Do you think writing your book changed your life?

I wish I could say writing my latest novel Light Bringer changed my life, it would make a good story, but the fact is, it made little difference outside of bringing to a close a lifetime of research. It was the fourth novel I wrote. I’d already experienced the joy and sense of accomplishment completing a novel gives one, and I’d already experienced the disappointment that comes from having a novel rejected. I’d already experienced the joy of getting published and the disappointment of lackluster sales. Now, if Light Bringer would go viral, that would change my life!

Writing Grief: The Great Yearning, my non-fiction book about surviving grief, didn’t change my life, either. In fact, my life had changed first. Writing was how I coped with the changes.

Here are some responses from fellow Second Wind Publishing authors about how writing their book changed their lives. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with: J J Dare, Author of False Positive and False World

Writing my first book a few years ago gave me confidence. I believe it was an exercise to prepare me for the challenges I would shortly face in my personal life.

From an interview with: Noah Baird, Author of Donations to Clarity

I think people thought I was pretty weird before the book. They still think I’m weird, but I think I get a pass now because I’m a writer.

From an interview with: Calvin Davis, Author of The Phantom Lady of Paris

After penning the Phantom Lady, I was not the same person. The actual writing of the novel took about five and a half years. During that period, I wrote and rewrote again and again, etc. That said, the truth is, it took me all my life to write the Phantom Lady. The penning of my two other novels was preparing me to write TPLOP. The production of my countless short stories was also tutoring me on how to create the Phantom Lady. And during all this time of schooling, “the lady” was inside me clamoring to be liberated, as I was clamoring to liberate her. “Free me…free me,” she screamed. When I completed the last sentence of the novel, the lady was finally liberated. “Thank you, Calvin,” she said. “Thank you.” Finally, she was free…and so was I.

From an interview with: Sherrie Hansen, Author of Merry Go Round

I think each book that I’ve written has changed my life. I remember an episode of Star Trek, Next Generation, when Jean Luc Picard was swept away to live out his life on another planet. He eventually fell in love, married, had children, and learned to play a musical instrument. When his new world came to an end, he learned that he had never left the Enterprise, and that the whole alternate life experience had occurred only in his mind, in a few days time. I feel like that every time I finish a book. It’s like I’ve visited some alternate reality and lived the life of my character from start to finish, feeling what they feel and experiencing what they experience, when in reality, I’ve just been sitting at my desk, typing away. In a very real way, I think each book makes me a richer, more multi-faceted, more understanding person because I’ve walked a mile (or a hundred) in my character’s shoes.

From an interview with: Coco Ihle, author of She Had to Know

Absolutely. In a couple of ways. My sister and I talked in detail about our lives before we met, and how we felt about all the things that happened and didn’t happen through the years. Our talks created a stronger bond between us.

Another way my life changed was, my adopted mother used to accuse me of starting projects and losing interest before finishing them. Well, I took that criticism to heart.  I know she’s up there smiling down at me, because I finish projects now.

So, do you think writing your book changed your life?

How Many Books Are Going to be Published in 2012? (Prepare for a Shock)

I hadn’t planned to write any more about the book world. For one, it’s too depressing, and for another, I’m getting to where I’m okay with it. I’ve never had much use for 99.99% of books published anyway, so it doesn’t really matter if the world is being overrun with terrible books. It always has been. And, truth be told, I don’t enjoy reading much any more. After having read more than 20,000 books, I’m way past the first flush of enthusiasm when it comes to new books. (Okay, I admit it, I’m jaded.) When people start writing before they have read thousands of books, they don’t know that the story they are telling has been written a zillion times before. Nor do their equally unread readers know or care. It’s new and fresh to them. So, perhaps I should leave the book world to those who still embrace it.

So why am I writing about the book world again? I came across a statistic tonight that totally staggered me (All information comes from Bowkers, the company in the U.S. who issues ISBN numbers).

300,000 books were published in the U.S. 2003.

411,422 books were published in the U.S. in 2007.

1,052,803 books were published in the U.S. 2009.

Approximately 3,000,000 books were published in the U.S. in 2011.

And . . . drum roll, please . . . in an online interview, Seth Godin suggests that 15,000, 000 books will be published in 2012.

15,000,000. Yikes.

Google estimates that as of August 2010, there were 129,864,880 books in existence. Which means that the total number of books that could be published in 2012 is more than 1/10 of all the books in existence. That is an unfathomable jump, a 500% increase in a single year. (That is correct, right? 3,000,000 times 500% = 15,000,000.) Unbelievable.

