting the year with a feeling of dread. Back then, I didn’t know what brought on the feeling, but I have the same feeling this year, and I do know what is causing the dread.

I don’t like talking about my financial situation because it makes me look like a fool, but the truth is, I spent most of the last decades looking after sick and dying relatives. At the time, it seemed the right thing to do (and I still know it was), but it left me without any retirement. I’ve been living off savings and a small inheritance, and this year there will come a time when I have to make some hard decisions, such as where to live and where to get a job. (The only thing I am qualified for is taking caring of folks, and I simply cannot do that anymore.)

Knowing that this decision was coming was a big impetus to getting my works in progress finished, but I destroyed my arm before I could finish the third book, and I haven’t been able to get back to it. Maybe I will finish it this year before my life changes beyond recognition . . . again.

I’ve drifted this past year, and unless I make those hard decisions, I probably will continue to drift until the money for one more grand adventure is gone and the need to settle into a new and unwelcome life becomes dire. (Oddly, the decision to get up and go on that last big adventure is just as hard as the other decisions because once the adventure is done, then those other changes will have to be made.) Status quo will hold until May when I head up to Seattle. On that camping/hiking trip, I will face the reality of what I am capable of, and if it is possible to live a nomadic life for a while.

(I have two dreams — one, to hike one of the long trails, and the other to be nomadic for a year to see what if anything will happen. It’s entirely possible both dreams are leftovers from my grief days. It’s also possible they stem from the unwillingness to do what I must to take care of myself. Whatever the reason, I do yearn for a spiritual journey, a vision quest, something that catapults me into “more.”)

I have not cried at all since March 26th, the day before my seven-year grief anniversary, the day before I got the external fixator off my destroyed arm, but in the middle of last night I woke with tears on my face, whispering, “I am so afraid, Jeff.”

I have been very good about living in the day and for the day, without too much thought for the future or too much looking to the past, but all this talk of a new year must have gotten beneath my defenses. (And then, there is this dang flu that came to visit me, which doesn’t help matters.) Admittedly, with the state of my arm this past year, there was really no other choice but to live in the day, to heal and exercise the poor limb, but it is slowly getting to the point that no further progress can be made, so I will have to live with the weakened arm.

There is nothing I can do about anything today — not the finances, not the fear, not the flu — so I’m going back to bed.

I hope all your decisions this year will be easy ones.

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Happy Birthday to the Crossword Puzzle!

To honor the 104th anniversary of the crossword puzzle, here is a special gift just for you! (Feel free to print the puzzle to make solving it easier.)

Bertram’s Puzzle

crossword

Across
3. A formal assessment of a work
4. A person who has written a particular work
6. A fictional person
7. Death notice; the piece in the newspaper that catapulted Bob Stark onto his journey for self-discovery in More Deaths Than One
9. The interrelated sequence of events in a work of fiction
11. Category of a novel
13. The state that was quarantined in A Spark of Heavenly Fire
14. Archaic word processing instrument with delete capabilities
15. A book-length work of fiction
17. A person who uses penned or typed words to communicate ideas or tell stories
18. An electronic version of a book
19. Relationship of James Angus Stuart to Mary Stuart in Daughter Am I

Down
1. Name of Pat Bertram’s blog (2 words)
2. Prose that describes imaginary events and people
5. Author of A Spark of Heavenly Fire, More Deaths Than One, Light Bringer, and Daughter Am I (2 words)
8. Pat Bertram’s publisher (2 words)
10. The country where Bob Stark from More Deaths Than One lived for eighteen years
12. The treasure that Mary Stuart searched for in Daughter Am I
16. A written or printed work consisting of pages glued or sewn together along one side and bound in covers

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Measuring Success

In her book Anatomy of Spirit, Caroline Myss writes: “While we measure our own success in terms of our personal comfort and security, the universe measures our success by how much we have learned. So long as we use comfort and security as our criteria of success, we will fear our own intuitive guidance because by its very nature it directs us into new cycles of learning that are sometimes uncomfortable.”

I’m not sure I’ve ever measured success by comfort, though it has long been a favorite pursuit of mine. Why try for big adventures when you can stay home in the comfortable chair and get almost the same benefits by reading about people on big adventures? (Apparently, there is a place in our brains that translates such vicarious pleasures into its own reality, though I doubt you get the same benefit you would get if you were actually out on the adventure, and I know you don’t get any physical benefits, but it is definitely more comfortable.)

