Day Body, Night Mind

March 7, 2018 — Pat Bertram

I never considered myself either a day person or a night person, and now I see why. I’m both. Or neither.

It seems as if physical activity suits me more in the morning. Before taking dance classes, when my times of exercise were at my discretion rather than scheduled classes, I always preferred to stretch and do weights first thing, then immediately go out walking in the cool of the day.

And mental activity suits me more at night. Late at night, when my brain comes awake, acuity and creativity are stronger than any other time, which is why, when I wrote, I always wrote at night.

Sounds good? Right?

Well, no. It was fine when I was younger and not so physically active, but now my poor tired body shuts down before my brain awakens.

Oddly, though I have trouble falling asleep at night, I have no trouble at all dozing off when I want to do something intellectual. Last night, I actually fell asleep while I was writing. Doesn’t bode well for my writing career!

Still, I did manage to add a few words to the poor moribund manuscript. Now let’s see if I can stay awake long enough to add a few more words tonight before I collapse.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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On Writing: Potential Discrepancies

March 5, 2018 — Pat Bertram

In a scene in my work that’s still not progressing, I have my characters roaming a hostile landscape in nothing but Tarzan and Jane outfits. Until a few days ago, they wore their normal clothes, including shoes.

Keeping that in mind, can you spot the potential discrepancy in the following excerpt?

Faint screams became deafening as Chet approached. Christopher rolled around on the ground, ignoring Francie’s pleas to hold still. The others huddled off to the side. The eyes they turned to Chet had a blankness in their stare.

Chet rushed to Francie’s side. “What’s going on?”

“I don’t know. He tripped and fell an hour ago, or maybe two minutes or two hours. Out here, there seems to be no time.”

“Did he break a bone?”

“No. He looks fine, but he won’t stop screaming.”

Chet knelt on one knee by Christopher, then immediately jumped up, his kneecap burning as if impaled with a thousand splinters. Gritting his teeth, he limped to a hassock-sized rock, perched on the edge of it, pulled his knee to his chest to study it, but could see nothing out of the ordinary.

“. . . wrong?” Francie said, the rest of her words drowned out by Christopher’s screams.

Chet glanced at her and found her looking at him, a crease of concern between her brows.

“I don’t know what’s wrong.” He exaggerated the words so she could read his lips, and touched his knee to show here where he hurt. The touch made him gasp with pain. He turned his knee toward the sun to get a better look, then he saw them—hundreds of tiny blond filaments sprouting from his skin. They came out easily; the hard part was finding them all. What were they? Leftovers from a furred plant that had disintegrated in the heat? Not that it mattered where they came from. Just something else to watch out for.

When he could finally touch his knee without hurting, he hunkered by Christopher’s side and began removing the filaments. Francie’s eyes grew wide with comprehension, then she too set to work.

Christopher’s screams subsided to sobs then whimpers.

I’m sure you didn’t spot the discrepancy. In fact, I didn’t either at first. So, here’s the problem: they aren’t wearing shoes now, right? And had been wearing them until a few days previously? Which meant their soles weren’t yet acclimated to walking barefoot. Then why didn’t all the characters feel the splinters on the bottoms of their feet?

That’s as good a starting place for today’s writing session as any. Now I just need to figure a way around the problem. And hope there aren’t any more potential discrepancies.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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Room For My Book

March 4, 2018 — Pat Bertram

I don’t know what happened to today. The hours simply evaporated. Now should be the time for relaxing, but I need to do all the things I should have done earlier. (Such as writing this blog.) I did go out sauntering with my backpack, so that’s something, but I got back almost eight hours ago and did . . . well, obviously, not much of anything.

I did finish reading the last of what I had already written of my manuscript, but I am still having a hard time putting myself in the proper frame of mind for writing. I simply cannot hold the whole book in my head as I did when I first started writing. I was younger then, of course, and at the time, didn’t have much in my head. It’s not that I didn’t have things to think about; it’s that I couldn’t think about all the things that were going on in my life, such as Jeff being very sick, our business fading, our savings about gone. So I wrote. (Silly me, I had the idea that writing would solve our financial problems.)

