Death For Dummies

I’ve learned a lot about death recently. Well, not death exactly – only those who have died can know what death is – but I have learned way more than I want to know about the practicalities and obligations of those who are left behind. I considered writing a manual, sort of a Death for Dummies, then I realized when a person is caught in that horror, the last thing one wants to do is read a how-to-guide. Besides, one learns soon enough what needs to be done.

My life mate/soul mate of thirty-fours years died at the end of March, and in between unbelievable bouts of pain and agony, I have been dealing with the practical issues. One thing that came as a surprise to me, though it shouldn’t have, is how heavy a person’s ashes are. They are not ashes, actually, which I already knew. (And so would you if you had read Daughter Am I.) What remains are the inorganic compounds – the minerals, the part that was never alive in the first place – and most minerals are heavy. Those in the funeral business don’t call them ashes. They call them cremains. Sheesh. I could do without the cute name. “Ashes,” at least, connote an offering, or perhaps a resurrection of sorts.

A friend – a minister who has had extensive experience with the dying and the bereaved – suggested I keep the ashes, or some of them, anyway. I had never considered it, but since I couldn’t figure out where to scatter them, and didn’t want to go through the trouble of finding out the local laws on the matter, I followed the minister’s advice. And having the urn with me brings a bit of comfort. (Urn is a misnomer, as is so much in the funeral business. The urn is simply a sealed plastic or brass box.)

Another friend sent me this poem:

Support From Others
Author Unknown

Don’t tell me that you understand.
Don’t tell me that you know.
Don’t tell me that I will survive,
How I will surely grow.
Don’t come at me with answers
That can only come from me.
Don’t tell me how my grief will pass,
That I will soon be free.
Accept me in my ups and downs.
I need someone to share.
Just hold my hand and let me cry
And say, “My friend, I care.”

I’d like to make an addition to the poem:

Don’t tell me to “hang in there.”
Makes me wonder: Hang from what? And where?

What meant the most were those who cried with me. Not enough tears had been shed for him – no amount of tears will ever be enough – so those tears gave me comfort. I don’t mean to be maudlin, but this is a trauma – an amputation of sorts – and it shouldn’t pass lightly.

***

Pat Bertram is the author of the suspense novels UnfinishedMadame ZeeZee’s Nightmare, Light BringerMore Deaths Than OneA Spark of Heavenly Fireand Daughter Am IBertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.

Searching For Happy Memories

I’ve been searching for happy memories to take the edge off the memory of watching my lifemate die so painfully, and one I’ve been thinking about a lot lately is a day I visited him at the store he owned. We spent hours talking — about life, books, history,  moving from one topic to another as easily as if we’d known each other a lifetime instead of just a few months — and then he walked me outside. This is the poem I wrote when I got home that night:

you turned around
and waved to me
after we said good-bye
a small gesture
that told me more
than all the words
we had spoken

I wish I could have just one more word, one more wave from him.

A Tribute to a Fallen Mate

Yesterday I mentioned that once upon a time I wrote snippets of poetry. That time coincided to when I met the man who would share my life, and some of the snippets I wrote are poignant to me now because they chronicle my first feelings for him. A private man, he would be appalled that I am writing about him, but I didn’t want his life to pass unnoticed by all but me. Though written long ago, this bit still fits him:

you give
(not lightly
the figments of this world
but)
your reality
and your radiance
(your soul)

Grief Is It’s Own Country

Once a long time ago I imagined myself a poet. I wrote snippets of thoughts, which I am gradually posting on my Quantum (Uni)Verse Blog. Odd to think that when I was young and knew nothing of grief, I wrote this. It sure is true. As someone recently told me, “Grief is it’s own country.”

I am alone in my universe
As you are alone in yours . . .

And when I hold you in my arms
I can sometimes touch your happiness
But your grief is light years away

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Remembering

Still in the throes of a weepfest. Here is another poem about dealing with grief. Feel free to share poems that have helped you get through rough times.

Remember by Christina Rossetti

Remember me when I am gone away,
            Gone far away into the silent land;
            When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
            You tell me of our future that you plann’d:
            Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
            And afterwards remember, do not grieve:
            For if the darkness and corruption leave
            A vestige of the thoughts that once I had,
Better by far you should forget and smile
            Than that you should remember and be sad.

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Funeral Blues

One of the best descriptions of grief I have ever read is Funeral Blues by W. H. Auden. If you’ve seen the movie Four Weddings and a Funeral, you are familiar with Auden’s words, but for those who have never seen the poem, I am posting it here (and hoping I am not infringing on Auden’s copyright). Feel free to join my weepfest by sharing your favorite poem of loss or grief.

