A Whole Lot of Connecting Going On

pexels-photo-220067.jpeg I’ve had a fabulous week so far. Dance classes were wonderful. The people who spew negative energy (or maybe they just soak up all available energy, which feels like the same thing) were absent, so only those of us whose energies flowed together were in class. Yeah, I know — that’s not why most people take dance class, but for me, that energy is the real joy. I absolutely love dancing in a group when everyone’s steps match, when every arm movement is the same. It’s odd even for me to realize how much the independent iconoclast that I am can enjoy such an interconnected activity, but that could be why I like it — it’s not part of my usual hermitic life.

Another great thing that happened was that I finally figured out what to do with my Suspense/Thriller Writers group on Facebook. I’d come to hate the group — there were always problems, the most recent one concerning the image of my books on the header. Since I don’t allow promotions in the group, many people objected to my promoting my own books. And for some reason, there was an upsurge of such complaints yesterday. I finally got angry and said, “I have tried everything I can to accommodate people, but no matter what I did, there were problems. If could delete this group, I would. My compromise is the header. Anyone who objects can leave the group.” One sage woman responded, “I don’t see where there’s a ‘compromise’ in allowing only a promotion of the admin’s work. Maybe the page title should be singular, not plural.”

So that’s what I did — changed the group’s name to Suspense/Thriller Writer (meaning me!). And I very blatantly put up a new header to showcase all of my books. I also changed the group’s description to reflect that it’s a discussion group connected to my author page on Facebook. I don’t know why, but it makes me smile to think of reclaiming the group for my own. If anyone doesn’t like it, they can leave.

Today I tried hiking with a pack again. I wasn’t out long — only about an hour, but it felt good. It didn’t feel as if I were exacerbating whatever bit of my thigh I tore last week, but I’m glad I took it easy. The funny thing is, the pack actually felt comfortable, and it wasn’t until I got back that I realized I hadn’t used the sternum strap. The strap is supposed to help support the load and to keep the pack from shifting from side to side, but if most of the weight is on my hips, I’m not sure the strap is necessary. Still, I will experiment. It’s possible I need a strap, just not the one that comes on the pack.

And best of all, I’ve been writing! After all these years, I finally feel as if I am connected to the story again.

This post started out as a list of things that made me smile this week, but I just realized there is a better theme here: connectivity. Feeling connected in dance class, connecting my Facebook group to my author page, connecting the shoulder straps with the sternum strap and the pack to my body, and connecting to my writing. A whole lot of connecting going on!

Wishing you joy of your own connections.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Group as Character

I’ve been working on my decade-old manuscript, and it’s actually going well. I just have one problem you might be able to help me with.

Several of the characters are part of group, and the group will be disappearing en masse. The fact of the disappearance won’t be shocking because such things have already happened in the story, though it will sadden the two left behind and help set up the final act of the story.

I’ve been mostly developing the group roles and trying to present the group itself as a character rather than the individuals in the group because none of them individually advances the story. Consequently, I haven’t done much besides give the individuals brief profile sketches and conflicts within the group, but now I’m wondering if that’s enough.

Since the story is told from a single viewpoint — the main character — any development of other characters has to come from what that one character can observe. A couple of the characters hate the hero and would not tell him anything, so I haven’t given them much of a background, but should I find a way to tell their backstories? Is it necessary?

WRITERS, how fully do you develop your minor characters, especially characters who are going to be killed off?

READERS, how fully do you want to be invested in such characters? Would you feel more cheated if you had to invest time and emotion in such characters only to find out they weren’t pivotal to the story, or would you feel more cheated by not being able to invest emotion in them at all?

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Blogging, Writing, Planning

This doesn’t seem to be a night for writing a blog — I’ve been sitting here playing games for the last hour with a totally blank mind — and yet, I hate to break the habit of daily blogging. It’s one of my few creative disciplines, and generally, if I let myself take a night off, the next thing I know, weeks have gone by without a single post.

To be honest, I already broke the string of daily blogs at about day 101, but since it was a mistake — I thought I posted something but didn’t — it didn’t affect the habit. But I suppose that raises the question — is it better to blog with nothing to say, or is it better to keep my computer closed?

Well, since I’m here, I might as well bring you up to date on the plans for my May trip. So far, I haven’t done much except schedule visits with friends on my way to Seattle. I had planned to camp at the Carrizo Plain National Monument, but the roads to campgrounds and dispersed camping areas are not paved, and I’m not sure I want to risk getting caught on muddy roads, especially since I would be there in the middle of the week when there would be no park personnel.