Now, I have to keep a closet in my mind filled with the new dance I’m learning for a performance this June — if I don’t keep it available, the steps will slide right out of my head, and that won’t do at all. There’s a shelf somewhere in the back of my mind for my Pacific Crest Trail research, and that shelf looks like a hoarder’s shelf, with stuff falling all over the place. And then there’s a whole room set aside for things to do before my May trip to make the journey safer and more enjoyable. I’ve closed the door, but I still know the room is filled with items screaming for attention.

I’m sure there are several more shelves, closets, and storerooms in my mind containing stuff I can’t yet clear out, but at the moment, the lights are off in those places, and I can’t recall what I should be remembering.

Is it any wonder there’s no room for my book?

I might have to go back to the way I started writing — by hand. It’s a lot slower than typing, but it allows me the time to arrange at least part of the book in my head so I can move forward with the story.

Still, this time spent rereading what I’d written has helped me understand why I left the work idle for so long — every one of my other novels has an element of mystery. With a mystery, you know how the story is doing and where it is going. When the mystery is solved, the story ends. Without a mystery, I’m not sure what I am doing, not sure where I am going, and don’t know how to end it. (Well, that last one is a lie. I know the ending.)

For as old a manuscript as it is, the writing isn’t as jejune as I expected it to be. I did find a lot more “was”s than I use now, and too many scenes started with “he did this” or “he did that” rather than something more compelling, but over all, I’m pleased with the book and excited about working on the story again.

I hope I can keep the excitement when I actually start writing.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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In Pursuit of Dreams

March 3, 2018 — Pat Bertram

The only thing wild about my backpacking saunters yesterday and today was the wind. And oh, my, was the wind wild! It seemed that no matter which direction I went, I was always heading into the gale. Several times, gusts blew so strongly, I could not take a single step forward until the wind stopped to take a breath. I’d just as soon not be out in the wind, but if I didn’t walk when it was windy, I wouldn’t walk at all. (We’re in the windy time, though truthfully, almost all times are windy here except for a few weeks in the middle of summer when any air movement would be welcome, and in the middle of winter.) Still, my hikes yesterday and today were about a half-hour shorter than the ones I’d been taking — not only is the wind hard to hike in, it frazzles my nerves until I want to scream. (Actually, come to think of it, I did scream once or twice, but that didn’t slow the wind velocity one whit.) That I went out at all just goes to show how dedicated I am in pursuing my impossible dream. (Though I have to admit, if the only weather I ever encountered on a wilderness trail were such unremitting winds, the dream of a long-distance hike would die unborn.)

I’m hoping I will be as dedicated this month to the dream of finishing my decade-old work in progress, a book that was started so long ago that the word “Internet” was still capitalized.  I’ve lived so much in that time, written so much — blogs and other books — that it’s hard to put myself in the mindset of the story. If, as in a dream (the night kind, not the hopeful kind), all the characters in my story are different manifestations of my own persona, then how can I still be those characters when I am not them anymore? (Oddly, although much has changed in the past decade, the unsightly fad of young men wearing pants that hang below their underwear is still prevalent today. And of course, politicians are still lying.)

There is no wind in the book to frazzle my nerves, so yesterday I figured I’d spend an easy hour and a half writing, but after discovering that it’s almost impossible to continue writing a dormant book without knowing what the story is about, I spent the time reading the first half of what I had written.

I found myself smiling at the humor. Found myself pleased at the way I foreshadowed the ending in the first few chapters. Found myself chagrined that although I’d written the book to be timeless, I succeeded — the human politics and policies that so dismayed my poor hero continue to this day. As does the struggle to find a balance between freedom and safety.

Today’s “writing” session should be as easy as yesterday’s — I still have to finish reading the manuscript before I can add any words to the story, so there will be no writing. And no wind.

When I do finally propel the story forward, I hope I will do justice to my hero. It was a lot easier to write from a male point of view when I had Jeff to help keep the hero psychologically true to his gender. Perhaps if I inadvertently skew the poor character closer to my own gender bias, readers will accept the change as part of the character arc.

