The Bees Of The Invisible

Life and death are strange things. Or maybe it’s death that’s strange, at least to those of us who are still alive. A wise friend keeps saying we have to just accept the way things are, that we could go nuts trying to figure out the whys of it all, but since I seem to live on the edge of death (other people’s deaths, not mine), death and the process of getting there are often on my mind.

We start out as miniscule bits and pieces of two people, are born, grow from helpless infants to independent-minded children to independent and autonomous adults, finally ending up helpless again as our bodies deteriorate.

A few friends were talking the other day about all the nonagenarians in our lives, and someone asked what use they were. This is a question many of these aged folks themselves ask, so it’s not an insensitive question by any means. When there is nothing left to accomplish, when you can’t move about freely either mentally or physically, when you can no longer enjoy anything, not even your food because your taste buds have decamped, what use is there in living?

My 97-year-old father is “declining” as the doctors say, which is a cute euphemism for “slowly dying”. He could live a year or more, but still, everything is breaking down, even his normally sharp mind. He hates that he can’t think, hates that he can’t make instantaneous decisions, hates even more to have others make decisions for him. Even worse, he finds the situation embarrassing. I tell him, of course, that there’s nothing to be embarrassed about, that it’s part of the process, but my words don’t make him feel any better about himself.

I don’t want to live to such a great age, and especially I don’t want to wind up helpless and dependent on strangers (I won’t have the benefit my father has of a caregiving daughter). My wise friend reminds me we have no choice in the matter, which is true. The only real choice we have is to live as well as we can as long as we can.

For a long time I’ve thought that if God is Everything, then we are the sensory cells of the Everything, feeling, seeing, touching, hearing, smelling, tasting life. And the poet Rilke seems to agree. He wrote, “It is our task to imprint this temporary perishable earth into ourselves, so painfully and passionately, that its essence can rise again ‘invisibly’ inside us. We are the bees of the invisible. We wildly collect the honey of the visible, to store it in the great golden hive of the invisible.”

Maybe these nonagenarians are still gathering their invisible honey as best as they can, but even so, it doesn’t make it any easier watching the old get even older and feebler, gradually losing their touch on life.

Bee

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Turning My Ancient VW Bug Into a Drivable Piece of Art

I’m thinking of turning my ancient VW bug into a drivable piece of art. I suppose if I got the thing repainted the original color, it could be considered “art” since such an old beetle is fairly rare, but it might be fun to drive something totally unique, something that screams, “Pat Bertram is here!”

I could, of course, literally paint “Pat Bertram is here” on the side of the car, or do something more productive like “Pat Bertram, author” and give my web address since more than anything I would like some unique way of selling my books. But if I step outside my “author” persona, the ideas are limitless. For example, I’ve seen photos of a bug completely covered with beadwork. I’ve seen one where the body was remade with white wrought iron, making it look like a lace car. The wrought iron body would be drafty, the beadwork would be so heavy the mileage would suffer, so neither would be practical. And besides, cleanboth of those ideas have been done.

I recently saw a photo of a bug that someone had rounded into a perfect sphere, but of course, such a stationary work of art would defeat the purpose of making sure the vehicle is drivable.

Perhaps I could decoupage the car with colored tissue paper, then spray it with clear enamel to make it look like stained glass. Or turn it into something resembling a patchwork quilt. Or even cut out tiny squares of various colors of fabric and arrange them into a mosaic-like design so that up close it doesn’t look like anything but from a distance you could see a floral arrangement, perhaps. Or get the car painted the original marine blue and paint a green ivy border around the bottom. Or paint the car to look like a little fairytale house, complete with window flower boxes and thatched roof. Or . . .

I really hadn’t planned to restore the car since I thought the poor thing was destined for the junk yard, but I found someone who can rebuild the engine and rework the suspension, so maybe I should keep it going one way or another. The trouble is, restored or not, such an old car is a responsibility for a non-car-buff because things are always breaking down, few mechanics know how to fix them, and parts are hard to come by, so I’m not sure I want to do it. Either way, I could do something arty to the body, to have fun with it as long as it lasts.