I’m thinking now I’ll drive in to the plain as far as I can on the paved road to see what if anything I can see — last year there was a super bloom of wildflowers, but this year, because of the lack of precipitation, they are not expecting much color at all. (Same with the Antelope Valley Poppy Preserve, but one can hope! I sure would like to see those orange fields again.)

I might end up spending that first night in a motel, which doesn’t seem very adventurous, but I’m not sure I’d make it all the way up to The Pinnacles National Park, which was to be my next stop. (My map says it’s a national monument; apparently, somewhere along the way, it got a promotion.)

I still have weeks before I go, so I’m not particularly concerned about not having any plans yet. I wish I could be totally spontaneous, just take off and see what happens, but I know what would happen. I would drive until I couldn’t keep my eyes open, get a motel room, then finish the drive the next day. Admittedly, that sort of trip is its own form of adventure, but not the eye-satisfying, spirit-expanding commune with nature that I crave. And anyway, I might have to do that sort of drive on the return trip to get back before the Memorial Day weekend, and I’d prefer not to do it both ways.

Well, what do you know — I wrote a blog tonight after all. Now let’s see if I can manage to do my novel writing stint, too.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Doing Not Much

It’s been a long time since I’ve done nothing. Every day, there is a compelling item on my calendar — either dance classes or backpacking practice — but ever since I popped something in my thigh on Friday, I haven’t done anything. Well, nothing physical, that is. I’ve been taking it easy, reading and writing. Mostly writing.

I still don’t know what happened to my thigh. The tiny pop I felt/heard was definitely some sort of tear, but it doesn’t seem to have caused major damage. There is no bruise, no pain, no limitation of movement except for the limitations I’ve put on myself. I was concerned about exacerbating the tear, but with no real effects from the pop, I don’t suppose it’s necessary to continue resting. Too bad. I’ve really enjoyed these two days of doing not much.

If all continues to be well, I will go to my dance classes this week and hope that by Friday, I will be able to practice backpacking again without ill effects. Unfortunately, I will probably have to reduce the weight in the pack, so that will set me further back in the conditioning process than I want to be, but better such a setback than shouldering the same poundage and destroying my thigh permanently.

Even if I couldn’t go hiking today, I can do it vicariously through my poor benighted (and gaily bedighted) hero since, oddly, he is setting out on a journey across the desert. (Well, not so oddly considering who the author of this journey is!) Luckily, when I go out to the desert for real, I get to wear clothes that cover almost all exposed skin. My poor hero is clad only in that silly pink and lime green polka-dotted loincloth.

Maybe I’ll write an oasis to give him a break from the relentless sun.

But first . . . more of doing “not much.”

I hope you are having as enjoyable day as I am, and with as little to do.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Spending My Words Wisely

I hope you’re not expecting words of wisdom tonight — I spent all my wise words on my book.

Yep. My book. Imagine that! Although I don’t hurt from whatever popped in my thigh yesterday, I thought I should take it easy, so I spent the day inside. Writing.

It’s been years since I spent so much time in one day on a book, and it was actually fun. I had several stray scenes that I’d once written but had no idea how to incorporate into the book, and now they are all connected to the story but one. That one remaining stray scene is a sex scene that I don’t really remember writing, but I’m glad I did because I don’t have much inclination to write sex scenes anymore, and it was an important scene. So yay! The scene is already written. Problem solved.

Except for that one scene, though, I am to the point in the book where I can write chronologically again, which will be good since telling the story as it happens keeps me in the story.

One thing that might be disappointing is that so many of my minor characters are more caricatures than fully rounded characters, but since most of them are going to disappear, does it matter? Besides, the story is from a single point of view, and since the hero was the group outcast and scapegoat, there wasn’t really much opportunity for him to get to know them.

Since the beginning of March when I embarked on this personal novel writing month, I have added a good 3,000 thousand words to the story, though I still have a minimum of 15,000 to go. I worry that the book will be too short — generally stories that take place in alternate or fantasy worlds are rather long, but those books are usually also told from multiple points of view with multiple subplots. But when you have a single main character, once that character has changed to become what the story needs him to become and has done what the character needs to do, the story must come to a close.

Meantime, my hero has embarked on a journey, so there is still a long way to go, both in the writing and in the story.

We’ll just have to wait and see what happens.

Here is a very brief excerpt from my book that amused me today:

Unable to see more than a few inches in front of him, he stopped. He felt a hard push on his back and realized the sheep was prodding him with a hand-like hoof. Or a hoof-like hand. His brain seemed to skip a cog, and for a moment he had the light-headed feeling that none of this was real—not this world, not the storm, and certainly not the sheepish humanoid. Another prod from the sheep. The cog slipped back into place, and he bowed under the weight of reality.

