Meet Rami Ungar

If you’ve read this blog at all during the past five months, you’ve probably noticed the name Rami Ungar, a writer who has been a daily commenter. Well, now you can learn more about Rami and his writings because I’ve interviewed him for my author blog Pat Bertram Introduces . . . Here is an excerpt from the interview:

cimg1481Hi, Rami. Good to talk to you! What is your book called?

It’s “The Quiet Game: Five Tales To Chill Your Bones”, and it’ll be available later this year as an e-book.

Have you always wanted to be a writer?

At least since I first read “Harry Potter”, though I didn’t realize it till I was around ten or so. At that age you want to be a scientist, a superhero, a firefighter, President. But at ten I realized I wanted to write, and I’ve been writing since.

What writer influenced you the most?

I’d have to say Anne Rice, Stephen King, and James Patterson. I discovered the first two when I was in junior high and high school, and they blew my mind. I knew after reading them, horror was what I wanted to focus on. I discovered James Patterson shortly before graduating high school, and I think he was the one who taught me how to write thrillers. To this day, I think of Alex Cross and James Patterson when I think about how I was able to write my thriller novel “Snake”.

How long did it take you to write your book?

I spent about a week for every short story, so about five weeks. Each story had its own challenges in writing it, but I enjoyed writing each and every one of them. I hope people enjoy reading them as much as I enjoyed writing them.

How long had the idea of your book been developing before you began to write the story?

I basically collected a bunch of ideas that popped into my mind all of the Fall 2012 semester, wrote them down, and then picked the five best ones out of those ideas and worked on them over winter break. I was really surprised how easily some of these short stories came to me, like “Addict”, which is about a guy trying to recover from a sex and porn addiction. I managed to get that one typed out in a day, a record for me with short stories.

Read more . . .

Come See My Etchings!

I couldn’t resist using the old come-on line for the title of this article, but etchings I’m referring to aren’t my etchings. They are the work of Mickey Hoffman, a talented artist and author. (She wrote the mysteries School of Lies and Deadly Traffic, published by Second Wind Publishing.) The first etching is one Mickey did of Beijing, and the second is Myanmar.

If you’d like to see how involved the etching process is, check out Mickey’s blog, What the heck is an etching? She shows step-by-step what exactly goes into the making of her etchings.

If you are more interested in travel than in how to make an etching, here are a few of Mickey’s wonderful travel blogs:

Up and Down, More from Tibet

Myanmar: Bagan, a City for Dreamers

The Islands and the Death Railway

And while you’re at it, don’t forget to check out Mickey’s books:

SCHOOL OF LIES: by Mickey Hoffman is a funny mystery novel about a dysfunctional public school. http://tinyurl.com/783sq7r

DEADLY TRAFFIC: The local sex trade flourishes and girls are disappearing from Standard High http://tinyurl.com/83crtzh

Rubicon Ranch: Necropieces — The Story Continues

Rubicon Ranch is a collaborative and innovative crime series set in the desert community of Rubicon Ranch and is being written online by the authors of Second Wind Publishing. Seven authors, including me, are involved in the current story — Rubicon Ranch: Necropieces.

Residents of Rubicon Ranch are finding body parts scattered all over the desert. Who was the victim and why did someone want him so very dead? Everyone in this upscale housing development is hiding something. Everyone has an agenda. Everyone’s life will be different after they have encountered the Rubicon. Rubicon Ranch, that is.

Although some of the characters were introduced in Rubicon Ranch: Riley’s Story, a previous collaboration, Rubicon Ranch: Necropieces is a stand-alone novel. The first chapter will be posted on Monday, June 11, and one chapter will be posted every Monday after that.

We hope you will enjoy seeing the story develop as we write it. Let the mystery continue! Whodunit? No one knows, not even the writers, and we won’t know until the very end!

Chapter 32: Melanie Gray
by Pat Bertram

Melanie trudged along the left side of the highway, facing traffic, the blister on her heel burning with every step. The sun had come out, and the road was now dry, but her shoes and socks remained wet from slogging through the flooded gutters back in Rojo Duro.

