She Said Sarcastically

While reading a book the other day, I came across this exchange:

“I’m back! Did you miss me?” she cooed in an almost childlike tone.
“Like the Sahara misses the rain,” he said sarcastically, hand on heart.

It was supposed to be a flirtatious moment in an otherwise serious story, but the author completely lost me there. Not only did she destroy the flirtatious aspect of the comment with “sarcastically,” the writing is atrocious. Cooing (if you have to use the word, which I do not recommend) presupposes “an almost childlike tone.” And why modify “childlike tone” with almost? Why not have the courage to say childlike tone? Or why say anything? Why not have her give him a flirtatious look? Or have her smile? (It’s been pointed out to me that I have my characters smiling at each other way too often, but at least they aren’t cooing at each other.) Or leave “I’m back! Did you miss me?” plain and unadorned without a dialogue tag. We get the point.

As for sarcastically — well, for one, it adds nothing to the exchange. For another, it doesn’t mean what the author seems to think it means. Sarcasm is a cutting, hostile, or contemptuous remark. The word originally came from the Greek word sarkazein, which means tearing flesh, biting the lips in rage, sneering. Very flirtatious! (She said sarcastically.)

 The secondary definition of sarcasm is “the use of a caustic or ironic remark,” but sarcasm connotes contempt even when used ironically. If she meant ironic, she should have said ironic, though ironically, irony is not exactly what she wanted, either. Irony is the use of words to express something other than (usually the opposite of)  the literal meaning. The character in the exchange above might be exaggerating what he meant, but he had missed her, so he didn’t say the words ironically, either.

He could have said the words sardonically, but sardonic means bitter and mocking. Perhaps he could have said his words wryly, facetiously, flirtatiously or expansively, but why use any adverb? The melodramatic gesture of the hand to the heart showed exactly what he meant to say, that yes, he did miss her but that his words were overblown.

One of the rules for writing is to cut down on ly adverbs. Now you know why. People like me get caught up in the foolishness of the word and forget to read the rest of the book.

Excerpt from Light Bringer — Ghost Town and Ghost Cat

No wonder Becka felt tired—it was still night. She was about to climb back into bed when she remembered what Luke had said about the setting moon illuminating the outlines of the houses where the white tribe had lived. Afraid of missing the phenomenon, she didn’t even take time to snatch a robe to throw over the long T-shirt she wore, but dashed to the front door, yanked it open, and stepped out onto the porch. 

Mouth hanging open, she stared at the town. By outlines, she’d thought Luke meant a faint tracing on the ground where the foundations had been, but this . . . this was a complete village, each exquisite stone house solidly visible. Though the stones weren’t uniform, they fit together snugly, like a miniature version of the megalithic ruins she’d seen in pictures of Cuzco. The roofs seemed to be made of rough wooden shingles, and the windows were covered with what appeared to be mats woven of dried grasses. 

Seeing the door of the nearest house open a crack, she froze. 

The door opened wider, and a sleek, hairless white cat with outsize ears and large slanted eyes sneaked outside. It looked around as though proud of its accomplishment, then sat back on its haunches and washed its face. 

A ghost cat?

Becka felt a giggle percolate to her throat. She tried to swallow her amusement, but a tiny gurgle escaped. 

The cat swiveled its head in her direction and focused its luminescent eyes on her. 

She gazed at the hairless creature, unable to look away. What is it they say about staring too long into the abyss? Make sure it isn’t staring back at you? 

She shivered, but still couldn’t avert her eyes. 

Suddenly, with one liquid motion, the cat sprang to its feet and streaked toward her. 

Light Bringer by Pat Bertram will be released in the spring of 2011 by Second Wind Publishing, LLC. 

The First Terrible Anniversaries of Grief

The first anniversaries, holidays, and special days after a loved one’s death are difficult because we are so intensely aware that the person is no longer here to share in the joyous occasions. This is especially true if that person is a spouse, a life mate, a soul mate. Whatever traditions we developed together become obsolete when only one of us remains to carry on. The pain, the yearning to be together once more can be devastating on these days.

If those first anniversaries do not mark joyous occasions and celebrations but days of horror, the pain is oh, so much worse.

This has been a particularly difficult month for many who lost their mates because Valentine’s Day is shoved down our throats. Wherever we go, we see images of happy couples. We remember we once were loved, once were part of a couple, and now we are not. Oddly enough, my upsurge in grief this month has nothing to do with Valentine’s Day. We were not a romantic couple, did not see the point of following the crowd and celebrating a day just because someone once decided we should. We ignored the day, hence it has no baggage to bring me pain. In fact, today was a good day for me — I had lunch with a couple of friends from my grief group. We have graduated from the need for the group but still need the companionship of those who have experienced the same losses, so today we initiated our own little social group. There was no maudlin talk, just the normal pleasantries of friends sharing a meal.