Funeral Blues by W.H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.

Words Matter

This is Words Matter Week. I planned to participate, doing the blog prompts, but unfortunately real life is eating my online time, so I haven’t had a chance to answer the questions. I thought the blog challenges would make a great discussion, however, and even better, I don’t have to come up with something interesting for us talk about.

Here are the challenges for this week:

What is the most important word or words in your life? Why?

Communication breaks down when words are misused. What is the funniest, most interesting, or worst break-down you’ve ever observed?

Writers are people who take isolated words and craft them into memorable phrases, stories, poems and plays. Who are the writers who make your heart sing? What is the magic ingredient?

If you had to eliminate one word or phrase from the English language, what would it be? Why?

What person in your life helped you understand the importance of choosing words carefully? What would you say to them if you met them today?

The group No Whine, Just Champagne will meet on gather.com for discussion about words, writing, and the writing life on Thursday, March 4, 2010 at 9:00pm ET. I hope you will stop by — it would be nice to see you.

If you can’t make the live discussion, we can have an unlive one here. You first.

A Meme By Any Other Name Would Be As Confusing

There is a meme going around, and I was tagged for it by Eric Beetner, co-author of One Too Many Blows to the Head. Meme? Are you as confused by that term as I am? A meme is a postulated unit of cultural ideas, symbols or practices, which can be transmitted from one mind to another. Whatever that means. It certainly doesn’t seem to have anything to do with the meme I was tagged for, which directs one to tell six outrageous lies and one outrageous truth about oneself (or six truths and one lie if one prefers). An internet meme, however, is defined as a catchphrase or concept that spreads quickly from person to person via the Internet. Still don’t see what that has to do with lies, but in the end, that’s not the point. The point is, do I follow through since Eric asked so nicely, or do I ignore the whole situation as I normally do?

Two things work against my following through:

1) I’m not good at telling outrageous lies. If I were, I’d probably be a bestselling writer. As it is, my books are filled with truths, outrageous or not, thinly disguised as fiction. 

2) I’m not sure that posting outrageous lies on the eternal internet is such a good idea. Forever after, people will stumble across those lies and if they didn’t know the origin, they might consider them the truth.

So, I am going to compromise (cheat) and tell you two outrageous (okay, semi-outrageous) things. Both might be true, both might be lies, or one might be a lie and one might be a truth. You figure it out.

1) I don’t eat chocolate.

2) I was Cleopatra in a previous time.

I’ll let you know the answer in a couple of days. Until then . . .

Tag! You’re it!

Rules:

• Tell up to six outrageous lies about yourself, and at least one outrageous truth – or – switch it around and tell six outrageous truths and one outrageous lie.
• Nominate some more “Creative Writers” who might have fun coming up with outrageous lies of their own.
• Post links to the blogs you nominate.
• Leave a comment on each of the blogs letting them know that you have nominated them.

DEAD WITNESS IS WORTH EVERY PENNY by Joylene Nowell Butler

I have a very special guest today, the wonderful Joylene Nowell Butler, author of Dead Witness. Not only is Joylene an indefatiguable blogger and generous friend to published and unpublished writers alike, she is a talented writer with one book published and a second on its way next year. I am thrilled that she consented to be a guest here today! Joylene says:

Have you ever wondered why you put so much time and effort into writing that story — only to receive enough rejections to wallpaper a small room?

Some writers say they write because that’s who they are. Some say it’s not a choice but a destiny. Others say it’s for the simple joy of writing a good book. I say it’s all three.

But how do you know if you’ve written a good book?

I had a conversation at my first signing that went something like this…

He picked up a copy of my book, looked it over, then set it down. “Nice cover. Dead Witness, eh? What’s it about?”

“It’s the story of a Canadian woman kidnapped by the FBI. They fake her death, make her family believe she’s dead, and convince her that if she doesn’t stay dead, the killer will go after her children.”

 “Sounds interesting.”

“It is. But what makes this story different is Valerie finds the courage to defy the FBI and go after the killer herself.”

“Sounds a bit daffy.”

“Not at all. She’s willing to risk her life to save her daughters.”

“She still sounds crazy. How much is the book?”

“Twenty dollars.”

“That’s expensive for a novel.”

“That depends on what a few night’s entertainment is worth to you.”

He shrugged and bought a copy.

The next morning he emailed to say, “Joylene, I stayed up all night reading your book. I could not put it down. Thank you for writing such a good story. Yes, it was worth every penny.”

I’ve received many responses like this since publishing Dead Witness in July 2008, but that first one – well, it was my first. Yes, I wrote Dead Witness because it was a story inside of me fighting to get out. And yes, I write because that’s who I am; I can’t imagine not writing.