After Sheriff Bryan dropped his bombshell—Why did you do it, Melanie?—he had been called away, leaving the question hanging in the air. Two hours later, he still hadn’t returned, but a kid who looked as if he were straight out of the police academy brought her coffee. She had demanded the use of a toilet, and the young deputy ushered her to the lavatory. He wasn’t waiting for her when she finished, so she had simply walked out of the sheriff’s department. No one stopped her.

She’d now been walking for hours, but was still far from Rubicon Ranch. Maybe she should have returned to the interrogation room and waited for the sheriff, but if he still wanted her, he knew where to find her—at home in about seven more hours.

“See what you’ve done to me, Alexander,” she murmured, tears stinging her eyes. “Not only have you left me alone with only a ghost to talk to, you’ve turned me into an escaped prisoner.” Wearily, she scrubbed away the tears. She was sick of crying, sick of Alexander being gone, sick of the way her life was turning out. Once she’d felt strong, like a warrior, capable of anything. And now? Just a tired widow, at the mercy of her emotions.

A vehicle veered off the right lane, and pulled up alongside her.

“Get in,” Sheriff Bryan commanded.

Melanie wanted to refuse, but oncoming traffic gave her little opportunity to assess the matter, and besides, her blistered heel was throbbing with pain.

She scurried around the tan Navigator and slipped into the front seat. The sheriff stomped on the accelerator. The vehicle shot back into the right lane, narrowly averting a head-on collision with a white Subaru.

“Are you always so reckless?” Melanie asked.

“Are you always so reckless? What do you think you’re doing, walking along the highway like that?”

“Going home, where I would have been all day if your thugs hadn’t arrested me.”

“You weren’t under arrest. I just needed to talk to you, and I couldn’t get away.”

She gave him a narrow-eyed look. “So I’m not a suspect? Then why did you tell my publisher I was?”

He grinned. “It got you a bigger advance, didn’t it?”

She slumped in the seat as much as she could against the restraints of the seat belt, and folded her arms across her chest.

“You have to admit,” Sheriff Bryan said in a softer tone than any she had yet heard issuing from his mouth, “you need help.”

Melanie sat up straight and glared at him. “Help? Help? Who says I need help? Is that why you arrested me? To help me?”

“Now that’s the Melanie I know and love.” He must have sensed the indignant response she was about to hurl at him, because he added quickly, “It’s just an expression.”

Melanie dropped her head into her hands. Why did this man keep her so off balance? Was it that her grief made her vulnerable and any attention would send her reeling, or was there something more going on? Either way, she had to get a grip on her emotions. Warrior, she reminded herself.

She took a deep breath and blew it out slowly. “Why did I do . . . what?”

As cryptic as her comment sounded, he didn’t pretend to misunderstand her reference to the question he had asked in the interrogation room.

He sighed as he had done then. “Why did you shut me out when I poured out my heart to you? I was more open to you than I’ve ever been to any other woman. You could have at least told me you understood, even if you weren’t interested.”

She stared at him in total non-comprehension, and though he glanced at her, she couldn’t pick up any clues as to what he was thinking. She could only see herself in the mirrors of his sunglasses. And then all at once she understood.

During the investigation into little Riley’s murder, the sheriff had taken her to lunch and told her his story. How he’d been the fair-haired boy. President of his class in high school. Pledged the best fraternity in college. Dated a cheerleader and married her after graduation. Went into law enforcement. Hired on at the Greene City Police Department. Became a detective. Got his masters. Went up through the ranks like a shot. Became the youngest captain in the history of the force. Was on the fast track to becoming Chief of Police when he had an affair with a junior officer on the force.

He’d said that his wife knew about the other woman, that she stayed with him because he was the favorite son of Greene City, but when the affair came to light, he lost his job, his status, and his wife—at least temporarily. He claimed that though he was through with her, she wouldn’t give him a divorce because she still believed that one day he was going to be a major police chief, maybe in LA, and she was waiting to get a piece of that large salary in alimony payments.

What Melanie had taken to be a come-on—his letting her know that even though he was married, he was available—he’d apparently meant as a way of opening up to her. And she had run out on him.

But not because of the supposed come-on. Because of Alexander.