Still, this has been a dreadful month for me, a month of painful anniversaries. A year ago last week, my life mate — my soul mate — bent down to pick up something off the floor and pain hit him so severely, it sent him to bed for the rest of his life. A year ago next week we got the diagnosis. At the beginning of March, when he saw a doctor for the last time, the oncologist told him he had three to six months to live. Two days after that, we signed up for hospice. Three weeks later, he died.

I hadn’t thought of these days as anniversaries, so I did not steal myself for the onrush of grief. But grief has a schedule all its own, and it came for me. Again. How can his descent into these final stages of dying have begun a year ago? Those days seem so close that if my arms were long enough, I could reach behind me and touch him. Hug him. Keep him safe.

Today, thinking about his last weeks of unendurable pain, I feel self-indulgent for all my yearning to have him back. How could I ever subject him to that again? And yet, like a child, I weep for what I cannot have. I wonder what, in my youth or childhood, I did that was so terrible to deserve such punishment. I listen for the phone, hoping he’ll call me and tell me he forgives me and I can come home.

Grief is irrational. It stems from a part of us that has no logic. I know I did nothing to send him away. I know he is never going to call me again. I know I am not being punished for some long ago transgression.

And yet the grief keeps pounding at me during this time of terrible anniversaries.

Will Traditional Ways of Selling Books be Effective in the Ebook Era?

I participated in a discussion with several authors the other night concerning ways of promoting our books. For once, I didn’t say much, just sat back and listened to their suggestions for getting book reviews, getting the publishing company recognized by RWA and MWA, getting their books in stores. What struck me was that these were all traditional ways of promoting books. There was not a single mention of online promotion, of alternate means of promoting.

I’m the first to admit that online promotion doesn’t sell many books if you’re an unknown, but to be honest, I never said that it did. For me, online promotion has always been about establishing an internet presence. What I know about marketing books can fit on the head of a pin and still leave room for a host of dancing angels, but I figured that once my books reached a certain critical mass of reviews, sales, and readers (fans?), momentum (via the linked nature of the internet) would cause sales to mushroom. Hasn’t happened, but that’s the theory, anyway.

On the other hand, do the traditional ways work? Or, more importantly, will the traditional ways of promotion continue to work as ebooks supplant print books? I never thought that would happen —  too many of us prefer the comfort of a print book —  but recently two bits of information made me rethink my bias. First, the day after Christmas, Barnes and Noble sold a million ebooks. Second, a recent poll found that college students don’t read books. I’m not sure all those people filling up their ebook readers are actually going to read the books they download, but the fact is, ebooks are selling.

Does it matter that our books aren’t in stores if people are going to buy ebooks? Does it matter that we don’t have offline reviews if people will have to go online to buy the books? Does it matter that we don’t have book signings if there are no print books to sign? Perhaps I’m looking too far ahead. Perhaps print books won’t disappear until long after we’re moldering in our graves, but the ebook era is approaching faster than we imagined. We need to find news ways of promoting to meet the challenge. Oddly enough, blog tours are already so prevalent as to be almost useless. But what’s beyond book signings, reviews in magazines, bookstores? What’s beyond blogging, Twittering, Facebooking? That’s what we need to be considering.

Searching for a Genre

I had a book I wanted to write, so I wrote it, following the dictates of the story without regard to the conventions of genre. Now that book — Light Bringer — is close to publication, and I have a problem. How do I sell it?

I received several rejection letters from publishers and editors over the years saying they liked Light Bringer, that the story was unique and well-written but they’d have to pass because they didn’t know how to sell it. My reaction each time was, “What????” I mean, it’s a book — you put it on the shelf in a bookstore and wait for people to buy it, right? Not quite.

Genre is how we classify books, but more than that, it’s about reader expectations. For example, a thriller is a wild ride with a hero and a villain in mortal combat. Readers expect the story to be exciting, the conflict to involve high stakes, the suspense to be cutting. Generally, the story is told from both points of view — the hero and the villain. Light Bringer is suspenseful, does involve high stakes —  the fate of the Earth — and it does have a villain and a hero, but (here is the crux of the matter) which character is the hero, and which is the villain? Besides, as those publishers and editors told me, the book has too many science fiction elements to be sold as a thriller. They also said it doesn’t have enough science fiction elements to be sold as science fiction. Since they didn’t know how to classify the book, they didn’t know how to sell it.

