Conspiracy Theories Coming True

February 17, 2026 — Pat Bertram

I came across a quote the other day: “I need new conspiracy theories. All my old ones are coming true.” I had to laugh because it sure seems to be right on.

When I was twelve or thirteen, I discovered the book, The Annotated Alice, which decoded the puzzles, wordplay and obscure Victorian references in both The Adventures of Alice in Wonderland and Through the Looking Glass. Around the same time, I discovered The Annotated Mother Goose, which gave the hidden truths behind familiar nursery rhymes. It astonished and delighted me to discover that there were secrets not commonly known to everyone, and that led me to a lifetime of trying to discover more secrets hidden in books.

My first discoveries were rather unimportant in the long run, such as the idea that the continents were all one land mass. At the time I found this theory, it was still controversial and ridiculed by scientists. Years later, in a science book I was reading, I came across the same idea, though by then, it was not a theory but an accepted fact. Shocked me, for sure! That, I think was my first acquaintance with a so-called “conspiracy theory” coming true.

As I discovered, there were — and are — many conspiracies in the world that form our lives. These aren’t theories so much as things “important” people do and enact without our knowledge. Sometimes the acts are benign, sometimes not. To keep the non-benign conspiracies from coming to light, people who find hints of these conspiracies are called “conspiracy theorists,” which is — in the minds of the conspirators — a way of diminishing the conspiracy hunters.

During research on such behind-the-scenes machinations, I saw the phrase “The New World Order” — the idea that an elite group was trying to steer the world toward a one-world economy, ideology, and ultimately government. Those words have been around for centuries (I came across the phrase in financial histories of the 1600s when the first central bank was established), but it was always a hush-hush idea, one that was consistently denigrated and denied. Denied, that is, until George W. Bush actually used the phrase in a speech. Shocked the heck out of me because I wasn’t sure I believed anything I’d read about that theory, but still, it was another example of a “conspiracy theory” coming true. (Despite Bush’s use of the phrase, “new world order” still seems to have connotations of conspiracy theory, though the term “world order” is commonly used now, which should tell us something.)

Sometimes those conspiracy writers are not at all the fringe lunatics they are portrayed to be. In fact, Antony C. Sutton, one of the first in modern times (if the 1970s are still considered modern times rather than ancient history) to write about those secret machinations was a graduate of the University of London, a well-respected economist, an Assistant Professor of Economics at California State College, and later a Research Fellow at the Hoover Institution on War, Revolution and Peace, at Stanford University. Some people think his books about the international corporate elites that were behind much of the events of the cold war were well researched, but scholars never went for the books because they didn’t believe his idea of a global plot by a rich few; to them, it seemed his books were geared too much to the conspiracy crowd. And yet, here we are today, with words like “globalism,” “global elite,” and “the agenda of the liberal globalists” being bandied about as if they were sweets for the children. Shocking, but another conspiracy theory coming real.

It’s no secret anymore that world players have probably always used the world as their playground, but there are still some things that mystify me, such as the following:

In a single decade, 1861 to 1871, the United States fought the Civil War, the serfs were emancipated in Russia, Italy was unified, Canada was unified, the German Empire was proclaimed, the Austria-Hungary Dual Monarchy was established, Thailand was reorganized, the Meiji Restoration in Japan gave power to a western oligarchy, and Das Kapital, a philosophy for the New World Order, was published. It seems too much of a coincidence that global movements of such magnitude would rise independently of one another. Did someone, or a group of someones, rebuild Europe along with large chunks of the rest of the world? Could there be some sort of elite group that’s above even the globalists of today, someone or some assembly that they get their orders from? Now I’m being silly. Or am I?

With all the conspiracy theories coming true, why not this one, too.

