A Credo to Live By

Several years ago I created a credo defining how to live my life. I started with three points, gradually added the next four, and I thought the credo was finished. Recent exchanges on this blog reminded me of other prompts I need to add, such as being more playful and looking for my inner wild woman, and I ended up with eleven points. Eleven is an odd number, but I thought each item was an important one, and didn’t want to subtract one simply for the sake of satisfying my need for symmetry. Besides, my life is just beginning, or rather, beginning again, so chances are I’ll find more goals and reminders that I want to add.

Hey! What do you know! I just found number 12. Now I can have my credo and symmetry too.

My credo:

  1. Believe in yourself.
  2. Expect the best.
  3. Have a vision of victory and abundance.
  4. Don’t settle for a life of mediocrity.
  5. There is adventure waiting for you. Run to it. Explore.
  6. Be bold and brave.
  7. Live the life that only you can live.
  8. Be playful.
  9. Strive for spontaneity.
  10. Find your inner wild woman.
  11. Accept that you are where you are supposed to be.
  12. Embrace your destiny. It belongs to you alone.

Some of the points are easy, such as not being mediocre. Some are almost impossible for me, such as having a vision of victory and abundance since I don’t even know how to do envision those things. Some are wishful thinking, such as embracing my destiny. But . . . if I can learn to follow most of these exhortations, I could live a spectacular life.

Do you have a credo you live by?

“More Deaths Than One” will leave you breathless

The following is a review of my novel More Deaths Than One, and was written by Dellani Oakes. I didn’t bribe her into saying such nice things. I promise.

***

“More Deaths Than One” by Pat Bertram will leave you breathless—first with anticipation, finally with a contented sigh of a job well done. Set in 1988, this well crafted, fast paced novel of love and intrigue spans the globe from Denver, Colorado to Bangkok, Thailand.

Bob Stark is a quiet man. A Vietnam vet, he’s returned to the states after nearly 18 years in Thailand. He came back to his childhood home of Denver because his life in Thailand couldn’t continue. His friend and mentor, Hsiang-li, left on a personal quest to find a golden Buddha in the jungle—the place where he had to bury his wife and child after they were murdered.

Kerry Casillas works nights in the diner Bob frequents. One night, she introduces herself and they get to know one another. Soon after meeting Kerry, strange things start to happen. Bob and Kerry find themselves embroiled in a mystery far beyond their understanding.

“More Deaths Than One” is an interesting tale of one man’s journey to find the truth. The character of Bob Stark is deep and many faceted. He’s quiet, kind and resourceful, showing abilities even he didn’t know he possessed.

Kerry is a fun loving character and the opposite of Bob in many ways. She’s talkative, outgoing and imaginative. She is the perfect partner and counterpart to Bob. She, too, has hidden talents that surprise and please Bob.

The well-paced plot of “More Deaths Than One”, keeps the reader riveted, waiting to discover the many mysteries in Bob’s past. I enjoyed the fact that though I guessed at all of these secrets, I was right about only a few. Bertram truly kept me hopping as I made my way through the book. I like when a novel isn’t so predictable that I know the end before it arrives.

 

I Am Crying, Forever Dying

I had a grief upsurge yesterday, probably because I haven’t been grieving much and it’s been building up, but the upsurge itself was instigated by a song.

It started with my session of dance therapy (I call it that, but all I do is prance around for two or three songs in an effort to add a bit of lightness to my step and my life). The first song was “Cry Cry Cry” by Highway 101.

I wonder if he knows what he’s done to me
I’m gonna love that boy till the day I die
Till the day I do I’m gonna cry cry cry.

What a mood brightener! But I managed to get through that song dry-eyed. I even managed to get through the second song without tearing up — “You’re in My Heart” by Rod Stewart

You’re in my heart, you’re in my soul
You’ll be my breath should I grow old
You are my lover, you’re my best friend
You’re in my soul

Yikes. Not the song to cheer up a woman who has lost her mate. But the third one did me in — “Sailing” by Rod Stewart.

Can you hear me, can you hear me
Through the dark night far away?
I am dying, forever crying
To be with you, who can say.

Even worse, I found myself haunted by those words all day yesterday and into today. Oddly, though, I transposed the words, and what went around and around in my head was “I am crying, forever dying.”

Out walking in the desert today, I had a bit of a mystical revelation. (Or sunstroke. It was hot out there.) What if that’s the truth of it? We are forever dying? Not just now in this lifetime, but forever? What if life is the aberration, and dying (not death) the norm?

Some scientists say the universe is dying, that there are more stars dying out than being born. Maybe someday, when it’s all over, there will be another big bang, and the whole cycle will start again. Perhaps each cycle is a single breath of “The EveryThing.”

I guess what I’m saying is maybe life as we know it is more of a static state than dying is. With dying comes transformation.