Now that Light Bringer is about to be released by Second Wind Publishing, I need to figure out who will be most interested in reading the book. Readers are quick to penalize writers for failing to live up to genre conventions, and Light Bringer has no clear genre. It’s too contemporary for science fiction, too outrageous for mainstream, too straightforward for a literary novel, too philosophical for action/adventure, too mythic for an historical, too mundane for fantasy, too scientific for magical realism, too western for urban fantasy, too . . . well, you get the point.

In truth, Light Bringer is  more “myth fiction” than science fiction. Instead of basing the story on science (though there is much that is scientific in the book), I based it on myths: ancient myths, modern conspiracy myths, UFO myths, flood myths, historical myths, pyramid myths. The story is the culmination of a lifetime of research, and in following the research wherever it led, I ended up the premise of Light Bringer. Perhaps I discovered some long-hidden truth. Perhaps I created a separate truth. Perhaps I conjured a fantasy.

Whatever it is, Light Bringer deserves a chance. Suzanne Francis, author of The Heart of Hythea called it brilliant. Malcolm Campbell, author of The Sun Singer said “Light Bringer is TYPICAL BERTRAM: plots within plots, multiple characters with multiple agendas, fast moving, more than enough mystery and intrigue for everyone, satisfying conclusion. Great book.”

So now comes the hard part — finding readers.

If you’re interested in taking a peek at Light Bringer, you can find the beginning of the story here.

Advice to the Newly Bereft

A couple of newly bereft joined the grief group I go to, and seeing how lost and bewildered they are showed me how far I have come these past months. I’ve reached a modicum of peace (though I still have moments of intense grief) and I don’t feel quite so lost and bewildered.

The Kubler-Ross formula for grief is so ingrained in all of us that we think those are the only stages of grief, but I have discovered dozens of phases more universal and potent than denial, guilt, anger, depression. Loss and bewilderment are two such phases. They are major components of grief, though I haven’t found them listed anywhere as a stage the bereft have to deal with.

The worst problem of grief, of course, is that someone who was a vital part of our life is dead. The second worst problem is that we are flooded with so many emotions, topped off with excruciating pain, that it is almost impossible to sort everything out. All these emotions gridlock the brain’s synapses, and we are left feeling lost and alone and totally bewildered. Where did our loved one go? How can he no longer be here? How can the world continue without his presence? How can I continue without his support and love? How can he be so very gone?

That “loss” everyone tells us they are sorry for is not our loved ones. Our loved ones are not lost, not misplaced; they are dead. We bereft are the ones who are lost. Whatever place we thought we had in the world is gone, perhaps forever. The world is different without our loved ones, and this is especially so if the dead we loved was a life partner, a soul mate. They’d become such a part of the fabric of our lives, of our very being, that when death rips them from us, we no longer recognize ourselves. We wander lost, bewildered, in this alien world. Some people manage to find themselves again, others become so changed they never find their way back.

I’d gone through the typical stages of grief before my life mate — my soul mate — died. I’d denied, raged, bargained, accepted, so that I thought I was “over” him, that after his death, my life would continue, sadder, but not much different. The depth of my grief, my loss, my pain, my bewilderment stunned me. I’d gone through all the stages of grief, so I should be okay, right? Wrong. Real grief begins where those so-called stages of grief leave off. Those stages of grief were first noted as the way people learned to accept their coming death, and they bear only a shadow of a resemblance to what those left behind experience.

My life mate and I used to talk about who had it worse — I thought he had it worse because he was the one suffering. He thought I had it worse. It turns out he was right. His suffering is over, but mine will last the rest of my life. My grief will continue to change, to go through additional changes, will abate, might even be forgotten at times, but it is now a part of my life.

And he is not.

That is the crux of the issue, the cause of all that bewilderment, pain, and loss. How do you live with someone who is no longer there? How do you live without them? Here’s how: you find comfort wherever you can, however you can. (Besides drink and recreational drugs, that is.) No matter what you do to get through the worst of your pain, no matter how crazy it is, be assured that others have done it, too. Hug the urn with his ashes, carry his identification, smell or cuddle or wear his clothes, talk to him, scream for him, cover the wall with his photos, write to him, write blogs about your grief. Do whatever it takes to get you through, because, as hard as it is to accept, you are still alive.