 

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

 

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My Every Day

February 5, 2026 — Pat Bertram
Daily writing prompt
Describe your most ideal day from beginning to end.
View all responses

My most ideal day? Well, that’s simple enough to describe — it’s pretty much my every day so far this year:

Get up. Do stretching exercises. Make the bed. Have a cup of tea. Play a bit of a hidden object game. Write a blog post. Read. Have breakfast. Read. Have lunch. Read. Take a short walk. Read. Rest a bit. Read. Have a quick snack. Read. Check online to see what if anything is going on with my blog. Read. Read some more until it’s time to go to bed, then read until lights out.

Well, that’s my every day except for the walk. I keep trying to get back into walking every day, but I can’t seem to always find the energy. Of course, in an ideal day, I’d have plenty of energy, no sinus issues, and the get up and go to just get up and go. Sometimes, of course, my ideal day involves a visit with a friend or neighbor or whoever else I might encounter during the walk, but apparently not today.

I used to play the hidden object game a lot more until much of that online time got supplanted by blogging. Odd how that happened. I never actually decided to start posting every day as I used to. I just . . . did.

I must admit, blogging does help make my day an ideal one. It feels like coming home, in a way, a comfortable way to spend time, a pleasant way to communicate without having people cut me off while I am speaking if they disagree. (You might cut me off and stop reading, but since I’d never know, it’s not hurtful.) It also gives me something to think about other than the state of the world and the lack of common sense (though why something that’s in such short supply is called “common,” I don’t know, and neither does anyone else, apparently, since this is a sentiment I encounter so often that it’s embarrassingly trite). Best of all, blogging allows me to play with words, like above when I wrote “the get up and go to just get up and go.” I tend to be too serious, so word play lets me indulge my fantasy that I’m witty and charming and lighthearted. (And no, that fantasy is not part of my ideal day since ideally, I need to be what I am, whatever that might be.)

Well, this part of my ideal day has been fulfilled. Now on the next part: Reading!!

(I couldn’t find a photo of myself reading, so here is the next best thing: my 97-year-old father reading one of my books during his last days.)

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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Figuring Out the End of The Wheel of Time

January 30, 2026 — Pat Bertram

Yesterday I wrote about parts of the Wheel of Time that should have been edited out or at least shortened considerably.

One of those story lines involved the hero rescuing a nation from an evil king who’d usurped the throne while the daughter heir was off doing other things. In addition, the hero twice conquered another nation. He intended both countries to be ruled by the daughter heir who would have been the rightful heir under normal circumstances. But because he said he was “giving” her those thrones, there was a huge furor since she claimed they were hers by right. Except they weren’t hers by right any longer. He’d conquered both nations. He could have put anyone in charge as he did with other nations where he defeated the evil rulers. But she was angry at him because of that word: give. Sure, she didn’t want people to think she was his puppet and so she needed to gain the crown on her own by having the ladies and lords vote for her. But there they were, on the brink of a cosmic catastrophe, and she worried about them thinking she was a puppet? It seems to me that if all existence were at stake, that would be a minor issue. Certainly not one worth tens of thousands of words.

What makes the whole thing even sillier is that the city, Caemlyn, was a Camelot equivalent. (In the King Arthur Legend, The Battle of Camlaan was the climax to his rule.) So it might have made sense, perhaps, to waste time on a plotline that went nowhere if only to establish the importance of that city, except that the very first casualty of the cosmic battle was Caemlyn. So at that point it mattered not who ruled.

It surprises me that I ever bothered to read these books in the first place, and I probably never would have if I hadn’t been laid up at the time and desperately needed something to read. Then, when I realized what the books were with all their real-world references, not just homages to previous series, like The Lord of the Rings, but a retelling of the King Arthur tale as well as dozens of other myths and legends from around the world, I got interested in finding all the subtext. Then, when I found out how terrible the ending was, I decided to try to figure out the real ending. Which is where I am now. But sheesh. All that verbiage! Luckily, I know how to skim, and I am not at all adverse to skipping huge sections. (The seventh book took me two or three days to read. The eighth took me two or three hours.)