I got an email from a book marketer today, wanting me to write an article about what the publishing landscape will look like in 2016. I cannot imagine what it will look like. Even if the number of books published returns to the more typical 200% increase per year, by the year 2016, we will have doubled all the books that were in existence in 2011.

Who is going to read all those books? Who is going to buy them?

Creativity Has No Price

A couple of days ago, I posted a bloggery What is the Price of Creativity, where I lamented the devaluation of books. What everyone believes they can do, no one values, and so readers today expect to get ebooks for a nominal sum, or even free.  Mickey Hoffman, author of School of Lies and Deadly Traffic, wrote such an insightful rebuttal to that article that I thought it deserved to be featured here (though truthfully, everyone made important  points). Mickey wrote:

Rembrandt died poor. He’s now regarded as one of the creative geniuses of the art world. This stuff has been going on forever. In ancient times the people who carved the famous statues in Greece didn’t even put their names on their work. Creativity has never been as useful to humans or held as high a value as the ability to make money, to manipulate others, to convince the masses that one is a god, etc.

The ability to write used to be admired only because for centuries most people could not even read or write their own names. And only the Bible was deemed worthy of reading. When reading no longer was such a mysterious process done only by a monk or priest and people realized it wasn’t so difficult to learn to do it for themselves, then they began to read, but still mostly religious tomes. If you look at many countries today, the kids are taught to read only for the purpose of reading the Koran. So it still happens.

In the West, as the ability to read became more common, writing became more common. Letter writing was the rage and those who could write creatively were held in high esteem. But were they actually paid well for it? Not often. Rich people had books but didn’t read them, they used them like trophies to show they were cultured. Writers still struggled to make a living and always have. Only a few have been able to support themselves that way. There have always been trashy publications and well written ones. Just more of both now.

You could argue against public libraries too, and make an argument that the ability to read for free would devalue writing. I don’t think the availablity has much to do with it. What’s changed are two things. One is the cultural idea that’s infected education: Everyone’s a winner. No one can be told they’re not good at something for fear of damaging their self-esteem. Kids aren’t reading well-written books in elementary or high school anymore so they have no means of comparison. They don’t have to learn how to write well either unless it’s on a test. College professors are getting essays with abbreviated text messaging words in them. My brother, a professor, used to read me some of the stuff his students wrote. These things were so unintelligible I didn’t know whether to cry or laugh. Somehow they made it into college anyway.

Second, television and films. Need I say more? I think we’ve all noticed that best sellers read like they’ve been written to be made into an action/thriller movie. And if they are, then they’re actually composed with different elements in mind than a writer puts into a story made for reading only.

So how is the public to know they’re reading garbage? Just throw in a vampire or a ghost or a serial killer or a few sex scenes and that’s enough to find an audience. And the agents and publishers know this. Don’t blame Amazon or anyone else, blame US.

What is the Price of Creativity?

The book business continues to dishearten me. The recent pursuit by the government against the major publishers and Apple on antitrust charges gives Amazon a virtual monopoly with the ability to charge whatever prices they want, eternally undercutting the competition. This also gives Amazon control of the royalties the authors earn, which is little enough to begin with, and makes self-publishing on Amazon an even more attractive option. Which gives Amazon even more control.

Perhaps the publishers were charging more than people would have liked, but frankly, as much as I hate the major publishers, there is more at stake here than simple manufacturing costs. Admittedly, it doesn’t cost anything beyond an initial investment to produce an ebook, but what about the value of the contents, the creative output, the artistry of the writing itself? No one complains that the painting they bought for $100,000 is overpriced even though it merely cost the artist a few dollars worth of paint and canvas, so why do readers begrudge writers compensation for their creativity? What didn’t exist now does. Shouldn’t there be value to that?

And that is the real issue here. Value.

Readers don’t seem to care that the art of writing no longer has any value. They can get an endless supply of books free or close to free. They seem to believe that good writing will rise to the top, that bad writing will simply fade away, but that is not true. What sells is adequate writing, writing that is just good enough to get the job done. Some good books might find a readership, but if they don’t, it does not negate the inherent value of the book. Nor does a barely adequate book become a good book simply because it sells.

Huge numbers of people shrug and say, “Ebooks are here, get over it.” They are thrilled at the disappearance of any “elitism” that might once have been conferred upon published authors. Anyone can write. Anyone can publish. What everyone believes they can do, no one values. People are reading more now because of the low cost and ease of ebooks, but are they reading anything of value, are they becoming better human beings because of the books, or are they simply passing time?