“You lied to me,” she said. “You told me you went to the scene where my husband died and came to the conclusion that it had not been an accident. The cops told me it was a hit and run, that someone had rear-ended the car with such force that Alexander crashed head-on into a concrete abutment, but when I went out the scene right afterwards, I didn’t see anything to indicate that another car was involved, so how could you have seen anything weeks later? It’s possible someone had tampered with the car as Riley said, but the only way to find that out was to investigate the vehicle itself. And you didn’t care enough to check it out.”

“Repeat that.”

“You lied to me,” Melanie said.

The sheriff held up a hand. “Not that. Riley.”

“It’s hearsay.”

“This isn’t a court of law. Just tell me.”

“Supposedly, Riley told Moody that she’d seen someone messing with our car.”

“Did she say who?”

“No. Morris accused me of killing Alexander. He said that Riley told Moody she’d seen me messing with our car. When I asked Moody about it, she told me Riley hadn’t mentioned any name, just that she had seen someone. Moody said she didn’t believe that Riley really saw anyone. But she believed it enough to mention it to her father.”

Melanie waited for the sheriff to say, “Aha! So you’re the one who murdered Morris!” But he didn’t say anything. Just rubbed his chin thoughtfully.

“And since we’re talking about Alexander,” Melanie said, “You never returned his cameras to me. I want them back.”

The sheriff turned his mirrored stare toward Melanie. “Cameras?”

“Yes. All of his cameras were in the car. Six of them. I want them back.”

“There were no cameras.”

“Where are they? They were in the car when he left that day. I put them there myself.”

“Ms. Gray, no matter what else you might think of me, I am a great law officer. I know my job. There was no indication in the report of any officers seeing cameras in the vehicle. And the report does not state that Alexander was rear-ended. It was a merely a surmise by one of the state troopers, and he had no business telling you that. Riley was right. Someone did tamper with your car. Someone very knowledgeable and very skillful. The brake lines were cut and the steering wheel loosened. I suspected that when I checked out the scene of the accident and found no skid marks. The car simply plowed into the abutment at a high speed.”

“Maybe the flex lines were worn through. That happened to me once.”

“The car was new. We sent the vehicle to a lab down the hill since we don’t have an automotive lab up here in the high desert, and I just got the results, which is why I wanted to talk to you today. All four metal brake lines were cut so precisely that when Alexander slammed on the brakes, he instantly lost hydraulic pressure in both the front and rear brakes at the same time. With today’s vehicles, cutting the brakes like that is almost impossible for a professional to do, and completely impossible for an amateur.

Melanie clutched her stomach, feeling the same sort of visceral grief as when she heard that Alexander was dead. Alexander . . . murdered? By a professional killer? An assassin?

“It’s not possible,” she said aloud.

“Alexander must have traveled a long way after his brakes failed—the closest brake fluid stain I found was about a mile and a half from where Alexander went off the road.”

“But supposedly when he died, he was texting a woman he was having an affair with. How could he have been texting her if his brakes broke more than a mile away from where he crashed? Wouldn’t he have dropped the phone and tried to control the car?”

“Yeah. I’m having a problem with that scenario, too. We need to talk to the woman, but the number Alexander was texting is out of service. It feels to me as if the phone with the texts was a plant to make everyone think exactly what the official report said—that Alexander lost control because he was texting while driving.”

Melanie put her hands on her head, trying to still the roiling thoughts. “I can’t deal with this right now. Take me home. Please.”

“I’m sorry,” the sheriff said in a soothing tone that might have been practiced but still managed to sound sincere.

For just a second Melanie wished he would stop the vehicle, put his arms around her, and hold her. “There’s just so much death. Alexander. Riley. Riley’s father. The Petersons. Morris.”

“That’s the other thing I need to talk to you about,” Sheriff Bryan said in his official voice. “Morris.”

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Pat Bertram's avatarPat Bertram Introduces . . .

ASHFbordersmTell us a little about A Spark of Heavenly Fire.

A Spark of Heavenly Fire tells the story of insomniac Kate Cummings who gathers her courage and strength to find new a new life and a new love when all around her people are dying of a bioengineered disease.