I have never measured success by security, either, though I certainly wish I didn’t have to worry about money. (Whenever I think such a thought, a tiny reciprocal thought appears — “well, then, don’t worry about it.”)

As for what the universe wants and measures, I haven’t a clue. Does the universe have cognition? It’s hard to tell. The universe doesn’t talk to me, and it has not yet imparted what sort of lesson I have learned from nearly destroying my hand/wrist/arm/elbow. Shouldn’t I have learned something? You’d think such a traumatic experience would have led me somewhere meaningful, but I cannot think of a single lesson I have learned.

This is all just semantics because, with my continued talk of going on a grand adventure, I obviously believe the truth of Myss’s statement — I  do feel some sort of intuitive guidance toward the very idea of doing an iconic hike. And she make sense of why I would dream of going on an epic backpacking trip that not only is seemingly impossible for me, but also terrifies me.  Oddly, mental stagnation scares me even more — while comfort is . . . well, comfortable . . . it certainly is not something to get the senses heightened, brain synapses firing, and the body challenged.

The more I think about the impossibility of an epic backpacking trip, the more I find myself guided by the thought, “but what if . . . ?” That “what if” keeps me focused on getting there (wherever “there” might be), and if an epic hike truly is as impossible as it seems, there will still be all the “practice” adventures, the smaller adventures that are supposed to prepare me for the big one, and each of those adventures will bring its own cycle of learning.

Learning has always been my main thing, even more than comfort or security. As frustrated as I get when trying to learn a new dance (sometimes my mind goes blank instead of processing the sequence of steps we’re given), it’s the learning that is as compelling to me as the dancing itself.

It’s the possibility of learning and the fear of how I might learn what I will need to learn that makes the idea of an adventure so frightening and compelling, not just the impossible dream adventure, but the possible ones. In the case of the possible dreams, the learning comes in two parts. The first part is the planning/researching, which is what fuels the fear for the second part — the doing. The more I learn about the vigors and rigors of various campsites or trails, the more I want to bury my head under the covers, but also the more I want to go.

(I just thought of something — it’s this comfort vs. learning thing that could be the block that keeps me from finishing my decade-old work in progress. Since I know what I want to write, there is neither the fun nor the excitement of learning something new to keep me going. Maybe I have to turn things upside down to see what happens.)

I will not consider myself a failure if I am never able to even attempt the impossible dream of an epic hike; I will, however, measure my success by the learning and adventures (no matter how uncomfortable) to which I am directed along the way.

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

 

A Different Kind of Christmas Story

No Santa 🎅, no elves, no shopping malls or presents, 🎁 nothing that resembles a Christmas card holiday, but still,  A SPARK OF HEAVENLY FIRE — especially Kate’s story — embodies the essence of Christmas: generosity of spirit.

Kate isn’t the only point of view character in the book — the story is told by four different characters who show four different ways of dealing with the horror of the red death that descends on Colorado right before Christmas. Kate is the spark of heavenly fire, the woman who blazes with generosity during this dark hour of adversity. Two of the other characters are the opposite — they do everything they can to ensure that they survive. And then there is Greg, a reporter, who is consumed with finding the truth of the red death.

I’ve always liked the following scene, which takes place between Greg and Olaf, his boss:

***

“How’s the research coming, Greg?” Olaf asked, a shade too heartilty.

“I feel as if I’m drowning in paper.”

“So I see,” Olaf said, laying a hand on the stack of Takamura’s articles. “Mind if I look?”

“Help yourself. They belong to the newspaper.”

Olaf settled himself in his customary chair with a handful of the papers. A minute later, he raised his head.

“How do these guys get anything printed? If my reporters turned in work as incomprehensible as this, they’d be out of here so fast they’d think they were flying.” He glanced at the papers and shook his head. “Even the titles are incomprehensible. ‘Imitating Organic Morphology in Micro-fabrication.’ I don’t even know what that means.”

“Me neither,” Greg said, thinking if he had to wade through this sort of stuff to learn about the red death, the earth would fall into the sun long before he read half of it. He put his hands together as if in prayer. “Please tell me it’s not written by John Takamura.”

“It isn’t. Doris Stefano, Melanie Levy, Andrew Forbes, and Lee Nishimura collaborated on this particular gem.”