Free Ebook! No Strings (Or Pages) Attached

Light Bringer, my fourth novel will be released this spring. To make way room for my new book, Second Wind Publishing is clearing out the ebook inventory of my previous three novels by giving away a free copy to everyone who leaves a comment on this blog post. That’s a joke, sort of — there is no such thing as ebook inventory clearance. Since ebooks exist only in the infinite reaches of cyber space, there is no inventory to clear. What is not a joke is that Second Wind is giving away free ebooks — that part is true.

All you have to do to receive a free ebook is to leave a comment mentioning which of my books you want to read. (Descriptions of  all three are listed on the right sidebar.) We will send you a coupon code to use at Smashwords.com where you can download your free book in whatever format you choose.

So, which book do you want to read? More Deaths Than One?  A Spark of Heavenly Fire? Daughter Am I? Now’s your chance!

This offer expires on February 15, 2011.

I Am a Ten-Month Grief Survivor

I mentioned to someone the other day that it’s been ten weeks since the death of my life mate and that I didn’t know how I managed to survive that long, then it hit me. It hasn’t been ten weeks. It’s been ten months. How is it possible to live almost a year with half your heart ripped out? I still don’t know, but I do the only thing I can: live.

After the nine-month mark, I had a respite from grief. I liked the symmetry of nine months of grief (gestation) before being born into a new life, but as happens with grief, the respite was merely that — a respite. A couple of weeks ago, the need to see my mate one more time grew so great it felt as if the yearning would explode from my body like the creature in Alien. The feeling came and went for a while, and now the creature has gone back into hibernation. But still, the yearning lingers.

I’m learning to live with the remnants of my grief. From others who have also borne such a loss, I’ve come to understand this is the next phase of grief — not soul-destroying pain as at the beginning, but blips of varying intensity and frequency. I know I can deal with this new stage of grief because I have been dealing with my grief all along, but still, a part of me rebels at the necessity.

Planning signifies hope and is supposed to be a sign of healing. Strangely (or perhaps not strangely; perhaps it’s to be expected ) every time I make plans, I have an upsurge of grief. Plans take me further away from him and our life. They remind me of similar things we did together, and they tell me that from now on, he won’t be sharing new experiences with me. Still, I am not holding myself back. I need to fill the hole he left behind, and new experiences are one way of doing that.

In the past four months I’ve gone to various art galleries. I’ve seen Mesoamerican antiquities, aristocratic clothing through the ages, local artists, classic art work. I went to a wild life sanctuary where they take care of captive-bred animals that zoos don’t want. I went to the beach. In May, I’ll be going to a writer’s conference where I’ll be a speaker.

All this shows that I’m moving on, and yet . . .

And yet he’s still gone. That goneness is something I struggle with — how can he be dead? I wanted his suffering to be over, so I was relieved when he died, but somehow I never understood how very gone he would be. I don’t want him to be gone, but he’s not coming back, and there is not a damn thing I can do about it.

Authors Who Reject Publishers

There’s been a lot of talk recently about traditionally published novelists rejecting their publishers and releasing their books themselves. I can see that these novelists don’t like making a pittance on their books, but it seems churlish to dump the very people that made them a success. Without the publicity departments of those publishing houses behind them, there is little chance that these authors would have ever attained their current popularity. If you are one among millions of unknown writers trying to sell your book to an unaware reading public, it doesn’t matter if your book is stellar. It cannot shine without readers.

Many authors have the idea that wonderful books will always find a readership. Once that might have been true, but in today’s book world, where anyone with a computer and bit of time on their hands can write a novel (sometimes in only a few weeks, including editing — yikes) the sheer numbers of available books can keep even a great book from rising above the flotsam.

Interestingly enough, only a couple of these once traditionally published authors wrote truly original novels. If the rest had to make their own way in the ocean of ebooks and self-published books, they would have not have found much of a readership. The major publishers want what I call blue-jeans books — books that are made from the same fabric as all the others in a genre but with a slightly different styling. They don’t want anything too original because it is hard to sell. (I had several editors tell me they loved Light Bringer, my latest novel, which will be released by Second Wind Publishing this March, but they turned it down because they didn’t know how to sell it.) The blue jeans quality that makes books acceptable to editors of major publishing houses is the very quality that makes them unremarkable in the self-publishing or independent publishing world.

I don’t have much use for the traditional publishers, so I don’t really care that these authors are shunning them, but it does give new writers a false idea of can be accomplished by going it alone. The very fact that these authors are dumping their publishers is news. Publicity, in other words. And it’s only newsworthy because readers know their names. And readers know their names because the authors had the benefit of a big corporation’s publicity department.