Assuming, of course, there are any readers. Although most of my published books are genre benders, this one is so different, it doesn’t bend any genre — it sidesteps genre altogether.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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First Day of My Novel Writing Month

March 2, 2018 — Pat Bertram

Yesterday was the first day of my novel writing month, and as you can see from the following timeline, I went right to work!!

5:30 pm Got on computer. Checked emails.

5:40 pm Checked Facebook. Made a couple of comments and responded to a message.

5:45 pm Played game of Solitaire.

5:48 pm Exchanged texts with a friend.

5: 53 pm Played another game.

5:58 pm Opened a document in MS Word and started this list.

6:00 pm Finally opened manuscript. Yay!

I made the few edits to the manuscript that my first reader found, scanned the last bit that I’d written all those years ago, and finally remembered What the Screams Were All About.

The last time I looked at the manuscript, it seemed as if I’d postponed writing a needed chapter between my poor character running from a horde one morning and waking up to screams the following morning, which I did not want to write so I put the book away again. On rereading the screaming excerpt, I realized an interim chapter would dilute the impact of the screams. (Probably why I hadn’t written the chapter in the first place, though it’s hard to remember when the manuscript is more than a decade old.)

Oddly, not writing the chapter makes me feel as accomplished as if I’d written. More so, actually, since it’s what the story needs.

Although I’d added only a few words to the book, by 7:15, I felt as if I’d done a whole days work.

So far, today all I’ve done is write this post about writing my book. Does that count as my writing stint for the day? No. I didn’t think so.

I’ll get started right away.

Oh, wait — is that the ping of a text I hear?

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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Marching Along

February 28, 2018 — Pat Bertram

March begins tomorrow, and suddenly, it feels as if the the months are speeding by too fast. January seemed about three months long, and February about three days. At the rate I’m going, March will feel like three hours, and that is not enough time to do everything I need to do. Like print out more information about campsites and such for my May trip. Like get strong enough for a short backpacking trip. Like convert a bit of fat into muscle. Like work on my poor abandoned book.

In January, when I decided that March would be my novel writing month and marked “book” on my calendar, I felt as if I had forever to get in writing shape, and suddenly, here I am on the cusp of the month, and all I’ve done to prepare is drag out my printed copy of the manuscript.

I truly have no specific intentions other than to spend a bit of time every day focused on the book and maybe move the story along a bit. I have no word count goals, not even any expectation of finishing the book. I should be able to do that, right?

We shall see.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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The Nature of Dilemma

February 21, 2018 — Pat Bertram

I walked out of dance class yesterday. I can’t even remember the last time I walked out of anything in anger. Now that I think about it, though, I wasn’t really angry. Just fed up.

I’ve mentioned before that I have problems with one of the women — a total narcissist. I get tired of the almost constant sound of her voice and the way she makes everything about her, but more than that, I get tired of how she treats me.

And yesterday I’d had enough.

It’s my own fault, really. Sometimes we as writers have the power to make things happen. When I was writing A Spark of Heavenly Fire, I always saw a silver Toyota Tacoma in the grocery store parking lot. I used the vehicle for the book, and oddly, after the truck was stolen in the story, I never saw that Tacoma again. Made me wonder if somehow I managed to get it stolen in real life.

Then, when I was writing Madame ZeeZee’s Nightmare, I didn’t want to use her real car — a PT Cruiser — since it could identify her, so I changed her vehicle to a Kia. A couple of days after I gave her the pseudonymous car, she drove to the studio in her new Kia.

Such things are common occurrences for me, but never before have I conjured up a person.

Those of you who read Madame ZeeZee’s Nightmare are familiar with a character named Deb. This character started out being based on the idiosyncrasies of a couple of women in class, but I skewed the character far from those women to fit the needs of the story. This skewed character seemed to see herself in competition with the narrator (whose name, coincidentally, is Pat), and this competition, one way though it might have been, fueled the story.

When I was able to return to class after my various surgeries, lo and behold, there was Deb. Her name and physical description are not the same as my fictional Deb, but the rest of it is pretty darn close, perceived competition and all.