What inspired you to write A Spark of Heavenly Fire?

In A Spark of Heavenly Fire, I talk (or rather my characters do) about biological weapons, biowarfare, and bioengineered organisms because I thought the reality was more frightening than fiction. For example, The World Health Organization spent years and a heap of money to eradicate smallpox, yet smallpox in ever more virulent forms is stockpiled in labs all around the world. Spooks the heck out of me! I thought it was an important topic, but mainly I wanted to tell the story of ordinary people who become extraordinary in a…

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Willpower vs. Won’t Power

tugofwarI got spammed by a company that wants me to go to its site and take some sort of psych test to assess my willpower. The comment said their studies show that “when it comes to being disciplined and making healthy lifestyle changes, men tend to have a stronger resolve than women” and that “women may have a little more difficulty staying away from temptation and sticking to healthy habits this year.” Apparently, 46 percent of women rated their willpower as good compared to 61 percent of men.

Since the company has obviously made up its minds about my determination to stick to my resolve based on my gender, there doesn’t seem much point in following through. But besides that, the study seems dubious.

Their sweeping statements about men and women’s relative resolve was based on approximately 200 self-assessments, which isn’t exactly a “study” but more of a poll. Many things could skew the results. Perhaps men who didn’t have a strong resolve when it came to health resolutions didn’t want to go on record as having a weak resolve and so didn’t respond. Perhaps women are harder on themselves than men are, and see any infraction as a lack of resolution where men let it slough off. Perhaps men overrate themselves. Perhaps women have a better knowledge of themselves. Or perhaps men and women interpret their resolve differently. For example, if someone vows to eat healthier and passes on a second piece of cake when normally they would eat three pieces, that could be interpreted as sticking with their resolve and having willpower.

The poll revealed that “if pressured by a friend to “pig out” (after eating healthily for an entire week), 7% of women would totally give in, 46% would only share some of their friend’s junk food, and 47% would stay disciplined and eat healthy. For men, 8% would give in, 41% would share, and 51% would stay disciplined.” Not exactly a resounding indictment of women or a pat on the back for men. Assuming that the participants in the poll were equally divided between men and women, only four more men than women claimed they would stay disciplined. Which means that almost half of both sexes say they won’t. (The poll didn’t reveal if in fact more men would stay disciplined, only that they said they would.)

New Year’s resolutions are always difficult. By making a big yearly resolution, you’re setting yourself up to fail because it’s very difficult to make a major change all at once and stick with it. For one thing, habit is too strong. For another thing, you have to retrain your family and friends so they don’t pressure you back into your pre-resolve lifestyle. For still another thing, once you’ve broken the resolution, there seems less impetus to re-resolve.

Willpower in action seems more like “won’t power,” — “I won’t eat potato chips. I won’t go off my diet. I won’t sleep in instead of exercising.” For myself, I stay away from “won’t power.” The more I say I won’t do something, the more I want to do it. As for willpower, I think it’s highly overrated. I try to do the right thing for my health most of the time, and if I get side-tracked, I don’t beat myself up for it.

One thing for sure — I won’t go to the spammers site and rate my willpower. And I won’t even need any willpower to stick with that resolution!

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

30 Second Book Trailer For GRIEF: THE GREAT YEARNING

Grief: The Great Yearning is a finalist in the memoir category for the Sharp Writ Book Awards, and they asked me for a 30 second introduction to the book for their “awards ceremony” video. A couple of days ago I posted a draft of this video and here’s the finished video blurb.

After I put this video together, I realized an interesting coincidence: All the photos were taken in August, around the 15th.

The first photo might look like the desert, but it’s a photo of him in Colorado at the Black Canyon of the Gunnison, a few months before he died. I didn’t even know I had the photo, but I found it in a computer file after he was gone, and it shattered what was left of my heart. It looked as if he’d already been moving away from me toward eternity. Oddly, though I didn’t plan it, the three photos I used in the video were all taken within a few minutes of each other on that excursion. The gnarled tree with the stormy clouds, the profound depth of the canyon, the photo of him looking to eternity all now seem to be signs of my unconscious grief.