I might have been unaware of the situation, but one of these authors contacted me via Goodreads, asking me to be part of a promotional effort. He wrote that he’d send me (along with hundreds of others) an ebook if I promised to write a review and post it on a given date. I turned him down. I don’t like his books, and I don’t like being told when to post a review. Not that I would — I still have not learned the art of reviewing books. And if I did do reviews, I’d post reviews of books released by small, independent publishers. The point is, he sent me the ebook anyway. A story about vampires. Sheesh. Still doing the old blue-jeans dance.

I purposely did not mention any names in this bloggery since I don’t want to help promote the authors. And anyway, it doesn’t matter who they are. I certainly don’t care, and there’s a chance in the not-too-distant future no one else will either.

Dear (Deleted) — Conversation With a Marketing Expert

One of my blogs is Book Marketing Floozy, a compendium of articles I collected to help authors learn how to market their books. Every time I see good information, I ask the writer for permission to post their article on the blog. (If you’ve written an article about some facet of book marketing, please let me know. I’ll be glad to post it on the site.) The articles all credit the writers and provide whatever links the writers wish. It’s one of my efforts to help promote other authors.

A month ago, a promoter contacted me asking for my help in promotion. This promoter owns a word of mouth marketing company that connects businesses with consumers and consumers with businesses. I thought you might appreciate the irony of our emailed conversation. I’ve deleted names to protect . . . me.

Dec. 27 — Pat, Your website & blog came across my search today — excellent recommendations on here for a niche marketing in the literary world!  How long have you been blogging?

I was curious to know if you might be interested in linking to an online degree program. I work in affiliation with (deleted) College and I wanted to make a recommendation to include the (deleted) College Marketing Management degree in your link list.

***

Dec. 30 — Dear (Deleted): thank you for your interest in Book Marketing Floozy. I’ve been blogging for three years, and Floozy is just one of the blogs I run (though it isn’t a blog so much as a resource — I post articles sporadically, and most are written by other authors.)

If you’d like to write an article for me to post on the site about some facet of marketing, I’ll be glad to include any links you want. The only condition is that the article has to be informative and helpful — a how-to — rather than simply self-promotion. –Pat

***

Jan 5 — Pat, We can certainly provide some content for a post.  If that’s the case, ideally would like to provide a link in the post content as well as have a sidebar text link on your homepage or blogroll.  Is this possible? Let me know your thoughts. When would this post?

***

Jan 5 –Dear (Deleted), I can give you whatever links you want in the content, but I don’t have a blogroll on that site, just a list of my blogs.

If the content is acceptable (helpful rather than self-promoting) I can post it whenever you want me to. –Pat

***

(Jan 20) Pat, Apologies for the delay in responding:

Attached is good solid information about the course program we discussed.  It’s factual, so hopefully this is acceptable for your blog.

(What she sent was a list of courses along with a list of possible careers.)

***

Jan 20 — Dear (Deleted), I’m sorry, I didn’t make myself clear. The article has to be a how-to of some facet of promoting. I will then include links for people to get further information about your program. What you sent me is nothing more than an advertisement. Free promotion for you. Book Marketing Floozy is (at least up front) a compendium of articles to help people learn about promotion. The back end, of course, is promotion for you, but you have to give them something to attract their interest. –Pat

***

Jan 21 — Pat, Below is an informational document about a career in Marketing.  Let me know your thoughts on this – hopefully this is something you can incorporate into your blog!

(This time she sent an expanded version of the course syllabus, explaining the career paths that will be open to students once they have their degree. A very expensive degree, I might add — tens of thousands of dollars in tuition.)

***

Jan 21 — Dear (Deleted), This article is still a promotion for your program. It doesn’t tell the blog readers how to market their books. That is the whole point of Book Marketing Floozy. To tell people how to do some facet of promotion. Once they see the wisdom in your how-to article, they might click on information about your program, but you have to give them something to get something. You of all people should know that.

Please read the articles at book marketing floozy to see what I mean. http://bookmarketingfloozy.wordpress.com. I really would like to help you, but Marketing Floozy is a compendium of how-to articles. –Pat

***

Jan 24 — Pat, Thanks for the opportunity of posting on your website.  However, the whole point of us placing a link is for some type of promotion.  The article was written with the intent of being informational about various marketing careers. We will pass on this opportunity then.  Best wishes to you in the new year!

***

That was the end of the conversation.

So, there you have it: a marketing company trying to promote a marketing program on Book Marketing Floozy, and the marketer hadn’t a clue what I was talking about. But then, maybe I’m the one who doesn’t know what I’m talking about.