 

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Polka-Dotted Loin Cloths

I have my decade-old manuscript open on my laptop, so the first thing I see when I lift the lid is the last thing I wrote. And this is what greeted me today:

The polka-dotted loin cloths and cave girl outfits did not disappear, but Bob did.

Seeing that sentence amuses me and makes me excited about working on this new/old book. Not excited enough to actually write, you understand, but enough to keep me thinking about writing. Still, any kind of excitement when it comes to my writing is a good thing.

Actually, I have been writing a few words each day — nothing immortal, just brief bits to connect stray scenes. Much of what still needs to be written are the day-to-day activities of the characters, with enough interaction between the secondary characters and the hero so you get to understand them and their group roles and perhaps care when they meet their ignominious end.

After that, there is the whole last part of the book where the characters that remain find a place to settle down before they are whapped with one final horror.

But, until then, a whole lot of daily details need to be written. Thousands of words worth.

You never know — I might actually write a few of those words today.

Well, perhaps later.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Day Body, Night Mind

I never considered myself either a day person or a night person, and now I see why. I’m both. Or neither.

It seems as if physical activity suits me more in the morning. Before taking dance classes, when my times of exercise were at my discretion rather than scheduled classes, I always preferred to stretch and do weights first thing, then immediately go out walking in the cool of the day.

And mental activity suits me more at night. Late at night, when my brain comes awake, acuity and creativity are stronger than any other time, which is why, when I wrote, I always wrote at night.

Sounds good? Right?

Well, no. It was fine when I was younger and not so physically active, but now my poor tired body shuts down before my brain awakens.

Oddly, though I have trouble falling asleep at night, I have no trouble at all dozing off when I want to do something intellectual. Last night, I actually fell asleep while I was writing. Doesn’t bode well for my writing career!

Still, I did manage to add a few words to the poor moribund manuscript. Now let’s see if I can stay awake long enough to add a few more words tonight before I collapse.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

On Writing: Potential Discrepancies

In a scene in my work that’s still not progressing, I have my characters roaming a hostile landscape in nothing but Tarzan and Jane outfits. Until a few days ago, they wore their normal clothes, including shoes.

Keeping that in mind, can you spot the potential discrepancy in the following excerpt?

Faint screams became deafening as Chet approached. Christopher rolled around on the ground, ignoring Francie’s pleas to hold still. The others huddled off to the side. The eyes they turned to Chet had a blankness in their stare.

Chet rushed to Francie’s side. “What’s going on?”

“I don’t know. He tripped and fell an hour ago, or maybe two minutes or two hours. Out here, there seems to be no time.”

“Did he break a bone?”

“No. He looks fine, but he won’t stop screaming.”

Chet knelt on one knee by Christopher, then immediately jumped up, his kneecap burning as if impaled with a thousand splinters. Gritting his teeth, he limped to a hassock-sized rock, perched on the edge of it, pulled his knee to his chest to study it, but could see nothing out of the ordinary.

“. . . wrong?” Francie said, the rest of her words drowned out by Christopher’s screams.

Chet glanced at her and found her looking at him, a crease of concern between her brows.

“I don’t know what’s wrong.” He exaggerated the words so she could read his lips, and touched his knee to show here where he hurt. The touch made him gasp with pain. He turned his knee toward the sun to get a better look, then he saw them—hundreds of tiny blond filaments sprouting from his skin. They came out easily; the hard part was finding them all. What were they? Leftovers from a furred plant that had disintegrated in the heat? Not that it mattered where they came from. Just something else to watch out for.

When he could finally touch his knee without hurting, he hunkered by Christopher’s side and began removing the filaments. Francie’s eyes grew wide with comprehension, then she too set to work.

Christopher’s screams subsided to sobs then whimpers.

I’m sure you didn’t spot the discrepancy. In fact, I didn’t either at first. So, here’s the problem: they aren’t wearing shoes now, right? And had been wearing them until a few days previously? Which meant their soles weren’t yet acclimated to walking barefoot. Then why didn’t all the characters feel the splinters on the bottoms of their feet?

That’s as good a starting place for today’s writing session as any. Now I just need to figure a way around the problem. And hope there aren’t any more potential discrepancies.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Room For My Book

I don’t know what happened to today. The hours simply evaporated. Now should be the time for relaxing, but I need to do all the things I should have done earlier. (Such as writing this blog.) I did go out sauntering with my backpack, so that’s something, but I got back almost eight hours ago and did . . . well, obviously, not much of anything.

