Writing a Book Summary

Blogging is easy for me. It’s mostly a matter of letting my stream of consciousness flow through my finger tips onto the page. There’s not a lot of thinking, because either the thinking has been done or my thoughts are being processed as I write. The only time it’s hard is when my mind is blank — it’s hard to stream something that isn’t there. Often, though, I can start writing and an idea will show up that I can develop into a blog post, even if it’s only to say that my mind is blank.

Writing novels isn’t that difficult once I get started. It’s more a matter of sitting down and working out the puzzle and trying not to get bored by the necessary scenes. (The scenes that are necessary to the story, but that have been in my head so long it seems as if they’ve already been written.) What’s hard is getting started. To me, writing a novel is about finally getting the story out of my head, but if there is no story caroming around trying to get out, I have no real impetus to write.

Writing at someone else’s request is whole other situation. It feels too much like homework, and although I never minded homework when I was young, at least I don’t think I did, my mind now balks at having to do something by request.

This latest “something” isn’t onerous. It just feels like it because of the aforesaid balky mind. I’m supposed to be writing a summary of my soon-to-be-published book (my publisher is aiming for October 20!). Even though it’s been a while since I last worked on the book, I mostly remember it. (I’m looking forward to the day I completely forget so I can read it as if it’s new to me.) I just need to summarize it in a way that will entice everyone to read it. Because of course everyone will want to read the book, they just don’t know it yet. And it’s not as if I have to write a synopsis of the whole thing to get a publisher interested, because he already is interested and working on putting the book together. All I need is a short 300 word blurb and a longer 3000 word summary.

Shouldn’t be difficult, right? But apparently, I prefer to write about writing the blurb than to actually write it.

You’d think I would have been smart enough to have already written it, knowing the book was going to be published, but somehow, just like with homework, I’ve put it off until the last minute. (Actually, that’s not true. For the most part, I think I did homework right away so I wouldn’t have it hanging over me.) In this way, at least, I was much more disciplined as a child.

But I am thinking about the synopsis, so that’s something, right? Maybe if I think about it long enough, it will pretend to be a blog post and I can just let it flow through my fingers onto the page.

Then the real work starts: a bio. You’d think after almost 3,000 blog posts, many of them about my life, it would be easy to come up with something interesting to say in a bio, but nope. Total blank.

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One. “Grief: The Inside Story is perfect and that is not hyperbole! It is exactly what folk who are grieving need to read.” –Leesa Healy, RN, GDAS GDAT, Emotional/Mental Health Therapist & Educator.

Joys of the Writing Life

I am still writing!!! I have always been a slow writer, but my current work is just flying along. It helps that I know the characters. The main character is me so there is no reason to create artificial conflicts, weakness, or strengths. They are all there is living color. (To be exact, they are there in black and white since the page is white and the words are black.) I would have thought using a real person as a character would make the writing harder because I can’t create the character to fit the plot. In many ways, the character herself is creating the plot — what she thinks, what she does, what she fears, what she grieves.

The other characters, at least some of them, are based on the women in my dance class, which makes things easy. If I need to describe something or someone, I can describe what I know. Unfortunately, I am having a hard time making them come alive. I am hesitant to attribute bad qualities to them, real or imagined, and I don’t want to create havoc in their lives by giving them secrets, such as a secret lover. Can’t you just hear it?book

Husband: Character B is you, right?
Character B: Yes. Isn’t this great?
Husband: And it’s based on your life.
Character B: Yes, but it’s fictionalized
Husband: So who is this guy you’re having an affair wth?
Character B: I’m not having an affair.
Husband: You said Character B is you.
Character B: A fictionalized me.
Husband: And Character B is having an affair.
Character B: Yes, in the book I am having an affair.
Husband: So who is he? Do you want a divorce? Is that what you’re saying?
Character B: No. I’m saying I’m character B.
Husband: Do you want to leave or do you want me to leave?

It’s a big enough responsibility shaping one’s character’s lives, to have the real person influence the character. Having the character influence the real person is more responsibility — and guilt — than I can handle.

So, these characters so far are just walla-wallas. (In old time court room dramas, when the trial watchers were supposed to murmur to show excitement at a revelation or verdict, they said, “Walla, walla. Walla walla.”)

To help the story along, I combined several women into a few fictional ones, which gives me the benefit of being able to have them do what I want without worrying about ruining their lives. And I can go back and change these characters as necessary to fit the story.

Other things that are making this story run smooth: 1) It’s rather stream-of-consciousness — not too much, I hope — and stream of consciousness is easy for me. Just tell what I know and show what I feel. 2) I’ve been mulling over this idea for two years, so much of the story is already in my head. 3) Since this is a mystery that takes place at a dance studio, and since I am taking lessons, every day offers inspiration. 4) I am typing the story instead of writing longhand. I wrote my other books longhand because I feel it gives me a better finger/mind connection — and I didn’t have a typewriter or computer — but I can’t hold a pen for long periods of time anymore, and I can’t read my writing afterward. 5) Mostly, I’m putting myself in a position to write. I joined a 250-word-a-day club, and when I am too tired to think, I tell myself “just do your 250 words and then you can stop”. But by then, I’m into the story, and I need to finish the current scene before I forget it.

It’s not much of an exciting life. Nothing to discuss, no adventures to talk about, no conflicts or great emotions to try to work out. Just me in my fake/real world. One thing that is notable: I forget sometimes and call the real people by their fake names. And sometimes I refer to an episode in the book as having really happened. Ah, the joys of a writing life!

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(Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.”)

Reviewing Interviews

I made it through the first week of my blog tour!! I’m getting to the hard part, though. I have several interviews coming up, and it’s challenging keep from making identical responses to identical questions. There really is only one story behind the writing of Daughter Am I —  I wanted to use the true tales of the Syndicate an historian friend used to tell me, and I wanted to do a mythic journey, so I combined the two ideas into the book —  but I don’t want to bore people bycontinually talking about that not so very interesting inception. So, I wait until very late at night when my defenses are down, and I write what ever comes to mind.

Yes, I know — I keep talking about how words don’t come easy to me, but that’s only when it comes to fiction. When it comes to late night stream of consciousness, well, the words do come. I just hope they are worth reading. I guess we’ll find out. My first interview is today with Shelagh Watkins. Click here to find it.

I must have used up all my words last night for the interview. I’ve been sitting here for the past ten minutes trying to think of something witty to say, or perhaps pithy, but my mind is a total blank. Not good. I have a live chat in a couple of hours on Reviewers Roundup to talk about blog tours, and I need at least a few words for that. Maybe I’ll go take a walk. See if I can find a few words among the fallen leaves.

DAIClick here to buy Daughter Am I from Second Wind Publishing, LLC. 

Click here to buy Daughter Am I from Amazon.

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