I am finding bits, though, that would have made the ending more interesting. The most obvious would be to have accepted that most of the characters had already reached the end of their arc and were ready for the last battle. In one case, the substitute author repeated an entire character arc. In another case, he simply undid the arc, erased the character’s growth and his acceptance of responsibility, and returned him back to his immature ways with no further development.

Another thing that should have been addressed is that at one point, the kings and queens of the northern nations all decided to head south with their armies. They did not like what the hero was doing to the southern nations, not realizing he was rescuing those nations from the forces of the Dark One, and they didn’t want the same thing to happen to them. So they decided to do something about it. The subtext (and even Robert Jordan alluded to it) was that this displacement was part of the dark side’s plan, and was helping to further disrupt the forces of the light. This coalition was going after the hero, and the whole thing was so hush-hush, that they were ready to kill anyone who found out or who got in their way. Not exactly a peaceful mission. By this time in the books, it’s obvious that nothing happens by coincidence, and yet combined, this northern coalition ended up with thirteen Aes Sedai (the women power wielders, who some called witches). And thirteen Aes Sedai, when linked could destroy the hero, no matter how strong he was against them individually.

And yet, despite this, the rather weak reason given during the substitute ending was that they were there to test the hero to see if it was okay for him to fight the Last Battle. Um, yeah. If this were true, all they’d have to do was send an envoy, asking for an audience. Instead, they took a force of 200,000 as well as all those Aes Sedai to deal with him. And if they found him unworthy and killed him, they would have doomed the entire cosmos to the dark side. Definitely sounds like a plan made by the evil ones.

Even sillier, they were acting on a so-called prophesy that had been handed down by word of mouth for 3,000 years, negating one of Robert Jordan’s themes, which is based on the game of Whisper, or Telephone, or Gossip, whatever it was called in your part of the country. In the game, someone passes a secret to the next person, who passes on what they heard to the next person, and in the end, what results is generally nothing much like what was originally said. His point was that things change over the centuries, that stories change, that names change. So the chance that this prophesy, passed down orally through the millennium, would be the same at the end as at the beginning isn’t that great.

Even worse, though this army that had been manipulated by the dark side to leave their lands could have become a great disrupter at the last battle, instead the substitute author brought in a devil-ex-machina — an entire hitherto unknown army of dark friends.

I’m thinking I’ll eventually give up my idea of figuring out the real ending (for me just to decipher, not to write). Until then, it is rather an interesting puzzle. If I can get through all the scenes that should have been edited out, that is.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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When Editors Don’t Edit

January 29, 2026 — Pat Bertram

Too often, novels that start out good and end with a satisfying twist, lose traction somewhere in the second half. The best that can be said of those parts is that “stuff happens.” Nothing important to the story, nothing important about the character, nothing that propels the plot forward. Just stuff happening. Ho hum. This seems especially true of authors who are extremely profitable. I don’t know if the editors just give a cursory look before passing the manuscript on to be published, if they are too intimidated to ask for rewrites, if deadlines proscribe rewrites, or if it’s simply that no one cares because no matter how good or bad the book is, it will still make a fortune.

The Wheel of Time books are a good example of this. The first seven are generally good, sometimes great, and sometimes truly brilliant, but after those books, the brilliance fades, the lovely writing gets lost in the muddle, and the best that can be said is that “stuff happens.” There are still remarkable parts, but those parts are surrounded by hundreds of pages where things happen, but they don’t seem to have anything to do with the thrust of the book, don’t seem to move anyone closer to the last cosmic battle that will determine if life and even the universe will continue as it is.

I understand that Robert Jordan liked turning fantasy tropes on their end, for example, making women major players (in most fantasy written before him, women had bit parts if that). He also was playing against the lone hero concept, not just with three interconnected heroes, but also with the idea that the entire world had to cooperate to make it possible for the forces of light to win against the darkness. But, as I pointed out before, what an author intends and what ends up in readers minds is not always the same thing.