Feel free to offer suggestions!

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

A Key to Copyediting and Proofreading

Someone asked me today how long it takes me to write a blog, and I’m sort of embarrassed to admit it takes me about three hours from start to finish. I read once that a blog should take no more than twenty minutes to write, but that doesn’t make sense to me. How can anyone write anything of worth in so short a time, especially if a bit of research is involved? Still, three hours seems excessive, though to be honest, at least half of that time is taken up with editing and proofreading.

Proofreading is a problem for all of us, whatever we write — novels, newsletters, blogs. Our brains are structured to see what isn’t there, to fill in the blanks, to rearrange letters and words to make sense. I’m ssre you hvae seen a demontrasion lkie tihs keybefroe, a clveer gcimmik ot sohw you waht I am takling aoubt — that the brain can read jumbled words as long as the first and last letters are in the right place. (At least to a certain extent — sometimes it takes a while for us to make sense of what we are seeing.) Our brains are trained to see whole words. If we have to read each letter, laboriously spelling out the word, by the time we have finished reading two or three words, we would long since have forgotten what we’d already read.

This ability to read works against us when we write, or rather when we edit or copyedit because it’s so hard to pick out misspelled words even with a spell checker, especially if the misspelling is a real word in itself. Tow and toe, for example. Or point and paint. Even worse, we see the center of things. Our brains fill out the edges, and so often, that’s where we find errors — on the top two lines of a page, the bottom two lines, the first and last word on a line.

I know a few keys to improve your copyediting. The best way, of course, is to get someone else to do it. We know what we want to say, so our text makes sense to us no matter how convoluted it is, but so often fresh eyes find mistakes we missed every time we read it. If you have to do your own copyediting, you can work from the end of the piece to the beginning — that way you don’t get caught up in the brilliance of your own rhetoric. You can pay particular attention to the edges of your text, doing the edges as a separate edit, or you can temporarily make the text a different size. If you normally use 12pt Times New Roman, switch to 14 or 16 point. That way the words that were at the edges of the page have been moved to a different place, which makes it easier to see mistakes. (You have to change the size of the font, not merely zoom to a larger view because zooming doesn’t change the placement of words.)

Using these copyediting suggestions, I can improve my text and make sure there are few errors, but doing the whole thing still takes me three hours. No wonder I don’t have time for working on my novels!

[Click here to find out Why Mistakes Happen]

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

When Chaos Rains

Yeah, I know — the expression is when chaos reigns, but lately it seems as if chaos is raining down on me like an acidic shower that erodes everything it touches. Maybe things aren’t that bad. It’s possible I simply no longer have any perspective on the way things should be.

Take today for example. My car broke down last Wednesday, and every day since then the mechanic has promised to have the car ready for me. Normally, this wouldn’t be a problem except that my 97-year-old father is going through a medical crisis, and I’ve had to beg for rides to pharmacies for his medications, to doctors appointments, to and from the hospital. A lovely woman squired us around today, taking us not only to the doctor but to the hospital afterward when the same doctor who didn’t want to admit my father last Thursday decided my father needed hospital care after all.  My friend waited for me for arain while, then when I got tired of watching my father sleeping in the emergency room because they didn’t have a bed for him, we went out to dinner. Afterward, she took me back to the hospital so I could check on him once more, and it’s a good thing because they hadn’t fed him. And he was cold.

I got that straightened out, then my friend drove me home only to be met my demented brother who screamed obscenities at her. Cripes, she didn’t deserve that. Well, neither do I, of course, but her only “sin” was doing a good deed. She is used to dealing with the problems of the aged, so she understood what I was going through with my father, but now I feel bad for even asking her.

Luckily she, like everyone else in my life, knows the truth, so she didn’t believe brother dearest’s accusations that I’m killing the old man. (Where does he get this stuff?)