Good. That meant he had to scan it for Takamura’s name instead of reading the entire thing.

“These two are by Takamura. ‘Self-Dispersement of Genetically Enhanced Corn,’ ‘Deviant Behavior in Recombinant Plant Parasitoids.’” He tossed the sheaf of papers back onto Greg’s desk. “Better you than me.”

“What do these guys do?” Greg asked. “Take a course in obfuscation?”

“Probably. Convoluted writing and obscure terms are a way of intimidating the uninitiated, keeping the profession closed to non-scientists, and adding to the scientific mystique. Just think, if diseases had names like Bob and Carol and Ted and Alice, doctors wouldn’t make anywhere near the amount of money they do now.”

Greg laughed. “That’s an idea. They do it for hurricanes, why not everything else?” He mimed seizing the phone and dialing. “Mr. Olaf? I can’t come in today. I’ve got the Bob.” He hung up his imaginary receiver and looked inquiringly at his boss.

Olaf nodded. “Works for me.”

***

Click here to read the first chapter of A Spark of Heavenly Fire

Click here to buy A Spark of Heavenly Fire

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

 

Author Karma and Paying it Forward

For more than nine years, I have been interviewing authors, publishers, even book characters for my Pat Bertram Introduces . . . blog. I have promoted almost 500 authors and never asked for a single thing in return. I figured (silly me!) that some of the authors would do something for me as a thank you, but only a handful of people ever offered a reciprocal promotion, and in fact, most never even helped promote their own interview, expecting me to do all the work. Periodically, I would stop doing interviews, but whenever I had time, I would continue doing them, because, well, you never know if the right interviewee would come along and help catapult me into, if not big time, then bigger time. Besides, it seemed the right thing to do. And I did have the blog. . . .

For some reason lately, maybe because I’m trying to promote my books and few writers are doing anything to help, not even something simple like sharing a post on Facebook or retweeting a post on Twitter, the whole thing has struck me as terribly wrong.

So I changed my policy. If you want me to interview you, I’m still willing to do it, but I have made it a requirement that you promote my books in return. Doesn’t seem like too much to ask, especially since it can be something simple like tweeting my books (tweeting your own interview is not a promotion for me; it is a promotion for you).

Author karma and paying it forward were big concepts back when my books were first published, but come to think of it, that was mostly talk. Even back then, before the plethora of “indie” authors, no one bothered to return my favor. I suppose it’s understandable — most authors seem to think they are special and so deserve special treatment. After all, generally, they are the only author they know.

But still . . . it’s interesting to me that no author ever asked me why I was interviewing them. They all took my promoting them for granted, as if it was their right.

I sound very bah humbugish, don’t I? So not the spirit of Christmas! But too bad. If you want my help, you help me in return. As simple as that.

https://patbertram.wordpress.com/author-questionnaire/ As you can see by clicking on the link, I put the announcement that my interviews were no longer a free service in bold letters. Do you think anyone will pay attention? I don’t.

Wishing you a bah humbug sort of day.

***
Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Killing Grace

Even though it took me along time to decide to write Madame ZeeZee’s Nightmare (killing off one’s friends a good way to lose those friends, and I don’t have any to lose), and even though it took even longer to actually sit down and write the book, the writing itself was easy. I used whatever happened in class for inspiration, and if that failed me, I asked one of the characters what she would like to do, and if that failed, I wrote me writing the book. That was fun! Here is one such excerpt:

***

In every mystery story, it seems, there comes a time when the author wants a way to present insights, needs to show state of mind, or simply gets bored with a straightforward narrative and plays at being creative, so the storyteller recounts a dream.

Since I hate dreams, my own included, I usually skip those parts of a book, so I won’t bore you with the details of my dream. Suffice to say that early Wednesday morning, long before the sun gave any indication of wanting to rise, I dreamed I was Grace grieving the death of Pat. I carried the belief I was Grace into the first moments of waking, and for a second I didn’t know if I were Grace grieving for Pat or Pat grieving for Grace.

In the aftermath of that strange duality, when I came fully awake, I lay there wondering about my connection to Grace, wondering if somehow my talking about her death had brought it about. I no longer thought Grace existed in some sort of quantum state, both alive and dead, and all we had to do was find a way to observe her and she’d magically appear back in the studio, smiling up at us, asking why she reclined on the floor.