Some people like those parts, where tens of thousands of words are devoted to the women characters setting up their power bases, and I sort of understand the necessity, but not the huge portions of books devoted to their power grabs. A lot could be simply skipped, later showing that they achieved their goals, because as the books stand, two of major heroes mostly disappeared, one for an entire book. The third one’s story could be vastly truncated, especially since the same basic story (his fight with himself about whether or not he is a leader) plays out again and again. Even after he accepts leadership, there is a whole other book that repeats that entire character arc. Admittedly, this repeated arc is not Jordan’s fault, but the fault of the author who finished the series, since the substitute apparently didn’t pay attention to the fact that the characters had almost all become who they needed to be to go to battle, and so made a hash of it.

Still, I can understand why people don’t care that those final books didn’t make sense. His editor didn’t care. Since she was also Jordan’s wife, I imagine ending the series in any way possible was her way of honoring him and his last wishes. The publisher certainly didn’t care. A barrelful of money rested on those books. And most readers didn’t care because there was an ending to a series they had lived with for most of their lives. Besides, after all those books where stuff just happened without any sense that the story was moving forward, people were thrilled that the story finally pushed toward to an ending. (Not THE ending, but an ending.)

In the last books that Jordan wrote, there are still flashes of brilliance, still parts where exciting events took place, but yikes. The rest of it should have cut considerably by a few hundred thousand words or more, but apparently no one dared suggest such a thing to such a popular author.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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Would-Be Fantasy Writer

January 28, 2026 — Pat Bertram

The Wheel of Time book series has apparently inspired as well as created a couple of generations of fantasy writers. Although I have never been able to get into any of those other stories (the books may have been inspired by Robert Jordan, but their worlds and their writing styles fall vastly short of his example), I can understand the urge to create one’s own world. I’ve thought about it myself, perhaps continuing the story I began in Bob: The Right Hand of God. Although Bob: The Right Hand of God is a stand-alone novel, it does seem to lend itself to a sequel since anyone born into that re-made world would have to start developing a new civilization (or not), but I don’t have any interest in writing the sequel. To me, the interesting part of the story was the de-creation of life on Earth as we know it. Anything further seems as if it would be just a ho-hum book. A been there, read that sort of thing.

So, if not Bob: The Right Hand of God, then what? Create a whole new world and culture as so many fantasy writers do? I considered that possibility, thinking a world of my own would be a place to escape to in my own head if not in fact but, though I hate to admit any failing, I don’t have the imagination for such an undertaking. (Although I’ve written two novels that could be considered fantasy, both took place more or less in our own world.) Nor do I need to live any more in my head than I already do. Besides, the truth is, so-called real life is fantasy enough for me.

There are theories that all time exists at once, so we are living our past and our future at the same time we are living in the present. My very first book, the terribly written one that no one will ever see (mostly because a few months ago, in a fit of decluttering, I threw away the only copy of the manuscript), was the story of two people who meet and fall instantly into if not love, then an incredibly deep connection, only to find out that they are reincarnations of each other. My question (and hence the premise of the book) was that if everything exists at once and if there is any validity to reincarnation, could this happen? There is an obscure theory that we are all reincarnations of one another. That not only is there a single electron that moves so fast and through so many dimensions and quantum processes that it creates the entire universe (or even multiple universes), but that there is also a single soul that we are all part of. (Yeah, I read weird stuff, which is inevitable when one reads almost anything almost all the time.)

Other theories say we are creating the world as we live it, that nothing exists yet but possibilities we haven’t yet encountered or envisioned. Other theories suggest that everything exists in our thoughts, that we are thinking into reality the world we live in. The reason we are such a mess is that everyone is thinking of different things and wanting different things. If everyone thought of the same thing at the same time, then that thing would come into fruition. Of course, the chances of that happening are nil since whenever you have even just three people together, one will always be thinking of something else, daydreaming or disagreeing or whatever goes on in people’s heads, and the other two will be saying they are thinking of the same thing, but that thing could be completely different for each of them. (For example, if they are trying to envision an apple, one might see a green apple, another red.)