Perhaps I will get my car back tomorrow (with a hefty repair bill, I might add), but it’s no longer critical. I don’t need to worry about getting my father to the doctor’s office or to the hospital since he is already there. Well, sort of there. He’s parked in the emergency room with minimal care because even if they did have a bed for him, they don’t have the staff to man and woman it. Still, he’s right next to the nurse’s station, and she just got on duty and isn’t bored with the day yet, so he should be okay.

Me? I am so not cool. I lost my temper and screamed at my brother . I feel as if I should be above such base activities, but I am not always the person I want to be. Someday, perhaps . . .

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Doing Something Nice for Myself

Since my life continues to be traumatic and chaotic, a friend suggested I do something nice for myself. My car is in the shop, which is part of the chaos — my father is going through a medical crisis, and my not having a car only adds to the stress. Without a vehicle, I am pretty much stuck with what is in my immediate environs for that something nice. So I spent a few relaxing moments putting together a fake flower arrangement. It gave me my first smile in several days, so apparently it’s working. Hope it brings a smile to your life, too.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Sheep Peach by Any Other Name . . .

Have you ever wondered about the origins or kiwifruit or where it got its name? I didn’t think so. Neither did I. But when I read that the plant was renamed with an eye on the American market, I had to look into the matter.

Kiwis — the fruits, not the slang word for New Zealanders or the name for the fuzzy bird — is a native of China where it was known as yang tao, roughly translated as “sheep peach.” It was also known as monkey peach, macaque pear, vine pear, sun peach and wood berry. (Wood berry makes most sense since the fruit is a berry of a woody vine genus that is widespread in Asia.) Recently, the Chinese name for “strange fruit,” a translation of kiwifruit, has become common in Taiwan and Hong Kong. (I’ve heard it said that what goes around comes around, and apparently this is true of cultivated fruit and fruit names as well as the rest of human activities.)

When yangsheep tao seeds were brought to New Zealand in the early part of the twentieth century, the new cultivators renamed the fruit “Chinese Gooseberries” or “melonettes.” At the beginning, it was mostly a novelty plant for gardens and small markets. Through cultivation, the fruit became bigger and sweeter, and its appeal grew. In the nineteen fifties, the growers wanted to expand their sales to the United States, but neither of these names were acceptable for the American market. They couldn’t call the fruit “Chinese Gooseberry” because the United States was in the midst of a cold war, and anything smacking of Communism was immediate death. Nor could they call it “melonette” because the United States had high tariffs for melons. Someone (several people claim the honor so there’s no point in naming names) came up with the label “kiwifruit” after the small brown fuzzy New Zealand bird, which distanced the fruit even further from its Chinese past. As I’m sure you’ve figured out, the ploy worked, and now kiwis are a staple of most people’s diet, but not mine. I don’t particularly like the fruit, no matter what its name. It seems to me the fruits are again becoming small and not very sweet, but most people still buy it.

Now that I think about it, the original appellation of “sheep peach” is a good name for the fruit. Like sheep, we were herded where the marketers wanted us to go.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Planning Epic Transcendental and Mystical Journeys

I am so beyond stressed out from taking care of my father’s latest medical crisis, my brother’s continued mental problems, and my own lack of sleep because of caring for them that I can no longer find comfort in planning epic transcendental and mystical journeys. But here is an update for those of you who have expressed concern about my idea of walking up the Pacific Coast to Seattle.

Although I would take precautions, there is no doubt such a walk could be dangerous, but for now, that is not something I want to consider. In the past eight years, I’ve watched three people die slowly and painfully from cancer, and now I am watching my 97-year-old father die even more slowly from old age. Not taking the trip because of possible dangers would be merely saving myself for even more probable trauma in the future. Life itself is a danger. It does terrible things to people, taking everything they have until there is nothing left but a husk of skin and bones.

