Yesterday I wrote about parts of the Wheel of Time that should have been edited out or at least shortened considerably.
One of those story lines involved the hero rescuing a nation from an evil king who’d usurped the throne while the daughter heir was off doing other things. In addition, the hero twice conquered another nation. He intended both countries to be ruled by the daughter heir who would have been the rightful heir under normal circumstances. But because he said he was “giving” her those thrones, there was a huge furor since she claimed they were hers by right. Except they weren’t hers by right any longer. He’d conquered both nations. He could have put anyone in charge as he did with other nations where he defeated the evil rulers. But she was angry at him because of that word: give. Sure, she didn’t want people to think she was his puppet and so she needed to gain the crown on her own by having the ladies and lords vote for her. But there they were, on the brink of a cosmic catastrophe, and she worried about them thinking she was a puppet? It seems to me that if all existence were at stake, that would be a minor issue. Certainly not one worth tens of thousands of words.
What makes the whole thing even sillier is that the city, Caemlyn, was a Camelot equivalent. (In the King Arthur Legend, The Battle of Camlaan was the climax to his rule.) So it might have made sense, perhaps, to waste time on a plotline that went nowhere if only to establish the importance of that city, except that the very first casualty of the cosmic battle was Caemlyn. So at that point it mattered not who ruled.
It surprises me that I ever bothered to read these books in the first place, and I probably never would have if I hadn’t been laid up at the time and desperately needed something to read. Then, when I realized what the books were with all their real-world references, not just homages to previous series, like The Lord of the Rings, but a retelling of the King Arthur tale as well as dozens of other myths and legends from around the world, I got interested in finding all the subtext. Then, when I found out how terrible the ending was, I decided to try to figure out the real ending. Which is where I am now. But sheesh. All that verbiage! Luckily, I know how to skim, and I am not at all adverse to skipping huge sections. (The seventh book took me two or three days to read. The eighth took me two or three hours.)
I am finding bits, though, that would have made the ending more interesting. The most obvious would be to have accepted that most of the characters had already reached the end of their arc and were ready for the last battle. In one case, the substitute author repeated an entire character arc. In another case, he simply undid the arc, erased the character’s growth and his acceptance of responsibility, and returned him back to his immature ways with no further development.
Another thing that should have been addressed is that at one point, the kings and queens of the northern nations all decided to head south with their armies. They did not like what the hero was doing to the southern nations, not realizing he was rescuing those nations from the forces of the Dark One, and they didn’t want the same thing to happen to them. So they decided to do something about it. The subtext (and even Robert Jordan alluded to it) was that this displacement was part of the dark side’s plan, and was helping to further disrupt the forces of the light. This coalition was going after the hero, and the whole thing was so hush-hush, that they were ready to kill anyone who found out or who got in their way. Not exactly a peaceful mission. By this time in the books, it’s obvious that nothing happens by coincidence, and yet combined, this northern coalition ended up with thirteen Aes Sedai (the women power wielders, who some called witches). And thirteen Aes Sedai, when linked could destroy the hero, no matter how strong he was against them individually.
And yet, despite this, the rather weak reason given during the substitute ending was that they were there to test the hero to see if it was okay for him to fight the Last Battle. Um, yeah. If this were true, all they’d have to do was send an envoy, asking for an audience. Instead, they took a force of 200,000 as well as all those Aes Sedai to deal with him. And if they found him unworthy and killed him, they would have doomed the entire cosmos to the dark side. Definitely sounds like a plan made by the evil ones.
Even sillier, they were acting on a so-called prophesy that had been handed down by word of mouth for 3,000 years, negating one of Robert Jordan’s themes, which is based on the game of Whisper, or Telephone, or Gossip, whatever it was called in your part of the country. In the game, someone passes a secret to the next person, who passes on what they heard to the next person, and in the end, what results is generally nothing much like what was originally said. His point was that things change over the centuries, that stories change, that names change. So the chance that this prophesy, passed down orally through the millennium, would be the same at the end as at the beginning isn’t that great.
Even worse, though this army that had been manipulated by the dark side to leave their lands could have become a great disrupter at the last battle, instead the substitute author brought in a devil-ex-machina — an entire hitherto unknown army of dark friends.
I’m thinking I’ll eventually give up my idea of figuring out the real ending (for me just to decipher, not to write). Until then, it is rather an interesting puzzle. If I can get through all the scenes that should have been edited out, that is.
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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.
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