Did I mention that it was very HOT in the desert?

Three Simple Ways to Increase Views on Your WordPress Blog

In my travels around the internet, I see a lot of blogs. There is nothing more annoying than to stop at an interesting article, want to see more by the writer, and have no other articles available to see. Many people use the standard archives widget, which is nothing more than a listing by date. What good does that do anyone? A date is not exactly a compelling reason to check out more of the blog.

In case anyone is curious what I wrote on a particular day, I do have the date widget, as you can see toward the bottom of my right sidebar, but I use a drop down box in place of a long list of dates. I also have “categories” toward the bottom of my left sidebar, but that is almost as useless. “Grief” and “writing” and “life” are almost as dull as a date. However, if you will look toward the top of my left side bar, you will see “Recent Posts” and “Top Posts.” Recent posts, obviously, are the most recent posts, and top posts are the ones that got the most views for the past forty-eight hours. This gives anyone who is interested in reading more of my articles a sampling of my writing. If you don’t use such widgets on your WordPress blog, why not? It takes only a few minutes to add the widgets.  Here’s how:

Rest the mouse cursor on the name of your blog in the top left hand corner until you get a dropdown box. Click on “widgets.” On the widget page, find “Recent Posts” and “Top Posts and Pages,” and drag them to your sidebar. If you have more than one sidebar, as I do, drag them to the sidebar where you’d like to see them featured. Title the widget if you want, or leave the title WordPress gives them, choose the number of posts you’d like to display, and click “save.” That’s it. Simple, right?

What’s even simpler is creating a page with an archive of all your posts. Supposing you have a lot of posts you are proud of and you want people to be able to see all your titles at a glance — it will take forever to list them, won’t it? Nope. Won’t take but a minute.  Here’s how:

Rest the mouse cursor on the name of your blog in the top left hand corner until you get a dropdown box.  Let the cursor rest on “new” then click “page.” Add a title to the page, then in the body of the post, write [a r c h i v e s]. Use the brackets, and don’t put spaces between the letters. I had to add spaces, otherwise you wouldn’t see the shortcode, you would only see the list of all my blog posts.

Now, the next time I visit your blog, I’ll have a reason to stay and read awhile.

Drowning in a Sea of “It”s

I’ve started going through my poor old work-in-pause. (The manuscript has been neglected so long, I can’t in all honesty say the work is in progress.) At first, I only intended to read what I’d written to plant myself in the story so I could figure out what my hero does next, but I’m appalled by the bad writing. Actually, the writing is okay, but the work is in dire need of editing. And no wonder — I wrote these chapters five years ago, long before I learned how to edit.

The worst problem I find is a copious use of pronouns, especially “it.” “It” serves only to tell a reader that the writer couldn’t be bothered to figure out a better way of saying “it,” so the writer used the placeholder word in the hopes that readers would be prescient enough to understand what “it” meant. To many “it”s make writing seem vague, because . . . well, because “it” is vague. For example:

“She’s my mother. I can’t just throw her out.” He hefted the bag of dry cat food, then paused, arrested by the image of himself pushing Isabel out the door of his apartment. As tempting as it might be, he couldn’t do it. When he was a child, she’d worked two jobs to support him, and he owed her.

I’m not sure how to replace the “it”s without causing echoes by repeating words such as “mother” and phrases such as “throw her out,” but the “it”s slapped me in the face when I was reading that passage, and that is never a good sign.

From the very next page: A chime intruded into Chet’s thoughts. It took a second for him to recognize it as the bell over the door. He seldom heard it so clearly; usually the clamor of the birds and animals drowned it out.

And this from a few pages later: He heaved his computer off the dresser top where he’d been storing it, lugged it to his office, and set it on the desk. He turned it on, ordered the lemon drops, then pulled up his plans for the refuge.

Yikes. I feel as if I’m drowning in a sea of “it”s. Maybe by the time I edit these chapters and find concrete words to replace all the “it”s, I’ll be so deeply involved in the story, I’ll have no trouble segueing into writer mode. Despite being infected by a bad case of ititis, the story deserves more than to be packed away as a work-in-pause for five more years.

Dreaming of the Dead

I don’t often dream about my deceased life mate/soul mate, but last night was an exception. Perhaps my bloggerie yesterday, where I mentioned a revelation I had while walking in the desert, instigated the dream. The revelation — that having a sign from him wouldn’t change my life, that I’m already doing the best I can to be the best person I can be — was a pivotal point for me. Or perhaps it was because I’ve been going through the movies he taped and have thrown away some I know I will never watch. Whatever the reason, it was good being with him again for a few minutes.

I don’t think the dream was a sign from him, nor do I think he actually visited me. In fact, I knew it was a dream while dreaming.