The photo on the cover of the book is taken in the very same place, exactly a year earlier. The photo of the two of us together (the only photo ever taken of the two of us together) was taken exactly thirteen years earlier than the three photos. And we met exactly thirty-two years before that last trip to the Black Canyon. I had no idea August was such a significant month for me.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Grief and the Empty Timeline of Death

Route 66My life mate/soul mate died 33 months ago. He was 63 at the time, a few months shy of his 64th birthday. Today, his mother called and during the conversation she mentioned that he would now be 66. This revelation stopped me in my mental tracks. 66?

During all these months, not once have I ever stopped to calculate what his age would have been had he lived. It felt as if time stopped when he died — not all time, just his time. And yet, his time continues. The timeline that began with his birth is still going on. When she mentioned his age, I got the mental image of a shadow of his ghost continuing to ride that timeline. Not him, not his spirit (because if he does still exist somewhere, he is outside of time) but simply the shadow of what might have been.

Normally such a thought would have swept me back into grief, but this image (at least for now) has me befuddled.

I’ve been thinking of him as 63 years old. As such, he is still older than I am, but I’ve been wondering how I will feel when I get to the age he was when he died, or later, when I grow older than he ever did. Will I feel foolish as a raddled 86-year-old, still yearning for such youthful-looking man? (The only photo I have of him was taken when he was not yet 50. And as my memories fade, that will be the only image I remember him by.)

And yet, there is his continuing timeline. What is growing older? Well, me, of course. I am aware that I will continue to age, but he will be forever a relatively young 63. Yet something — some shadow of him or his life — continues to grow older.

Or is his just an empty timeline now?

I spent most of last night learning how to use Microsoft Movie Maker and putting together a video blurb of Grief: The Great Yearning. The music piece was supposed to be thirty seconds, and it was, but there were also seven blank seconds on the end of the music clip, so that when the video finished playing, the timeline continued blankly for another seven seconds.

Perhaps it’s the coincidence of the two blank timelines that unsettles me, but I truly do not know how to grasp the concept of his empty timeline. He can’t continue to age, and yet his birthdays will come, year after year.

The emptiness of it all makes me want to weep; yet strangely, I am dry-eyed.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Making a Video Blurb

Grief: The Great Yearning is a finalist in the memoir category for the Sharp Writ Book Awards, and I need to put together a 30 second book trailer for their “awards ceremony” video. Thirty seconds isn’t long enough to do a real book trailer, so I’m doing a few photos and text pages — more like a video blurb. I found a thirty second piece of Beethoven’s music — since it’s the last completed piano piece Beethoven ever wrote, it seems fitting — and I have been working on the pages. Do you think these will work?  Is it a bit over the top with the title on each page? Do the photos fit with the theme? Any suggestions for improvement?

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Is Grief a Medical Disorder or a Part of Life?

California sunriseEvery once in a while I write a post that really strikes a chord with people, and such a post was The Half-Life of Grief. It’s garnered over 126 shares on Facebook alone, so apparently it’s an important message: grief is not simply emotional, but it’s physical, too. And if it’s physical, then no amount of sublimating our emotions will get rid of the grief. It’s in our very cells.

This is a message that the American Psychiatric Association doesn’t get. According to the updated Diagnostic and Statistical Manual of Mental Disorders to be released by the American Psychiatric Association, grief is considered a medical disorder, and should be treated as major depression. There used to be a bereavement exclusion in the description of major depression, but they have taken that away, and now more than a few days of pain after the loss of a loved one is considered a crisis. There can be “a few days of acute upset and then a much longer period of the longing, the tearfulness. But typically sleep, appetite, energy, concentration come back to normal more quickly than that.”

As I said in 2010 when I first posted the information about the APA getting rid of the bereavement exclusion: In whose world is grieving a medical condition that needs to be treated? Not my world. In my world, grief is one of the bookends of a relationship. Love. Grief. If grief is a medical condition, then watch out. One day love is going to be considered a treatable disease.

During the past couple of years, there has been a concerted effort by grief counselors, therapists, and other health professionals to rectify this gross misrepresentation of grief, but the American Psychiatric Association is sticking to their decision that grief is a medical disorder.