I do know that anything is possible, that at our most infinitesimal level, way beneath cellular construction and even atomic configurations, we are created from discrete patterns of nothingness held together by a force of energy that could destroy—or build—the universe. Our senses, and ultimately our brains, translate those waveforms into what we see, hear, taste, feel, know.

That is what we have to contend with in our daily lives—what we know. And I know Grace is dead.

(Grief is not always so conciliatory. I know Jay is dead, but I also know he is at home waiting for me. It’s why I continue to hang around this California desert town though I have no real reason to stay now that my father is gone—I’m reluctant to return to Colorado and confront the foolishness of my belief.)

What do I know other than that Grace is dead? Not much, to be honest, though I do believe someone else was involved with her death. There have been times when one or another of us students slipped on a slick patch of the studio floor, so a fall would not be particularly mysterious, but if Grace had hit her head on the barre hard enough to knock herself out, she would not have been able to arrange herself in the position we found her.

So that left me with three conclusions: someone killed her and arranged the scene; someone killed her and Grace managed to drag herself into position during her final moments; or someone found Grace unconscious, moved her, and left her to die.

But why? How could Grace’s death have made a difference to anyone’s life? I’ve heard it said that there are three main motives for murder—sex, power, and money. I suppose sex could be a motive for the murder of a long-married seventy-five year old woman, but it seemed farfetched to me, especially since she appeared to be devoted to her husband. Whatever money Grace had belonged to both her and Charlie so I didn’t see financial gain as a possibility for a motive, either. And power? What sort of power could Grace have exerted on anyone, or someone exerted on her? I thought of Deb eagerly slipping into Grace’s spot at the front of the class, and I wondered if the desire for that sort of power, so insignificant to the rest of the world, could have made Deb want to do away with a woman she might have considered a competitor.

Knowledge, of course, is power. Perhaps Grace had discovered a secret, but among our assorted classmates, who could have a secret so powerful that only murder would protect it?

I hoped the police would find the truth soon, because the dream made me uneasy. If I couldn’t distinguish between myself and Grace, is it possible others saw the same connection? Could I be next on the murderer’s list?

I got out of bed and dressed for the day, vowing to protect myself. But against whom? Margot, the woman Buffy had picked out as the perfect murderer? Or maybe Buffy herself, a woman who knew too much about the ways and means of murdering?

***

Madame ZeeZee’s Nightmare for those who love fun, dance, murder, mystery, older women who live with all the verve and nerve of the young, and me! (The main character is named Pat.)

Click here to read the first chapter of Madame ZeeZee’s Nightmare

Click here to buy Madame ZeeZee’s Nightmare

 


***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Women With Verve and Nerve

I got a great compliment the other day. A friend I’d named “Jackie” for Madame ZeeZee’s Nightmare (I gave all my classmates aliases to protect the innocent and not so innocent) texted me with the message: My cousin phoned me and called me Jackie when I answered. She had read the whole book, loved it, and said that you really had me perfect. So — in my world, you are a big success.

Such great words to hear! I wanted to show older women living with verve and nerve, and I tried to make the characters sound as close to their real life personas as possible, and it nice to know I succeeded.

I don’t know if you can tell much about Jackie from the following excerpt (it seems to be about me more than her), but this is a fun snippet (and from what I remember, the conversation in real life happened exactly as written here:

Class had started during my musings, and I’d automatically followed along with what my classmates were doing until I heard Madame ZeeZee’s sharp, “Point your toes!”

I knew she meant me, and I sighed. I don’t know what I’d hoped for by taking ballet—maybe grace or strength. Even if I were young and slim, I could never become a ballerina. I don’t have a ballet body, or even ballet feet. I have a hard time pointing my toes, and when I stand on the balls of my feet, my heels barely lift off the ground. Luckily, dancing was like writing. I could practice over and over, trying to get it right.

We did chaine turns across the floor, and most of us stumbled as we tried to keep our balance, but Jackie spun like a top, doing a dizzying number of turns. Jackie McDerr looked like a Buster Brown doll with strong cheekbones, bright eyes, and salt and pepper hair cut straight just beneath her ears. She’d taken ballet classes for decades, and I comforted myself with the thought that maybe ten or twenty years hence, I too, could spin across the floor instead of making the few wobbly turns I now managed.