I was shocked the first time I heard that books are considered entertainment, that books compete with movies and video games for entertainment dollars. Books are more than entertainment. Or they should be. The written word becomes part of us. What was conceived in one mind comes to life in another. It’s a connection between two human beings who have never met. Isn’t that of greater consideration than a fight over entertainment dollars? Through books you can travel to other places in the world, and you can travel to other places in your own mind. You can experience feelings, ideas, philosophies that you never knew you had. Isn’t that more than mere entertainment?

I’m not sure I want to participate in a book world that places such a small value on the written word. I’ve been trying to find a reason to write again, but frankly, I don’t I see the point.

My Short Story “The Willow” Has Been Anthologized!

My short story, “The Willow,” has been published in the Second Wind anthology Change is in the Wind. Reviewer Sheila Deeth says:  “Pat Bertram’s ‘The Willow’ haunts with its beautiful portrayal of love and loss.”

I hope you will read this story. It did what I wanted, capturing the essence of timeless love and the new life that comes from loss. You don’t even have to buy the book. I’ll let you download the anthology this week for free! To download the ebook, go to https://www.smashwords.com/books/view/146269, pick the format of your choice, and then use coupon code HG57Y when you purchase the book. Your cost should be $0.00 (Offer expires April 17, 2012)

Excerpt from “The Willow”:

One summer day, shortly after their twenty-fifth wedding anniversary, Gracie was curled on the couch, proofing the catalog for an exhibit of the new modernists, when Scott trudged into the room. Gladness at the sight of him sparked a smile as always, but something in his manner . . .  a hesitation . . . made her smile fade.

“Do we have any plant food?” he asked, his words slurred.

“There should be some in the garage.” She peered at him. “Are you okay?”

“I think I’m dying.”

Gracie bolted upright, heart pounding so hard it shook her body. “What?”

“A little plant food should help.” Scott started to walk away.

“Wait! Just wait a minute, Scott.”

He glanced over his shoulder, a questioning furrow between his brows.

“You can’t just drop a bomb like that and then leave as if nothing happened,” she said.

“What bomb?”

She stared at him for a second, unable to speak, but finally managed to croak out the words. “You said, ‘I think I’m dying.’”

“I didn’t say you were dying.”

“Not me. You. You said you were dying.”

“I said the tree was dying. You never listen, do you?”

The chill in his voice froze her. All she could do was sit immobile on the suddenly uncomfortable couch and watch him. He stumbled as he left the room, and his shoulder hit the doorjamb.

Fear, like fury, flashed through her body. Something was wrong with Scott. Terribly wrong. In all their years together, he’d never spoken to her in such a tone. She hadn’t even known he had such a tone. And that stumble? He was the most graceful man she’d ever met, walking on the high beams of his buildings as if they were earth-bound sidewalks.

She chased after Scott and found him staring up at the canopy of the globe willow. Golden leaves sprinkled down on him as if it were fall instead of just beyond spring.

“Do we have any plant food?” he asked, warmth and worry in his voice.

Gracie put a hand to her mouth to hold back a dry sob. Didn’t he remember that he’d already asked her about the plant food? “Maybe it’s time for you to get a check-up,” she said.

“Me? I feel good.” He grinned at her and held out his arms. “How about a little stress release, love? That’s all I need to make me feel great.”

Blurb from Change is in the Wind:

The assignment was simple: submit a short story dealing with change. The results were astonishing, engaging, and incredibly varied. The stories compiled in this volume range from taut action drama, to stealthy intrigue, to enthralling spirituality, to tangled relationships, to timeless love renewed—or lost, to angelic second chances.  No two of the tales are remotely similar, and yet they are linked in remarkable ways. Each story is tied it to all the others in the anthology with two exquisite threads. The first constant theme is redemption; in each case there is a transformation, often painful, that brings new beginnings, new possibilities and revitalized life. The second theme is love—timeless and true—expressed in a multitude of ways, but unfailing in bringing hope and newness. Change in the Wind is an extraordinary collection of marvelous stories from gifted, eclectic writers who draw us into their worlds and leave us wanting more.

Second Wind Publishing is starting a new short story contest. Perhaps you will be included in the next anthology! For information about this new contest, click here: Holiday short story contest

Help! I Need Blog Talk Radio Topics

I’m scheduled to be interviewed on a blog radio show in a couple of weeks. I’m not sure how that happened because I never actually said I’d do it. Still, there it is. Or rather, there I will be. The problem is, they want me to send them a list of five things I would like to discuss about me and my work, and I don’t have anything in particular I’d like to say. (Seems strange, doesn’t it? It’s their show, so obviously they have some sort of agenda. I have no agenda, yet I have to supply the questions.)