Am I getting too silly here? Well, not too silly for a fantasy writer, but except for Bob: The Right Hand of God and Light Bringer, I probably will never be a fantasy writer. Probably will never write another book, either, but who knows. I could get bored with the books that currently exist and need to occupy my mind another way.

 

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

 

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Point of View

January 27, 2026 — Pat Bertram

The Wheel of Time culture shows me exactly why people can’t agree politically on . . . well, on anything.

By Wheel of Time culture, I don’t mean the various cultures in the books, though there are many, but the real-life culture surrounding the books. There are hundreds of websites devoted to discussions of the books, many websites that offer encyclopedias of Jordan’s world, other sites that offer snippets from Robert Jordan’s notes showing the development of his ideas and that sometimes include answers to questions fans ask (his answer most often is, “read and find out,” though sometimes he does elucidate). There are also companion books to the series that offer more information on characters, motivations, glossaries, a dictionary of his made-up language, explanations of things that don’t show up in the books like outlying cultures that have little to do with the story and things that Jordan never wanted people to know.

His subtlety (which it seems he prided himself on) is such that often there is no way to find the truth in the books themselves. In one case, we don’t find out who killed a particular bad guy until we see it in the glossary of the following book. I understand that he wants people to think about the issues and the happenings in the books, tries to get them involved in his world, and accords them the intelligence to be able to fill in vague lines. (The person who finished the series after the death of Jordan had no subtlety, no granting readers a modicum of intelligence, and explained every little detail.) I can also understand an author wanting people to figure things out on their own, such as Frank R. Stockton did in his 1882 story, “The Lady or the Tiger,” but at times it also feels a bit like a cheat. If it’s important, it should be in the books somewhere. If it’s not important, it shouldn’t be treated as if it’s some sort of mystery. (Though as Jordan admitted once in an interview, he was surprised when these — to him — throwaway incidents garnered much discussion.)

Still, as long as I can find out the information I want by checking online sources, I don’t really care that much if such particulars aren’t in the books since I certainly can’t remember every single detail of a 4,000,000 word story. I often end up checking on characters who showed up again after 1,000,000 words and I needed a refresher on who they were and what they had done. Sometimes if I can’t find an explanation for a certain minor point in any of the encyclopedias, I end up reading various discussions to see if any reader had figured it out.

All this to explain why I get caught up in other people’s opinions of the various aspects of the books.

It makes sense, of course, that people would have disparate opinions about the unsaid bits, but what’s really interesting to me is even when the story is explicitly laid out, when the characters’ actions are visible to everyone, when the motivations are obvious, that readers all see something different and are vocal about defending their point of view.

And this is just a story. The words are static. There are no edited versions of the sentences making them seem to say what they didn’t say, no edited videos making us see a different version of the action. It’s all right there in the books. And yet, the interpretations are wildly different. Some people hate a couple of the characters because their plot line goes on and on and seems to accomplish nothing. Other people love those characters and hate other characters. That makes sense to me. Some people even hate the main hero while loving the books, which doesn’t make sense to me, but it doesn’t have to make sense. It’s about preference.

But misinterpreting the story? Seeing what isn’t there? Not seeing what is there? That doesn’t make sense to me since we all have access to the exact same words. I suppose it’s possible that it is I who is misinterpreting the story, since after all, I am totally the wrong demographic (older by decades!) but even that would prove my point, which is . . .

Hmm. What is my point? I suppose it’s that if people can’t even agree on what they are seeing in a book series, can’t agree on what is right and what is wrong when it matters little, it’s easy to see why there is no agreement about what is best for us individually and ultimately the country.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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The Lord of Chaos

January 24, 2026 — Pat Bertram

In the Wheel of Time book I’m reading now, the story starts off with one of the bad guys being summoned before the head bad guy (not a guy, exactly, but a cosmic dark force that’s the opposite of the Light). The head guy gives his minion many directions, which we are not privy to, except for the last: “Let the Lord of Chaos Rule.” At the end of the book, this same bad guy again goes before dark force and asked if he did good. The Dark One lets out a loud laugh.