In the dream, we were going somewhere on foot, and I realized that it would be cold before we got back, so I went inside to get a coat. In my closet were two of his coats — a jacket and a trench coat, which I have in fact kept. As I was pulling the jacket off the hangar, I remembered that I had gotten rid of most of his things after he died, and I panicked, wondering how to tell him that his stuff was gone. I left the room, and met one of the moderators of the grief group I had attended. He asked how I was, so I explained the situation, then I added, “It’s a good thing this is a dream, otherwise he would be really angry.”

In the dream, I was glad not to have to tell him his things were gone, and I’m glad I don’t have to tell him in real life. Even though he told me what to do with most things, he never told me what to do with his tape collection, and I don’t know what he would think of my throwing any of them away. But he is beyond caring about such things now.

Part of me wants to get rid of everything that reminds me of him — which would mean getting rid of everything I own. But part of me thinks there might come a day when having our things around me might help connect the disparate parts of my life — the years with him and the future years without him.

It still seems bizarre to me that a person’s things outlast him. In this age of obsolescence, you’d think it would be the other way around. Besides our household goods, his tape collection, and various things I have not been able to get rid of yet, I have a great many papers  in his handwriting — recipes, the list of video tapes, a foot-high stack of notes from his studies into health and nutrition, and various other notes I come across from time to time. Oddly, for something so personal, an unexpected glimpse of his handwriting doesn’t sadden me, which is a good thing. I’m sad enough as it is.

Desert Revelation: Dealing with Life on My Own

People often tell me how sorry they are that I’ve had no signs from my dead life mate/soul mate, but the truth is, even if he does still exist somewhere, there is no reason for him to try to contact me. A sign from him wouldn’t change anything, not his life, not his death, not my missing him. And it wouldn’t change my life.

I am not an Ebenezer Scrooge who needs to be shown the effects of my evil ways, nor am I a George Bailey who needs to be shown the effects of my benevolent ways. I do the best I can each day, trying to be kind to others, trying to be kind to myself.

All my life, I’ve studied religions, philosophies, mythologies. I’ve even had strong beliefs at various times, and have lived accordingly, though those beliefs have shifted through the entire spectrum of theological thought. I haven’t just been living haphazardly with nothing in my head but me me me. Whatever lies beyond this life, whether we retain our individuality or our energy becomes part of the “everything,” it isn’t germane to my life here on Earth since this is the only life I know. Understanding the truth of my existence won’t change anything I do.

I still question, of course, because that’s what my life is all about — quest(ion)ing. As with all quests, it’s the journey that counts, not the elixir of truth you find at the end. Even if you were shown the truth ahead of time, until you become the person who understands that truth, the truth remains obscure.

And so is this blog post — obscure. But I don’t mean it to be. I’m just trying to put today’s desert revelation into words. I am still prone to strange and mystical thoughts on my daily walks in the desert, though the thoughts could be the result of heat baking my brain instead of true insights. But this one feels true.

As much as I would like to talk to my mate, to find out how he’s doing, to know if he’s glad he’s dead, it wouldn’t change anything. I call him my soul mate because while he was alive, we had an incredibly strong connection, but I don’t think he’s actually sharing my soul. He’s his own person, on his own quest, and the further I get from our shared life, the more I feel the truth of that. Besides, I have my own quest to deal with, and it’s all I can handle right now.

Grappling with Death

A friend has been dealing with a spate of deaths in her life, and she’s trying to understand the purpose of them. I hope she succeeds. Death is so very hard to deal with, and the worst part is the seeming senselessness of it. I’ve been grappling with the subject for more than two years now, ever since the death of my life mate/soul mate, and I haven’t a clue what the purpose of death is. Well, of course, I understand the purpose on a global scale — the species needs to be constantly revitalized — but on a more personal scale, what is the purpose of these deaths? Of any death?

I know why my life mate had to die — his body was destroyed by an invading army of malignant cells, and he could no longer function — but is there any purpose to his death?

There certainly isn’t any purpose for me. I thought I’d feel free once I no longer had to live under the constraints of his illness, and maybe someday I will feel free, but for now, I’m lonely, sad, angry at times, and miss him always. Perhaps his death is a growth experience for me, but if he hadn’t died, I wouldn’t have needed to grow in this particular direction. And anyway, his death is way to big a price to pay for something so paltry.

Was there a purpose for him other than to be done with his suffering? This leads me to the equally unanswerable question of why he had to suffer in the first place. Who chose for him to suffer? He sure as heck didn’t — he did everything he could to live a healthy life, but pain dogged him all his years. (I’m sorry, but if your belief system suggests that we choose our pain, I don’t want to hear about it.)

Even if there is a purpose to death, one that we are ill equipped to understand, who chooses who gets to live and who has to die (or is it better phrased, “who gets to die and who has to live?”). Is there a moving finger writing our deaths, or is it blind chance? Blind chance doesn’t seem to be any way to run a universe, but what do I know? I don’t even know how to run something as commonplace as a car. I can drive, but making the car run when something goes wrong is beyond me.

