Today I am a Published Author. I think.

A couple of days ago I noticed that Second Wind Publishing, the company that will be releasing my books, has More Deaths Than One listed for sale as a download on their ebook page. How long had it been there? Did its availability mean that I was a published author?

My books still aren’t available in print form. I know publishing delays are nothing out of the ordinary, but I feel a bit foolish for having frequently announced the imminent publication of More Deaths Than One and A Spark of Heavenly Fire. It seems as if they are always two weeks away from being published. When they are finally released, I am going  throw a huge online “Hallelujah!” party. (You are all invited, of course.)

Which brings me back to the point of this bloggery. I wasn’t sure if having a book available as a download qualified as being published. And if it does, how odd that I didn’t know. Shouldn’t it have been a momentous occasion? Shouldn’t such a milestone have caused a ripple in my life, a change? But no. Here I sat, doggedly de-was-ing another manuscript, not knowing I’d been elevated to published status.

Well, I can now truly say that I am a published author –an online friend bought the ebook.  I received an email from her today. She wrote: “I got the prize! The first Ebook! I want the first book in print too! So see to it that someone sends me one first!”

So, not only am I a published author with one sale to my credit, I received my first fan letter.

Now this is a momentous occasion. I can already feels the ripples.

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Help Me Plan My Big Book Bash

One of these days soon, perhaps next week, my novel A Spark of Heavenly Fire will be released.

Finally.

After years of sending out query letters, after enduring hundreds of rejections, after surviving three worthless agents, I found a publisher who loves my books. Mike at Second Wind Publishing recently told a group of romance writers:  “If you haven’t, you all need to read Pat’s novels — especially A Spark of Heavenly Fire. It’s loaded with multiple love stories, triangles, lost love, romantic character development, unrequited love, and even a little happily-ever-after. Thank God she’s not a romance writer — we’d all be out of business!”

Now that deserves a celebration, so . . .
 
I am going to throw a virtual launch party when the book is published, a big book bash here on Bertram’s Blog. Most such “parties” come across more as announcements than celebrations, but I would like mine to seem like a real party, a real celebration. Do you have any suggestions on how to make an online blog party fun and festive?  How do you get people to hang around for a while, not just stop by and leave a comment? Is there such a thing as an eparty favor or an eprize or a way of simulating party games?
 
Any and all help would be appreciated.

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A Spark of Heavenly Fire Update — Copy-Editing Hell

I found additional mistakes to the proof copy of A Spark of Heavenly Fire, so it will be a couple of more weeks before it’s released. I’ve been afraid that I’m going to be stuck in copy-editing hell for the rest of my life, but I’ve decided that perfection at this point really is impossible. I had the idea that single-handedly I needed to eradicate the POD publishers reputation for releasing less than stellar books, but there is a limit to what one (untrained) person can do. I am learning how to copyedit, though, and I do know one thing: however much copy-editors get paid, it is not enough.

The thing with mistakes is that they proliferate when you are not looking. You correct one, and in the process, create another. When I finished my novel, the manuscript was almost perfect — I’d read the thing out loud, so I would be sure to look at every single word, every single punctuation mark. Then . . . I did one final polish, took out all the extra justs and onlys, the particularlys and practicallys, the barelys and hardlys, the began tos, and the wases. The problem is, other words got deleted along the way (don’t ask me how, because I don’t know) and I didn’t catch them. Yikes.

And then there are the choices to be made. Is it ill-prepared or ill prepared? I originally had ill-prepared, but MSword said that was wrong, so I deleted the hyphen. And now I want it back for the simple reason that the hyphen is how it is commonly used. And what about brand new? My dictionary says it’s brand-new, but common usage has it as brand new. So which do I use? I think I’ll leave out the hyphen; that way there will be one less change to make.

Some of the changes  that need to be made entail rewriting a sentence. In the proof copy, smelled is on two lines: smell-ed. Smelled can’t be hyphenated, so now I have to decide how to rewrite the sentence so smelled can fit on one line. I had “He fell silent for a moment, savoring the feel of her tee shirt- and jeans-clad body next to his. She smelled clean and fresh, like cucumber, or melon, or pear.” So how do I change the sentence, so that smelled can fit on one line? “savoring the fell of her thinly clad body”? savoring the feel of her tee shirt-clad body”? Neither of those do it for me. But now, writing this, I see what I can change. I can take out “for a moment”. (Yes, I know that the period belongs inside the quotation marks, but this is proofing, and perhaps whoever is making the changes to the print copy will think the period needs to be taken out.) See what I mean? Copy-editors are not paid enough.

Well, now it’s put up and shut up time. Make the important changes, and try not to sweat the small stuff. I can guarantee, though, that whoever came up with that particular phrase is not a copy-editor. With copy-editing, it’s all about the small stuff.

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Final Proof of A Spark of Heavenly Fire?

Will you keep your fingers crossed for me? I just received what might be the final proof copy of A Spark of Heavenly Fire. If it’s okay, by this time next week, I will be a published author. If it’s not okay, I’m going to shoot myself.