All through numerous rereads, I never could understand what the bad guy did because except for the beginning and very end, he’s practically invisible throughout the book.

But then, I never paid attention to the reason things happened in the book but the obvious since they seemed to be isolated actions taken by various characters. This time, I’m looking at the things that happen, thinking perhaps they are the result of the dark side’s behind-the-word machinations. And now it’s obvious.

The “lord of chaos” comes from the real Medieval and Renaissance New Year’s tradition of upsetting the class system, where the peasants become the rulers and rulers pretend to be peasants. The person chosen to be the “lord” of this celebration was called the Lord of Misrule or the Lord of Chaos, and was often the least competent person around, adding to the hilarity. (Perhaps that’s why the Dark One laughed at the end of the book? Finding the chaos his edict created hilarious?)

During the book, a shepherd (the hero who is meant to fight the dark force during the last battle) leads nations. (He doesn’t become king for another 500,000 words or so.) A blacksmith and a gambler command vast armies, a juggler becomes a wise mentor, queens become maids, an untried girl is chosen to lead the women wielders of power. (She was chosen as a puppet, and the only reason this particular chaotic bit doesn’t have the desired effect is that the dark minions completely underestimated her lust for power. Once she gets it, she grabs hold, and never lets go until it finally kills her.)

Often the bad guys play both sides. For example, it’s minions of the dark that have the hero kidnapped and tortured, but also, minions of the dark that save him. Chaos, indeed! (Create chaos, but in the end be sure to let the Lord of Chaos live so he can rule!) We don’t find out until later that some of the people that are supposed to be on the side of the light are actually on the other side, which adds to the chaos. These people might have their own orders, or they might be victims of compulsion, or they could simply be incompetent, all of which adds to the chaos.

Besides, no one knows the truth, though all characters, all factions, believe they do know what is true. The hero is the devil. The hero will destroy them. The hero needs to be killed. The hero needs to be controlled. The hero needs to be protected until he is delivered up to the Dark One at the Last Battle. The hero needs to be put in prison. Very few people ever stop to realize that the hero is doing what he must, that if he’s imprisoned, he will never grow into what he needs to become in order to win (which could be what the dark side wants, but the light also wants the imprisonment because they don’t believe he will voluntarily do his duty), and despite the very large disparities of belief, they all act with utter conviction.

Do you see where I am going with this post? (Minus the hero bit, that is.) Although the book was written thirty years ago, it seems (spookily) as if I am reading an allegory of our times. In a world of short-form content and edited video clips, it seem as if very few people take the time to delve deeper into the background (or foreground) of events to try to find out the truth. Everyone sees what they believe is true and they act on it because for them, it is the truth. It’s as if we’re living in two distinct worlds where there is no overlapping, so while both sides can be saying the same thing (“the opposition is ignorant,” for example) and both can be acting according to their honest beliefs, they both mean completely different things and have completely different results.

Let the lord of chaos rule, indeed.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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Fun? Me?

January 22, 2026 — Pat Bertram
Daily writing prompt
List five things you do for fun.
View all responses

Five things I do for fun:

1.

2.

3.

4.

5.

Yep, that’s right — I don’t do anything for fun, don’t even know how to have fun. Even as a kid, I didn’t know how to play let alone have fun. I used to like paper dolls, but after I did the work to cut out the clothes and tried them on the dolls, that was it. I never knew what to do with them afterward. I remember once I spent hours building a small town out of paper, complete with houses and streets, but since I didn’t know what to do with it, I let my younger siblings play with my creation while I sat and watched.