Despite all my thinking and blogging about an epic adventure, there is a chance this walk is merely a fantasy. I am not sure I have the physical capabilities of walking so far or spending so much time outside. I am not sure I can carry enough water and emergency supplies. And to be honest, I’m not sure I really want to do it — the thought could simply be a means of mentally escaping an untenable living situation. Still, if I take the trip, or try to take it, I will be as prepared as possible without carrying the whole world on my back. I’m looking into such things as mylar emergency blankets, down vests, bear spray (I figure if it can ward off a bear, the spray could ward off any human predator, too). I am also researching the best way of carrying things, and no, it isn’t on the back, it’s on the head, but that I won’t even consider. I want to look as if I am on a walk, not backpacking through the wilderness or trekking around East Africa.

The walk is only one possible adventure I am considering. I started out planning an extended cross-country road trip, perhaps visiting the national parks, sometimes camping out with full camping gear and sometimes staying in motels to catch up on civilization’s offerings, and this is still a possibility, especially if my car is running. (If I were to walk up the coast, I’m not sure what I would do with the vehicle during the year I would be gone.) Another possibility is to somehow use my ancient VW as a means of promoting my books, maybe painting it by hand to attract attention or letting people who buy a book sign my car while I am signing their boobedk. (Although I like that idea, I’m not sure how to market it. Marketing, unfortunately, is not my forte.)

And it’s possible I wouldn’t want to stop taking dance lessons, in which case I would take shorter long walks to prepare for the epic walk or go on weekend camping trips to gain experience in the outdoors. (Besides, my dance teacher says she doesn’t want me to stop, and it’s been a long time since someone wanted me around just for me, not for what I could do for them.)

In other words, despite all my blogging, thinking, talking, I have no idea what I will do when my responsibilities end.

Well, I do know one thing. I will sleep, or at least try to. Being responsible for others’ care is exhausting.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

A Three-Letter Word for Freedom

I don’t drive a lot — less than 150,000 miles in 42 years — but still, a car is important to me. Our society is set up where a vehicle is essential to go the long distances our daily lives seem to require. It’s a way of carrying all the food and equipment we need, a way to keep in touch with far-flung families and friends, a way of extending our reach and renewing the views forming the backdrop of our lives. But even more than that, a car spells freedom.

My car conked out the other night (actually, it was the fuel pump that conked out), and so I’ve been without transportation, having to rely on friends to get me and my father to his various appointments and to round up the medications he needs. I’ve been without a car before when it’s been in the shop, sometimes for several days, and I used to revel in the freedom of not having to care for such a large and needy object. Often I would go weeks without driving since I prefer traveling on foot when possible. But today, I’ve been antsy, waiting for the mechanics to call and tell me the car is fixed.

Even though I might not have driven today since my father needs me here, I feel trapped not having the car around in case I felt the urge to escape my life for just a few minutes. A car is a promise that we can go farther and faster than ever our feet could carry us. It’s a promise that life awaits beyond the confines of our responsibilities. It’s a promise of adventure, fun, freedom.

The irony of this situation is that I’ve been thinking about walking up the coast to Seattle, a trip that might take me a year, and the thought of not having to deal with a car and whatever mechanical and maintenance issues that might arise on a long trip has been refreshing. And here I am fretting over the absence of my car. (I know I’m overusing the word “car,” but it’s too old and bedraggled to merit the appellation of “vehicle.”)

So here I wait.

Is that the phone I hear? No, just my imagination calling me.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Danceless

Today I missed dance class for the first time since I began taking lessons, and I feel bereft, as if I misplaced something I can never get back. I can go back to class, of course, but today’s classes were special in the way that all moments are special — each is a treasure, a singular occasion, that will never happen in exactly the same way twice.

More than that, dance is currently my savior, helping me get through the daily traumas of my life, and there have been more traumas than usual lately, especially the past 22 hours, so I needed those classes more than ever.