(Just a glancing blow on a toe, perhaps. What? You thought I meant in the head? I need my head . . . where else would I put my hats?)

Seriously, though, this book has been through several proofing sessions in my effort to make it as perfect as possible. I realize perfect does not have degrees — perfect is perfect — but you know what I mean. No matter how good a job one does, there is always, always something that slips by.

Remember that Persian carpet legend and how the carpet makers purposely put a flaw in their carpets because only God is perfect? It sounds arrogant to me, as if they thought they were so perfect that they had to fake imperfection to prove . . . whatever. Still, if you happen to find a flaw in my book, just remember that it’s there on purpose. (Wink, wink.)

Publication has been a long time in coming. Years, in fact. It took a year to write A Spark of Heavenly Fire, another few months to edit, years of querying and rejections — I queried almost two hundred agents and editors. I did find an agent about three years ago, but she was worthless; she sent the book to publishers who did not carry my genre (whatever that might be). When the contract expired, I started querying other agents and editors. Still no takers.

Odd, but through it all, I believed in this book. I have doubts about my other books for some reason, but never about A Spark of Heavenly Fire. It’s spooky thinking that soon I will know if all the rejecters are right, or if I am.

At least my publisher likes the book. He said, “I was told by some other small publishers with whom I had done research that I was going to get mountains of unacceptable crap for every worthy thing I received. So when I got Pat’s manuscript for A Spark of Heavenly Fire, which was like the first submission to Second Wind, I thought, ‘OMG, is this possible?!’ I knew in the first 20 pages that she was the real thing. Then, as we corresponded, I realized where I knew that name: she and I were neck and neck throughout the FCC contest on Gather.com. I remember reading her first chapter of More Deaths Than One and thinking, ‘Oh, man. I hope her second chapter is messed up! I can’t beat this.’ Well, it just goes to show, if you can’t beat ’em, publish ’em!”

So, I’m off to proof the book again. Here’s hoping . . .

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Did I Really Write a Feel-Good Book?

It will be interesting to see what people say about my books; I’m beginning to think I have no idea what I wrote. For example, A Spark of Heavenly Fire is the story of four ordinary people who become extraordinary while struggling to survive quarantine and martial law in Colorado. It was supposed to be a hard-hitting novel with an edge, but my proofreader told me, “You might do well. I think people are ready for a feel-good book.”

A feel-good book? Where is the edge? The horror? The feeling of doom? According to said proofreader, “Those elements are in the background, but the characters are the story. And they are heartbreakingly real.” Oh.

I thought I couldn’t write good characters. Most books on writing (and many authors) say that a writer has to feel what her characters feel or else the reader won’t feel the characters’ emotions. If you don’t cry, neither will your reader. But I don’t feel what my characters feel. Writing erases emotion, takes me to a place of serenity. And serenity is not generally where you want to take a reader. But I am deliberate in my choice of words and in the details I include. Perhaps those elements combine to help overcome my lack of emotion.

Of course, I generally don’t feel the emotion in the books I read, either. Often, despite the blurbs and reviews that extol the great characters, the characters seem to be only props on which the author hung the story, and a banal story at that.

Perhaps, after all, I won’t mind if I haven’t written a book with an edge. There are plenty of those out there. But I do like my proofreader’s description of my book. He wasn’t the first to use the phrase “heartbreakingly real” about my characters, and with any luck, he won’t be the last.

I can live with that.

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A New Era in Publishing

When I was studying the publishing industry, trying to figure out how to get published, one thing bothered me. There you are, a debut author, and because the publisher does not promote you — spending their promotion dollars instead on the big names — your books sit on bookstore shelves or in warehouses until finally the publisher gives up on you and remainders your book. That is the best scenario, because if it is remaindered, at least it will still be available for a time. Generally what happens is that it is pulped. 25% of a publisher’s total output (including your beloved book) is destroyed. This after shipping costs incurred to and from the publisher’s warehouse.

My books, More Deaths Than One and A Spark of Heavenly Fire are being published by Second Wind Publishing, a so-called POD publisher, and because of it, I do not have to fear my novels succumbing to such a fate. Nor do I have to fear an inadvertent error showing up in thousands of volumes. As soon as an error is found, it can be corrected. Because of POD technology, there is no reason to destroy unsold merchandise. There is no reason to stop publishing a novel because it does not live up to the bottom-line demands of the traditional publishing houses.

Small presses today are where independent movie producers were in the late eighties and early nineties. They have the ability to publish books that need time to reach an audience, books that might not appeal to the masses but could still be loved by many (and turn a tidy profit in the process.)

Though POD still has the taint of vanity press, my books did go through a submission process, and I like knowing I was chosen. I like having a say in the editing, the cover choice, the arduous copy-editing. I even like promotion — what I’ve done of it, anyway.

So, new era in publishing? Good for us all. And I am pleased to be a part of it.