(Apparently, I was born with that trait. My mother often told the tale of baby me and how my eleven-month older brother would play with my toys, and as long as he stayed by my playpen so I could watch, I was content.)

To be honest, I don’t even know what fun is, so I had to look it up. According to the Oxford English Dictionary, fun is “light-hearted pleasure, enjoyment, or amusement; boisterous joviality or merrymaking; entertainment”.

Boisterous joviality and merrymaking are not part of my makeup. I am quiet, the one sitting back and letting other people get rowdy or drink too much or “party” (whatever that is). On my twenty-first birthday, I went to a bar in Central City with a friend for my first drink, but she dragged a friend of hers along. I sat and watched the two of them get raucously drunk. Finally, I went up to the bar and started talking to the owner. Even though he didn’t know it was my birthday, he seemed to feel sorry for me, especially as all I did was order a soft drink. At one point he asked me if I wanted to see his new icemaking machine and I said yes. I know what you think: “Hey, want to come up and see my etchings?” But no. He was thrilled with his new machine, and wanted to show it off. So typical of me! (Typical, too, that I had to drive those two drunks home, stopping periodically so they wouldn’t mess up by new car with their retching.)

I read a lot, but for me, reading is not a “light-hearted pleasure or enjoyment.” I’m not sure it’s even enjoyment. It’s more of a thing I do the in the same way I breathe — as a necessity, a mechanical act that keeps me alive, something that supports calm, and keeps me centered. It’s just what I do. Sometimes, if the book is not particularly stimulating, I let my conscious mind follow the story while my subconscious deals with whatever problems I might have, or even deconstructs the story to see what the author did.

I also like to learn, but that fits in with the whole “reading” thing.

As for entertainment: the last time I had a television (until I moved here to my permanent home, I rented a room in a house that came with a television), I decided to watch Hallmark movies. I figured I’d never spring for television programming, so it would be the last time I had a chance to watch those movies. So I did. But for me, it wasn’t entertaining so much as a study in how to put together a Hallmark movie. So much time for an introduction. So much time until the meeting. So much time for the characters to get to know each other. At exactly what time the big breakup/misunderstanding occurs. And finally how long for the happily ever after ending.

Despite being a rather quiet and serious person who spends most of her time alone, I still do like to laugh and chat with friends, but sometimes days pass without my seeing anyone, especially in winter. (Sometimes it takes more mental energy than I have to make the effort. Luckily, my friends make the effort for me.) In the summer, when I am out working in my yard (again, not really fun for me, though I do like seeing the results of my work) I often visit with neighbors across the fence, in the alley, or in the middle of the street depending on where those neighbors live.

A friend posted on her blog that instead of making New Year’s resolutions or intentions, she’d heard of a different way to start the year: pick a word to be a theme for that year. Sounds nice. Maybe I should choose “fun”?

But no, if resolutions tend to set us up for failure, then trying to live up to a word that is not in my nature would set me up for even more failure.

I suppose not being “fun-loving” is something I should worry about, but I’ve lived this long without being able to list five things I do for fun, so I suppose I can live my remaining years the same way. And anyway, I’m contented, which should count for something.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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Books I Want to Read

January 21, 2026 — Pat Bertram
Daily writing prompt
What books do you want to read?
View all responses

The books I want to read are novels with a new story (which is hard to find since it seems so many novels repeat the same old stories with minor variations) or a truly different twist on an old story. The characters in these new — or old — stories are loyal and kind, nice until it’s time not to be nice, have integrity, do their best and when they don’t succeed, try to do a better best in some way. Often these characters have a talent or skill, but the story challenges them in ways that those abilities don’t help, and in fact force them try to find ways to use their lesser abilities. (For a simplistic example, a person with great eyesight would be at a disadvantage in a lightless cave and would need to rely on their perhaps diminished hearing.)

These books are also all written with clarity and grace using words and phrases that are sometimes lyrical or out of the ordinary, but always clear and understandable.

