No Doubts

Truth is hard to come by these days because no one has any doubts. No matter the side people are on, if there are sides, they all believe absolutely that they’re right.

What happened to doubts, to thinking that “Yes, ‘A’ seems right but maybe ‘B’ has points, too”? The trouble with people not having any doubts, who believe unquestionably in the rightness of their stance, is that they never seem to take into consideration things like trade-offs. A measles vaccine saves lives, but it also destroys some lives. There is a whole lot of doubt in the discussion, but you never see it, just utter “knowing” on both sides.

It’s not just online — that absence of doubt — but also conversations in person. It’s hard to converse with people who have no doubts, who know what they know and have no interest in knowing anything else.

I don’t think there’s anything that’s so true — so doubtless — that it’s set in stone. Not even the pyramids, talking of stone. The research I did years ago makes me think the pyramids are not tombs. The later ones, perhaps, were created as tombs, after people lost the reason for the pyramids, but originally they seem to have been a means of pulling energy directly from the earth, a lost art that Nicola Tesla tried to recreate with his various experiments, including the Colorado Springs wireless electricity tests and his Wardenclyffe Tower. There’s a lot of talk in certain segments of the internet about such lost technologies, as well as the theory of Tartaria, an advanced civilization that supposedly was erased from human memory when the world was “reset”. Although it’s fun reading about such theories and seeing the “proof,” I don’t really believe in a reset theory, and yet other research I did years ago, on the origins of the Black Death, makes it seem as if that could have been a reset, a way of stopping an explosion of human progress.

People who believe in such things have no doubt that they are true. Those who don’t believe have no doubts that they are false.

What happened to doubting? Maybe doubt is another lost art.

A few weeks ago, some fellow left a few comments here on my blog telling me that if I’m writing for myself, I have no business publishing my articles, that writing is a service writers do for others. He is convinced of his rightness, but I have doubts. For one thing, I am not narcissistic enough to believe that everyone wants to read what I write; in which case, any writing I do has to be for me. It also seems to me that so much that is written is garbage, which is certainly no service to anyone. And it’s garbage because people are writing for others. They write the books they think people want to read, they post the memes they think people want to see, write articles they think people want to believe, and in all of that, the truth gets lost.

Oddly as it sounds, I’m beginning to think that truth can be found in the doubts. And maybe that’s where wisdom lies, too — in the doubts.

As Robert Jordan wrote: “You can never know everything, and part of what you know is always wrong. Perhaps even the most important part. A portion of wisdom lies in knowing that. A portion of courage lies in going on anyways.”

This could be why wisdom is so hard to come by nowadays — no one has any doubts. No one even seems to know there is anything to doubt about their position.

It’s possible I believe so much in the importance of doubting because I have doubts about everything. But who knows? Not me, that’s for sure!

 

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Pat Bertram is the author of Grief: The Inside Story – A Guide to Surviving the Loss of a Loved One.

The Grim Origin of the Grim Reaper

Scholars trace the origin of the Grim Reaper to ancient times where he was known as Cronus to the Greeks and Saturn to the Romans, but the Grim Reaper as he is depicted today comes directly to us from the Middle Ages and the Black Death.

According to William Bramley, author of The Gods of Eden: “In Brandenburg, Germany, there appeared fifteen men with ‘fearful faces and long scythes, with which they cut the oats, so that the swish could be heard at great distance, but the oats remained standing.’ The visit of these men was followed immediately by a severe outbreak of plague in Brandenburg. Were the ‘scythes’ long instruments designed to spray poison or germ-laden gases?

“Strange men in black, demons, and other terrifying figures were observed in other European communities carrying ‘brooms’ or ‘scythes’ or ‘swords’ that were used to sweep or knock at people’s doors. The inhabitants of these houses fell ill with plague afterwards. It is from these reports that people created the popular image of death as a skeleton, a demon, a man in a black robe carrying a scythe.

The Black Death began in Asia and spread to Europe between 1347 and 1350 where it killed over 25 million people, 1/3 of the population.

Despite the current belief that rats in overcrowded cities spread the plague, many outbreaks occurred during the summer in uncrowded conditions. And not all outbreaks were preceded by rat infestation. In fact, most outbreaks seemed to have nothing to do with an increase in rodent population. Nor were outbreaks confined to urban areas. The plague often struck isolated human populations which had no contact with infected areas.

Many people in stricken areas reported that outbreaks of the plague were caused by evil-smelling mists. Bright lights and unusual activity in the skies frequently accompanied these mists. And sometimes, a mist was seen to be coming from rocket-like airships. Not only did these mists kill people; they killed trees and destroyed the fertility of the land.

People were warned: “If newly baked bread is placed for the night at the end of a pole and in the morning is found to be milewed and internally grown green, yellow, and uneatable, and when thrown to the dogs causes them to die from eating it, then the plague is near at hand.”

Foul mists were blamed for other epidemics. During a plague in ancient Rome, Hippocrates (c.460-337 BC) had people build large public bonfires that he believed would get rid of the bad air. Considering the current belief that the plague was caused by a disease carried on the fleas of rodents, this advice seems ludicrous. But if what is intimated by these reports is true, and the plague was caused by germ-saturated aerosols such as those used in modern biological warfare, then bonfires would be the only defense.

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Bramley’s descriptions and hypotheses of what happened in the middle ages, and the implications of what it might mean if true, really spooked me. I used this research for the following excert from Light Bringer:

“Alchemy wasn’t merely about the transmutation of metals,” Ernst said. “It was also about the transmutation of the alchemist. Once this mutation took place, the alchemist’s life span increased by hundreds, maybe even thousands of years. Apparently they learned to turn off the death genes.”

How interesting that he should mention alchemists, Teodora thought. Arist Kochavallos had recently told her that one reason for the Black Death in medieval times was that humans were becoming too advanced and had to be retarded. For him, those were not the dark ages, but an age of light. The alchemists, a greater percentage of the population than anyone imagined, were learning about nuclear fusion and fission. The Arabs were learning about rocketry and jet propulsion. Architecture, as manifested in European cathedrals, was unsurpassed. Along with many other technological inventions, a simple binary machine—a computer—had been created.

And the custodians of earth did not like what they saw.

Outbreaks of the plague were accompanied by strange phenomena, such as torpedo-shaped craft emitting noxious mists, and men dressed all in black walking through the streets with long instruments that made a swishing sound like a scythe.

According to Arist, that’s where the image of death as a skeleton in a black robe carrying a scythe originated.

More than anything else, finding out the origins of the plague had convinced Teodora that the tenth planet existed, that at least a small enclave of its inhabitants resided on Earth, and that they had no love of humans.

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(Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.”) Connect with Pat on Google+. Like Pat on Facebook.