A medical disorder? For cripes sake, it doesn’t take a fistful of degrees to understand that for the majority of people who have lost someone important in their lives, grief is a completely sane and healthy reaction. So what if grief is hard? Someone we loved dearly is gone from our lives and will never return. What do they expect us to do, just blithely continue with our lives as if nothing important happened? As if the dead had never even existed? As if we’re happy about the situation? And even if we wanted to be joyful despite it all, there is the simple matter that our bodies also grieve, and we’d have physical reactions even if we were drugged into placidity.

I realize that in certain cases people do entertain thoughts of suicide, but those thoughts are part of the grief process. It’s only when people start stockpiling pills or buying guns or starving themselves on purpose that grief might become a medical concern.

Admittedly, some people do manage to continue after a major loss as if nothing happened, and to be honest, I thought I would be one of those people, but death and loss have a way of making themselves felt even in the strong and stoic.

It might seem from these grief posts that I dwell on grief, but I don’t. I dwell on life. And grief is part of life. I understand that. And so should the American Psychiatric Association.

***

Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+

Dead Darling From DAUGHTER AM I

Faulkner advised us to kill our darlings, those bits of our novels we love that don’t advance the story. I had way too many darlings in Daughter Am I, but I did steel myself to remove some of them. Today, for your edification, I am posting one dead darling that made it through all the edits except the very last one. You won’t find it in the book (well, except for the last paragraph or two. I wanted to make sure what you read here made sense so I added a bit that was included in the novel).

“The Cleveland Syndicate was dominated by four Jews,” Teach said, “Moe Dalitz, Samuel Tucker, Morris Kleinman, and Louis Rothkopf. An Italian, Chuck Polizzi, and an Irishman, Tommy McGinty, achieved near equality.”

“Chuck Polizzi wasn’t Italian,” Spaghetti said. “His parents were Jews from Russia. When they died, he was adopted by the Polizzi family.”

Teach arched his eyebrows. “I didn’t know that.” Pointedly ignoring Kid Rags’ chuckle, he stroked his chin. “I often wondered how a non-Jew got so high up in that organization. I did know the Polizzis belonged to the Mayfield Road Mob, which became part of the Cleveland Syndicate. While the Mayfield Road Mob, composed of both Jews and Italians, had a reputation for utter ruthlessness, the Syndicate believed the bribe, as a general rule, was more effective than the bullet. Families like the Polizzis, who accepted the new way, lived to become old as well as rich.”

“So how did an Irishman get so high-ranking?” Mary asked.

“Tommy McGinty—Thomas Jefferson McGinty—was the circulation manager for one of the Cleveland newspapers. Contrary to the legend that gangs and gangsters were a product of prohibition, many of the principals of the Syndicate-to-be were assembled and trained in violence years before by the newspapers in their fight for local monopolies. Tommy McGinty and his counterparts on the other newspapers would recruit thugs to beat up their rivals’ employees, particularly the newspaper boys, especially those on lucrative corners.

“In the early prohibition years, McGinty became one of Cleveland’s most powerful bootleggers.

“The Cleveland Syndicate was truly formidable. Moe Dalitz, probably the smartest guy in the business next to Meyer Lansky—”

“You said Johnny Torrio was the smartest,” Mary objected.

“So I did.” Teach smiled at her. “It’s nice to know I haven’t been talking to myself. In point of fact, all three men were smart. Always looking to expand. Always looking for new venues.”

“You sound like you admire those people,” Mary said.

In the silence that greeted her remark, she could hear Spaghetti and Lila Lorraine murmuring softly to each other. Looking around to check on the rest of the group, she noticed that Iron Sam, Crunchy, and Journey all appeared to be sleeping. Kid Rags and Happy were passing the hip flask back and forth. Tim had his head cocked while he drove, as if he were listening for Teach’s response.

“Not at all,” Teach said finally, his voice harsh. “People tend to romanticize prohibition, to romanticize the so-called Mafia, but they don’t get it. It’s about the unholy trinity—criminals, politicians, and businesspersons—all working together to sell out the little people. And make no mistake about it—no matter how rich and successful we might be, the vast majority of us are the little people.”

***

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