Did I conjure her? I doubt it, but still, whether her emergence is my fault or not, this woman is in my life, or rather, in my life as long as I continue to take dance classes. It’s only two months until my trip, which will give me a break from all that has been bedeviling me, so I’ve been trying to ignore the woman, stay as far away from her as possible, and to hold my tongue to keep the peace, but yesterday I simply did not want to have to deal with her anymore.

As I was going out the door after the incident that fueled my need to leave, she continued with her unwanted comments. I just wish narcissists would understand that not everything is about them, that other people have their own lives and needs separate from theirs. But then, if they understood that, they wouldn’t be narcissists.

Unfortunately, it’s too late to rewrite the story to make Deb nicer and less of a narcissist, and it’s too late to make her vanish since her fate was already written. (And anyway, when I write things on purpose hoping they will happen, they never do.)

So I have the dilemma of getting her out of my life and missing out on the good parts of dance class or keeping the status quo.

Not a fun dilemma. But isn’t that the very nature of dilemma? If the choice were easy, it wouldn’t be a dilemma.

For now, I’ll continue going to class. Maybe something will happen to tip the scale one way or another.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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Having Fun Would be Fun

February 17, 2018 — Pat Bertram

Lately, I seem to have problems getting along with people. It seems that I’ve gone from attracting people to actually repelling them. Or it could be me needing to get away from life in the slow lane and moving into an even slower lane.

I still have a couple of months before I take off on my Pacific Northwest trip to see my sisters. I’ll be camping along the way — and hiking — so I should have plenty of time to deal with no one but me. Until then? I don’t know. Bite my tongue, I guess.

Luckily, I will be able to get away for a while this weekend. It’s not much of a getaway, actually — just a concert, shopping, and gambling. (Big gambler that I am, I might even spend five whole dollars!) But it is a change. I’ll miss my faux backpacking trips, but it’s probably a good idea to give my body a rest.

One thing I’m hoping from this change of pace is a mental reset. When I came back from my cross-country trip, I’d planned to finish all my works in progress. I did finish two, but the third one sits moribund. In my defense, after I finished the first two books, I fell and pulverized my wrist, destroyed my elbow, and broke my arm in dozens of places. The resulting surgeries, drugs, and continuing recuperation have taken a toll on my creativity.

Despite what I wrote yesterday about still being a writer whether I finish that last work in progress or not, I really would like to finish it. It would be good not to have it in the back of my mind (not that it’s much of an inconvenience, because if it were truly nagging at me, I’d be writing it).

Unfortunately, when it’s done, I’ll have to decide what to do with it, which could be a large part of my motivation for not writing. I’d like to find a publisher who would actually help me promote, but that seems to be a dying breed. And to me, just posting a book on Amazon is not my idea of being published. (Besides, I truly do not like how much control they have of the book market.) Nowadays, though, there is no way around dealing with them unless I register the book with the copyright office and then just give it away as a download on my website.

But first, I have to finish writing the book, and to do that, I have to get my creativity switched on.

It seems like a lot to ask from one quick weekend getaway — reset my life so I can a) stop repelling people: b) get back into the discipline of writing; and c) find the sweet spot of creativity.

But even if all that doesn’t happen, just having fun would be fun.

addiction-bet-betting-casino.jpg

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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Still a Writer

February 16, 2018 — Pat Bertram

My publisher sent me a message a while back asking that I continue to write. He said, “You’re a wonderful writer and you do no service to yourself, Literature or anyone by saying you’re not going to write.” I did write after that message — long after. I finished two of my started books — Madame ZeeZee’s Nightmare and Unfinished — but I still have one decade-old story that’s languishing. Someday I hope to finish it. Someday I WILL finish it.

I had added “writing” to the list of daily resolutions I’m trying to get a head start on, then I took it off.

Anyone who writes is, of course, a writer, though it used to be that “real writers” were chosen by faceless editors working for megacorporations, but now there are many different roads to publication.

It used to be that money made a writer. If you earned your living by writing, you were a writer. Sometimes it was acclaim by the self-appointed literati that made a writer. And sometimes it was fame that made a writer. But mostly, it was sales. Money.