At lunch after class, most of us drooped wearily onto our chairs, but Jackie sat straight and cheery as always. “So, Pat. Have you started to write the book?”

I thought of lying, meeting her perky question with a perky response of my own, but all I managed was the feeble truth. “Nope. Not a word. There’s still so much I haven’t figured out. Everyone needs to have a secret that’s unveiled in the book, but I don’t want to reveal anyone’s real secrets, so I’d have to make something up. And I’m afraid of hurting people with my fictions.”

I imagined a conversation that might result from an untruth:

Husband: Character B is you, right?
Character B: Yes. Isn’t this great?
Husband: And it’s based on your life.
Character B: Yes, but it’s fictionalized.
Husband: So who is this guy you’re having an affair with?
Character B: I am not having an affair.
Husband: You said Character B is you.
Character B: It is. A fictionalized me.
Husband: And Character B is having an affair.
Character B: Yes, in the book I am having an affair.
Husband: So who is he? Do you want a divorce? Is that what you’re saying?
Character B: No. I’m saying I’m character B.
Husband: Do you want to leave or do you want me to leave?

“It’s a big enough responsibility shaping one’s character’s life,” I said, “and to have the real person influence the character. Having the character influence the real person’s life is more responsibility and guilt than I can handle.”

“Maybe it doesn’t have to be a secret, even a made-up secret.” Jackie took a bite of her vegetarian burrito and chewed it slowly. “Maybe you in the book can find out things about us that you in the real world don’t know.”

I took a second to unravel that convoluted sentence. “But how could my character find out things that I don’t know in real life? And what sort of things? They’d have to be relevant to the story.”

“Well,” Jackie said. “Something you don’t know is that I’m a pilot. Maybe that would have some relevancy.”

“Cool!” Rhett shot a fist in the air. “You can fly me to the Philippines to kill my husband, and no one will know I went there.”

Jackie looked from me to Rhett and back to me as if she couldn’t decide if Rhett were being facetious. I shrugged, unable to guess how far Rhett would go to get her way. Nor did I know how far her frankly-my-dear attitude carried her. Did she really not give a damn, or was the attitude merely a conceit she’d adopted because of her name? Maybe it worked the other way—the attitude came first, and then the name.

The whole murder project suddenly seemed impossible. I thought I knew these women I danced with, but I didn’t know them at all. I didn’t even know if the names I knew them by were their real names or nicknames. Or aliases.

What secrets were they hiding behind their innocuous names?

***

Madame ZeeZee’s Nightmare is the perfect gift for for those who love fun, dance, murder, mystery, older women living with all the verve and nerve of the young, and me! (The main character is named Pat. Coincidence? Perhaps not.)

Click here to read the first chapter of Madame ZeeZee’s Nightmare

Click here to buy Madame ZeeZee’s Nightmare

***
Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Books for Book Lovers

When you are making out your Christmas lists, here are some books for you to consider for your bookish friends, and for yourself too, of course, if you haven’t already read these books.

Madame ZeeZee’s Nightmare for those who love fun, dance, murder, mystery, older women who live with all the verve and nerve of the young, and me! (The main character is named Pat.)

Click here to read the first chapter of Madame ZeeZee’s Nightmare

Click here to buy Madame ZeeZee’s Nightmare

Daughter Am I for those who love road trips, treasure hunts, buried family secrets, mysteries, gangsters, young women coming of age and old folks who refuse to admit their age.

Click here to read the first chapter of Daughter Am I

Click here to buy Daughter Am I

Light Bringer for those who love precocious babies, aliens, conspiracy theories, secret underground laboratories, lost identities, and manipulative international corporations.

Click here to read the first chapter of Light Bringer

Click here to buy Light Bringer

A Spark of Heavenly Fire for those who love conspiracies with a medical twist and for those who wonder what it would be like if the world were to go through another pandemic.

Click here to read the first chapter of A Spark of Heavenly Fire

Click here to buy A Spark of Heavenly Fire

More Deaths Than One for those who like conspiracy theories, mind control experiments, the Vietnam era and its aftermath, and a bit of otherworldly strange midst the horror.

Click here to read the first chapter of More Deaths Than One

Click here to buy More Deaths Than One

Unfinished for those who love drama, buried secrets, stories that tell the truth about grief, and women who find themselves when they find themselves alone.