I did finish reading the last of what I had already written of my manuscript, but I am still having a hard time putting myself in the proper frame of mind for writing. I simply cannot hold the whole book in my head as I did when I first started writing. I was younger then, of course, and at the time, didn’t have much in my head. It’s not that I didn’t have things to think about; it’s that I couldn’t think about all the things that were going on in my life, such as Jeff being very sick, our business fading, our savings about gone. So I wrote. (Silly me, I had the idea that writing would solve our financial problems.)

Now, I have to keep a closet in my mind filled with the new dance I’m learning for a performance this June — if I don’t keep it available, the steps will slide right out of my head, and that won’t do at all. There’s a shelf somewhere in the back of my mind for my Pacific Crest Trail research, and that shelf looks like a hoarder’s shelf, with stuff falling all over the place. And then there’s a whole room set aside for things to do before my May trip to make the journey safer and more enjoyable. I’ve closed the door, but I still know the room is filled with items screaming for attention.

I’m sure there are several more shelves, closets, and storerooms in my mind containing stuff I can’t yet clear out, but at the moment, the lights are off in those places, and I can’t recall what I should be remembering.

Is it any wonder there’s no room for my book?

I might have to go back to the way I started writing — by hand. It’s a lot slower than typing, but it allows me the time to arrange at least part of the book in my head so I can move forward with the story.

Still, this time spent rereading what I’d written has helped me understand why I left the work idle for so long — every one of my other novels has an element of mystery. With a mystery, you know how the story is doing and where it is going. When the mystery is solved, the story ends. Without a mystery, I’m not sure what I am doing, not sure where I am going, and don’t know how to end it. (Well, that last one is a lie. I know the ending.)

For as old a manuscript as it is, the writing isn’t as jejune as I expected it to be. I did find a lot more “was”s than I use now, and too many scenes started with “he did this” or “he did that” rather than something more compelling, but over all, I’m pleased with the book and excited about working on the story again.

I hope I can keep the excitement when I actually start writing.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

In Pursuit of Dreams

The only thing wild about my backpacking saunters yesterday and today was the wind. And oh, my, was the wind wild! It seemed that no matter which direction I went, I was always heading into the gale. Several times, gusts blew so strongly, I could not take a single step forward until the wind stopped to take a breath. I’d just as soon not be out in the wind, but if I didn’t walk when it was windy, I wouldn’t walk at all. (We’re in the windy time, though truthfully, almost all times are windy here except for a few weeks in the middle of summer when any air movement would be welcome, and in the middle of winter.) Still, my hikes yesterday and today were about a half-hour shorter than the ones I’d been taking — not only is the wind hard to hike in, it frazzles my nerves until I want to scream. (Actually, come to think of it, I did scream once or twice, but that didn’t slow the wind velocity one whit.) That I went out at all just goes to show how dedicated I am in pursuing my impossible dream. (Though I have to admit, if the only weather I ever encountered on a wilderness trail were such unremitting winds, the dream of a long-distance hike would die unborn.)

I’m hoping I will be as dedicated this month to the dream of finishing my decade-old work in progress, a book that was started so long ago that the word “Internet” was still capitalized.  I’ve lived so much in that time, written so much — blogs and other books — that it’s hard to put myself in the mindset of the story. If, as in a dream (the night kind, not the hopeful kind), all the characters in my story are different manifestations of my own persona, then how can I still be those characters when I am not them anymore? (Oddly, although much has changed in the past decade, the unsightly fad of young men wearing pants that hang below their underwear is still prevalent today. And of course, politicians are still lying.)

There is no wind in the book to frazzle my nerves, so yesterday I figured I’d spend an easy hour and a half writing, but after discovering that it’s almost impossible to continue writing a dormant book without knowing what the story is about, I spent the time reading the first half of what I had written.

I found myself smiling at the humor. Found myself pleased at the way I foreshadowed the ending in the first few chapters. Found myself chagrined that although I’d written the book to be timeless, I succeeded — the human politics and policies that so dismayed my poor hero continue to this day. As does the struggle to find a balance between freedom and safety.

Today’s “writing” session should be as easy as yesterday’s — I still have to finish reading the manuscript before I can add any words to the story, so there will be no writing. And no wind.

When I do finally propel the story forward, I hope I will do justice to my hero. It was a lot easier to write from a male point of view when I had Jeff to help keep the hero psychologically true to his gender. Perhaps if I inadvertently skew the poor character closer to my own gender bias, readers will accept the change as part of the character arc.

Assuming, of course, there are any readers. Although most of my published books are genre benders, this one is so different, it doesn’t bend any genre — it sidesteps genre altogether.

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Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.