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Feeling Like a Guest on My Own Blog

I’m starting to feel like a guest here on my own blog. I’m getting so many visitors to my “guest event” on the future of books, that I spend my allotted blog time wandering from one “referrer” link to another to see where everyone is coming from, and I never get around to posting my own work. If I’m not careful, I’ll forget the reason I started writing this blog: me. A month ago I decided I would stop inviting guest bloggers and reclaim my blog, but that resolution died even before the new year began. It’s just too much fun finding new voices (and established voices) to come guest, and for me, that’s the real purpose of this blog: fun. As addicted to the Internet as I’m getting — or as seduced by it — I still find this blog to be the most enjoyable online activity. I like saying what I want and just throwing it out there. Sometimes people agree, sometimes they don’t, but I’ve met some of my best blog buddies (bet you can’t say that three times!) because of discussions resulting from this disagreement.

So, here I am with a blank slate, and nothing to say. Actually, the problem is that I have too much to say, and it won’t all fit in a single bloggery. I want to talk about how amazing it is that writers such as Suzanne Francis, author of the Heart of Hythea books can make up such wonderful-sounding words and worlds. When I needed a name for my disease in A Spark of Heavenly Fire, the most exotic one I could come up with was . . . ta da! . . . The Red Death. It fits (people get red eyes and vomit bright red blood) and it’s probably what it would have been called if such a disease really had decimated Colorado. (And that is the correct use of the term decimated — about a tenth of the residents of Colorado end up dead.) But it isn’t a clever, made-up word.

Another thing I would like to talk about is the incredible journey a novel takes from that first glimmer of an idea to a book in the hands of a reader. Each step is a big one: the first word, the first chapter, the first draft. You think you are unique because there is a good chance you are the only person you know who writes.  And then you start querying, and find out you are one among millions, and no one cares. Finally, you find someone to publish your opus (or you decide to self-publish) and have you entered the rarefied atmosphere of the few? No. For some reason, once you start promoting your work, everyone you encounter is also promoting a work. So who buys these books? Someone, I hope, because eventually the delays will be over, and my books will be available.

Another thing I would like to talk about is . . . oops, my allotted blog time is up. I’ll get back to you tomorrow. Unless I have another guest blogger.

Pat and Mike (Couldn’t Resist the Title)

I have had an incredibly exciting week. First, I got the proofs for my novel A Spark of Heavenly Fire, but that wasn’t the most exciting thing that happened.

More exciting was finding out I’m a blurb on the cover of Suzanne Francis’s book, Heart of Hythea. Seeing my name on the back cover of a book really made me feel like an author.

Even more exciting was having Michael Palmer accept an invitation to be a guest on my blog. Yep, that’s right — the Michael Palmer, author of thirteen bestselling novels, is going to be on my blog tomorrow. Oddly enough for these cyber times, he’s never guested a blog before, so this is an historic occasion. Most exciting of all, he wrote the article just for me, rather than sending me one he’d already written.

I hope I’m not going against email ethics by making our conversation public, but our little discussion was interesting (to me anyway) and I wanted to share it.

My Sort-of Interview with Michael Palmer

Be sure to stop by tomorrow to check out Michael’s blog post.

Sneak Preview of My Book Covers.

Front and Back Covers of More Deaths Than One

Front and Back Covers of More Deaths Than One

Front and Back Covers of A Spark of Heavenly Fire

Front and Back Covers of A Spark of Heavenly Fire

What If People Like My Books?

An odd thought struck me this morning: what if people actually like my books? Over the past few years, I’ve racked up hundreds of rejections. I told myself the agents and editors were only rejecting my query letters, because what else could they be rejecting? None of those I sent letters to had ever heard of me, so they could not be rejecting me personally. Nor did most request any part of a manuscript, so they could not be rejecting my novels. But others did request parts of the manuscripts, and found them wanting. Some did not like my characters, my setting, my matter-of-fact style, my inability to sweep them away. Some did not like that the books could not be easily slotted into a genre. The rest simply said the books did not fit with their list. I had a great attitude through all those rejections, and I didn’t think they affected me, but they must have, because I’ve been steeling myself against weak sales and less-than-stellar reviews.

Ever since More Deaths Than One and A Spark of Heavenly Fire were accepted by Second Wind Publishing, I’ve been so focused on figuring out how to sell my books (I even started a new blog, Book Marketing Floozy, to share what I learned and will continue to learn) that it never occurred to me people might read my books. Of course, one-fourth to one-half of all purchased books are never read, so perhaps those who buy won’t read, but what if they do?

Now that my publication date is nearing (actually, it’s not a date, more like a time — end of November), and my novels are about to be made available, I’m getting nervous. Only one person (a free lance editor I met in a writing group) read all four of my manuscripts, and she absolutely loved them. And an author I met through my blog read one of my manuscripts, and she thought it was brilliant. Although many people have read excerpts of my novels, no one else has ever read one all the way through. Soon my novels will be published.

And what if people like them?