Click here to read the first chapter of Unfinished

Click here to buy Unfinished

Grief: The Great Yearning for those who need the comfort of knowing they are not alone in their sorrow and those want to or need to learn more about the mystery of grief.

Click here to read the first chapter of Grief: The Great Yearning

Click here to buy Grief: The Great Yearning

***
Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

A SPARK OF HEAVENLY FIRE Embodies the Essence of Christmas

Washington Irving wrote: “There is in every true woman’s heart a spark of heavenly fire, which lies dormant in the broad daylight of prosperity; but which kindles up, and beams and blazes in the dark hour of adversity.” As I read these words several years ago, I could see her, a drab woman, defeated by life, dragging herself through her days in the normal world, but in an abnormal world of strife and danger, she would come alive and inspire others. And so Kate Cummings, the hero of my novel A Spark of Heavenly Fire was born. But born into what world?

ASHF

I didn’t want to write a book about war, which is a common setting for such a character-driven story, so I created the red death, an unstoppable, bio-engineered disease that ravages Colorado. Martial law is declared, rationing is put into effect, and the entire state is quarantined. During this time when so many are dying, Kate comes alive and gradually pulls others into her sphere of kindness and generosity. First enters Dee Allenby, another woman defeated by normal life, then enter the homeless — the group hardest hit by the militated restrictions. Finally, enters Greg Pullman, a movie-star-handsome reporter who is determined to find out who created the red death and why they did it.

Kate and her friends build a new world, a new normal, to help one another survive, but other characters, such as Jeremy King, a world-class actor who gets caught in the quarantine, and Pippi O’Brien, a local weather girl, think of only of their own survival, and they are determined to leave the state even if it kills them.

The world of the red death brings out the worst in some characters while bringing out the best in others. Most of all, the prism of death and survival reflects what each values most. Kate values love. Dee values purpose. Greg values truth. Jeremy values freedom. Pippi, who values nothing, learns to value herself.

Though this book has been classified by some readers as a thriller — and there are plenty of thrills and lots of danger — A Spark of Heavenly Fire is fundamentally a Christmas book. The story starts at the beginning of December, builds to a climax on Christmas, and ends with renewal in the Spring. There are no Santas, no elves, no shopping malls or presents, nothing that resembles a Christmas card holiday, but the story — especially Kate’s story — embodies the essence of Christmas: generosity of spirit.

When you are making out your Christmas lists, I hope you will include A Spark of Heavenly Fire. That should make both of us happy!

You can read the first chapter of A Spark of Heavenly Fire here: https://ptbertram.wordpress.com/free-samples/a-spark-of-heavenly-fire/

You can purchase the print book on Amazon: https://www.amazon.com/Spark-Heavenly-Fire-Pat-Bertram/dp/1630663662/

***
Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Silly Season

In November, many fiction writers participate in a project called National Novel Writing Month (though now it seems to be an international thing). Bloggers tapped into that pool of creativity and used to participate in something called National Blog Posting Month where bloggers post something each day in November. Maybe they still do; I don’t know. I do remember that the year I did it, the month was called The Silly Season because bloggers quickly ran out of ideas and so wrote about anything, no matter how silly.

I am in the midst of my own blog challenge, to post something every day until the end of the year, and today is my silly season because all I can think of to write is something totally unimportant in the grand scheme of things. (Let’s hope my silly season ends here, but with thirty-four days left of the challenge and not much to say, who knows what I’ll end up posting.)

A couple of years ago, when I went on a buying spree for camping and backpacking supplies, I ended up with a $39.00 dividend from REI. I thought I had until March to use it, but I found out a couple of days ago it would expire shortly. Since I didn’t really need anything, I checked the website to see if I could find some hiking pants in my size because the only ones I have are black, which is too attractive to mosquitoef3a389da-0c18-4277-a25f-7290e42da4a3s. No pants, but I did find a lovely blue fleece jacket in my size. (I knew it was my size because I have a couple of others in different colors.) It was on sale for 40% off, and since it was (accidentally on my part) the weekend after Thanksgiving, I got 25% off the 40% off. Even with shipping and tax, the total bill for the $65.00 fleece came to less than my dividend, so it was free to me!!

The jacket came today, and it’s lovely, and so very warm. It also came with a warning: This innovative product will make you want to go outdoors and stay there.

Maybe. Someday.

For now, though, silly post or not, the jacket will be perfect for my trek into the very cold desert tomorrow.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.