I do not buy into the philosophy that everyone who shows up in our life is there for “a reason, a season, or a lifetime,” but maybe sometimes it is true.
Lately I’ve been talking about a woman in dance class who seems to be my character “Deb” from Madame ZeeZee’s Nightmare come to life. Like my fictional Deb, this woman acts as if she is in competition with me, and her behavior follows the typical pattern of a narcissist. First, she tried to control me with patronization. When I put a stop to that, she tried to crowd me both physically and with small torments. When that didn’t work, she tried to turn the teacher against me. She made a couple of tactical errors there. First, the teacher and I are friends, though it might not seem like it at a casual glance, because she does not pay particular attention to me in class. Second, Deb started to forget herself and make disrespectful comments to the teacher.
Now Deb is aligning herself with another woman, and in doing so, is changing that woman’s attitude toward me.
If it weren’t such a ridiculous and stressful drama, I’d feel sorry for Deb and her need for attention, but it is not my responsibility to fix her, if that were even possible. Nevertheless, she remains a problem.
A new blog friend left a comment yesterday: Why is there always a Deb? And it does seem as if there is always a Deb bringing a dark energy with her. Another friend said that if I quit dance class because of this woman, another Deb would show up in my life.
Which makes me wonder if perhaps this woman is in my life so I can learn how to deal with the Debs once and for all. I have to admit the idea of never again having to deal with a Deb sure is a pleasant one, so I should try to get from this experience what I can.
One of the many reasons I took care of my father after Jeff died was that I wanted to resolve my old problems and lingering issues with him. I knew there would come a time when I was alone and needing to start a new life, and I didn’t want to start that life with any baggage from the past. It worked. By looking after my father, by reversing the parent/child roles, all those conflicts gradually disappeared. There were no father/daughter conflicts at the end, just a dying man and the woman who was there to help him pass out of this world.
Could there be some of this going on with my “Deb”? Am I supposed to learn how to deal with folks like her without reacting to their machinations? Or am I just supposed to be able to see the pattern and do with it what I will?
I do know that when I was younger such situations confused the heck out of me because I could not understand their fixation on me, their insistence on competing despite my dislike of conflict, their tendency to push me around when I did not fight back, and their attempt to get people to see me as they did.
Being honest with myself, as I try to be, I’ve explored the possibility that the problem is with me, but now, even if it is true, I no longer want to admit any culpability, which could be a step in the right direction. That I can see the pattern is perhaps another step. Knowing I can’t fix her is possibly a third step. The fourth step, maybe, is learning to step outside the confrontation so that it doesn’t affect me so much. If so, I have a long way to go, because this situation, like any conflict and unfairness, raises my hackles.
Today, in an effort to overcome the reaction to the energy she spews out, I tried to practice Ho’oponopono around her.
Ho’oponopono means “to make right,” or “to rectify an error.” Dr. Haleakala S. Hew Len says, “The intellect working alone can’t solve these problems, because the intellect only manages. Managing things is no way to solve problems. You want to let them go! When you do Ho’oponopono, what happens is that the Divinity takes the painful thought and neutralizes or purifies it. You don’t purify the person, place, or thing. You neutralize the energy you associate with that person, place or thing. So the first stage of Ho’oponopono is the purification of that energy.”
How you neutralize that energy is by repeating four phrases to yourself: I love you. I’m sorry. Please forgive me. Thank you.
So, that’s what I did today. It didn’t make any difference, but we’ll see.
***
Pat Bertram is the author of the suspense novels Unfinished, Madame ZeeZee’s Nightmare, Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.
my decision to step up my training saunters with the backpack to allow for a different sort of change.
When I was young, my favorite song was Joe South’s “Don’t It Make You Want to Go Home.” Back then, the lyrics spoke to me of poignancy, change, and the way growth was destroying the special places in the world.

I’ve had a fabulous week so far. Dance classes were wonderful. The people who spew negative energy (or maybe they just soak up all available energy, which feels like the same thing) were absent, so only those of us whose energies flowed together were in class. Yeah, I know — that’s not why most people take dance class, but for me, that energy is the real joy. I absolutely love dancing in a group when everyone’s steps match, when every arm movement is the same. It’s odd even for me to realize how much the independent iconoclast that I am can enjoy such an interconnected activity, but that could be why I like it — it’s not part of my usual hermitic life.