It still is sales that make a writer . . . to a certain extent. I know many so-called writers who toss out a book they wrote in a month with little editing, and people buy the books for some unfathomable reason. (Unfathomable to me, anyway.) I know other writers — excellent writers who actually have something to say, who work at their craft, and who write the best book possible no matter how long it takes — who have few sales.

So what makes a writer? Since writing is basically a form of communication, perhaps readers make a writer. And I have readers galore — on this blog, anyway. Some of my posts have had more than 10,000 readers. (But, keeping things realistic, some of my best posts had less than 10 views.) Maybe it’s the ability to touch people’s lives through words that make a writer, and that I have done by being willing to open up and tell the truth about my life.

And if telling the truth about one’s life makes you a writer, then simply living until hit by the urge to put that life into words, is also writing.

What it comes down to, then, is I do not need to resolve to write. Whether I write or not in any given day, I am still a writer.

 

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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Una Tiers Interviews Madame ZeeZee

February 15, 2018 — Pat Bertram

Interview by Una Tiers, author of LETTUCE READ WILLS, DOROTHY DAISY, NOT SAFE FOR THE BANK(ER), JUDGE vs NUTS, and DIE JUDGE DIE, available at http://amzn.to/1cOxMz6

I want to introduce you to my fellow writer, Pat Bertram. She has authored several books and is a particularly generous person when it comes to helping authors. Today I’m interviewing one of her most recent characters, from her book, Madame ZeeZee’s Nightmare.

Welcome, Madame ZeeZee, and thank you for taking time to sit down with us. For those who aren’t familiar with you, you run a successful dance studio where there was a recent murder of one of your students. Since that time, inconsistent stories about you have surfaced. I’m certain you would like to set the record straight.

Inconsistent stories about me? I never heard any. Too busy with my studio, I guess.

We notice that you don’t advertise for new students. How do people find you?

At the beginning, it was word of mouth, but after the murder and all talk on Facebook and Twitter and the local newspaper, I got a lot of new people. Most left after a few classes. People today have no discipline. They think they can come to class and start dancing with the group without even learning the steps.

Madame, rumors are that the dance studio is owned by a reclusive retired movie star who values her privacy. Please give us a hint of who it is.

Retired movie star? No. Retired professional dancer? Yes. You want a hint of who owns the studio? It’s me. And I’m not reclusive. I just like being quiet when I go home after work.

While you’ve always denied being related to Shirley Maclaine, are you sticking to that story?

Of course I’m sticking to that story. It’s the truth. I’ve danced with Shirley, but I’ve danced with a lot of other people, too, like June Allyson and Dick Van Dyke.

You rarely dance with your classes. Do you practice alone or take classes elsewhere?

My dream is to go back to Hollywood and take classes when I retire from my studio, but it’s too long a commute from Peach Valley. I do dance with my classes, especially the more advanced ones. We perform at luaus in the summer and on various other occasions, so if you know anyone who’d like to hire us, let me know.

We understand you’ve been married several times, would you tell us the number or if it is indeed over twelve?

What? You must have me mixed up with another Madame ZeeZee. I’ve only been married twice.

Would you ever relocate for love?

No. I’m happily married. And even if I weren’t, I wouldn’t relocate for love. I’m too independent, I guess. Besides, my house is exactly the way I like it, and I intend to stay there until the end.

How many countries have you lived in as an adult?

As an adult? One. Maybe two depending on how you define “lived in.”

In the book, Pat seemed to blame herself for the deaths of your dancers. Do you blame her, too?

Pat thinks too much. She needs to learn to just let things go. If I blamed her, I’d have to blame myself and all the rest of us who talked about killing Grace, but it wasn’t any of our fault. Well, except for the murderer. She was totally at fault.

If you could choose one author, living or dead, to read about your story, who would it be?

Pat Bertram, of course, but she wouldn’t need to read about my story because she wrote it.

Is there anything you’d like to add?

Yes. Never stop dancing.

Thank you, Madame Zee Zee.

And thank you all for visiting with Madame ZeeZee and Una Tiers. Be sure to check out Interview with Fiona Gavelle, a Character in “Judge vs Nuts” by Una Tiers.

***

Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

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