So, I’m asking you: what topics should I send them? Is there anything about my books or writing you’d be interested in hearing about? Any noteworthy questions you were asked in an interview that you’d like to pass along? Any questions about books or writing that haven’t been asked ad nauseum? Anything?

Grateful to be an Author

It seems a bit paltry to have a single holiday to give thanks, so I’ve added an extra day (today) to be grateful for my blessings.

I am grateful for my online friends and for my fans. (Odd to think I actually have fans!) I am grateful for the readers of my blog, who never fail to offer support and suggestions. I am especially grateful for my publisher, who understands my books better than I do. But I am most grateful for being the author of my novels rather than being a character in them.

It’s an author’s responsibility to put her characters through as many traumas as possible. Readers want to worry about characters, they want to see how characters act when faced with horrendous conditions and dilemmas, and they want the characters to go bravely where they themselves would never go. As an author, I might give readers what they want, but frankly, I would never choose to be in any of the situations my characters encounter. And, although I am trying to be bold and brave in my own life, I will never be as bold as my characters. Nor do I want to be.

When Mary Stuart, the hero of Daughter Am I discovers she inherited a farm from recently murdered grandparents she never knew she had, she becomes so obsessed with finding out who they were, why someone wanted them dead, and why her father claimed they had died before she was born, that she ends up driving halfway across the country with strangers. That these strangers are all in their eighties might have put her at ease, but when she finds out about their less than lawful pasts, it still doesn’t deter her from her goal. In fact, she heads for Leavenworth, hoping to talk to Iron Sam AKA Butcher Boy AKA Samuel Bornstein, a hit man for the mob who might have known her grandfather.

Um, yeah. Like that’s something I would do! I am grateful that I have never had to deal with such a situation. When Mary discovers that one of the aged crooks is carrying an illegal weapon, she confiscates it and tucks it in her purse. Forgetting for the moment that I don’t carry a purse, having a gun tucked away in a handbag where it might accidentally go off is not high on my list of priorities. (Though I would be interested in firing a gun just once to see how it would feel. Strictly for research purposes, you understand.)

Sneaking onto the property of a connected guy to dig for stolen gold . . . hmmm. Perhaps I might do that, but I’m grateful I don’t know of any such treasure in real life that would put me to the test.

And that’s just one of my books. When I consider all of them, my gratitude is unending. I am grateful I never had to twice attend my mother’s funeral as poor Bob Stark did in More Deaths Than One. I’m grateful I have not yet had to deal with an epidemic so severe that the entire state of Colorado needs to be quarantined as described in A Spark of Heavenly Fire. I am grateful that I am not being held captive in an underground installation run by a quasi-government agency as are my heroes in Light Bringer.

So, what are you grateful for today?

Virtual Book Tours

Virtual book tours became prevalent very quickly. I’ve heard how great they are — mostly from the major publishers who don’t want to spend the money to send their authors on an unvirtual tour — that I wonder how worthwhile blog tours really are. I know the most popular book blogs do help get the word out, but it’s hard to get a guest spot on those blogs unless you have a publicity department behind you. Some people who have done tours think the tour helped with sales, other says not. Me? I’m still not sure. I did two tours, and neither seemed to make any difference in sales.

I’ve read that for most authors, the real benefit of doing a book signing in an offline store is the connection one makes with the bookseller, and perhaps the same holds true with a virtual book tour. I’ve made connections with other bloggers, introduced my books to people who would not otherwise have discovered them, and talked about my books with those who have read them.

Setting up a blog tour is easy, though time-consuming. You need to research blogs to find the best fit, and then you need to query the blogger. If you are invited to be a guest on the blog, you need to find out what is expected of you — an article, an interview, a giveaway — and you need make sure that every article you write, every response in an interview is different and appealing.

People will not follow your blog tour if you keep recycling the same article. Make sure you send your guest post, a bio, a photo of you, a photo of your cover days in advance. Then on the day the article is posted, you need to visit the blog several times and respond to comments.

A disconcerting aspects of my tours was how few bloggers did anything beyond posting the article. No mention on Facebook, no Twitter, no promotion of any kind. So, the main thing is, make sure you do what you can yourself to promote. Which meant, for me, two blog articles a day, one for the host, and one for my blog to promote the host. Plus Facebook status updates, posting the link on my profile, and Twittering.

The tours were fun and challenging, and I’ve certainly did what I could to launch my last two novels, but will I do it again? Possibly. I have a hunch the benefits of a tour are long term, and the more one does to get their name out there, the better the chance of getting known, but I’m still not convinced they were worth all the effort.

Purposely-Flawed Characters. Or Not.