The books are of various genres, but at their core they are all great stories with relatability and depth, a sense of wonder and perhaps a touch of strange. No category romance! And not much science fiction or fantasy, either. (A lot of fantasy starts out very confusing and quite frankly, I have enough trouble sorting out the confusion in the real world. I don’t need to bring more confusion into my life.) Some speculative fiction would be on the list of books I want to read, especially if the stories are rooted in an everyday world and only after the story is established does it branch off into extrapolated plausibility (or implausibility).

The books also keep me absorbed without nail-biting tension. Curiosity about what is happening is better for me since tension, like confusion, is something best left to the real world. In fact, if a book makes me too tense, I read the ending, and if the ending fulfills the author’s contract with the reader, giving a satisfying and fulfilling resolution (another thing that’s in all the books I want to read), I’ll go back and finish reading the book with a deeper understanding of the situation.

I’m sure there are other characteristics I’m looking for in the books I want to read, but for now, this will do.

Oh, you want the titles? If I knew the titles of such paragons of the written word, I’d have already read the books!

The truth is, although the books I want to read have all the elements I’ve just described, I read just about anything as long as it engages my attention enough to get through the first chapter. Besides, somewhere in all the sludge are gems just waiting to be found.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

Posted in books, fiction, life, writing. Tags: , , , , , . 11 Comments »

Emergency Library

January 19, 2026 — Pat Bertram

When I was young, I often reread books, but in my middle years, I discovered I didn’t like rereading, didn’t like the echoes of previous readings reverberating in my head. Like most readers, I’d accumulated shelves of books, but when I realized I didn’t want to reread any, I gave them away. The only books I liked having on hand were those I hadn’t read, what I called my “emergency stash.”

When the quarantine hit, and the library was closed, I quickly used up my emergency stash, and ended up rereading The Wheel of Time series. I found I liked living in Jordan’s world, one that purported to be both our distant past and our even more distant future. Well, I liked the parts when they were traveling, not so much the parts when they were manipulating each other, torturing each other, bending each other to their will. When the reread seemed to work out, I started searching for other books or series I could keep on hand to reread. Although I tried, I was never able to get into any other fantasy series, could not relate to any of them. There were too many ridiculous unpronounceable names and even more ridiculous situations in never-were-could-never-be worlds, to say nothing of the often-execrable writing. I did enjoy Ender’s Game and some other of Orson Scott Card’s science fiction books, but none I wanted to re-reread.

Recently, I went through series I’d previously read, but this time, instead of picking up books haphazardly, I read them in the order they were written to get a better idea of the character’s story. Most were mysteries, most I’d read so long ago I didn’t remember the story, but none caught my imagination enough to want to ever reread again. Others were stories I once loved, such as the Mrs. Pollifax books, Dune, and The Lion, the Witch, and the Wardrobe, but although I liked the first book in all three of those series, the rest didn’t hold up to my adult scrutiny.

I did order the Noel Barber novels — I couldn’t get Tanamera, Sakkara, and Farewell to France from the library and I thought a friend would like to read Tanamera since she’d grown up in the Cameron Highlands in Malaysia. I ordered the others because at one time I’d liked them, and as it turned out, I still do.

So that’s the extent of my emergency library — Robert Jordan and Noel Barber. It turns out that no matter how much I once liked a book, few of them have the depth or sink-into-ability that I need to enjoy rereading a familiar story. It’s just as well. I don’t like having a lot of clutter, and books I don’t want to reread seem clutterish to me. I do have a stack of books about alchemy that I inherited from my brother and haven’t yet read, but I’m saving them for . . . actually, I don’t know what I’m saving them for. A time when I have the mental effort to expend on them, perhaps, but at least they are there as an emergency stash for my emergency stash.

Come to think of it, I also have the books I’ve written, but I’m afraid to read them in case I’m no longer proud of them. But someday I might read them. Or not.

Are there any books you enjoy rereading? Any you love? Any you’ve read multiple times?

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

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