Maybe someday my friend and I will be able to understand the purpose of death, but I doubt it, at least not while we are alive. (I just realized — every time I write about some facet of death, I post it under the category of life. I wonder if there is a clue in that.)

Aaron Lazar’s Review of A SPARK OF HEAVENLY FIRE

A Spark of Heavenly Fire
by Pat Bertram
Publisher: Second Wind Publishing
ISBN number: 978-1-935171-23-2
Review by Aaron Paul Lazar
Lazarbooks.com

Who says you can’t squeeze romance into a thriller? And while you’re at it, how about weaving in a deeply moving story about human redemption?

Author Pat Bertram says you can. And she’ll convince you before you can say chimera — the lethal combination of virus, bacterium, fungus, and human genes that causes the rapid spread of the “red death,” a bio-engineered weapon threatening the entire state of Colorado.

Kate Cummings is trying to deal with the loss of her husband, who drove his car off a mountain after a long battle with Multiple Sclerosis. She passes by his bedroom without daring to enter, and slogs through life in a solemn daze, feeling guilty for every time she waited a few extra minutes to answer his summons, or for each time she became angry. His loss haunts her, and although her work at the Bowers Medical Clinic is fulfilling, it can’t heal the hole in her heart.

When a jogger stumbles into Kate with red eyes blazing, he vomits blood on her and dies instantly. A rash of similar deaths follows, decimating the state. Orange paint markers on front doors –– signifying a “red death” in the marked homes — begin to appear with frightening regularity. Panicked parents discard their red-eyed children, fearful of contagion.

Enter Greg Pullman, reporter for the Denver News, who’s engaged to the ditzy beauty, Pippi O’Brien, local TV weather girl. But when he bumps into Kate after Pippi heads for the border in search of safety, things change. Together, Kate and Greg investigate and unearth the shocking source of the horror that has shut down their state and caused a rogue wing of the military to terrorize Colorado’s remaining citizens. Basic human amenities – so often taken for granted –– become grounds for murder. And the streets are no longer safe to walk unescorted.

In addition to a killer story line, smooth writing, and phenomenal characterization, this page turning thriller features fine examples of charity through glimpses into Kate’s huge heart. The remarkable heroine opens her home to survivors who are homeless and hungry. Soon, partnered with a destitute woman named Dee, Kate’s home becomes a refuge for survivors. And in the midst of the massive deaths, terror, and horror, Kate finds salvation.

The tension in A Spark of Heavenly Fire is electric. Taut suspense pulls you along at a rapid pace. This reader was up way past his bedtime three nights in a row. And yes, it was that good.

***

Thank you, Aaron!

Be sure to check out Aaron Paul Lazar’s books at http://www.lazarbooks.com/

Dialogue: Accents and Dialects

Dialect and regional accents are especially tricky to write. It used to be that writers tried to show dialect and accent through the laborious use of phonetic spellings and a blizzard of apostrophes. Today, though, we readers don’t like having to decipher the author’s personal code. Nor do we writers need to take the time to create the code. It’s better to use colloquialisms and broken language to show regional differences. For example, “I done died and gone to heaven.” Not an apostrophe or phonetic spelling in sight, though you know immediately the speaker is not a high-toned college professor from Boston.

If your character has a foreign accent, you don’t have to bludgeon a reader with it. All that is necessary to portray an accent is to say the character speaks with an accent. If you wish, you can use phrasing to remind the reader of the accent, such as, “We will go to the store. No?” or “I’ll put a couple of shrimp on the barbie, mate.”

This snippet from Daughter Am I shows Crunchy’s difficulty with English:

“Mary’s trying to find out about her grandparents,” Kid Rags said. “His name was James Angus Stuart.”

Crunchy shook his head. “Don’t know no James Agnes Stuart.”

“What about Regina DeBrizzi Stuart?” Mary asked.

“Don’t know her neither.”

Later in the story is this snippet.

[Mary says]“Why did you lie to me? Everyone’s lied about my grandparents my whole life, and I’m sick of it.”

Crunchy edged away from her, and for the first time his eyes didn’t sparkle when he looked at her. “I didn’t lie. I don’t know no James Agnes Stuart. You never asked me about Jimmy Boots.”

“I didn’t lie either.” Kid Rags sounded as unfriendly as when Mary first met him. “I just didn’t tell you the whole truth. We didn’t come from nice suburban neighborhoods where things are relatively safe. For our own protection, we had to learn not to talk about ourselves or anyone else.”

Some writers still insist on writing accents phonetically, and in this new world of publishing where everyone is making up their own rules, you can do it to. Just be aware that it is not ideal and will cost you readers because of the difficulty of deciphering your particular code.