Interesting characters make interesting stories, not the other way around. An author develops interesting characters by putting them under pressure, giving them much to lose, and letting them change because of their experiences. And the author makes these characters at least a bit larger than life. Who wants to read about characters who sit around watching television all the time or who repeatedly have the same tiresome argument with their children or who can’t resolve their problems? We deal with that every day. We don’t need to read about it. On the other hand, if the traits are too idealized, characters come across as comic book silly.

Depth of character is revealed in the choices a character makes while at risk. Without the element of risk, there is no real story, only a string of episodes. Think what Superman would be like without Kryptonite — totally uninteresting and flawed in his perfection. But Kryptonite is a purposeful flaw, put there to make Superman more interesting, which makes him seem even more of a comic book character. Oh, wait. He’s supposed to be a comic book character!

To offset the problem of idealized characters, many writers try to create a purposely-flawed character, such as a boozing cop or a mother who can’t communicate with her teenager, but this seems an unnecessary distraction unless, of course, it is a vital part of the character’s motivation. So many flawed characters, particularly the hero with a drinking problem, have been done to death. I know there is a long tradition of hard-drinking detectives, but there has to be a more creative way of giving characters flaws. Or not.  Writers are so enthralled with the idea of flawed heroes, that they are missing the point. They don’t have to give their heroes obvious flaws. Writers are flawed. By making their heroes realistic, the heroes are automatically flawed.

A character must lose occasionally or make mistakes. Where is the suspense if every time a character attempts to do something she succeeds? And in that loss is a shadow of the flaw, because the setback must be realistic. Did the character lose because of arrogance, assuming she knew what to do when she didn’t? Did the character lose because she wasn’t physically fit or knowledgeable enough? Did the character lose because she didn’t plan correctly, because she was unfocused, because of her inner conflicts? Such losses force a fully realized character to change so in the end she can succeed.

In the beginning of Daughter Am I, twenty-five-year-old Mary Stuart has no real direction, no purpose, but when she learns she inherited a farm from her recently murdered grandparents — grandparents her father claimed had died before she was born — she becomes obsessed with finding out who they were and why someone wanted them dead. She drives halfway across the country with a feisty crew of octogenarians, friends of her grandparents, and even though she discovers they all had ties to the mob, she doesn’t let her good sense override her obsession. This understandable obsession is her flaw (though I did not write her to be a flawed charater), and if she doesn’t grow during the course of the story, if she doesn’t learn from her setbacks, the obsession could become a fatal flaw. Fatal or not, flaw or not, Mary’s obsession makes her real, makes her a bit larger than life, and makes her interesting.

What is the easiest part of the writing process? What is the most difficult?

The easiest aspect of writing for me is editing. The words are all there, it’s just a matter of making sure they are the right ones and that they say what I want them to say. The most rewarding is knowing I wrote a book worth reading. People tell me they really enjoy Daughter Am I, that they “hate saying goodbye to these wonderful characters.”

The most difficult part of writing for me right now is just sitting down and writing. I have no real inclination to write fiction, and I find it hard to focus on a long project. I’m sure the desire will come back, probably when I stop spending so much time on the Internet.

Here are some responses from other authors about the easiest and hardest parts of the writing process. The comments are taken from interviews posted at Pat Bertram Introduces . . .

From an interview with J J Dare, Author of False Positive and False World

The easiest part of the writing process is inspiration. When it’s there, the words flow like a raging river. If the story is in my head and I’ve been tapped by my muse (and she stays with me), I can write a novel in a week.

The hardest part of the writing process is inspiration. When it’s not there, it can’t be faked. Constipated writing can be unbearable.

From an interview with Dale Cozort, Author of “Exchange

For me, the easiest part is writing the rough draft. Once I have characters and a plot outline I can write the rough draft of a novel in four to six weeks and I enjoy doing it. What happens before and after writing the rough draft is far more difficult and time-consuming.

The most difficult part is the last five percent of the editing process, the part that gets you from almost the right words to exactly the right words. For me that takes more time than writing the rough draft.

From an interview with A. F. Stewart, Author of Once Upon a Dark and Eerie

For me, the easiest element of writing is the dialogue. I rarely have a problem with the flow of dialogue. Possibly because I can hear all those character voices whispering in my head.

The most difficult part is writing the middle section of the plot. I’m great at churning out beginnings and endings, but I always have to work at writing the stuff in between.

So, for you, What is the easiest part of the writing process? What is the most difficult?

(If you’d like me to interview you, please check out my author questionnaire http://patbertram.wordpress.com/author-questionnaire/ and follow the instruction.)