And yet, here I sit . . . danceless. Even if I wanted to practice the dances I’ve learned, I couldn’t. I’m exhausted.

tugofwarI know you’re dying to know what this is all about, so I’ll tell you — it’s just life.

More specifically, my car stopped running as I started out on my way to meet up for the Sierra Club walk last night. No gas seemed to be getting to the engine, which leads me to assume the fuel pump broke down. Not a problem, really, since I have emergency road insurance, and they will tow the car to be fixed.

What was a problem is that a few minutes after I coasted back down the hill and into the garage (how resourceful am I!), my father went through a minor medical emergency. I was up all night dealing with both him and my brother who seemed to sense the chaos. Early this morning my father decided he needed to go to the hospital via ambulence. I spent hours at the emergency room with him, but they didn’t want to admit him, so the rest of the day was spent begging rides from the hospital for both of us, rides to the pharmacy for his antibiotics, and then to another pharmacy because the first had no pharmacist on duty. (How can a major pharmacy not have a pharmacist on duty? Strange, that.) And to top it off, I had to forgo a treat I was looking forward to.

I sound selfish, don’t I? Well, that’s life, too.

Temporarily, all is quiet. Both men seem to be resting, and me . . . I’m here on this blog, trying to make sense of it all.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

My Polarized Life — The Profound and the Profane

I’m sitting here trying to think of something uplifting to say. It’s not that today is a bad day, it’s just that like all my days, it’s too polarized — from the profound experience of learning to dance to the profane experience of life in my father’s house.

My father is 97 years old and is doing well — he gets up and can walk around by himself, can even take off the oxygen for a few minutes if he needs to go beyond the tether of the tubing. He mostly looks after himself, but the every day aspects of life are beginning to defeat him. He has a hard time concentrating and remembering, though these lacks are due to congestive heart failure and age, not Alzheimer’s. (He recently took and passed an Alzheimer’s test.) Still, there are always personal things that he needs me to take care of, such as shopping and cooking what few cooked foods he eats. There are frequent house matters for me to take care of such as bad television, phone, and computer reception. And there is my dysfunctional homeless brother who is currently camping out in the garage.

For some reason — perhaps because I am here — my brother delights in tormenting me, calling me childish names such as “Porky” and “Lard Ass” as well as more adult-rated names. He is obviously suffering, and I am trying to be kind to him, even when he graffities car and bangs on my windows for hours at a time, but I have no idea what he really wants. Even if I did know, I’m not sure I could do anything for him. His problems are way out of my ability to comprehend. His relationship with his problems is even harder to fathom. He likes his “evil” side. He thinks it’s the best part of him, and perhaps it is. His core personality seems to be humble and self-effacing, helpless, even, like a bewildered little boy stuck inside a grown man’s decaying body. For sure, he has no interest in getting help to balance himself out.

danceI sometimes think of moving on and leaving my father and brother to fend for themselves, but I’m not sure I want to be the sort of person who can walk out on her aged, increasingly confused father and leave him to care for himself. (My brother sure couldn’t do anything to help. He doesn’t seem to be able to recognize that anyone but himself needs help.)

Besides, if I moved on, I’d have to give up dancing. The irony is that by being here in this bizarre household, I have the freedom to indulge my newfound love of dancing. If I left, I’d have to get a job, which would leave me no time or energy for dance classes, and for now, dancing is important to me. It feels like a pilgrimage, a spiritual journey. It has lessons to teach me beyond the discipline of the basic steps and the joy of the choreographed dances I am learning, though I’m not sure what those lessons are. I might never know since much of dance is subliminal, needing the focus of both the body’s mind as well as the mind’s mind and perhaps even the soul.

As Shirley MacLaine said, “Dance is an art that impends on the soul. It is with you every moment, it expresses itself in everything you do.”

Whatever lessons I learn from dance will be with me long after the memories of this household have faded. Dance is that important. And so I continue this polarized existence, paying for the profound privilege of dancing with the profanity in the rest of my life.

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Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.