Marketers tell you that you must believe in your work to be successful. But until I heard from my readers, for years (24 to be exact), I never truly believed in my ability. Those responses were a validation. If they loved my book, then it must be good. They weren’t family and friends; they had nothing to gain by lying.

One day I received a bad review, and something very special happened. Instead of becoming an emotional cripple and folding like an accordion, I realized that everyone is entitled to an opinion. I know Dead Witness is a good book, and I know I can’t please everyone.

If you’re a writer, then write. Learn your craft. Know that if you doubt your ability, time and effort will diminish that doubt. One day you’ll be overwhelmed with the most powerful and beautiful feeling ever: My book is worth every penny.  

* * *

Joylene Nowell Butler was born in Manitoba and raised in British Columbia, Canada. She attended Douglas College and Simon Fraser University. In 1992, she and her husband retired to a community in central BC called Cluculz Lake. There, Joylene wrote 4 other books and is currently working on her sixth. Her novel Broken But Not Dead will be released in 2011 by Theytus Books.

See also: Dead Witness Excerpt by Joylene Nowell Butler
                Pat Bertram Introduces Valerie McCormick, Hero of Dead Witness by Joylene Nowell Butler

Surviving Facebook

Social networking is now touted as one of the best ways for authors to promote themselves, and perhaps it’s true. If most of us primarily sell books to friends, it makes sense, and sometimes even cents, that the more friends we have, the more books we will sell. So we sign up for MySpace and Goodreads, Twitter and Facebook and start collecting friends like so many stamps. If a thousand friends are good, then two thousand are even better. If two thousand are good, then let’s aim for ten thousand.

While frantically collecting friends, we forget two things. First, social networking is about being social. It does no good to have connections if, to them, we are merely a nameless face, or worse, a faceless name. Too many people use their book cover for an icon, though it seems to me it defeats the purpose. How does one make friends with a book cover? You are, or should be, aiming for long-term relationships. You don’t have to waste your time playing games with your connections, but you can comment on their status updates and photos, you can post interesting links and notes on your profile, you can participate in discussions.

Second, we forget that these online sites, especially Facebook and Goodreads, were set up for real-life friends to interact. They were not set up for promotion.

Goodreads automatically limits your activity, so it’s hard to abuse their system, but Facebook is a different matter. Several of my friends have had their Facebook accounts disabled because of “abusive” behavior, though they were doing what we all do — making connections with strangers. I have become good friends with many of the strangers to whom I sent friend requests, so by limiting myself to people I know would have greatly limited my Facebook experience. Still, Facebook says they aspire to be an environment where people can interact safely with their friends and people they know. Accordingly, they expect accounts to reflect mainly “real-world contacts.” They do not endorse contacting strangers through unsolicited friend requests as such requests may be considered annoying or abusive.

To prevent this type of behavior, Facebook has limits in place that restrict the rate at which you can use certain features on the site. Your account can be disabled if Facebook determines that you were going too fast when sending friend requests despite being warned to slow down, or because your friend requests were being rejected at a high rate. Your account can be disabled if you send too many of the same message, post too often to other people’s profile, or indulge in repetitive, promotional activities.

The problem is that Facebook does not tell you ahead of time what their limits are, so it’s a matter of guessing.

So far, I have survived Facebook. I have over 4, 000 friends. I administer one group and co-administer three others. I send weekly group messages informing people of the featured discussion. I have a fan page. I post daily status updates, feed my blog into my profile page, post links to sites where I am a guest.

So, how did I do it?

Every day, I added ten to fifteen friends — no more. When I reached 2500 friends, I stopped sending requests. The rest of the connections came from my accepting others’ requests. At the beginning, I accepted everyone, but now that I am nearing the limit Facebook allows, I am a bit more careful whom I accept. For example, I won’t accept requests from icon-less people unless I know them personally. (Here is the dichotomy of Facebook. You are allowed 5,000 friends, who are supposed to be people you know personally, but who in the offline world has that many friends and connections?)

Although it’s one of the things marketing coaches recommend, I never thanked people for accepting my friend request. Besides emphasizing that you’re not friends, the comment can trigger a warning from Facebook, especially if you post too many similar comments in one day. You can post almost anything you want on your own profile, but you are constrained by Facebook’s unwritten rules as to what you can post on other people’s profiles.

The best thing I can tell you about surviving Facebook is this: if you get a warning, stop. Do not use Facebook for at least a week. If you don’t heed this advice, and you get another warning within that time, your account will be disabled, and all your work will be wasted.

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